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758:. The exhibit consists of a mature male and a pregnant woman. Their skeletons are encased in the hardened arteries and veins which are colored red and blue respectively. Previously, historians have surmised that the corpses could have been created by injecting the hardening substances directly into the veins of living subjects. However, recent analysis shows no evidence of techniques involving injection. Analysis of the "blood vessels" indicate they are constructed of beeswax, iron wire, and silk.
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The chapel houses almost thirty works of art, among which are three particular sculptures of note. These marble statues are emblematic of the love of decoration in the Rococo period and their depiction of translucent veils and a fisherman's net represent remarkable artistic achievement. The
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Its origin dates to 1590 when John
Francesco di Sangro, Duke of Torremaggiore, after recovering from a serious illness, had a private chapel built in what were then the gardens of the nearby Sansevero family residence, the
280:. The building was converted into a family burial chapel by Alessandro di Sangro in 1613 (as inscribed on the marble plinth over the entrance to the chapel). Definitive form was given to the chapel by
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in 1749. The original floor (most of the present one dates from 1901) was in black and white (said to symbolize good/evil) in the design of a labyrinth (a masonic symbol for "initiation").
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Content in this edit is translated from the existing
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The following is a list of the works of art in the chapel, numbered in the accompanying diagram, along with the artist:
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in 1752 as a tomb monument dedicated to
Cecilia Gaetani dell'Aquila d'Aragona, mother of Raimondo. The 1753
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by Cesare d'Engenio
Caracciolo in 1623. When the chapel was constructed it was originally dedicated to
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symbols in its reconstruction. Until 1888 a passageway connected the
Sansevero palace with the chapel.
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The chapel also displays two early examples of what was long thought to be a form of
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Plan of the
Cappella Sansevero showing the location of the works of art
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to the source of your translation. A model attribution edit summary is
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art by some of the leading
Italian artists of the 18th century.
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In the basement there is a painting by the Roman artist
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to this template: there are already 660 articles in the
813:(in German). Cologne: DuMont Buchverlag. p. 135.
861:"The Anatomical Machines of the Prince of Sansevero"
836:"The anatomical machines of the Prince of Sansevero"
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of Genoa serves as a monument to
Raimondo's father.
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a machine-translated version of the
Italian article.
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544:Monument to Duke Giovan Francesco Paolo de' Sangro
259:. The chapel is more properly named the Chapel of
838:. University College London (UCL). Archived from
788:(in Italian). Naples: Museo Cappella Sansevero.
834:Renata Peters; Lucia Dacome (August 23, 2007).
742:in its basement. These "anatomical machines" (
115:accompanying your translation by providing an
60:Click for important translation instructions.
47:expand this article with text translated from
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512:Monument to Giovan Francesco Paolo de' Sangro
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291:The chapel received its alternative name of
617:(painting by unknown artist, 17th century);
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701:Monument to Giovan Francesco de' Sangro
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969:Museo d'Arte Contemporanea Donnaregina
691:, Giorgio Marmorano – Giacomo Lazzari;
637:Release from Deception (Il Disinganno)
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697:, unknown artist of the 19th century;
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1009:National Railway Museum of Pietrarsa
352:, shows the influence of the veiled
295:from a painting of the Virgin Mary (
127:{{Translated|it|Cappella Sansevero}}
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444:A portion of the chapel's statuary
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595:Monument to Alessandro de' Sangro
162:Chiesa di Santa Maria della PietĂ
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1126:Roman Catholic chapels in Italy
979:Museo del Tesoro di San Gennaro
663:and painting by Giuseppe Pesce;
661:Basement with anatomical models
655:Monument to Raimondo de' Sangro
597:, Unknown artist, 18th century;
560:Painting of Raimondo de' Sangro
994:National Archaeological Museum
754:ca. 1760 from a commission by
750:) as implemented by anatomist
125:You may also add the template
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894:Video of the Sansevero Chapel
570:La soavitĂ del giogo maritale
241:Cappella Sansevero de' Sangri
1106:1590 establishments in Italy
1019:Pio Monte della Misericordia
689:Monument to Paolo de' Sangro
673:Monument to Paolo de' Sangro
528:Monument to Paolo de' Sangro
506:Monument to Cecco de' Sangro
341:Christ Veiled under a Shroud
251:, in the historic center of
1048:Zoological Museum of Naples
1014:Palazzo Zevallos Stigliano‎
1004:National Museum of Ceramics
138:Knowledge (XXG):Translation
97:will aid in categorization.
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364:) completed in 1753–54 by
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1111:Former churches in Naples
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49:the corresponding article
889:Sansevero Chapel Website
786:Museo Cappella Sansevero
657:, Francesco Maria Russo;
263:. It contains works of
219:John Francesco di Sangro
1116:Anatomical preservation
1077:40.849190°N 14.254880°E
1024:Royal Palace of Caserta
964:Museo Civico Filangieri
667:Il Dominio di sé stessi
550:Lo zelo della religione
305:Santa Maria della PietĂ
261:Santa Maria della PietĂ
229:Santa Maria della PietĂ
173:Entrance to the chapel.
151:Church in Naples, Italy
136:For more guidance, see
27:Chapel in Naples, Italy
1029:Royal Palace of Naples
949:Certosa di San Martino
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728:Head of the male model
703:, Francesco Celebrano;
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607:Altar (La Deposizione)
508:, Francesco Celebrano;
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358:Release from Deception
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809:Legler, Rolf (1990).
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748:metallizzazione umana
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685:, Francesco Queirolo;
651:, Francesco Queirolo;
645:, Francesco Queirolo;
643:Altar to St. Odorisio
639:, Francesco Queirolo;
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455:Francesco Maria Russo
249:San Domenico Maggiore
109:copyright attribution
1082:40.849190; 14.254880
984:Museo di Capodimonte
591:, Antonio Corradini;
580:Altar to St. Rosalia
524:, Antonio Corradini;
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954:CittĂ della Scienza
811:Der Golf von Neapel
744:macchine anatomiche
734:Anatomical machines
720:Anatomical exhibits
713:Giuseppe Sanmartino
611:Francesco Celebrano
466:Madonna con Bambino
403:Giuseppe Sanmartino
350:Giuseppe Sanmartino
334:) was completed by
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1101:Cappella Sansevero
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546:, Giacomo Lazzari;
538:Francesco Queirolo
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425:Francesco Queirolo
366:Francesco Queirolo
282:Raimondo di Sangro
237:Cappella Sansevero
157:Cappella Sansevero
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113:edit summary
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1080: /
695:Divine Love
589:(Pudicizia)
1095:Categories
1068:14°15′18″E
1065:40°50′57″N
959:Girolamini
871:2009-05-17
846:2008-08-05
762:References
362:Disinganno
293:Pietatella
245:Pietatella
225:Dedication
216:Founder(s)
51:in Italian
522:Il decoro
432:(1753–54)
387:Pudicizia
324:Pudicizia
131:talk page
83:Consider
18:Sansevero
629:(little
615:La PietĂ
332:Chastity
297:La PietĂ
183:Location
107:provide
627:Coretto
354:Modesty
328:Modesty
286:Masonic
271:History
208:Founded
203:History
193:Country
129:to the
111:in the
53:.
817:
792:
412:(1753)
390:(1752)
356:. The
348:), by
265:Rococo
253:Naples
187:Naples
631:choir
621:Angel
601:Angel
257:Italy
197:Italy
74:DeepL
815:ISBN
790:ISBN
613:and
235:The
211:1590
105:must
103:You
67:View
330:or
243:or
76:or
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