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Hals was very popular among the late 19th-century artists, this was the only painting that had been actually owned by one, as far as he knew. He speculated that he would not be surprised if it came to pass that copies by Munkácsy were discovered of Dutch 17th-century realists, since he seemed to acquire so much inspiration from them. Slive also noted that
Sedelmeyer sold "dozens of paintings rightly and wrongly attributed to Hals".
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A small Hals sketch of a man from his "wet on wet" traveller series is dated 1643 and surprised Hals expert
Seymour Slive for having a date, as most of these small portrait sketches were lacking them. He noticed that it had been in the possession of Sedelmeyer and Munkácsy and remarked that though
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and after doing so offered Munkácsy a ten-year contract, making that painter a wealthy man and a really established member of the Paris art world. Sedelmeyer wanted him to paint large-scale pictures which could be exhibited on their own. They decided that a subject taken from the
28:
507:
M. Theinhardtová, ‘Charles
Sedelmeyer a Václav Brozík, cesky malír historie v Parízi’ (Charles Sedelmeyer and Václav Brozík; a Czech painter of history in Paris), in Václav Brozík (1851–1901), Národní galerie v Praze. Valdstejnská jízdárna (Prague, 2003),
511:
C. Huemer, 'Crossing
Thresholds: The Hybrid Identity of Late Nineteenth-Century Art Dealers', Jaynie Anderson (ed.) Crossing Cultures: Conflict-Migration-Convergence, Melbourne: Miegunyah Press 2009, pp. 1007–1011.
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C. Huemer, 'Charles
Sedelmeyer's Theatricality: Art and Speculation in Late 19th-Century Paris', Ján Bakoš (ed.) Artwork through the Market: The Past and the Present, Bratislava: Slowakische Academy of Sciences 2004,
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Illustrated catalogue of 300 paintings by old masters of the Dutch, Flemish, Italian, French, and
English schools, being some of the principal pictures which have at various times formed part of the Sedelmeyer
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Illustrated catalogue of 300 paintings by old masters of the Dutch, Flemish, Italian, French, and
English schools, being some of the principal pictures which have at various times formed part of the Sedelmeyer
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C. Huemer, 'Charles
Sedelmeyer (1837–1925): Kunst und Spekulation am Kunstmarkt in Paris', Belvedere: Zeitschrift für bildende Kunst 2 (Fall 1999), pp. 4–19.
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sold by
Sedelmeyer to the Weber collection resulted in Sedelmeyer's justificatory pamphlet, 1912. The painting was shown in New York City at the
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B. Wild, ‘Charles
Sedelmeyer: Ein österreichischer Kunsthändler macht Karriere in Paris’, Parnass 14, no. 3 (1994), pp. 76–80 (cited
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The painting returned to Europe and eventually did come to the Metropolitan Museum: Margaretta Salinger, "Rubens's Atalanta and Meleager"
54:) was an Austrian and French art dealer, collector, and publisher active in Paris from 1866, with premises at 6 rue de la Rochefoucauld.
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Illustrated Catalogue of the eleventh Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
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Illustrated Catalogue of the twelfth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
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Illustrated Catalogue of the seventh Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
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in 1896. These huge paintings were taken on a tour and exhibited in many European cities and also in the US. All three were bought by
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Illustrated Catalogue of the eighth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
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Illustrated Catalogue of the fourth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
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Illustrated Catalogue of the second Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
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Illustrated Catalogue of the tenth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
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Illustrated Catalogue of the ninth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
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Illustrated Catalogue of the sixth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
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Illustrated Catalogue of the fifth Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
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Illustrated Catalogue of the third Series of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
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Catalogue of the celebrated Collection of Paintings, by Modern and Old Masters, and of Water-Colours and Drawings, formed by
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Illustrated Catalogue of 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French and English Schools
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Web page of the Museum of Fine Arts, Boston in the Internet Archive, archived 7 March 2007
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88:, who lived in Paris from 1872 onwards. Sedelmeyer bought and sold Mihaly Munkácsy's 1878
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Collection of Dutch and Flemish paintings by old masters, owned by Mr. Charles Sedelmeyer
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in France. Sedelmeyer assessed the American market as important enough to send his
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Though specialized in old masters, Sedemeyer became friends with the artist
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222:. Sedelmeyer's collection was dispersed at a series of sales in Paris.
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He had five daughters. Emilie married the sculptor and art historian
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Catalog record 151, Slive catalogue raisonné of Hals paintings, 1974
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in Hofstede de Groot's catalog raisonné of Rembrandt paintings, 1914
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in 1914, who noted that it was purchased from Sedelmeyer by
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Advertisement for Sedelmeyer's Picture Gallery, Paris, 1882
411:"On The Woman Taken in Adultery of the Weber Collection",
201:(cat. 151), found in 1999 to be "of a much later date"
236:, sold at Sedelmeyer's Galleries, Paris, July, 1889
166:. The Rembrandt attribution was again confirmed by
57:He is credited with popularising the Dutch artist
105:would be most suitable. In 1882 Munkácsy painted
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524:from The Metropolitan Museum of Art, 1886
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443:Blog about the 1898 Rembrandt exhibition
414:The Burlington Magazine for Connoisseurs
174:. The painting was deaccessioned by the
548:Businesspeople from the Austrian Empire
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370:The Metropolitan Museum of Art Bulletin
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218:and Hermina married the Czech painter
140:Christ and the Woman taken in Adultery
113:in 1884. The trilogy was completed by
162:and the attribution was confirmed by
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553:Historians from the Austrian Empire
538:Emigrants from the Austrian Empire
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588:Burials at Montmartre Cemetery
376:.1 (Summer, 1944):8-13) p. 13.
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421:No. 119 (February 1913:287).
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160:Metropolitan Museum of Art
146:A public dispute with Dr.
74:Metropolitan Museum of Art
388:Protestants and Pictures
193:, attributed to Hals by
150:over the attribution to
76:in the winter of 1886.
568:Austrian art historians
558:Austrian art collectors
397:New York Public Library
156:Woman Taken in Adultery
467:Part 3, 3–5 June 1907.
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109:which was followed by
72:for exhibition at the
70:Marlborough collection
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66:Atalanta and Meleager
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563:Austrian art dealers
543:Immigrants to France
325:Charles Sedelmeyer,
318:Charles Sedelmeyer,
311:Charles Sedelmeyer,
304:Charles Sedelmeyer,
297:Charles Sedelmeyer,
290:Charles Sedelmeyer,
283:Charles Sedelmeyer,
276:Charles Sedelmeyer,
268:Charles Sedelmeyer,
261:Charles Sedelmeyer,
254:Charles Sedelmeyer,
247:Charles Sedelmeyer,
240:Charles Sedelmeyer,
107:Christ before Pilate
573:Writers from Vienna
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164:Wilhelm Valentiner
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44:Charles Sedelmeyer
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31:Charles Sedelmeyer
504:pp. 109–124.
195:Hofstede de Groot
191:Portrait of a man
176:Walker Art Center
168:Hofstede de Groot
98:to his Daughters,
50:– 9 August 1925,
16:(Redirected from
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197:(cat. 302) and
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210:Personal life
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287:, Paris 1900
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172:T. B. Walker
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123:millionaire
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583:1925 deaths
578:1837 births
532:Categories
182:Frans Hals
94:Dictating
90:The Blind
18:Sedelmeyer
178:in 2011.
152:Rembrandt
131:Rembrandt
116:Ecce Homo
68:from the
121:American
111:Golgotha
488:Sources
478:Gallery
273:, 1898
271:Gallery
154:of the
393:Milton
391:; The
92:Milton
63:Rubens
48:Vienna
334:Notes
226:Works
103:Bible
52:Paris
495:here
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449:^
419:22
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