Knowledge (XXG)

Rotoscoping

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Conceived as a shortcut to animating, the rotoscope process proved time-consuming due to the precise and laborious nature of tracing. Rotoscoping is achieved by two methods, rear projection and front surface projection. In either case, the results can have slight deviations from the true line due to
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projector that he used in his popular lectures between 1880 and 1895. The first discs were painted on the glass in dark contours. Discs made between 1892 and 1894 had outlines drawn by Erwin Faber photographically printed on the disc and then colored by hand, but these discs were probably never used
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is more often used to achieve the same background replacement effect, as it is faster and requires less work in post production. Rotoscoping generally provides a higher level of accuracy and may be used in conjunction with Chroma-keying. It may also be used if the subject is not in front of a green
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the separation of the projected image and the surface used for tracing. Misinterpretations of the forms cause the line to wiggle, and the roto tracings must be reworked over an animation disc, using the tracings as a guide where consistency and solidity are important.
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animated series (1918–1927). It was known simply as the "Fleischer Process" on the early screen credits, and was essentially exclusive to Fleischer for several years. The live-movie reference for the character, later known as
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Rotoscoping has also been used to create a special visual effect (such as a glow, for example) that is guided by the matte or rotoscoped line. A classic use of traditional rotoscoping was in the original three
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source material. Viewers criticized the show's shortcuts in facial animation, its reuse of backgrounds, and the liberties it took with realism. Despite this, critics lauded the movie, and the website
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have made the process of layering subjects in scenes easier, rotoscoping still plays a large role in the production of visual effects imagery. Rotoscoping in the digital domain is often aided by
399:(1933). In these examples, the roto tracing was used as a guide for timing and positioning, while the cartoon characters of different proportions were drawn to conform to those positions. 227: 923: 283:
effect with a matte based on sticks held by the actors. To achieve this, effects technicians traced a line over each frame with the prop, then enlarged each line and added the glow.
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Fleischer ceased to depend on the rotoscope for fluid action by 1924, when Dick Huemer became the animation director and brought his animation experience from his years on the
2580: 2553: 1129: 1824: 2575: 1144: 2548: 141:'s original rotoscope. The artist is drawing on a transparent easel, onto which the movie projector at the right is beaming an image of a single movie frame. 1829: 492: 2648: 1318: 2590: 1777: 1721: 1839: 1819: 739:, developed a computer-assisted "interpolated rotoscoping" process, which he used to make his award-winning short movie "Snack and Drink". Director 940: 1876: 1834: 1733: 1295: 1170: 913: 505: 496:
in order to make the human characters' motions more realistic. The film went significantly over budget due to the complexity of the animation.
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Contemporary uses of the rotoscope and its inherent challenges have included surreal effects in music videos such as Elvis Costello's "
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Fleischer's last applications of the rotoscope were for the realistic human animation required for the lead character—among others—in
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Litten, Frederick S. (2013). "Shōtai kenkyū nōto: Nihon no eigakan de jōei sareta saisho no (kaigai) animēshon eiga ni tsuite"
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series of the early 1940s, where realistic movement was achieved on a level unmatched by conventional cartoon animation.
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was rotoscope animated. King's Gorgonaut Studios had previously rotoscope animated a series of short fantasy films.
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used Sabiston's rotoscoping work for a series of television commercials, with the tagline "Talk to Chuck".
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subsequently employed Sabiston and his proprietary rotoscope software in the full-length feature movies
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series. Fleischer returned to rotoscoping in the 1930s for referencing intricate dance movements in his
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by frame, to produce realistic action. Originally, live-action movie images were projected onto a
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invented a digital rotoscoping process to develop its critically acclaimed adventure video game
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Fleischer's patent expired by 1934, and other producers could then use rotoscoping freely.
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cartoons. The most notable of these are the dance routines originating from jazz performer
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Description of "Digital cartoon and animation process" (Digital rotoscoping) Patent
761: 728: 578: 561: 503:. Most films produced with it were adaptations of folk tales or poems—for example, 500: 475: 471: 447: 378: 258: 157: 2511: 2291: 2069: 1911: 1121: 745: 527: 487: 474:, every 12th frame of the footage of a gogo dancer was rotoscoped, with all the 246: 33: 2516: 2383: 2296: 1979: 1974: 1919: 1379: 1002: 918: 837: 700: 676: 671: 630: 590: 549: 443: 374: 280: 254: 213: 192: 20: 1265: 1062: 2526: 2496: 2306: 2250: 2200: 2168: 1967: 1955: 1881: 1415: 841: 814:, a short-form horror anime series using rotoscoping, aired on Japanese TV. 642: 415: 312: 275: 249:
movies. By tracing an object, the moviemaker creates a silhouette (called a
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panel and traced onto paper. This projection equipment is referred to as a
1368: 2521: 2388: 2338: 2323: 2301: 2173: 2150: 1662: 982:[On the Earliest (Foreign) Animation Shown in Japanese Cinemas]. 855: 766: 598:; he resorted to the rotoscope technique to finish the battle sequences. 414:(1941). His most effective use of rotoscoping was in the action-oriented 153: 499:
Rotoscoping was a popular technique in early animated films made in the
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Understanding Motion Capture for Computer Animation and Video Games
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The Art and Inventions of Max Fleischer: American Animation Pioneer
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used rotoscoping to produce a look that differed greatly from its
773: 355: 226: 203: 161: 129: 890:"The Polish-American immigrant who changed the face of animation" 2016: 1388: 769:, with Lisa describing it as "a noble experiment that failed". 2501: 1210: 209: 27: 712:, who had used rotoscoping extensively in his previous games 231:
Modern animation of traced images from Eadweard Muybridge's
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movies, where the production used it to create the glowing
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software. Rotoscoping is often used in the preparation of
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used rotoscoping extensively for his animated features
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and his animators used the technique extensively in
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List of animated television series by episode count
2472: 2401: 2274: 2199: 2149: 2055: 2007: 1988: 1910: 1867: 1860: 1757: 1655: 1538: 1423: 187:for an element on a live-action plate so it may be 58:. Unsourced material may be challenged and removed. 822:(2021), a feature-length fantasy film directed by 808:, with critics praising its rotoscoping. In 2015, 789:awarded it a perfect score for initial reactions. 335:The rotoscope technique was invented by animator 798:(animated prequel to the 2004 live-action film, 2576:List of animated films by box office admissions 183:refers to the technique of manually creating a 241:Rotoscoping has often been used as a tool for 1400: 1213:, 20th Century Fox Home Entertainment, 2004, 957:"Compleat Eadweard Muybridge - Muy Blog 2009" 765:used rotoscope as a couch gag in the episode 8: 544:used rotoscoping to remove a large chunk of 2004: 1864: 1427: 1407: 1393: 1385: 515:. Only during the early 1960s, after the " 156:use to trace over motion picture footage, 1003:"The trick that made animation realistic" 984:The Japanese Journal of Animation Studies 980:招待研究ノート: 日本の映画館で上映された最初の(海外)アニメーション映画について 629:" (1985), three of A-ha's music videos, " 446:" (1985), the live performance scenes in 303:sequences painted on glass discs for the 118:Learn how and when to remove this message 1145:"'The Last Waltz' rekindles Band fervor" 607:(1979), a short film made by John Lamb, 339:in 1915, and used in his groundbreaking 168:, developed by Polish-American animator 1013:from the original on November 17, 2021. 881: 464:(2004). In the experimental 1973 short 331:Early works and Fleischer's exclusivity 858:, an image editing software employing 512:The Tale of the Fisherman and the Fish 1292:"The Spring 2013 Anime Preview Guide" 1272:from the original on October 27, 2008 1195:Ralph Bakshi: The Wizard of Animation 1171:"The 50 Worst Rock Fails Of All Time" 926:from the original on August 24, 2013. 706:Digital Cartoon and Animation Process 458:" (1986), and the animated TV series 7: 2549:Films with live action and animation 1147:. Detroit Free Press. Archived from 907: 905: 903: 792:In early 2015, an anime film titled 616:What Have We Learned, Charlie Brown? 56:adding citations to reliable sources 1298:from the original on April 21, 2013 1132:from the original on March 6, 2014. 269:for other matte-pulling processes. 1001:Edwards, Phil (December 3, 2019). 912:Maçek III, J.C. (August 2, 2012). 14: 2649:Audiovisual introductions in 1915 1641:Modern TV cable and streaming era 255:blue- and green-screen techniques 2617: 2608: 2607: 1367: 1252:La Franco, Robert (March 2006). 1143:Lawson, Terry (April 26, 2002). 840: 552:'s nose in his rock documentary 350:, was performed by his brother ( 237:engraved into twenty metal discs 32: 1317:Grobar, Matt (March 18, 2021). 622:It's Flashbeagle, Charlie Brown 493:Snow White and the Seven Dwarfs 43:needs additional citations for 1093:. Morgan Kaufmann. p. 2. 319:and Ernst Plank were offering 1: 2571:Most expensive animated films 2226:Direct manipulation animation 1877:Barrier-grid and stereography 635:The Sun Always Shines on T.V. 601:Rotoscoping was also used in 538:Lucy in the Sky with Diamonds 2117:Non-photorealistic rendering 1260:. Vol. 14, no. 3. 795:The Case of Hana & Alice 1749:International Animation Day 1346:. IndieWire. March 11, 2021 1128:. San Francisco Chronicle. 708:. The game was designed by 523:very different aesthetics. 396:The Old Man of the Mountain 330: 2677: 2219:Linear Animation Generator 2122:Physically based animation 943:December 23, 2011, at the 698:. The process was awarded 625:(1984); the Dire Straits " 506:The Night Before Christmas 18: 2659:Film and video technology 2603: 1808:Children's animated films 1430: 1126:"The day the music lived" 1087:Menache, Alberto (2000). 536:used rotoscoping in the " 323:film loops for their toy 191:over another background. 1717:Animation film festivals 979: 961:www.stephenherbert.co.uk 871:List of rotoscoped works 660:Harry and the Hendersons 2539:Twelve basic principles 2459:Instructional animation 690:Smoking Car Productions 299:had some of his famous 2137:Virtual cinematography 1734:Highest-grossing films 1636:Early TV broadcast era 1294:. Anime News Network. 1197:making-of documentary. 727:During the mid-1990s, 238: 224: 142: 2454:Independent animation 2444:Educational animation 1254:"Trouble in Toontown" 1043:Pointer, Ray (2016). 1025:US patent 1242674 701:U.S. patent 6,061,462 573:The Lord of the Rings 540:" sequence. Director 482:Uses by other studios 428:Accidents Will Happen 230: 218:series of photographs 207: 133: 2654:Animation techniques 2434:Animated documentary 2266:Whiteboard animation 2159:Traditional puppetry 1803:Adult animated films 1712:Biologist simulators 1675:Animation department 1376:at Wikimedia Commons 967:on January 19, 2018. 682:Sita Sings the Blues 604:Tom Waits For No One 430:" (1978), Klaatu's " 411:Mr. Bug Goes to Town 52:improve this article 2507:Character animation 2287:Character animation 1825:Children's animated 1232:www.animatormag.com 806:The Flowers of Evil 778:The Flowers of Evil 663:(closing credits), 454:" (1985), Kansas' " 16:Animation technique 2534:Creature animation 2464:Virtual newscaster 2409:Abstract animation 2241:Ink-wash animation 2231:Humanoid animation 2214:Audio-Animatronics 1778:Lost or unfinished 1702:Animation database 1680:Animation director 1217:. 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Patent drawing
Max Fleischer
animation
animators
frame
glass
Max Fleischer
visual effects
matte
composited
Chroma key

GIF
horse's gallop
series of photographs
Eadweard Muybridge

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