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611:. These early examples were inconsistent in their application of perspective techniques, and the results can be unconvincing; Toyoharu's were much more dextrous, though not strict—he manipulated it to allow the representation of figures and objects that otherwise would have been obscured. Toyoharu's works helped pioneer the landscape as an ukiyo-e subject, rather than merely a background for human figures or events, as in Masanobu's works. Toyoharu's earliest
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123:, and they demonstrate a much greater mastery of perspective techniques than the works of his predecessors. Toyoharu was the first to make the landscape a subject of ukiyo-e art, rather than just a background to figures and events. By the 1780s he had turned primarily to painting. The Utagawa school of art grew to dominate ukiyo-e in the 19th century with artists such as
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lasted longer, but the
Utagawa school had more adherents. It fostered closer master–student relations and more systematized training than in other schools. Excepting a few prominent examples, such as Hiroshige or Kuniyoshi, the later generations of artists tended to lack stylistic diversity, and
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in ukiyo-e and the Kanō in painting, emphasized a uniformity of style, a general style in the
Utagawa school is not easy to recognize aside from a concern with realism and facial expressiveness. The school dominated ukiyo-e production by the mid-19th century, and most of the artists—such as
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As of 2014, studies into
Toyoharu's work have not been carried out in depth. Cataloguing and analyzing his work and his and his publishers' seals was still in its infancy. However, his work is kept in a variety of museums, including the
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The popularity of
Toyoharu's work peaked in the 1770s. By the 19th century, Western-style perspective techniques had ceased to be a novelty and had been absorbed into Japanese artistic culture, deployed by such artists as
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for which he is best remembered. Books on geometrical perspective translated from Dutch and
Chinese sources appeared in the 1730s, and soon after, ukiyo-e prints displaying these techniques appeared first in the works of
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117:"floating pictures" of landscapes and famous sites, as well as copies of Western and Chinese perspective prints. Though his were not the first perspective prints in ukiyo-e, they were the first to appear as full-colour
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Several of
Toyoharu's prints were imitations of imported prints of famed European locations, some of which were Western and others Chinese imitations of Western prints. The titles were often fictional:
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paintings the influence of
Toyonobu can seem strong, but in his seals on these paintings Toyoharu proclaims himself a pupil of Sekien. His efforts contributed to the development of the
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687:. Toyoharu took licence with other details of foreign lands, such as having the Dutch swim in their canals. Japanese and Chinese mythology were also frequent subjects in Toyoharu's
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are known, almost all from his earliest period. One of the better-known examples of
Toyoharu's work in this style is a four-sheet set depicting the Chinese ideal of the
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Toyoharu's work began to appear about 1768. His earliest work includes woodblock prints in a refined, delicate style of beauties and actors. Soon he began to produce
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that
Toyoharu founded was to become one of the most influential, and produced works in a far greater variety of genres than any other school. His students included
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to create a realistic sense of depth. Most were of famous sites, including theatres, temples, and teahouses. Toyoharu's were not the first
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919:; Toyohiro worked in the style of his master, while Toyokuni, who headed the school from 1814, became a prominent and prolific producer of
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folding screens—a genre in which ukiyo-e is said to have its origins, but was rare in ukiyo-e after the development of
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genre that had developed in the 1760s. Several of his prints were based on imported prints from the West or China.
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had made such works since the early 1740s, and claimed the genre's origin for himself. Toyoharu's were the first
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Artistic and
Cultural Exchanges Between Europe and Asia, 1400-1900: Rethinking Markets, Workshops and Collections
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2184:"Perspective Picture of Whale Hunting in Kumano Bay (Uki-e Kumano ura kujira tsuki no zu 浮絵 熊野浦鯨突之図) (2018-103)"
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Kishi, Fumikazu (1990). "Uki-e ni okeru enkin-hō shisutemu no keisei katei ni tsuite - shita - Utagawa Toyharu
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prints. A six-panel example of a spring scene in Yoshiwara resides in France in a private collection.
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were pictures in one-point perspective meant to be viewed in a special box in the manner of the French
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print and was particularly popular and influential in the 1760s, when Toyoharu first began his career.
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Little, Stephen (1996). "The Lure of the West: European Elements in the Art of the Floating World".
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cannot be reliably dated, but are assumed to have appeared before 1772: early in that year the
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The Lens Within the Heart: The Western Scientific Gaze and Popular Imagery in Later Edo Japan
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2005:"Attributed to Utagawa Toyoharu: Courtesan with Two Young Attendants | Worcester Art Museum"
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Toyoharu's works have a gentle, calm, and unpretentious touch, and display the influence of
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programs and billboards after 1785. He headed the painters involved in the restoration of
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From the 1780s Toyoharu appears to have dedicated himself to painting, and also produced
2307:[New scenes in the springtime Yoshiwara pleasure district by Utagawa Toyoharu].
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339:"floating picture" perspective prints, a genre in which Toyoharu applied Western-style
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904:, two artists best remembered for their landscapes, a genre Toyoharu pioneered.
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Mochimaru, Mayumi (2014). "Utagawa Toyoharu ni yoru uki-e no gareki in tsuite"
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2616:(349/350, The World of Japanese Prints). Philadelphia Museum of Art: 1, 3–47.
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Perspective View of the Theatres in Sakai-chō and Fukiya-chō on Opening Night
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prints, the foreign perspective technique giving such prints an exotic feel.
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The Bell which Resounds for Ten Thousand Leagues in the Dutch Port of Frankai
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The Bell which Resounds for Ten Thousand Leagues in the Dutch Port of Frankai
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712:. His paintings have joined the collections of foreign museums such as the
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2054:"Shōki, the Demon Queller, Utagawa Toyoharu ^ Minneapolis Institute of Art"
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their work has become emblematic of ukiyo-e's decline in the 19th century.
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3151:
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2422:
Japanese Woodblock Prints: Artists, Publishers and Masterworks: 1680–1900
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The temple is located at 2-41-4 Minami Ikebukuro, Toyoshima Ward, Tokyo,
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While Toyoharu trained in Kyoto he may have been exposed to the works of
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105:(modern Tokyo), where from 1768 he began to produce designs for ukiyo-e
17:
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1955:
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1611:
Japanese woodblock prints Artists, Publishers and Masterworks 1680-1900
1557:
Japanese woodblock prints Artists, Publishers and Masterworks 1680-1900
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Japanese woodblock prints Artists, Publishers and Masterworks 1680-1900
1103:
One Hundred Famous Views of Edo: Suidō Bridge and the Surugadai Quarter
1065:
926:
897:
489:
124:
58:
37:
2608:
Thompson, Sarah (Winter–Spring 1986). "The World of Japanese Prints".
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prints of kabuki actors. Other well-known members of the school were
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Toyoharu's birthdate is calculated from an inscription in the book
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during ukiyo-e's declining years belonged to the Utagawa school.
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164:
Perspective Pictures of Places in Japan: Sanjūsangen-dō in Kyoto
2716:
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in 1796. He died in 1814 and was buried in Honkyōji Temple in
2674:
Bulletin of the Faculty of General Education, Kinki University
2369:
Beyond the Great Wave: The Japanese Landscape Print, 1727–1960
961:
Toyoharu also taught painting. His most prominent student was
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2680:(2). Kinki University General Education Department: 115–144.
1474:
1430:, "New scenes in the springtime Yoshiwara pleasure district"
215:
of painting. It may have been around 1763 that he moved to
2534:
Japanese Popular Prints: From Votive Slips to Playing Cards
553:
actor prints that, in contrast to the works of the leading
265:. Other art names Toyoharu went under include Ichiryūsai (
2126:"Cock, Hen, and Chickens | Japan | Edo period (1615—1868)"
2489:
Neuer, Roni; Libertson, Herbert; Yoshida, Susugu (1990).
2261:
The Japanese and Europe: Economic and Cultural Encounters
1890:
1888:
1698:
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One such seal reads "Student of Toriyama Sekien Toyofusa"
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district in Edo. His common name was Tajimaya Shōjirō (
1667:
1665:
2442:
Woodblock Kuchi-e Prints: Reflections of Meiji Culture
2311:(158). International Ukiyo-e Association: 1–6, 68–69.
1875:
1873:
1424:
1289:
946:—who documented the modernization of Japan during the
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derives from Udagawa-chō, where Toyoharu lived in the
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1632:
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1499:
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1312:), in which he states he is in his sixty-first year.
1227:
1960:
Freer Gallery of Art & Arthur M. Sackler Gallery
584:
prints made in the 1750s that inspired Ōkyo's work.
3802:
3517:
3491:
2783:
2748:
2590:
A Guide to Japanese Prints and Their Subject Matter
1980:"A Confused Japanese Print: Toyoharu's Dutch Views"
531:pillar prints. Only about fifteen examples of his
245:) is said to have come from Sekien's personal name
1086:Portrait of Nakamura Fukusuke I as Hayano Kanpei,
587:Early in his career, Toyoharu began producing the
2399:(1). The Art Institute of Chicago: 74–93, 95–96.
1384:based on evidence from the figures in the image.
2476:(167). International Ukiyo-e Association: 5–38.
681:A Perspective View of French Churches in Holland
511:Toyoharu produced a number of willowy, graceful
143:A Perspective View of French Churches in Holland
1402:
310:), and he also used the personal names Masaki (
101:, Toyoharu first studied art in Kyoto, then in
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425:The Canal Grande from Santa Croce to the East
406:The Canal Grande from Santa Croce to the East
8:
937:. Though Japanese art schools, such as the
257:). Some sources hold he also studied under
2359:Original Colour Grand Ukiyo-e Encyclopaedia
2324:International Ukiyo-e Society, ed. (2008).
580:. Toyoharu may also have seen the Chinese
57: – 1814) was a Japanese artist in the
2774:
2735:
2721:
2713:
2335:] (in Japanese). Tōkyō-dō Publishing.
1786:
1161: late 18th – early 19th century
557:, are executed in the learned style of an
2361:]. Vol. 7. Taishūkan Publishing.
1918:
866:and his Animal Friends Conquer the Demons
71:pictures that incorporated Western-style
1834:
2670:浮絵における遠近法システムの形成過程について-下-歌川豊春画「歌舞伎図」の革新
2393:Art Institute of Chicago Museum Studies
2102:"View of Nihonbashi (Nihonbashi no zu)"
1906:
1894:
1822:
1810:
1758:
1656:
1596:
1542:
1530:
1442:
1360:On the 29th day of the second month of
1280:
1234:
1142:Paintings by Toyoharu and his followers
1140:
1023:
804:
740:
683:, though he based it on a print of the
543:. Toyoharu produced a small number of
392:
219:(modern Tokyo), where he studied under
1864:
1798:
1722:
1710:
1671:
500:. Harunobu pioneered the full-colour
1746:
1652:
1579:
1503:
630:in Edo destroyed the Niō-mon gate in
7:
2208:"Asian Art Museum Online Collection"
2140:from the original on January 9, 2021
1879:
1849:
1774:
1734:
1640:
1375:Famous Views of Edo: Niō-mon in Ueno
1007:University of Michigan Museum of Art
646:Famous Views of Edo: Niō-mon in Ueno
636:Famous Views of Edo: Niō-mon in Ueno
384:Utagawa-in Toyoharu Nichiyō Shinji (
166:, depicting an archery competition,
2610:Philadelphia Museum of Art Bulletin
1763:Neuer, Libertson & Yoshida 1990
1687:Neuer, Libertson & Yoshida 1990
145:, actually based on a print of the
61:genre, known as the founder of the
2492:Ukiyo-e: 250 Years of Japanese Art
2350:Japan Ukiyo-e Association (1980).
1475:International Ukiyo-e Society 2008
1123:Mitsukuni and the Skeleton Specter
663:is an imitation of a print of the
287:). Tradition holds that the name
25:
2472:Oeuvre of Utagawa Toyoharu].
2352:Genshoku Ukiyo-e Dai-Hyakka Jiten
987:Fine Arts Museum of San Francisco
2700:
2301:Shin Yoshiwara Harukage-zu Byōbu
1426:Shin Yoshiwara Harukage-zu Byōbu
1261:
1249:
1237:
1193:
1167:
1146:
1114:
1095:
1079:
1054:
1029:
855:
834:
810:
791:
777:
763:
749:
675:, itself based on a painting by
436:
417:
398:
3437:Not associated with any school
1404:Toriyama Sekien Toyofusa Monjin
1011:Princeton University Art Museum
109:. He soon became known for his
3431:List of Utagawa school members
2640:]. Vol. 3. Gabun-dō.
1699:Japan Ukiyo-e Association 1980
1223:List of Utagawa school members
1175:Courtesans of the Tamaya House
806:Perspective prints by Toyoharu
82:Toyoharu was born in Japan in
1:
3978:19th-century Japanese artists
3973:18th-century Japanese artists
3968:Artists from Hyōgo Prefecture
2629:Yoshida, Teruji, ed. (1974).
2212:searchcollection.asianart.org
2160:"Exchange: The Rat's Wedding"
1378:
1306:
1211:screen painting, 19th century
1183:
1157:
1131:
1069:
1044:
1025:Members of the Utagawa school
869:
845:
824:
649:
479:
448:
431:, copperplate engraving, 1742
412:, oil on canvas, 18th century
394:Western influence on Toyoharu
182:
167:
150:
51:
3887:influenced non-Japanese art
2033:FAMSF Search the Collections
1156:, colour on silk, Toyoharu,
991:Minneapolis Institute of Art
975:National Museum of Asian Art
817:From the seventh act of the
634:, the subject of Toyoharu's
75:to create a sense of depth.
2761:Japanese woodblock printing
2743:Ukiyo-e schools and artists
2333:Grand Dictionary of Ukiyo-e
2299:Higuchi, Kazutaka (2009). "
2279:Gotō, Shigeki, ed. (1976).
1425:
1403:
1290:
999:Museum of Fine Arts, Boston
727:
718:Museum of Fine Arts, Boston
701:
690:
679:. Toyoharu titled another
614:
590:
546:
534:
524:
514:
503:
447:Toyoharu, woodblock print,
358:
332:
112:
27:Japanese artist (1735–1814)
3994:
2567:University of Hawaii Press
2539:University of Hawaii Press
2447:University of Hawaii Press
2303:, Utagawa Toyoharu Hitsu"
2258:Conte-Helm, Marie (2013).
2134:Metropolitan Museum of Art
1003:Metropolitan Museum of Art
181:Utagawa Toyoharu was born
31:
3198:Shunkōsai Fukushū school
2919:Ishikawa Toyonobu school
2909:Ippitsusai Bunchō school
2772:
1419:
1397:
1297:
1291:Saitan Kyōka Edo Murasaki
1201:Summer and Autumn Grasses
724:. His paintings include
521:portraits of beauties in
386:
321:
313:
305:
298:
282:
275:
268:
252:
240:
229:
2669:
2633:
2531:Salter, Rebecca (2006).
2465:
2354:
2328:
2304:
2283:
1340:35.725321°N 139.718633°E
3898:Japonaiserie (Van Gogh)
2593:. Courier Corporation.
2510:North, Michael (2010).
2439:Merritt, Helen (2000).
2420:Marks, Andreas (2012).
2188:artmuseum.princeton.edu
2164:exchange.umma.umich.edu
2058:collections.artsmia.org
1609:Marks, Andreas (2010).
1555:Marks, Andreas (2010).
1450:Marks, Andreas (2010).
1037:Ichikawa Komazo II
73:geometrical perspective
2829:Harukawa Eizan school
2516:. Ashgate Publishing.
971:Carnegie Museum of Art
892:
655:
485:
173:
156:
90:
3520:artists and movements
3411:Utagawa Hiroshige III
2766:List of ukiyo-e terms
2638:Ukiyo-e Encyclopaedia
2424:. Tuttle Publishing.
1613:. Tuttle Publishing.
1559:. Tuttle Publishing.
1454:. Tuttle Publishing.
1345:35.725321; 139.718633
1126:(one of a triptych),
887:
820:Kanadehon Chūshingura
644:
466:
341:one-point perspective
162:
141:
81:
3908:Anglo-Japanese style
3406:Utagawa Hiroshige II
3326:Utagawa Kunisada III
3192:Yanagawa Shigenobu I
3003:Keisai Eisen school
2788:of 17–19th centuries
2709:at Wikimedia Commons
2366:King, James (2010).
2290:]. Vol. 9.
2235:Bell, David (2004).
2082:portlandartmuseum.us
2009:www.worcesterart.org
983:Worcester Art Museum
722:Freer Gallery of Art
467:Young women using a
3476:Kobayashi Kiyochika
3341:Utagawa Toyokuni II
3321:Utagawa Kunisada II
3077:Nishimura Shigenaga
2785:Schools and artists
2495:. Studio Editions.
2106:collections.mfa.org
1936:collection.cmoa.org
1545:, pp. 103–104.
1364:9, or 1 April 1772
1336: /
995:Portland Art Museum
944:Kobayashi Kiyochika
380:under the Buddhist
355:in the full-colour
263:Nishimura Shigenaga
3913:Post-Impressionism
3737:Shōzaburō Watanabe
3396:Utagawa Kuniteru I
3381:Utagawa Yoshitoshi
3361:Utagawa Yoshitsuya
3336:Utagawa Kunimasu I
3306:Utagawa Toyokuni I
3279:Toyohara Kunichika
3202:Shunshosai Hokucho
3067:Nishikawa Sukenobu
2997:Kawamata Tsunemasa
2992:Kawamata Tsuneyuki
2982:Katsukawa Shunkō I
2893:Yanagawa Shigenobu
2883:Katsushika Hokusai
2873:Hishikawa Moronobu
2288:Ukiyo-e Compendium
2078:"Utagawa Toyoharu"
2029:"Utagawa Toyoharu"
1801:, pp. 84, 87.
1373:Scholars estimate
1062:Woman Wiping Sweat
893:
656:
486:
233:) in the art name
174:
157:
91:
3935:
3934:
3810:Japanese painting
3712:Sekino Jun'ichirō
3692:Gihachiro Okuyama
3652:Sakuichi Fukazawa
3632:Un'ichi Hiratsuka
3546:Kiyokata Kaburagi
3401:Utagawa Hiroshige
3391:Utagawa Yoshifusa
3386:Utagawa Yoshifuji
3366:Utagawa Yoshitora
3351:Utagawa Kuniyoshi
3249:Torii Kiyomitsu I
3244:Torii Kiyomasu II
3234:Torii Kiyonobu II
3212:Shunbaisai Hokuei
3188:Shigenobu school
3182:Urakusai Nagahide
3157:Yanagawa Nobusada
3147:Shunbaisai Hokuei
3122:Shunkōsai Hokushū
3082:Ishikawa Toyonobu
3073:Nishimura school
3063:Nishikawa school
2977:Katsukawa Shunchō
2972:Katsukawa Shunsen
2967:Katsukawa Shun'ei
2962:Katsukawa Shunshō
2950:Matsuno Chikanobu
2930:Kaigetsudō school
2923:Ishikawa Toyonobu
2913:Ippitsusai Bunchō
2898:Yanagawa Nobusada
2869:Hishikawa school
2823:Furuyama Moromasa
2705:Media related to
2647:978-4-87364-003-7
2600:978-0-486-23809-8
2576:978-0-8248-2594-2
2548:978-0-8248-3083-0
2523:978-0-7546-6937-1
2502:978-1-85170-620-4
2456:978-0-8248-2073-2
2431:978-1-4629-0599-7
2383:978-3-0343-0317-0
2342:978-4-490-10720-3
2326:Ukiyo-e Dai-Jiten
2271:978-1-78093-980-3
2264:. A&C Black.
2250:978-1-901903-41-6
2237:Ukiyo-e Explained
2130:www.metmuseum.org
1932:"CMOA Collection"
1777:, pp. 47–48.
1713:, pp. 83–84.
1620:978-4-8053-1055-7
1566:978-4-8053-1055-7
1461:978-4-8053-1055-7
1377:to have appeared
1182:screen painting,
673:Antonio Visentini
559:Ippitsusai Bunchō
494:Ishikawa Toyonobu
429:Antonio Visentini
318:) and Shin'emon (
259:Ishikawa Toyonobu
196:. He studied in
16:(Redirected from
3985:
3869:Mochizuki school
3787:Tadashi Nakayama
3647:Yasuhide Kobashi
3586:Takahashi Shōtei
3471:Kobayashi Eitaku
3421:Utagawa Sadafusa
3416:Utagawa Hirokage
3376:Utagawa Yoshiiku
3356:Ryusai Shigeharu
3346:Utagawa Kuniyasu
3331:Utagawa Sadahide
3316:Utagawa Kunisada
3311:Utagawa Kunimasa
3301:Utagawa Toyohiro
3296:Utagawa Toyoharu
3275:Toyohara school
3239:Torii Kiyomasu I
3229:Torii Kiyonobu I
3173:Ryūkōsai school
3097:Okumura Masanobu
3057:Miyagawa Shunsui
3047:Miyagawa Chōshun
3043:Miyagawa school
3017:Kitagawa Utamaro
3013:Kitagawa school
2988:Kawamata school
2957:Katsukawa school
2940:Kaigetsudō Anchi
2859:Hasegawa school
2839:Harunobu school
2819:Furuyama school
2778:
2737:
2730:
2723:
2714:
2707:Utagawa Toyoharu
2704:
2689:
2651:
2625:
2604:
2580:
2552:
2527:
2506:
2485:
2474:Ukiyo-e Geijutsu
2466:歌川豊春による浮絵の画歴について
2460:
2435:
2416:
2387:
2362:
2346:
2320:
2309:Ukiyo-e Geijutsu
2295:
2275:
2254:
2222:
2221:
2219:
2218:
2204:
2198:
2197:
2195:
2194:
2180:
2174:
2173:
2171:
2170:
2156:
2150:
2149:
2147:
2145:
2122:
2116:
2115:
2113:
2112:
2098:
2092:
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2088:
2074:
2068:
2067:
2065:
2064:
2050:
2044:
2043:
2041:
2040:
2025:
2019:
2018:
2016:
2015:
2001:
1995:
1994:
1992:
1991:
1984:Maidstone Museum
1976:
1970:
1969:
1967:
1966:
1956:"A Winter Party"
1952:
1946:
1945:
1943:
1942:
1928:
1922:
1916:
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1285:
1266:
1265:
1254:
1253:
1252:
1242:
1241:
1240:
1233:
1197:
1188:
1187: 1770s–80s
1185:
1171:
1162:
1159:
1150:
1136:
1133:
1118:
1099:
1083:
1074:
1071:
1058:
1049:
1046:
1033:
1015:Asian Art Museum
979:Maidstone Museum
874:
871:
859:
850:
847:
838:
829:
826:
814:
795:
781:
767:
753:
732:
706:
693:
654:
651:
629:
621:Great Meiwa Fire
617:
609:Okumura Masanobu
606:
593:
568:, whose popular
555:Katsukawa school
551:
537:
529:
519:
506:
492:masters such as
484:
481:
453:
450:
440:
421:
402:
389:
388:
363:
349:Okumura Masanobu
337:
325:
324:
323:
317:
316:
315:
309:
308:
307:
302:
301:
300:
286:
285:
284:
279:), and Shōjirō (
278:
277:
272:
271:
270:
256:
255:
254:
244:
243:
242:
232:
231:
210:
202:Tsuruzawa Tangei
187:
184:
172:
171: 1772–1781
169:
155:
152:
115:
107:woodblock prints
56:
53:
48:Utagawa Toyoharu
21:
3993:
3992:
3988:
3987:
3986:
3984:
3983:
3982:
3958:Ukiyo-e artists
3938:
3937:
3936:
3931:
3835:Hasegawa school
3798:
3772:Chosei Kawakami
3757:Fujimori Shizuo
3722:Hiroyuki Tajima
3677:Yoshitoshi Mori
3672:Matsubara Naoko
3627:Eiichi Kotozuka
3606:Yoshida Hiroshi
3596:Tsuchiya Koitsu
3581:Shiro Kasamatsu
3556:Elizabeth Keith
3536:Hashiguchi Goyō
3519:
3513:
3487:
3456:Toriyama Sekien
3371:Kawanabe Kyōsai
3284:Yōshū Chikanobu
3254:Torii Kiyotsune
3207:Gatōken Shunshi
3093:Okumura school
3087:Suzuki Harunobu
3037:Kitao Shigemasa
2945:Hasegawa Eishun
2935:Kaigetsudō Ando
2879:Hokusai school
2863:Hasegawa Settan
2843:Suzuki Harunobu
2808:Chōbunsai Eishi
2798:Gigadō Ashiyuki
2794:Asayama school
2787:
2779:
2770:
2744:
2741:
2697:
2692:
2671:
2663:
2659:
2657:Further reading
2654:
2648:
2635:
2628:
2607:
2601:
2583:
2577:
2555:
2549:
2530:
2524:
2509:
2503:
2488:
2467:
2463:
2457:
2438:
2432:
2419:
2405:10.2307/4104359
2390:
2384:
2365:
2356:
2355:原色 浮世絵大百科事典 第7巻
2349:
2343:
2330:
2323:
2306:
2305:「新吉原春景図屏風」歌川豊春筆
2298:
2285:
2278:
2272:
2257:
2251:
2241:Global Oriental
2234:
2230:
2225:
2216:
2214:
2206:
2205:
2201:
2192:
2190:
2182:
2181:
2177:
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2166:
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2123:
2119:
2110:
2108:
2100:
2099:
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2086:
2084:
2076:
2075:
2071:
2062:
2060:
2052:
2051:
2047:
2038:
2036:
2027:
2026:
2022:
2013:
2011:
2003:
2002:
1998:
1989:
1987:
1978:
1977:
1973:
1964:
1962:
1954:
1953:
1949:
1940:
1938:
1930:
1929:
1925:
1917:
1913:
1905:
1901:
1893:
1886:
1878:
1871:
1863:
1856:
1848:
1841:
1833:
1829:
1821:
1817:
1809:
1805:
1797:
1793:
1787:Conte-Helm 2013
1785:
1781:
1773:
1769:
1761:, p. 224;
1757:
1753:
1745:
1741:
1733:
1729:
1721:
1717:
1709:
1705:
1697:
1693:
1685:
1678:
1670:
1663:
1651:
1647:
1639:
1628:
1621:
1608:
1607:
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1578:
1574:
1567:
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1537:
1529:
1510:
1502:
1481:
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1469:
1462:
1449:
1448:
1444:
1440:
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1434:
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1413:
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1392:
1388:
1381:
1372:
1368:
1359:
1355:
1344:
1342:
1338:
1335:
1330:
1327:
1325:
1323:
1322:
1320:
1316:
1309:
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1260:
1250:
1248:
1238:
1236:
1228:
1219:
1212:
1203:
1198:
1189:
1186:
1177:
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1160:
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1137:
1134:
1119:
1110:
1100:
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1059:
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1047:
1034:
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875:
872:
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851:
848:
839:
830:
827:
815:
801:
796:
787:
782:
773:
768:
759:
754:
652:
623:
600:
498:Suzuki Harunobu
482:
474:
461:
454:
451:
446:
441:
432:
427:
422:
413:
408:
403:
382:posthumous name
319:
311:
303:
296:
280:
266:
250:
238:
221:Toriyama Sekien
204:
194:Tajima Province
185:
179:
177:Life and career
170:
153:
99:Tajima Province
84:Tajima Province
54:
45:
28:
23:
22:
15:
12:
11:
5:
3991:
3989:
3981:
3980:
3975:
3970:
3965:
3963:Utagawa school
3960:
3955:
3950:
3940:
3939:
3933:
3932:
3930:
3929:
3928:
3927:
3920:
3915:
3910:
3905:
3900:
3895:
3881:
3880:
3879:
3878:
3871:
3866:
3861:
3854:
3847:
3842:
3837:
3832:
3827:
3822:
3817:
3806:
3804:
3800:
3799:
3797:
3796:
3795:
3794:
3789:
3784:
3782:Kohno Michisei
3776:
3775:
3774:
3769:
3764:
3759:
3754:
3749:
3744:
3742:Hodaka Yoshida
3739:
3734:
3732:Kanae Yamamoto
3729:
3727:Sadao Watanabe
3724:
3719:
3714:
3709:
3704:
3702:Kiichi Okamoto
3699:
3694:
3689:
3684:
3682:Shikō Munakata
3679:
3674:
3669:
3664:
3662:Senpan Maekawa
3659:
3654:
3649:
3644:
3639:
3634:
3629:
3624:
3622:Azechi Umetarō
3610:
3609:
3608:
3603:
3601:Yamakawa Shūhō
3598:
3593:
3588:
3583:
3578:
3573:
3568:
3566:Natori Shunsen
3563:
3561:Kojima Gyokuhō
3558:
3553:
3548:
3543:
3538:
3523:
3521:
3515:
3514:
3512:
3511:
3506:
3501:
3495:
3493:
3489:
3488:
3486:
3485:
3484:
3483:
3481:Kikukawa Eizan
3478:
3473:
3468:
3466:Sugimura Jihei
3463:
3458:
3453:
3448:
3443:
3435:
3434:
3433:
3428:
3423:
3418:
3413:
3408:
3403:
3398:
3393:
3388:
3383:
3378:
3373:
3368:
3363:
3358:
3353:
3348:
3343:
3338:
3333:
3328:
3323:
3318:
3313:
3308:
3303:
3298:
3291:Utagawa school
3288:
3287:
3286:
3281:
3273:
3272:
3271:
3266:
3264:Torii Kiyonaga
3261:
3259:Torii Kiyohiro
3256:
3251:
3246:
3241:
3236:
3231:
3226:
3224:Torii Kiyomoto
3216:
3215:
3214:
3209:
3204:
3196:
3195:
3194:
3186:
3185:
3184:
3179:
3177:Ryūkōsai Jokei
3171:
3170:
3169:
3164:
3159:
3154:
3149:
3144:
3139:
3134:
3132:Yoshida Hanbei
3129:
3124:
3119:
3117:Ryūkōsai Jokei
3111:
3110:
3109:
3101:
3100:
3099:
3091:
3090:
3089:
3084:
3079:
3071:
3070:
3069:
3061:
3060:
3059:
3054:
3052:Miyagawa Isshō
3049:
3041:
3040:
3039:
3031:
3030:
3029:
3027:Eishōsai Chōki
3024:
3019:
3011:
3010:
3009:
3001:
3000:
2999:
2994:
2986:
2985:
2984:
2979:
2974:
2969:
2964:
2954:
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2937:
2927:
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2917:
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2907:
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2905:
2900:
2895:
2890:
2885:
2877:
2876:
2875:
2867:
2866:
2865:
2857:
2856:
2855:
2850:
2848:Isoda Koryūsai
2845:
2837:
2836:
2835:
2833:Harukawa Eizan
2827:
2826:
2825:
2817:
2816:
2815:
2813:Chōkōsai Eishō
2810:
2802:
2801:
2800:
2791:
2789:
2781:
2780:
2773:
2771:
2769:
2768:
2763:
2758:
2752:
2750:
2746:
2745:
2742:
2740:
2739:
2732:
2725:
2717:
2711:
2710:
2696:
2695:External links
2693:
2691:
2690:
2660:
2658:
2655:
2653:
2652:
2646:
2626:
2605:
2599:
2585:Stewart, Basil
2581:
2575:
2557:Screech, Timon
2553:
2547:
2528:
2522:
2507:
2501:
2486:
2461:
2455:
2436:
2430:
2417:
2388:
2382:
2363:
2347:
2341:
2321:
2296:
2281:Ukiyo-e Taikei
2276:
2270:
2255:
2249:
2231:
2229:
2226:
2224:
2223:
2199:
2175:
2151:
2117:
2093:
2069:
2045:
2020:
1996:
1971:
1947:
1923:
1919:Mochimaru 2014
1911:
1899:
1897:, p. 224.
1884:
1882:, p. 105.
1869:
1867:, p. 204.
1854:
1839:
1827:
1815:
1803:
1791:
1779:
1767:
1765:, p. 259.
1751:
1749:, p. 177.
1739:
1727:
1725:, pp. 96.
1715:
1703:
1691:
1689:, p. 259.
1676:
1661:
1659:, p. 279.
1655:, p. 68;
1645:
1626:
1619:
1601:
1599:, p. 103.
1584:
1582:, p. 175.
1572:
1565:
1547:
1535:
1533:, p. 279.
1508:
1479:
1467:
1460:
1441:
1439:
1436:
1433:
1432:
1411:
1386:
1382: 1770–71
1366:
1353:
1314:
1279:
1278:
1276:
1273:
1271:
1270:
1258:
1246:
1226:
1225:
1218:
1215:
1214:
1213:
1199:
1192:
1190:
1173:
1166:
1164:
1154:A Winter Party
1152:
1145:
1143:
1139:
1138:
1120:
1113:
1111:
1101:
1094:
1092:
1085:
1078:
1076:
1060:
1053:
1051:
1035:
1028:
1026:
909:Utagawa school
890:Ryōgoku Bridge
881:
878:
877:
876:
861:
854:
852:
840:
833:
831:
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809:
807:
803:
802:
797:
790:
788:
783:
776:
774:
769:
762:
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755:
748:
746:
714:British Museum
653: 1770–71
598:Torii Kiyotada
460:
457:
456:
455:
442:
435:
433:
423:
416:
414:
404:
397:
395:
374:Nikkō Tōshō-gū
273:), Senryūsai (
178:
175:
63:Utagawa school
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
3990:
3979:
3976:
3974:
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3926:
3925:
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3916:
3914:
3911:
3909:
3906:
3904:
3903:Impressionism
3901:
3899:
3896:
3894:
3893:
3889:
3888:
3886:
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3872:
3870:
3867:
3865:
3862:
3860:
3859:
3855:
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3852:
3848:
3846:
3845:Nanpin school
3843:
3841:
3838:
3836:
3833:
3831:
3828:
3826:
3823:
3821:
3818:
3816:
3813:
3812:
3811:
3808:
3807:
3805:
3801:
3793:
3792:Fujio Yoshida
3790:
3788:
3785:
3783:
3780:
3779:
3777:
3773:
3770:
3768:
3767:Tadashige Ono
3765:
3763:
3760:
3758:
3755:
3753:
3752:Suwa Kanenori
3750:
3748:
3747:Tōshi Yoshida
3745:
3743:
3740:
3738:
3735:
3733:
3730:
3728:
3725:
3723:
3720:
3718:
3715:
3713:
3710:
3708:
3707:Saitō Kiyoshi
3705:
3703:
3700:
3698:
3697:Kōshirō Onchi
3695:
3693:
3690:
3688:
3685:
3683:
3680:
3678:
3675:
3673:
3670:
3668:
3665:
3663:
3660:
3658:
3655:
3653:
3650:
3648:
3645:
3643:
3642:Kitaoka Fumio
3640:
3638:
3635:
3633:
3630:
3628:
3625:
3623:
3620:
3619:
3618:
3617:
3616:
3611:
3607:
3604:
3602:
3599:
3597:
3594:
3592:
3591:Torii Kotondo
3589:
3587:
3584:
3582:
3579:
3577:
3576:Ota Masamitsu
3574:
3572:
3569:
3567:
3564:
3562:
3559:
3557:
3554:
3552:
3549:
3547:
3544:
3542:
3539:
3537:
3534:
3533:
3532:
3531:
3530:
3525:
3524:
3522:
3516:
3510:
3507:
3505:
3502:
3500:
3497:
3496:
3494:
3490:
3482:
3479:
3477:
3474:
3472:
3469:
3467:
3464:
3462:
3459:
3457:
3454:
3452:
3449:
3447:
3444:
3442:
3441:Kanbun Master
3439:
3438:
3436:
3432:
3429:
3427:
3424:
3422:
3419:
3417:
3414:
3412:
3409:
3407:
3404:
3402:
3399:
3397:
3394:
3392:
3389:
3387:
3384:
3382:
3379:
3377:
3374:
3372:
3369:
3367:
3364:
3362:
3359:
3357:
3354:
3352:
3349:
3347:
3344:
3342:
3339:
3337:
3334:
3332:
3329:
3327:
3324:
3322:
3319:
3317:
3314:
3312:
3309:
3307:
3304:
3302:
3299:
3297:
3294:
3293:
3292:
3289:
3285:
3282:
3280:
3277:
3276:
3274:
3270:
3269:Torii Kotondo
3267:
3265:
3262:
3260:
3257:
3255:
3252:
3250:
3247:
3245:
3242:
3240:
3237:
3235:
3232:
3230:
3227:
3225:
3222:
3221:
3220:
3217:
3213:
3210:
3208:
3205:
3203:
3200:
3199:
3197:
3193:
3190:
3189:
3187:
3183:
3180:
3178:
3175:
3174:
3172:
3168:
3165:
3163:
3160:
3158:
3155:
3153:
3150:
3148:
3145:
3143:
3140:
3138:
3135:
3133:
3130:
3128:
3125:
3123:
3120:
3118:
3115:
3114:
3113:Osaka school
3112:
3108:
3107:Ōoka Shunboku
3105:
3104:
3102:
3098:
3095:
3094:
3092:
3088:
3085:
3083:
3080:
3078:
3075:
3074:
3072:
3068:
3065:
3064:
3062:
3058:
3055:
3053:
3050:
3048:
3045:
3044:
3042:
3038:
3035:
3034:
3033:Kitao school
3032:
3028:
3025:
3023:
3020:
3018:
3015:
3014:
3012:
3008:
3005:
3004:
3002:
2998:
2995:
2993:
2990:
2989:
2987:
2983:
2980:
2978:
2975:
2973:
2970:
2968:
2965:
2963:
2960:
2959:
2958:
2955:
2951:
2948:
2946:
2943:
2941:
2938:
2936:
2933:
2932:
2931:
2928:
2924:
2921:
2920:
2918:
2914:
2911:
2910:
2908:
2904:
2903:Totoya Hokkei
2901:
2899:
2896:
2894:
2891:
2889:
2888:Katsushika Ōi
2886:
2884:
2881:
2880:
2878:
2874:
2871:
2870:
2868:
2864:
2861:
2860:
2858:
2854:
2851:
2849:
2846:
2844:
2841:
2840:
2838:
2834:
2831:
2830:
2828:
2824:
2821:
2820:
2818:
2814:
2811:
2809:
2806:
2805:
2804:Eishi school
2803:
2799:
2796:
2795:
2793:
2792:
2790:
2786:
2782:
2777:
2767:
2764:
2762:
2759:
2757:
2754:
2753:
2751:
2747:
2738:
2733:
2731:
2726:
2724:
2719:
2718:
2715:
2708:
2703:
2699:
2698:
2694:
2687:
2683:
2679:
2675:
2668:no kakushin"
2667:
2662:
2661:
2656:
2649:
2643:
2639:
2632:
2631:Ukiyo-e Jiten
2627:
2623:
2619:
2615:
2611:
2606:
2602:
2596:
2592:
2591:
2586:
2582:
2578:
2572:
2568:
2564:
2563:
2558:
2554:
2550:
2544:
2540:
2536:
2535:
2529:
2525:
2519:
2515:
2514:
2508:
2504:
2498:
2494:
2493:
2487:
2483:
2479:
2475:
2471:
2462:
2458:
2452:
2448:
2444:
2443:
2437:
2433:
2427:
2423:
2418:
2414:
2410:
2406:
2402:
2398:
2394:
2389:
2385:
2379:
2375:
2371:
2370:
2364:
2360:
2353:
2348:
2344:
2338:
2334:
2327:
2322:
2318:
2314:
2310:
2302:
2297:
2293:
2289:
2282:
2277:
2273:
2267:
2263:
2262:
2256:
2252:
2246:
2242:
2238:
2233:
2232:
2227:
2213:
2209:
2203:
2200:
2189:
2185:
2179:
2176:
2165:
2161:
2155:
2152:
2139:
2135:
2131:
2127:
2121:
2118:
2107:
2103:
2097:
2094:
2083:
2079:
2073:
2070:
2059:
2055:
2049:
2046:
2034:
2030:
2024:
2021:
2010:
2006:
2000:
1997:
1985:
1981:
1975:
1972:
1961:
1957:
1951:
1948:
1937:
1933:
1927:
1924:
1920:
1915:
1912:
1909:, p. 18.
1908:
1903:
1900:
1896:
1891:
1889:
1885:
1881:
1876:
1874:
1870:
1866:
1861:
1859:
1855:
1852:, p. 15.
1851:
1846:
1844:
1840:
1837:, p. 44.
1836:
1835:Thompson 1986
1831:
1828:
1824:
1819:
1816:
1813:, p. 68.
1812:
1807:
1804:
1800:
1795:
1792:
1788:
1783:
1780:
1776:
1771:
1768:
1764:
1760:
1755:
1752:
1748:
1743:
1740:
1737:, p. 47.
1736:
1731:
1728:
1724:
1719:
1716:
1712:
1707:
1704:
1701:, p. 38.
1700:
1695:
1692:
1688:
1683:
1681:
1677:
1674:, p. 84.
1673:
1668:
1666:
1662:
1658:
1654:
1649:
1646:
1643:, p. 75.
1642:
1637:
1635:
1633:
1631:
1627:
1622:
1616:
1612:
1605:
1602:
1598:
1593:
1591:
1589:
1585:
1581:
1576:
1573:
1568:
1562:
1558:
1551:
1548:
1544:
1539:
1536:
1532:
1527:
1525:
1523:
1521:
1519:
1517:
1515:
1513:
1509:
1506:, p. 68.
1505:
1500:
1498:
1496:
1494:
1492:
1490:
1488:
1486:
1484:
1480:
1477:, p. 64.
1476:
1471:
1468:
1463:
1457:
1453:
1446:
1443:
1437:
1429:
1427:
1415:
1412:
1405:
1390:
1387:
1376:
1370:
1367:
1363:
1357:
1354:
1349:
1318:
1315:
1304:
1301:) printed in
1294:
1292:
1284:
1281:
1274:
1269:
1264:
1259:
1257:
1247:
1245:
1235:
1231:
1224:
1221:
1220:
1216:
1210:
1206:
1202:
1196:
1191:
1181:
1176:
1170:
1165:
1155:
1149:
1144:
1141:
1129:
1125:
1124:
1117:
1112:
1108:
1104:
1098:
1093:
1089:
1082:
1077:
1067:
1063:
1057:
1052:
1042:
1038:
1032:
1027:
1024:
1022:
1020:
1019:San Francisco
1016:
1012:
1008:
1004:
1000:
996:
992:
988:
984:
980:
976:
972:
966:
964:
959:
956:
951:
949:
945:
940:
936:
932:
929:, Hiroshige,
928:
924:
923:
918:
914:
910:
905:
903:
899:
891:
888:Fireworks at
886:
879:
867:
865:
858:
853:
843:
837:
832:
822:
821:
813:
808:
805:
800:
794:
789:
786:
780:
775:
772:
766:
761:
758:
752:
747:
744:
743:The Four Arts
741:
739:
737:
733:
731:
730:
723:
719:
715:
711:
707:
705:
704:
696:
694:
692:
686:
682:
678:
674:
671:from 1742 by
670:
666:
662:
647:
643:
639:
637:
633:
627:
622:
618:
616:
610:
604:
599:
594:
592:
585:
583:
582:vue d'optique
579:
578:
577:vue d'optique
573:
572:
567:
566:Maruyama Ōkyo
562:
560:
556:
552:
550:
549:
542:
538:
536:
530:
528:
527:
520:
518:
517:
509:
507:
505:
499:
495:
491:
477:
472:
471:
465:
458:
445:
439:
434:
430:
426:
420:
415:
411:
407:
401:
396:
393:
391:
383:
379:
375:
371:
366:
364:
362:
361:
354:
350:
346:
342:
338:
336:
335:
327:
294:
290:
264:
260:
248:
236:
226:
222:
218:
214:
208:
203:
199:
195:
191:
176:
165:
161:
148:
144:
140:
136:
134:
130:
126:
122:
121:
116:
114:
108:
104:
100:
96:
88:
85:
80:
76:
74:
70:
69:
64:
60:
49:
43:
39:
35:
34:Japanese name
30:
19:
3948:1730s births
3924:Ligne claire
3922:
3890:
3884:
3873:
3864:Shijō school
3856:
3849:
3840:Kyoto school
3815:Rinpa school
3717:Toko Shinoda
3687:Tetsuya Noda
3615:Sosaku-hanga
3613:
3612:
3551:Hasui Kawase
3527:
3526:
3518:20th century
3426:Adachi Ginkō
3295:
3219:Torii school
3103:Ōoka school
3007:Keisai Eisen
2677:
2673:
2665:
2637:
2630:
2613:
2609:
2589:
2561:
2533:
2512:
2491:
2473:
2469:
2441:
2421:
2396:
2392:
2368:
2358:
2351:
2332:
2325:
2308:
2300:
2287:
2280:
2260:
2236:
2215:. Retrieved
2211:
2202:
2191:. Retrieved
2187:
2178:
2167:. Retrieved
2163:
2154:
2142:. Retrieved
2129:
2120:
2109:. Retrieved
2105:
2096:
2085:. Retrieved
2081:
2072:
2061:. Retrieved
2057:
2048:
2037:. Retrieved
2035:. 2018-09-21
2032:
2023:
2012:. Retrieved
2008:
1999:
1988:. Retrieved
1986:. 2016-03-24
1983:
1974:
1963:. Retrieved
1959:
1950:
1939:. Retrieved
1935:
1926:
1921:, p. 5.
1914:
1907:Merritt 2000
1902:
1895:Stewart 1922
1830:
1825:, p. 6.
1823:Higuchi 2009
1818:
1811:Higuchi 2009
1806:
1794:
1789:, p. 9.
1782:
1770:
1759:Stewart 1922
1754:
1742:
1730:
1718:
1706:
1694:
1657:Yoshida 1974
1648:
1610:
1604:
1597:Screech 2002
1575:
1556:
1550:
1543:Screech 2002
1538:
1531:Yoshida 1974
1470:
1451:
1445:
1423:
1414:
1389:
1374:
1369:
1356:
1317:
1288:
1283:
1205:Sakai Hōitsu
1200:
1174:
1153:
1135: 1840s
1121:
1102:
1073: 1790s
1061:
1036:
967:
963:Sakai Hōitsu
960:
955:Torii school
952:
948:Meiji period
920:
906:
894:
873: 1770s
862:
849: 1770s
841:
828: 1770s
818:
798:
784:
770:
756:
742:
735:
725:
710:Rinpa school
703:nikuhitsu-ga
699:
697:
688:
680:
660:
657:
645:
635:
612:
607:and then of
588:
586:
581:
575:
569:
563:
544:
532:
522:
512:
510:
501:
487:
483: 1760s
468:
452: 1770s
443:
424:
405:
367:
356:
352:
344:
330:
328:
288:
246:
234:
224:
180:
163:
154: 1770s
142:
118:
110:
92:
86:
66:
65:and for his
47:
46:
41:
29:
3953:1814 deaths
3918:Art Nouveau
3830:Hara school
3825:Akita ranga
3820:Kanō school
3762:Reika Iwami
3657:Masao Maeda
3637:Itow Takumi
3571:Ohara Koson
3541:Itō Shinsui
3461:Ogata Gekkō
3451:Sawa Sekkyō
3142:Hirosada II
2853:Shiba Kōkan
2228:Works cited
1865:Salter 2006
1799:Little 1996
1723:Little 1996
1711:Little 1996
1672:Little 1996
1343: /
1331:139°43′07″E
1310: 1795
1268:Visual arts
1048: 1797
785:Calligraphy
745:by Toyoharu
685:Roman Forum
665:Grand Canal
624: [
601: [
213:Kanō school
205: [
186: 1735
147:Roman Forum
55: 1735
3942:Categories
3529:Shin-hanga
3509:Yokohama-e
3504:Nagasaki-e
3499:Kamigata-e
3137:Hirosada I
2374:Peter Lang
2217:2021-01-07
2193:2021-01-07
2169:2021-01-07
2111:2021-01-07
2087:2021-01-07
2063:2021-01-07
2039:2021-01-07
2014:2021-01-07
1990:2021-01-07
1965:2021-01-07
1941:2021-01-07
1747:North 2010
1653:Marks 2012
1580:North 2010
1504:Marks 2012
1438:References
1328:35°43′31″N
1178:Toyoharu,
1013:, and the
799:Playing Go
720:, and the
3892:Japonisme
3667:Maki Haku
3492:By region
3167:Yoshitaki
3022:Tsukimaro
2686:0286-8075
2666:Kabuki-zu
2482:0041-5979
2468:[The
2317:0041-5979
1880:Bell 2004
1850:Bell 2004
1775:King 2010
1735:King 2010
1641:Gotō 1976
1244:Biography
1128:Kuniyoshi
1107:Hiroshige
939:Katsukawa
931:Kuniyoshi
922:yakusha-e
902:Hiroshige
736:nishiki-e
677:Canaletto
548:yakusha-e
541:four arts
526:hashira-e
504:nishiki-e
410:Canaletto
387:歌川院豊春日要居士
378:Ikebukuro
360:nishiki-e
133:Kuniyoshi
129:Hiroshige
120:nishiki-e
3152:Kunimasu
3127:Ashiyuki
2587:(1922).
2559:(2002).
2292:Shueisha
2144:12 April
2138:Archived
1420:新吉原春景図屏風
1398:鳥山石燕豊房門人
1217:See also
1088:Kunisada
1041:Toyokuni
935:Kunisada
917:Toyohiro
913:Toyokuni
864:Momotarō
771:Painting
757:Shamisen
571:megane-e
535:bijin-ga
516:bijin-ga
476:Harunobu
470:megane-e
247:Toyofusa
235:Toyoharu
93:Born in
89:in 1735.
87:(in red)
50:(歌川 豊春,
32:In this
18:Toyoharu
3885:Ukiyo-e
3858:Nihonga
3803:Related
3778:Others
3446:Sharaku
3162:Shunshi
2756:Ukiyo-e
2749:General
2622:3795440
2413:4104359
1298:歳旦狂歌江戸紫
1230:Portals
1066:Utamaro
927:Utamaro
898:Hokusai
698:In his
490:ukiyo-e
289:Utagawa
223:. The
211:of the
190:Toyooka
125:Utamaro
95:Toyooka
59:ukiyo-e
42:Utagawa
38:surname
2684:
2644:
2620:
2597:
2573:
2545:
2520:
2499:
2480:
2453:
2428:
2411:
2380:
2339:
2329:浮世絵大事典
2315:
2268:
2247:
1617:
1563:
1458:
1303:Kansei
1109:, 1857
1090:, 1860
1009:, the
1005:, the
1001:, the
997:, the
993:, the
989:, the
985:, the
981:, the
977:, the
933:, and
880:Legacy
669:Venice
473:device
370:kabuki
200:under
131:, and
36:, the
3851:Nanga
2636:[
2634:浮世絵事典
2618:JSTOR
2470:Uki-e
2409:JSTOR
2357:[
2331:[
2286:[
2284:浮世絵大系
1362:Meiwa
1275:Notes
1256:Japan
1209:byōbu
1180:byōbu
729:byōbu
691:uki-e
628:]
615:uki-e
605:]
591:uki-e
459:Style
353:uki-e
345:uki-e
334:uki-e
293:Shiba
209:]
198:Kyoto
113:uki-e
68:uki-e
3875:Yōga
2682:ISSN
2642:ISBN
2595:ISBN
2571:ISBN
2543:ISBN
2518:ISBN
2497:ISBN
2478:ISSN
2451:ISBN
2426:ISBN
2378:ISBN
2337:ISBN
2313:ISSN
2266:ISBN
2245:ISBN
2146:2023
1615:ISBN
1561:ISBN
1456:ISBN
953:The
915:and
907:The
900:and
632:Ueno
496:and
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