351:. He was also offered the choice between a further 100 guilders and free accommodations in a house belonging to the town, the latter of which he chose. Sweelinck's first published works date from around 1592–94: three volumes of chansons, the last of which is the only remaining volume published in 1594 (for reasons that are not certain, the composer adopted his mother's last name; "Sweelinck" first appears on the title-page of the 1594 publication). Sweelinck then set to publishing psalm settings, aiming to set the entire Psalter. These works appeared in four large volumes published in 1604, 1613, 1614 and 1621. The last volume was published posthumously and, presumably, in unfinished form. Sweelinck died of unknown causes on 16 October 1621 and was buried in the
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445:
534:—he was the first to write an organ fugue which began simply, with one subject, successively adding texture and complexity until a final climax and resolution. It is also generally thought that many of Sweelinck's keyboard works were intended as studies for his pupils. He was also the first to use the pedal as a real fugal part. Stylistically Sweelinck's music also brings together the richness, complexity and spatial sense of
647:. Students of Sweelinck were seen as musicians against whom other organists were measured. Sweelinck was known in Germany as the "maker of organists". Sociable and respected, he was in great demand as a teacher. His Dutch pupils were undoubtedly many, but none of them became composers of note. Sweelinck, however, influenced the development of the Dutch organ school, as is shown in the work of later composers such as
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1988:
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1998:
42:
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of
Dordrecht of 1598 instructed organists to play variations on the new Genevan psalm tunes before and after the service so that the people would become familiar with them. Sweelinck was employed instead by the city itself. As he worked for Protestant magistrates the remainder of his life, it is
346:
in 1577, when he was 15. This date, however, is uncertain, because the church records from 1577 to 1580 are missing and
Sweelinck can only be traced in Oude Kerk from 1580 onwards; he occupied the post for the rest of his life. Sweelinck's widowed mother died in 1585, and Jan Pieterszoon took
573:
of
Amsterdam". More than 70 of his keyboard works have survived, and many of them may be similar to the improvisations that residents of Amsterdam around 1600 were likely to have heard. In the course of his life, Sweelinck was involved with the musical liturgies of three distinctly different
347:
responsibility for his younger brother and sister. His salary of 100 florins was doubled the next year, presumably to help matters. In addition, he was offered an additional 100 guilders in the event that he married, which happened in 1590 when he married
Claesgen Dircxdochter Puyner from
358:
The composer most probably spent his entire life in
Amsterdam, only occasionally visiting other cities in connection with his professional activities: he was asked to inspect organs, give opinions and advice on organ building and restoration, etc. These duties resulted in short visits to
574:
traditions: Catholic, the
Calvinist, and Lutheran—all of which are reflected in his work. Even his vocal music, which is more conservative than his keyboard writing, shows a striking rhythmic complexity and an unusual richness of contrapuntal devices.
304:(Sweelinck's paternal grandfather and uncle also were organists). Jan Pieterszoon must have received first lessons in music from his father. Unfortunately, his father died in 1573. He subsequently received general education under Jacob Buyck,
550:. In some of his works Sweelinck appears as a composer of the Baroque style, with the exception of his chansons which mostly resemble the French Renaissance tradition. In formal development, especially in the use of
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2060:
1566:
651:. Sweelinck, in the course of his career, had set music to Catholic, Calvinist and Lutheran liturgies. He was the most important composer of the musically rich "golden era" of the Netherlands.
689:
A scholarly edition of
Sweelinck's works has been published in the Netherlands in the years from 1974 to 1990, in 7 volumes (some of them divided in fascicles) with editors' notes in English:
315:; Buyck chose to leave the city). Little is known about his music education after the death of his father; his music teachers may have included Jan Willemszoon Lossy, a little-known
327:, and/or Cornelis Boskoop, Sweelinck's father's successor at the Oude Kerk. If Sweelinck indeed studied in Haarlem, he was probably influenced to some degree by the organists of
619:. His employment allowed him time for teaching, for which he was to become as famous as for his compositions. Sweelinck's pupils included the core of what was to become the
662:, who probably met Sweelinck in 1593. Sweelinck, and Dutch composers in general, had evident links to the English school of composition. Sweelinck's music appears in the
463:
507:
Sweelinck represents the highest development of the Dutch keyboard school, and indeed represented a pinnacle in keyboard contrapuntal complexity and refinement before
419:, who did – and similarly there is no evidence that he ever crossed the English Channel, although copies of his music did such as the pieces included in the
723:, Glossa, (17 CDs), 2009–2010. The recordings were simultaneously issued on CD and also available in Dutch language book-CD presentation sets in the Netherlands.
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355:. He was survived by his wife and five of their six children; the eldest of them, Dirck Janszoon, succeeded his father as organist of the Oude Kerk.
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972:
454:
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Leo van
Doeselaar, Peter van Dijk, Bob van Asperen, Menno van Delft, Siebe Henstra, Pieter Dirksen, Freddy Eichelberger, Glen Wilson, etc.
296:
Peter (or Pieter) Swybbertszoon and Elske
Jansdochter Sweeling, daughter of a surgeon. Soon after Sweelinck's birth, the family moved to
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610:. The Regulative Principle restricted the elements of worship to only that which was commanded in the New Testament. However, the
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680:, who was probably a personal friend, wrote a set of variations on a theme by Sweelinck after the death of the Dutch composer.
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Jan
Pieterszoon Sweelinck: Opera Omnia / Editio altera quam edendam curavit Vereniging voor Nederlandse Muziekgeschiedenis
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His popularity as a composer, performer and teacher increased steadily during his lifetime. Contemporaries nicknamed him
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693:(2nd revised edition edited by Gustav Leonhardt, Alfons Annegarn, Frits Noske & al.), Amsterdam, VNM , 1974–1990
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of the Oude Kerk (these lessons stopped in 1578 after the Reformation of Amsterdam and the subsequent conversion to
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According to Cornelis Plemp, a pupil and friend of Sweelinck's, he started his 44-year career as organist of the
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697:
1010:
Kobald, Norma "Reformed Music Journal" Vol. 9, No. 2. 1997. Langley, BC. Canada. Brookside Publishing. Pg. 36
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1971:
1816:
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331:, Claas Albrechtszoon van Wieringen and Floris van Adrichem, both of whom improvised daily in the Bavokerk.
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and even the city authorities frequently brought important visitors to hear Sweelinck's improvisations.
352:
343:
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2124:
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958:
562:), his music could be said to resemble Bach (who was quite possibly familiar with Sweelinck’s music).
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likely that he was an adherent of Calvinism. In the 1590s three of his children were baptized in the
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1045:"The Orpheus of Amsterdam, Part 2 - A Celebrated Master", Radio Netherlands Archives, April 7, 2002
803:
624:
380:
269:
3194:
1997:
1000:"The Orpheus of Amsterdam, Part 1 - A Church Organist", Radio Netherlands Archives, March 31, 2002
856:
Randall H. Tollefsen, Pieter Dirksen. "Jan Pieterszoon Sweelinck", Grove Music Online, ed. L. Macy
511:. However, he was a skilled composer for voices as well, and composed more than 250 vocal works (
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838:
Sweelinck [Swelinck, Zwelinck, Sweeling, Sweelingh, Sweling, Swelingh], Jan Pieterszoon
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The Keyboard Music of Jan Pieterszoon Sweelinck – Its Style, Significance and Influence.
606:
services did not typically include organ playing due to the belief in what is now called the
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for the city. No documentary evidence has turned up to support the tradition, going back to
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1438:
1368:
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837:
719:, a complete recording of the vocal works of Sweelinck; The Gesualdo Consort conducted by
535:
2412:
1209:
920:
Baker’s biographical dictionary of musicians, 7th Edition. “Sweelinck, Jan Pieterszoon.”
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2841:
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1526:
1516:
1388:
1373:
1315:
1305:
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640:
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668:, which otherwise only contains the work of English composers. He wrote variations on
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1413:
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Sweelinck's influence spread as far as Sweden and England, carried to the former by
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Some of Sweelinck's innovations were of profound musical importance, including the
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1925:
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69:
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376:
338:
Oude Kerk, the Amsterdam church where Sweelinck worked almost his entire life.
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on formal occasions, nor was he regularly required to produce compositions.
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388:
368:
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107:
87:
1154:, 8th ed. Revised by Nicolas Slonimsky. New York, Schirmer Books, 1993.
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253:
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103:
99:
65:
17:
1035:, vol. 22: Sweelinck. Oxford England: Oxford University Press. Pg. 14–15
403:
in 1604, when he was commissioned by the Amsterdam authorities to buy a
300:, where from about 1564, Pieter Swybbertszoon served as organist of the
3132:
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2877:
2867:
2820:
2795:
2790:
2725:
2705:
570:
555:
512:
428:
400:
372:
324:
1059:, vol. 22: Sweelinck. Oxford, England: Oxford University Press. Pg. 16
990:, vol. 22: Sweelinck. Oxford England: Oxford University Press. Pg. 66.
946:, vol. 22: Sweelinck. Oxford England: Oxford University Press. Pg. 130
3091:
2949:
1775:
911:, vol. 22: Sweelinck. Oxford England: Oxford University Press. Pg. 98
898:, vol. 22: Sweelinck. Oxford England: Oxford University Press. Pg. 17
885:, vol. 22: Sweelinck. Oxford England: Oxford University Press. Pg. 12
872:, vol. 22: Sweelinck. Oxford England: Oxford University Press. Pg. 10
412:
392:
308:
1224:
1023:, vol. 22: Sweelinck. Oxford England: Oxford University Press. pg. 9
594:
were those of an organist. Contrary to custom, he did not play the
272:
composers of Europe, and his work as a teacher helped establish the
1152:
The Concise Edition of Baker's Biographical Dictionary of Musicians
2996:
2976:
2971:
2944:
2810:
2715:
713:. Various organists and harpsichordists. NM Classics 92119 (9 CDs)
700:, 2004) is edited in 4 volumes by Harald Vogel and Pieter Dirksen.
581:
531:
524:
520:
360:
334:
333:
320:
399:, his birthplace (1595, 1616). Sweelinck's longest voyage was to
2857:
2805:
2775:
2770:
2755:
2735:
2012:
696:
A new scholarly edition of Sweelinck's complete keyboard works (
2016:
1228:
586:
A 1624 portrait of Sweelinck, engraved by Jan Harmensz. Muller.
190:
184:
1094:
170:
443:
222:
213:
196:
844:. Vol.8. Macmillan Publishers Limited, London. Pg. 406–407
415: – perhaps a confusion with his brother, the painter
248:; April or May, 1562 – 16 October 1621) was a Dutch
1182:, Utrecht 1999, (Utrecht 2001) Edited by Pieter Dirksen.
219:
167:
3295:
Organists and composers in the North German tradition
234:
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1359:
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178:
164:
127:
113:
95:
76:
51:
32:
959:Orgelist oft Orpheus van Amsterdam, Ian Pietersz.
292:, in April or May 1562. He was the eldest son of
842:The New Grove Dictionary of Music and Musicians
658:and to the latter by English composers such as
806:: Sweelinck: Organ Music", Hyperion CDA67421/2
2028:
1240:
832:
734:List of students of Jan Pieterszoon Sweelinck
8:
852:
850:
830:
828:
826:
824:
822:
820:
818:
816:
814:
812:
455:Variations on Mein junges Leben hat ein End'
1141:. New York, W.W. Norton & Co., 1947.
1124:. New York, W.W. Norton & Co., 1954.
780:King of instruments: a history of the organ
2035:
2021:
2013:
1247:
1233:
1225:
982:
980:
569:, and acquired the informal title of the "
40:
29:
1219:International Music Score Library Project
864:
862:
1200:Free scores by Jan Pieterszoon Sweelinck
767:. Vol. 2. Oxford University Press.
744:
1180:Proceedings of the Sweelinck Symposium
497:
7:
1078:An interview with Harry van der Kamp
973:Digital library for Dutch literature
260:whose work straddled the end of the
3305:Burials at the Oude Kerk, Amsterdam
268:eras. He was among the first major
802:Stephen Westrop, liner notes for "
498:Problems playing these files? See
25:
3075:historically informed performance
765:The New Oxford companion to music
3193:
3184:
3183:
1996:
1987:
1986:
1522:Giovanni Pierluigi da Palestrina
933:New York: W. W. Norton & Co.
480:
459:
160:
143:
46:Portrait of Sweelinck from 1606
1:
2576:
2378:
2200:
2065:
1265:List of Renaissance composers
1204:Choral Public Domain Library
469:Performed by Matthias Flierl
274:north German organ tradition
133:Claesgen Dircxdochter Puyner
3310:17th-century male musicians
1057:Oxford Studies of Composers
1033:Oxford Studies of Composers
1021:Oxford Studies of Composers
988:Oxford Studies of Composers
944:Oxford Studies of Composers
909:Oxford Studies of Composers
896:Oxford Studies of Composers
883:Oxford Studies of Composers
870:Oxford Studies of Composers
778:Bernard Sonnaillon (1985).
590:Sweelinck's only duties in
3331:
1895:Petrus Phalesius the Elder
1710:English Virginalist School
763:Denis Arnold, ed. (1983).
546:and intimate forms of the
27:Dutch Renaissance composer
3260:Dutch classical organists
3255:Dutch classical composers
3240:Composers for harpsichord
3163:
2053:List of Baroque composers
2050:
1966:
1677:Jan Pieterszoon Sweelinck
1262:
1210:Jan Pieterszoon Sweelinck
931:Music in the Renaissance.
665:Fitzwilliam Virginal Book
621:north German organ school
490:Performed by Ashtar Moïra
476:Variations on Est-ce Mars
422:Fitzwilliam Virginal Book
411:, that Sweelinck visited
156:Jan Pieterszoon Sweelinck
39:
34:Jan Pieterszoon Sweelinck
3315:Male classical organists
3290:Musicians from Amsterdam
3270:German Baroque composers
3235:Composers for pipe organ
1215:Free scores by Sweelinck
1139:Music in the Baroque Era
1122:Music in the Renaissance
1091:"Het Sweelinck Monument"
971:, 1604, courtesy of the
782:. Rizzoli. p. 161.
417:Gerrit Pietersz Sweelink
3275:Dutch Baroque composers
1705:English Madrigal School
836:Sadie, Stanley. 1980. "
711:Complete Keyboard Works
565:Sweelinck was a master
3128:Common practice period
1547:Tomás Luis de Victoria
1351:Oswald von Wolkenstein
929:Reese, Gustave. 1959.
717:Het Sweelinck Monument
698:Breitkopf & Härtel
587:
448:
339:
284:Sweelinck was born in
3280:German male organists
3265:Dutch music theorists
3230:Renaissance composers
3050:British Baroque music
1567:Transition to Baroque
1512:Pierre de Manchicourt
1080:by Mark Wiggins, 2009
585:
447:
337:
264:and beginning of the
3300:People from Deventer
2468:Jacquet de La Guerre
2398:Bodin de Boismortier
1597:Girolamo Frescobaldi
1404:Cristóbal de Morales
1055:Noske, Frits. 1988.
1019:Noske, Frits. 1988.
986:Noske, Frits. 1988.
942:Noske, Frits. 1988.
907:Noske, Frits. 1988.
894:Noske, Frits. 1988.
881:Noske, Frits. 1988.
868:Noske, Frits. 1988.
629:Heinrich Scheidemann
608:Regulative Principle
548:English virginalists
3060:early music revival
2631:Frederick the Great
1715:Florentine Camerata
1687:Composition schools
1346:Gaspar van Weerbeke
1178:Sweelinck Studies,
1168:(Utrecht, 1997).
804:Christopher Herrick
752:Dutch pronunciation
625:Jacob Praetorius II
558:, and organ point (
395:(1616), as well as
3245:Madrigal composers
2360:Torrejón y Velasco
1910:Thomas Vautrollier
1890:Ottaviano Petrucci
1865:Pierre Attaingnant
1855:Hieronymus Andreae
1662:Michael Praetorius
1647:Claudio Monteverdi
1637:Giovanni de Macque
1632:Luzzasco Luzzaschi
1602:Alfonso Fontanelli
1492:Francisco Guerrero
1467:Antonio de Cabezón
1379:Thomas Crecquillon
1361:Middle (1470–1530)
1341:Johannes Tinctoris
1281:Alexander Agricola
721:Harry van der Kamp
649:Anthoni van Noordt
588:
449:
340:
3250:Organ improvisers
3207:
3206:
3169:Renaissance music
2837:Baroque orchestra
2010:
2009:
1607:Giovanni Gabrieli
1434:Philippe Verdelot
1331:Johannes Ockeghem
1273:Early (1400–1470)
1256:Renaissance music
645:Gottfried Scheidt
540:Giovanni Gabrieli
485:
464:
153:
152:
55:April or May 1562
16:(Redirected from
3322:
3197:
3187:
3186:
3102:polychoral style
3017:sonata da chiesa
2578:
2380:
2202:
2067:
2037:
2030:
2023:
2014:
2000:
1990:
1989:
1870:Vittorio Baldini
1847:Music publishing
1622:Hans Leo Hassler
1577:Gregorio Allegri
1532:Cipriano de Rore
1507:Vicente Lusitano
1502:Orlando di Lasso
1457:Jacques Arcadelt
1424:Pierre de la Rue
1419:Josquin des Prez
1399:Clément Janequin
1394:Antoine de Févin
1384:Antonius Divitis
1326:Johannes Martini
1301:Guillaume Du Fay
1249:
1242:
1235:
1226:
1164:Pieter Dirksen,
1135:Manfred Bukofzer
1106:
1105:
1103:
1102:
1093:. Archived from
1087:
1081:
1075:
1069:
1066:
1060:
1053:
1047:
1042:
1036:
1030:
1024:
1017:
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1002:
997:
991:
984:
975:
963:Karel van Mander
957:
953:
947:
940:
934:
927:
921:
918:
912:
905:
899:
892:
886:
879:
873:
866:
857:
854:
845:
834:
807:
800:
794:
793:
775:
769:
768:
760:
754:
749:
674:Lachrimae Pavane
637:Melchior Schildt
487:
486:
466:
465:
446:
244:
240:
237:
232:
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169:
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147:
145:
83:
62:
60:
44:
30:
21:
3330:
3329:
3325:
3324:
3323:
3321:
3320:
3319:
3210:
3209:
3208:
3203:
3180:
3176:Classical music
3172:
3159:
3116:
3112:Galant Schemata
3026:
2925:concerto grosso
2846:
2825:
2697:
2690:
2567:
2403:G. B. Bononcini
2369:
2194:
2063:
2055:
2046:
2041:
2011:
2006:
1983:
1975:
1962:
1914:
1900:Girolamo Scotto
1885:Antonio Gardano
1841:
1780:
1734:
1681:
1672:Heinrich Schütz
1667:Philippe Rogier
1617:Orlando Gibbons
1569:
1565:
1556:
1552:Giaches de Wert
1542:Christopher Tye
1497:Claude Le Jeune
1487:Claude Goudimel
1482:Nicolas Gombert
1477:Andrea Gabrieli
1472:Jacobus Clemens
1443:
1439:Adrian Willaert
1369:Martin Agricola
1355:
1291:Antoine Busnois
1286:Gilles Binchois
1267:
1258:
1253:
1196:
1114:
1112:Further reading
1109:
1100:
1098:
1089:
1088:
1084:
1076:
1072:
1067:
1063:
1054:
1050:
1043:
1039:
1031:
1027:
1018:
1014:
1009:
1005:
998:
994:
985:
978:
955:
954:
950:
941:
937:
928:
924:
919:
915:
906:
902:
893:
889:
880:
876:
867:
860:
855:
848:
835:
810:
801:
797:
790:
777:
776:
772:
762:
761:
757:
750:
746:
742:
730:
707:
686:
580:
505:
504:
496:
494:
493:
492:
491:
488:
481:
478:
472:
471:
470:
467:
460:
457:
450:
444:
439:
282:
242:
238:
235:
203:
177:
163:
159:
149:
146: 1590)
141:
137:
134:
91:
85:
81:
80:16 October 1621
72:
63:
58:
56:
47:
35:
28:
23:
22:
15:
12:
11:
5:
3328:
3326:
3318:
3317:
3312:
3307:
3302:
3297:
3292:
3287:
3282:
3277:
3272:
3267:
3262:
3257:
3252:
3247:
3242:
3237:
3232:
3227:
3222:
3212:
3211:
3205:
3204:
3202:
3201:
3191:
3173:
3165:
3164:
3161:
3160:
3158:
3157:
3156:
3155:
3150:
3145:
3140:
3130:
3124:
3122:
3118:
3117:
3115:
3114:
3109:
3104:
3099:
3097:notes inégales
3094:
3089:
3084:
3079:
3078:
3077:
3072:
3067:
3057:
3052:
3047:
3046:
3045:
3034:
3032:
3028:
3027:
3025:
3024:
3019:
3014:
3009:
3004:
2999:
2994:
2989:
2984:
2979:
2974:
2969:
2964:
2963:
2962:
2957:
2952:
2947:
2942:
2937:
2927:
2922:
2917:
2912:
2907:
2906:
2905:
2900:
2890:
2885:
2880:
2875:
2870:
2865:
2860:
2854:
2852:
2848:
2847:
2845:
2844:
2842:Basso continuo
2839:
2833:
2831:
2827:
2826:
2824:
2823:
2818:
2813:
2808:
2803:
2798:
2793:
2788:
2783:
2778:
2773:
2768:
2763:
2758:
2753:
2748:
2743:
2738:
2733:
2728:
2723:
2718:
2713:
2708:
2702:
2700:
2692:
2691:
2689:
2688:
2683:
2678:
2673:
2668:
2663:
2658:
2653:
2648:
2643:
2638:
2633:
2628:
2623:
2618:
2613:
2608:
2603:
2598:
2593:
2588:
2582:
2580:
2569:
2568:
2566:
2565:
2560:
2555:
2550:
2545:
2540:
2535:
2530:
2525:
2520:
2515:
2510:
2505:
2500:
2495:
2490:
2485:
2480:
2475:
2473:Leclair l'aîné
2470:
2465:
2460:
2455:
2450:
2445:
2440:
2435:
2430:
2425:
2420:
2415:
2410:
2405:
2400:
2395:
2390:
2384:
2382:
2371:
2370:
2368:
2367:
2362:
2357:
2352:
2347:
2342:
2337:
2332:
2327:
2322:
2317:
2312:
2307:
2302:
2297:
2292:
2287:
2282:
2277:
2272:
2267:
2262:
2257:
2252:
2247:
2242:
2237:
2232:
2227:
2225:H. I. F. Biber
2222:
2217:
2212:
2206:
2204:
2196:
2195:
2193:
2192:
2187:
2182:
2177:
2172:
2167:
2162:
2157:
2152:
2147:
2142:
2137:
2132:
2127:
2122:
2117:
2112:
2107:
2102:
2097:
2092:
2087:
2082:
2077:
2071:
2069:
2057:
2056:
2051:
2048:
2047:
2042:
2040:
2039:
2032:
2025:
2017:
2008:
2007:
2005:
2004:
1994:
1976:
1972:Medieval music
1968:
1967:
1964:
1963:
1961:
1960:
1959:
1958:
1953:
1948:
1943:
1938:
1928:
1922:
1920:
1916:
1915:
1913:
1912:
1907:
1905:Tielman Susato
1902:
1897:
1892:
1887:
1882:
1880:Valerio Dorico
1877:
1872:
1867:
1862:
1857:
1851:
1849:
1843:
1842:
1840:
1839:
1834:
1829:
1824:
1819:
1814:
1809:
1804:
1799:
1794:
1788:
1786:
1782:
1781:
1779:
1778:
1773:
1768:
1763:
1758:
1753:
1748:
1742:
1740:
1736:
1735:
1733:
1732:
1727:
1722:
1720:Franco-Flemish
1717:
1712:
1707:
1702:
1697:
1691:
1689:
1683:
1682:
1680:
1679:
1674:
1669:
1664:
1659:
1654:
1649:
1644:
1639:
1634:
1629:
1624:
1619:
1614:
1612:Carlo Gesualdo
1609:
1604:
1599:
1594:
1589:
1584:
1582:Thomas Campion
1579:
1573:
1571:
1558:
1557:
1555:
1554:
1549:
1544:
1539:
1534:
1529:
1527:Costanzo Porta
1524:
1519:
1517:Hans Neusidler
1514:
1509:
1504:
1499:
1494:
1489:
1484:
1479:
1474:
1469:
1464:
1459:
1453:
1451:
1445:
1444:
1442:
1441:
1436:
1431:
1426:
1421:
1416:
1411:
1406:
1401:
1396:
1391:
1389:Costanzo Festa
1386:
1381:
1376:
1374:Antoine Brumel
1371:
1365:
1363:
1357:
1356:
1354:
1353:
1348:
1343:
1338:
1333:
1328:
1323:
1318:
1316:Heinrich Isaac
1313:
1308:
1306:John Dunstaple
1303:
1298:
1296:Loyset Compère
1293:
1288:
1283:
1277:
1275:
1269:
1268:
1263:
1260:
1259:
1254:
1252:
1251:
1244:
1237:
1229:
1223:
1222:
1212:
1207:
1195:
1194:External links
1192:
1191:
1190:
1176:
1162:
1149:
1132:
1113:
1110:
1108:
1107:
1082:
1070:
1061:
1048:
1037:
1025:
1012:
1003:
992:
976:
968:Schilder-boeck
948:
935:
922:
913:
900:
887:
874:
858:
846:
808:
795:
788:
770:
755:
743:
741:
738:
737:
736:
729:
726:
725:
724:
714:
706:
703:
702:
701:
694:
685:
682:
579:
576:
552:countersubject
495:
489:
479:
474:
473:
468:
458:
453:
452:
451:
442:
441:
440:
438:
435:
281:
278:
151:
150:
139:
135:
132:
131:
129:
125:
124:
115:
111:
110:
97:
93:
92:
86:
84:(aged 59)
78:
74:
73:
64:
53:
49:
48:
45:
37:
36:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3327:
3316:
3313:
3311:
3308:
3306:
3303:
3301:
3298:
3296:
3293:
3291:
3288:
3286:
3283:
3281:
3278:
3276:
3273:
3271:
3268:
3266:
3263:
3261:
3258:
3256:
3253:
3251:
3248:
3246:
3243:
3241:
3238:
3236:
3233:
3231:
3228:
3226:
3223:
3221:
3218:
3217:
3215:
3200:
3196:
3192:
3190:
3182:
3181:
3178:
3177:
3171:
3170:
3162:
3154:
3151:
3149:
3146:
3144:
3141:
3139:
3136:
3135:
3134:
3131:
3129:
3126:
3125:
3123:
3119:
3113:
3110:
3108:
3105:
3103:
3100:
3098:
3095:
3093:
3090:
3088:
3085:
3083:
3080:
3076:
3073:
3071:
3068:
3066:
3063:
3062:
3061:
3058:
3056:
3053:
3051:
3048:
3044:
3041:
3040:
3039:
3036:
3035:
3033:
3029:
3023:
3020:
3018:
3015:
3013:
3010:
3008:
3005:
3003:
3000:
2998:
2995:
2993:
2990:
2988:
2985:
2983:
2980:
2978:
2975:
2973:
2970:
2968:
2965:
2961:
2958:
2956:
2953:
2951:
2948:
2946:
2943:
2941:
2938:
2936:
2933:
2932:
2931:
2928:
2926:
2923:
2921:
2918:
2916:
2913:
2911:
2908:
2904:
2901:
2899:
2896:
2895:
2894:
2891:
2889:
2886:
2884:
2881:
2879:
2876:
2874:
2871:
2869:
2866:
2864:
2861:
2859:
2856:
2855:
2853:
2851:Musical forms
2849:
2843:
2840:
2838:
2835:
2834:
2832:
2828:
2822:
2819:
2817:
2814:
2812:
2809:
2807:
2804:
2802:
2799:
2797:
2794:
2792:
2789:
2787:
2784:
2782:
2779:
2777:
2774:
2772:
2769:
2767:
2764:
2762:
2759:
2757:
2754:
2752:
2749:
2747:
2744:
2742:
2739:
2737:
2734:
2732:
2729:
2727:
2724:
2722:
2719:
2717:
2714:
2712:
2709:
2707:
2704:
2703:
2701:
2699:
2693:
2687:
2684:
2682:
2679:
2677:
2674:
2672:
2669:
2667:
2664:
2662:
2659:
2657:
2654:
2652:
2649:
2647:
2646:Padre Martini
2644:
2642:
2639:
2637:
2634:
2632:
2629:
2627:
2624:
2622:
2619:
2617:
2614:
2612:
2609:
2607:
2604:
2602:
2599:
2597:
2594:
2592:
2591:C. P. E. Bach
2589:
2587:
2584:
2583:
2581:
2574:
2570:
2564:
2561:
2559:
2556:
2554:
2551:
2549:
2546:
2544:
2541:
2539:
2536:
2534:
2531:
2529:
2526:
2524:
2521:
2519:
2516:
2514:
2511:
2509:
2506:
2504:
2501:
2499:
2496:
2494:
2491:
2489:
2486:
2484:
2481:
2479:
2476:
2474:
2471:
2469:
2466:
2464:
2461:
2459:
2456:
2454:
2451:
2449:
2446:
2444:
2441:
2439:
2436:
2434:
2431:
2429:
2426:
2424:
2421:
2419:
2416:
2414:
2411:
2409:
2406:
2404:
2401:
2399:
2396:
2394:
2391:
2389:
2386:
2385:
2383:
2376:
2372:
2366:
2363:
2361:
2358:
2356:
2353:
2351:
2348:
2346:
2343:
2341:
2338:
2336:
2333:
2331:
2328:
2326:
2323:
2321:
2318:
2316:
2313:
2311:
2308:
2306:
2303:
2301:
2298:
2296:
2293:
2291:
2288:
2286:
2283:
2281:
2278:
2276:
2273:
2271:
2268:
2266:
2263:
2261:
2258:
2256:
2253:
2251:
2248:
2246:
2243:
2241:
2238:
2236:
2233:
2231:
2228:
2226:
2223:
2221:
2218:
2216:
2213:
2211:
2208:
2207:
2205:
2197:
2191:
2188:
2186:
2183:
2181:
2178:
2176:
2173:
2171:
2168:
2166:
2165:M. Praetorius
2163:
2161:
2158:
2156:
2153:
2151:
2148:
2146:
2143:
2141:
2138:
2136:
2133:
2131:
2128:
2126:
2123:
2121:
2118:
2116:
2113:
2111:
2108:
2106:
2103:
2101:
2098:
2096:
2093:
2091:
2088:
2086:
2083:
2081:
2078:
2076:
2073:
2072:
2070:
2062:
2058:
2054:
2049:
2045:
2044:Baroque music
2038:
2033:
2031:
2026:
2024:
2019:
2018:
2015:
2003:
1999:
1995:
1993:
1985:
1984:
1981:
1980:
1979:Baroque music
1974:
1973:
1965:
1957:
1954:
1952:
1949:
1947:
1944:
1942:
1939:
1937:
1934:
1933:
1932:
1929:
1927:
1924:
1923:
1921:
1917:
1911:
1908:
1906:
1903:
1901:
1898:
1896:
1893:
1891:
1888:
1886:
1883:
1881:
1878:
1876:
1873:
1871:
1868:
1866:
1863:
1861:
1860:Andrea Antico
1858:
1856:
1853:
1852:
1850:
1848:
1844:
1838:
1835:
1833:
1830:
1828:
1825:
1823:
1820:
1818:
1815:
1813:
1810:
1808:
1805:
1803:
1800:
1798:
1795:
1793:
1790:
1789:
1787:
1783:
1777:
1774:
1772:
1769:
1767:
1764:
1762:
1759:
1757:
1754:
1752:
1749:
1747:
1744:
1743:
1741:
1739:Musical forms
1737:
1731:
1728:
1726:
1723:
1721:
1718:
1716:
1713:
1711:
1708:
1706:
1703:
1701:
1698:
1696:
1693:
1692:
1690:
1688:
1684:
1678:
1675:
1673:
1670:
1668:
1665:
1663:
1660:
1658:
1655:
1653:
1652:Thomas Morley
1650:
1648:
1645:
1643:
1642:Luca Marenzio
1640:
1638:
1635:
1633:
1630:
1628:
1625:
1623:
1620:
1618:
1615:
1613:
1610:
1608:
1605:
1603:
1600:
1598:
1595:
1593:
1590:
1588:
1585:
1583:
1580:
1578:
1575:
1574:
1572:
1568:
1563:
1559:
1553:
1550:
1548:
1545:
1543:
1540:
1538:
1537:Thomas Tallis
1535:
1533:
1530:
1528:
1525:
1523:
1520:
1518:
1515:
1513:
1510:
1508:
1505:
1503:
1500:
1498:
1495:
1493:
1490:
1488:
1485:
1483:
1480:
1478:
1475:
1473:
1470:
1468:
1465:
1463:
1460:
1458:
1455:
1454:
1452:
1450:
1446:
1440:
1437:
1435:
1432:
1430:
1429:John Taverner
1427:
1425:
1422:
1420:
1417:
1415:
1414:Jacob Obrecht
1412:
1410:
1407:
1405:
1402:
1400:
1397:
1395:
1392:
1390:
1387:
1385:
1382:
1380:
1377:
1375:
1372:
1370:
1367:
1366:
1364:
1362:
1358:
1352:
1349:
1347:
1344:
1342:
1339:
1337:
1334:
1332:
1329:
1327:
1324:
1322:
1319:
1317:
1314:
1312:
1309:
1307:
1304:
1302:
1299:
1297:
1294:
1292:
1289:
1287:
1284:
1282:
1279:
1278:
1276:
1274:
1270:
1266:
1261:
1257:
1250:
1245:
1243:
1238:
1236:
1231:
1230:
1227:
1220:
1216:
1213:
1211:
1208:
1205:
1201:
1198:
1197:
1193:
1189:
1188:90-72786-09-2
1185:
1181:
1177:
1175:
1174:90-6375-159-1
1171:
1167:
1163:
1161:
1160:0-02-872416-X
1157:
1153:
1150:
1148:
1147:0-393-09745-5
1144:
1140:
1136:
1133:
1131:
1130:0-393-09530-4
1127:
1123:
1119:
1118:Gustave Reese
1116:
1115:
1111:
1097:on 2011-07-24
1096:
1092:
1086:
1083:
1079:
1074:
1071:
1065:
1062:
1058:
1052:
1049:
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3167:
3138:Architecture
3087:Folk baroque
3082:Figured bass
3055:counterpoint
3031:Other topics
2903:18th-century
2898:17th-century
2523:D. Scarlatti
2340:A. Scarlatti
2310:J. Pachelbel
2189:
2061:Transitional
1977:
1970:
1941:Architecture
1875:Jacob Bathen
1676:
1592:John Dowland
1462:William Byrd
1336:Leonel Power
1206:(ChoralWiki)
1179:
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1099:. Retrieved
1095:the original
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690:
670:John Dowland
663:
653:
633:Paul Siefert
589:
564:
529:
506:
431:of Amsterdam
427:
420:
357:
341:
329:St.-Bavokerk
317:countertenor
283:
155:
154:
82:(1621-10-16)
3285:Muiderkring
3225:1621 deaths
3220:1562 births
3107:Style brisé
3043:Chamber pop
3038:Baroque pop
2982:grand motet
2955:passacaglia
2766:lautenwerck
2761:harpsichord
2731:double bass
2698:Instruments
2656:Mondonville
2488:A. Marcello
2418:F. Couperin
2365:Vejvanovský
2315:J. Playford
2295:J.-B. Lully
2260:Charpentier
2215:d'Anglebert
2100:Frescobaldi
2064:and early (
1931:Renaissance
1926:Early music
1822:Netherlands
1802:Elizabethan
1657:Jacopo Peri
1627:Alonso Lobo
1587:John Cooper
1449:Late (1530)
1409:Jean Mouton
1321:Jean Japart
1311:Walter Frye
600:harpsichord
560:pedal point
405:harpsichord
290:Netherlands
262:Renaissance
118:Renaissance
70:Netherlands
3214:Categories
3121:Background
3007:recitative
2915:concertato
2883:canzonetta
2746:fortepiano
2721:clavichord
2671:Sammartini
2651:Mysliveček
2611:Boccherini
2601:W. F. Bach
2596:J. C. Bach
2393:J. S. Bach
2320:H. Purcell
2240:Cabanilles
2155:Monteverdi
2130:Kapsberger
2120:O. Gibbons
2115:C. Gibbons
2110:V. Galilei
2090:J. Dowland
2080:G. Caccini
1956:Philosophy
1951:Literature
1919:Background
1785:Traditions
1761:Magnificat
1751:Intermedio
1695:Burgundian
1101:2010-12-05
956:(in Dutch)
740:References
705:Recordings
672:'s famous
612:Consistory
567:improviser
542:, and the
500:media help
381:Middelburg
377:Harderwijk
323:player at
241:-tər-sohn
3153:Sculpture
3070:ensembles
3065:festivals
2960:sarabande
2888:capriccio
2830:Ensembles
2661:L. Mozart
2563:de Zumaya
2498:Pergolesi
2478:Locatelli
2463:Heinichen
2448:Gorczycki
2443:Geminiani
2423:Delalande
2345:Stradella
2300:M. Marais
2280:Froberger
2245:Carissimi
2235:Buxtehude
2190:Sweelinck
1771:Offertory
1700:Colorists
1562:Mannerism
678:John Bull
617:Oude Kerk
604:Calvinist
592:Amsterdam
578:Influence
517:madrigals
509:J.S. Bach
409:Mattheson
389:Rotterdam
369:Enkhuizen
365:Dordrecht
353:Oude Kerk
349:Medemblik
344:Oude Kerk
313:Calvinism
302:Oude Kerk
298:Amsterdam
258:pedagogue
108:pedagogue
88:Amsterdam
18:Sweelinck
3189:Category
3166: ←
3148:Painting
3012:ricercar
2987:madrigal
2967:fantasia
2935:courante
2920:concerto
2893:chaconne
2786:recorder
2711:carillon
2681:Telemann
2626:Corrette
2621:F. Brixi
2606:F. Benda
2538:Telemann
2503:Pisendel
2453:Graupner
2388:Albinoni
2325:Reincken
2290:Legrenzi
2275:Diletsky
2199:Middle (
2105:Gabrieli
1992:Category
1969: ←
1832:Portugal
1756:Madrigal
1730:Venetian
728:See also
596:carillon
513:chansons
397:Deventer
391:(1610),
387:(1605),
385:Nijmegen
383:(1603),
379:(1608),
375:(1594),
367:(1614),
306:Catholic
294:organist
286:Deventer
270:keyboard
254:organist
250:composer
104:organist
100:Composer
66:Deventer
3179:→
3133:Baroque
3002:prelude
2940:gavotte
2910:chorale
2878:canzona
2868:cantata
2821:violone
2801:trumpet
2796:theorbo
2791:sackbut
2726:cornett
2706:bassoon
2696:Musical
2636:Galuppi
2558:Zelenka
2548:Vivaldi
2533:Tartini
2508:Porpora
2493:Pepusch
2433:Fischer
2408:Caldara
2355:Torelli
2350:Strozzi
2270:Corelli
2250:Cavalli
2220:Bassani
2175:Scheidt
2125:d'India
2075:Allegri
1982:→
1812:Germany
1792:British
1221:(IMSLP)
1217:at the
1202:in the
598:or the
571:Orpheus
556:stretto
429:Orpheus
401:Antwerp
373:Haarlem
325:Haarlem
266:Baroque
148:
140:
136:
122:Baroque
57: (
3199:Portal
3092:monody
2950:minuet
2863:ballet
2816:violin
2751:guitar
2666:Quantz
2573:Galant
2528:Seixas
2518:Rameau
2513:Quantz
2458:Handel
2413:Campra
2330:Sabini
2305:Muffat
2265:Clarke
2210:Amodei
2185:Schütz
2180:Schein
2150:Merula
2145:Michna
2095:Franck
2085:Coelho
2002:Portal
1827:Poland
1807:France
1797:Cyprus
1776:Pavane
1570:c.1600
1186:
1172:
1158:
1145:
1128:
786:
684:Scores
641:Samuel
536:Andrea
525:Psalms
521:motets
413:Venice
393:Rhenen
309:pastor
256:, and
128:Spouse
3143:Dance
3022:suite
2997:opera
2977:fugue
2972:folia
2945:gigue
2930:dance
2873:canon
2811:viola
2781:organ
2741:flute
2716:cello
2676:Soler
2641:Hasse
2616:Boyce
2579:1720)
2553:Weiss
2543:Vinci
2483:Lotti
2428:Fasch
2381:1700)
2285:Kerll
2255:Cesti
2203:1650)
2170:Rossi
2140:Lawes
2135:Landi
2068:1600)
1946:Dance
1837:Spain
1817:Italy
1746:Carol
1725:Roman
532:fugue
437:Works
361:Delft
321:shawm
245:-link
142:(
138:
2992:mass
2858:aria
2806:viol
2776:oboe
2771:lute
2756:harp
2736:drum
2686:Zach
2586:Arne
2375:Late
2335:Sanz
2230:Blow
2160:Peri
1766:Mass
1564:and
1184:ISBN
1170:ISBN
1156:ISBN
1143:ISBN
1126:ISBN
784:ISBN
643:and
639:and
538:and
523:and
319:and
280:Life
243:SWAY
236:YAHN
77:Died
59:1562
52:Born
2438:Fux
1936:Art
965:'s
961:in
676:.
527:).
239:PEE
114:Era
3216::
2577:c.
2379:c.
2201:c.
2066:c.
1137:,
1120:,
979:^
861:^
849:^
840:"
811:^
635:,
631:,
627:,
623::
554:,
519:,
515:,
371:,
363:,
288:,
276:.
252:,
214:eɪ
197:oʊ
191:ər
185:iː
171:ɑː
144:m.
120:,
106:,
102:,
68:,
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2036:e
2029:t
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229:/
226:k
223:ŋ
220:ɪ
217:l
211:w
208:s
205:ˈ
200:n
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188:t
182:p
179:ˈ
174:n
168:j
165:ˈ
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158:(
61:)
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