996:
36:
2066:
221:, from 1952 to 1968, joining the faculty there in 1963. His monastic travels took him to places such as New York, Washington, and Paris. After leaving religious life in 1968, he continued experimenting with automatic drawing that led him to explore methods of writing code to achieve some form of computer automatism. This led him to redirect all his artistic practices toward
299:
for driving oriental brushes adapted to the machine's drawing arm. By 1987 he had integrated expressive brush strokes with colorful clusters of pen strokes. Examples of his algorithmic plotter work include the
Pathway series, the Pearl Park Scriptures, the Diamond Lake Apocalypse and the Manchester Illuminated Universal Turing Machine, produced in honor of
249:, monastic vows in 1954, a BA in philosophy in 1955,four years of Theology in the St. Vincent Major Seminary and ordination as a priest in 1959. While Verostko remained a monk attached to Saint Vincent Archabbey, he pursued graduate work in the early 1960s at other institutions, first in an MFA program at
293:
In 1982, Verostko developed an interactive program which produced a computer-generated light show called the "Magic Hand of Chance". It operated with 32 kb of memory and was written in BASIC with a first-generation IBM PC. The "Magic Hand" was capable of running for days without repeating itself.
298:
software, an integrated program of routines that, to his mind, attempted to mime some of the procedures he had used in his pre-algorist years. His first pen plotter, a
Houston Instruments DMP-52, with 14 pen stalls, provided a rich palette of inks for his drawing routines. He also created routines
284:
Verostko wrote his first code in punch cards at the
Control Data Institute in the late 1960s. In the summer of 1970, with a Bush Foundation Fellows Grant to explore "the humanization of new technologies", he worked with Gyorgy Kepes at MIT's Center for Advanced Visual Studies (CAVS). "But my real
188:
that was designed primarily for engineering and architectural drawing. In coding his software
Verostko conceives of the machine's drawing arm as an extension or prosthesis for his own drawing arm. The plotter normally draws with ink pens but Verostko adapted oriental brushes to fit the drawing arm
269:
and visited religious sites. Much of
Verostko's work in Paris "pursued visual manifestations of inner experience that transcended rational observation". For many of these 'automatic' works he maintained a private notebook of 'experience states' related to their execution". Perhaps
378:, Spalding University in Louisville, and the Frey Science and Engineering Center at the University of St. Thomas in St. Paul. His drawings have also been featured in over 30 exhibitions in shows in Rome, Berlin, Istanbul, Lima, Tokyo and New York.
322:. The images are digital transformations of his original pen and ink drawings created for an "Upsidedown Book" in the 1970s. His "Upsidedown Book" was published and dedicated to Fred Rogers on August 2, 2008.
317:
In 2008, Verostko installed an "upside-down" mural, with 11 units spanning two stories inside the main entrance of the Fred Rogers Early
Childhood Learning Center located on the Saint Vincent College campus,
1973:
281:
He resumed creating abstract expressionist paintings and toured an innovative light-and-sound show he had created based on the Psalms, while editing the New
Catholic Encyclopedia in Washington, D.C.
184:. Verostko developed his own software for generating original art based on form ideas he had developed as an artist in the 1960s. His software controls the drawing arm of a machine known as a pen
274:, exploring semi-automated methodologies for image-making in the belief that its source was the irrational. Hayter also associated with many of the forerunners of the Algorists, among them
1214:
2127:
314:, in a limited edition. Each copy of the book contains unique multi-pen plotter drawings with the frontispiece including a single brush stroke created using the same algorithm.
995:
2005:
2000:
1174:
875:
1154:
350:
Distinguished Artist Award for
Lifetime Achievement: Roman Verostko, Leonardo - Volume 42, Number 4, August 2009, p. 297. The other 2009 recipient was
245:, where he received a diploma in illustration in 1949. In 1950 he entered the Saint Vincent Archabbey scholastic program for monks that included entrance to
225:. He married Alice Wagstaff in August 1968. She was a psychologist and gave seminars at the monastery when Verostko met her. She died in 2009. He resided in
787:
604:
617:
2122:
758:
744:
722:
707:
561:
230:
161:
1785:
57:
1945:
357:
2021 St
Vincent College, Verostko's alma mater, names its Verostko Center for the Arts, an exposition space and archives, in his honour
2112:
2102:
1959:
2132:
2117:
2107:
868:
692:
677:
662:
655:
544:
429:
79:
285:
coding work began with the first personal computers, the Apples we had in '78 and the IBM that came out in August 1981," he said.
233:(MCAD) from 1968 to 1994 and held the title of Professor Emeritus. Verostko died in Minneapolis on June 1, 2024, at the age of 94.
1309:
764:
1444:
278:. Many of the themes Verostko would explore in his life's work - EXAMPLES - emerged in this time period in and around Paris.
2020:
1990:
1430:
262:
633:
420:
Verostko, Roman (2002). "Algorithmic Fine Art: Composing a Visual Arts Score". In Candy, Linda; Edmonds, Ernest A. (eds.).
574:
371:
2070:
1883:
1545:
1395:
1364:
1259:
1206:
1121:
1020:
861:
843:
242:
180:(September 12, 1929 – June 1, 2024) was an American artist and educator who created code-generated imagery, known as
50:
44:
763:
Shao-Lan Hertel, "Lines in
Translation: Cross-Cultural Encounters in Modernist Calligraphy, Early 1980s–Early 1990"
1062:
1047:
806:
736:
367:
464:
1402:
963:
539:
Verostko, Roman (1990). Derivation of the laws of the symbols of logic. Minneapolis : St. Sebastian Press.
61:
1995:
1416:
1719:
1409:
1052:
933:
798:
2010:
1909:
1857:
1851:
1747:
1128:
214:
140:
729:
699:
189:
and wrote interactive routines for achieving brush strokes with his plotters. In 1995, he co-founded the
1891:
1865:
1713:
1692:
1534:
1279:
1234:
1160:
1111:
918:
750:
375:
319:
246:
218:
1451:
451:
194:
640:
2097:
2092:
1816:
1687:
1568:
1181:
351:
2041:
1966:
1705:
1357:
1336:
955:
884:
749:
Taylor, Grant D.(2014). When the Machine Made Art: The Troubled History of Computer Art, New York,
258:
254:
206:
121:
2046:
1903:
1733:
1529:
1519:
1372:
1244:
1099:
468:
1239:
669:
266:
1767:
1755:
1741:
1623:
1298:
1284:
754:
740:
718:
703:
688:
673:
651:
598:
557:
540:
425:
1917:
1613:
1608:
1558:
1504:
1459:
1438:
1424:
1388:
1188:
968:
515:
307:
2051:
1779:
1668:
1583:
1563:
1514:
1104:
1010:
985:
923:
619:"Saint Vincent College Officially Dedicates Verostko Center for the Arts" 18 November 2021
250:
222:
190:
181:
1573:
799:"Roman Verostko, 'Manchester Illuminated Universal Turing Machine, #1', 1998 - in detail"
1593:
1539:
1524:
1480:
1351:
1343:
1224:
943:
647:
665:, End Paper / Chronicle review of Roman Verostko's Exhibition of Algorithmic Fine Art.
2086:
2036:
2015:
1952:
1804:
1598:
1509:
1330:
1290:
1274:
1195:
1167:
1035:
1025:
950:
938:
714:
684:
261:
from 1961 to 1962. Verostko then traveled to Paris, where he studied printmaking at
1828:
1727:
1578:
1489:
1484:
1382:
1303:
1219:
1138:
1042:
1015:
980:
913:
311:
275:
838:
782:
1877:
1650:
1588:
1499:
1494:
1094:
1057:
300:
271:
226:
582:
1698:
1603:
1553:
1133:
928:
210:
1662:
1249:
1229:
898:
490:
827:
1475:
1077:
975:
903:
556:
Verostko, Roman(2008). WIM: the upside down book. Jewelweed Impressions.
347:
213:. A painter in his early life, he also studied as a Benedictine monk at
17:
1377:
1116:
1030:
908:
185:
853:
1082:
735:
Beddard, Honor and Dodds, Douglas (2009). Digital pioneers. London:
833:
1067:
639:
Sculptures de Ciment. Monastery de Saint-Vincent, Roman Verostko,
1974:
Viewpoints: Mathematical Perspective and Fractal Geometry in Art
1089:
1072:
857:
646:
Spalter, Anne Morgan (1999). The Computer in the Visual Arts.
728:
Form, Grace and Stark Logic: 30 years of algorithmic drawing,
29:
848:
713:
Edward A. Shanken (2009). Art and electronic media. London:
830:
A group show featuring Verostko and other founding members.
792:
452:
Minnesota's Roman Verostko, the grandfather of computer art
395:
241:
After graduating from high school, Verostko studied at the
777:
340:
1994 Golden Plotter Award, First Prize, Gladbeck, Germany
828:
THE ALGORISTS: Four Visual Artists in the Land of Newton
683:
Faure-Walker, James (2006). Painting the Digital River.
668:
Wands, Bruce (2006). Art of the Digital Age. London:
491:"Roman Verostko in Paris, monastic period, 1950-1968"
788:
List of works held by the Victoria and Albert Museum
270:
unsurprisingly, Hayter worked very closely with the
2029:
1983:
1937:
1844:
1797:
1680:
1643:
1636:
1468:
1321:
1267:
1258:
1205:
1147:
1003:
891:
167:
156:
148:
129:
103:
96:
1871:The Drawing of Geometric Patterns in Saracenic Art
636:, Greensburg, Pennsylvania, April 2 - May 2, 1965.
265:from 1962 to 1963, as well as took courses at the
2006:Goudreau Museum of Mathematics in Art and Science
661:Machine-Made Works that Look Crafted by Hand",
767:, Vol 15, Number 4, July/August 2016, pp 6–28.
663:Chronicle of Higher Education, March 2nd, 2001
465:"Digital art pioneer Roman Verostko, 94, dies"
2128:People from Westmoreland County, Pennsylvania
2001:European Society for Mathematics and the Arts
1175:Mathematica: A World of Numbers... and Beyond
869:
447:
445:
443:
441:
8:
1155:List of works designed with the golden ratio
793:Inter-Society for the Electronic Arts (ISEA)
343:1993 Prix Ars Electronica, Honorary Mention
334:1971, 1974 Outstanding Educators of America
1640:
1264:
876:
862:
854:
765:YISHU: Journal of Contemporary Chinese Art
93:
1215:Cathedral of Saint Mary of the Assumption
209:, a coal-mining town fifty miles east of
80:Learn how and when to remove this message
253:in 1961, then studies in art history at
43:This article includes a list of general
27:American artist and educator (1929–2024)
1761:Vier BĂĽcher von Menschlicher Proportion
732:Vol. 43, No. 3, pp. 230–233, 2010.
387:
603:: CS1 maint: archived copy as title (
596:
783:DAM biography, art for Roman Verostko
634:The Westmoreland County Museum of Art
337:1995 ARTEC '95, Recommendatory Prize.
231:Minneapolis College of Art and Design
7:
229:, Minnesota, where he taught at the
1946:Journal of Mathematics and the Arts
454:StarTribune. Retrieved 9 June 2014.
263:Stanley William Hayter's Atelier 17
1960:Making Mathematics with Needlework
698:Lieser, Wolf (2009). Digital art.
422:Explorations in Art and Technology
49:it lacks sufficient corresponding
25:
1786:I quattro libri dell'architettura
2065:
2064:
1310:Self-portrait in a Convex Mirror
994:
34:
306:In 1990, Verostko published an
2123:American expatriates in France
2021:National Museum of Mathematics
1773:Regole generali d'architettura
424:. Springer. pp. 131–136.
1:
372:Minneapolis Institute of Arts
1546:Garden of Cosmic Speculation
632:Roman J. Verostko, O.S.B.,
331:1970 Bush Leadership Fellow
243:Art Institute of Pittsburgh
205:Roman Verostko was born in
2149:
1063:Islamic geometric patterns
807:Victoria and Albert Museum
737:Victoria and Albert Museum
368:Victoria and Albert Museum
2113:Artists from Pennsylvania
2103:American abstract artists
2060:
1884:A Mathematician's Apology
992:
294:He went on to create his
2133:Techspressionist artists
2118:American digital artists
2108:Artists from Minneapolis
1996:The Bridges Organization
822:Links to other Algorists
778:Roman Verostko's website
643:, Brughes, No: 142 1968.
520:Stanleywilliamhayter.com
366:His work is held by the
1858:The Grammar of Ornament
1810:Nature's Harmonic Unity
1720:De prospectiva pingendi
64:more precise citations.
2011:Institute For Figuring
1923:The 'Life' of a Carpet
1748:A Treatise on Painting
215:Saint Vincent Seminary
160:Professor Emeritus at
141:Minneapolis, Minnesota
1892:George David Birkhoff
1866:Ernest Hanbury Hankin
1734:De divina proportione
1714:Piero della Francesca
1693:Leon Battista Alberti
1280:Piero della Francesca
919:Hyperboloid structure
376:Saint Vincent College
320:Latrobe, Pennsylvania
247:Saint Vincent College
219:Latrobe, Pennsylvania
1817:Frederik Macody Lund
1688:Filippo Brunelleschi
1569:Hamid Naderi Yeganeh
1431:La condition humaine
352:Lynn Hershman Leeson
2042:Mathematical beauty
1967:Rhythm of Structure
1910:Gödel, Escher, Bach
1706:De re aedificatoria
1337:The Ancient of Days
956:Projective geometry
885:Mathematics and art
730:Leonardo, MIT Press
670:Thames & Hudson
579:www.bushfellows.org
259:Columbia University
255:New York University
207:Tarrs, Pennsylvania
122:Tarrs, Pennsylvania
2047:Patterns in nature
1904:Douglas Hofstadter
1530:Desmond Paul Henry
1520:Bathsheba Grossman
1452:The Swallow's Tail
1373:Giorgio de Chirico
1245:Sydney Opera House
1100:Croatian interlace
834:Jean-Pierre HĂ©bert
803:Prints & Books
469:St Vincent College
362:Public collections
195:Jean-Pierre HĂ©bert
118:September 12, 1929
2080:
2079:
1933:
1932:
1897:Aesthetic Measure
1768:Sebastiano Serlio
1742:Leonardo da Vinci
1632:
1631:
1624:Margaret Wertheim
1285:Leonardo da Vinci
759:978-1-6235-6884-9
745:978-1-85177-587-3
723:978-0-7148-4782-5
708:978-3-8331-5337-2
562:978-0-9815454-0-0
326:Awards and honors
175:
174:
90:
89:
82:
16:(Redirected from
2140:
2068:
2067:
1918:Nikos Salingaros
1641:
1609:Hiroshi Sugimoto
1559:Robert Longhurst
1505:Helaman Ferguson
1460:Crockett Johnson
1389:Circle Limit III
1358:Danseuse au café
1265:
1235:Pyramid of Khufu
998:
878:
871:
864:
855:
817:
815:
813:
620:
615:
609:
608:
602:
594:
592:
590:
585:on March 3, 2016
581:. Archived from
571:
565:
554:
548:
537:
531:
530:
528:
526:
512:
506:
505:
503:
501:
487:
481:
480:
478:
476:
461:
455:
449:
436:
435:
417:
411:
410:
408:
406:
392:
136:
117:
115:
98:Roman J Verostko
94:
85:
78:
74:
71:
65:
60:this article by
51:inline citations
38:
37:
30:
21:
2148:
2147:
2143:
2142:
2141:
2139:
2138:
2137:
2083:
2082:
2081:
2076:
2056:
2052:Sacred geometry
2025:
1991:Ars Mathematica
1979:
1929:
1840:
1793:
1780:Andrea Palladio
1676:
1669:De architectura
1628:
1584:Antoine Pevsner
1564:Jeanette McLeod
1515:Susan Goldstine
1464:
1323:
1317:
1254:
1240:Sagrada FamĂlia
1201:
1143:
1011:Algorithmic art
999:
990:
986:Wallpaper group
924:Minimal surface
887:
882:
811:
809:
797:
774:
629:
624:
623:
616:
612:
595:
588:
586:
575:"Archived copy"
573:
572:
568:
555:
551:
538:
534:
524:
522:
514:
513:
509:
499:
497:
489:
488:
484:
474:
472:
463:
462:
458:
450:
439:
432:
419:
418:
414:
404:
402:
396:"The Algorists"
394:
393:
389:
384:
364:
328:
291:
267:École du Louvre
251:Pratt Institute
239:
223:algorithmic art
203:
182:algorithmic art
171:Algorithmic art
144:
138:
134:
125:
119:
113:
111:
110:
109:
108:Joseph Verostko
99:
86:
75:
69:
66:
56:Please help to
55:
39:
35:
28:
23:
22:
15:
12:
11:
5:
2146:
2144:
2136:
2135:
2130:
2125:
2120:
2115:
2110:
2105:
2100:
2095:
2085:
2084:
2078:
2077:
2075:
2074:
2061:
2058:
2057:
2055:
2054:
2049:
2044:
2039:
2033:
2031:
2027:
2026:
2024:
2023:
2018:
2013:
2008:
2003:
1998:
1993:
1987:
1985:
1981:
1980:
1978:
1977:
1970:
1963:
1956:
1949:
1941:
1939:
1935:
1934:
1931:
1930:
1928:
1927:
1926:
1925:
1915:
1914:
1913:
1901:
1900:
1899:
1889:
1888:
1887:
1875:
1874:
1873:
1863:
1862:
1861:
1848:
1846:
1842:
1841:
1839:
1838:
1837:
1836:
1834:The Greek Vase
1826:
1825:
1824:
1814:
1813:
1812:
1801:
1799:
1795:
1794:
1792:
1791:
1790:
1789:
1777:
1776:
1775:
1765:
1764:
1763:
1756:Albrecht DĂĽrer
1753:
1752:
1751:
1739:
1738:
1737:
1725:
1724:
1723:
1711:
1710:
1709:
1702:
1690:
1684:
1682:
1678:
1677:
1675:
1674:
1673:
1672:
1660:
1659:
1658:
1647:
1645:
1638:
1634:
1633:
1630:
1629:
1627:
1626:
1621:
1619:Roman Verostko
1616:
1611:
1606:
1601:
1596:
1594:Alba Rojo Cama
1591:
1586:
1581:
1576:
1571:
1566:
1561:
1556:
1551:
1550:
1549:
1540:Charles Jencks
1537:
1532:
1527:
1525:George W. Hart
1522:
1517:
1512:
1507:
1502:
1497:
1492:
1487:
1478:
1472:
1470:
1466:
1465:
1463:
1462:
1457:
1456:
1455:
1448:
1436:
1435:
1434:
1422:
1421:
1420:
1413:
1406:
1399:
1392:
1380:
1375:
1370:
1369:
1368:
1361:
1352:Jean Metzinger
1349:
1348:
1347:
1340:
1327:
1325:
1319:
1318:
1316:
1315:
1314:
1313:
1301:
1299:Albrecht DĂĽrer
1296:
1295:
1294:
1282:
1277:
1271:
1269:
1262:
1256:
1255:
1253:
1252:
1247:
1242:
1237:
1232:
1227:
1222:
1217:
1211:
1209:
1203:
1202:
1200:
1199:
1192:
1185:
1178:
1171:
1164:
1157:
1151:
1149:
1145:
1144:
1142:
1141:
1136:
1131:
1126:
1125:
1124:
1114:
1109:
1108:
1107:
1102:
1097:
1087:
1086:
1085:
1080:
1075:
1070:
1060:
1055:
1050:
1045:
1040:
1039:
1038:
1033:
1028:
1018:
1016:Anamorphic art
1013:
1007:
1005:
1001:
1000:
993:
991:
989:
988:
983:
978:
973:
972:
971:
966:
958:
953:
948:
947:
946:
944:Camera obscura
941:
931:
926:
921:
916:
911:
906:
901:
895:
893:
889:
888:
883:
881:
880:
873:
866:
858:
852:
851:
846:
841:
839:Hans Dehlinger
836:
831:
824:
823:
819:
818:
795:
790:
785:
780:
773:
772:External links
770:
769:
768:
761:
747:
733:
726:
711:
696:
681:
666:
659:
648:Addison Wesley
644:
637:
628:
625:
622:
621:
610:
566:
549:
532:
507:
482:
471:. June 3, 2024
456:
437:
430:
412:
386:
385:
383:
380:
363:
360:
359:
358:
355:
344:
341:
338:
335:
332:
327:
324:
290:
287:
238:
235:
202:
199:
178:Roman Verostko
173:
172:
169:
168:Known for
165:
164:
158:
154:
153:
150:
146:
145:
139:
137:(aged 94)
131:
127:
126:
120:
107:
105:
101:
100:
97:
88:
87:
42:
40:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2145:
2134:
2131:
2129:
2126:
2124:
2121:
2119:
2116:
2114:
2111:
2109:
2106:
2104:
2101:
2099:
2096:
2094:
2091:
2090:
2088:
2073:
2072:
2063:
2062:
2059:
2053:
2050:
2048:
2045:
2043:
2040:
2038:
2037:Droste effect
2035:
2034:
2032:
2028:
2022:
2019:
2017:
2016:Mathemalchemy
2014:
2012:
2009:
2007:
2004:
2002:
1999:
1997:
1994:
1992:
1989:
1988:
1986:
1984:Organizations
1982:
1976:
1975:
1971:
1969:
1968:
1964:
1962:
1961:
1957:
1955:
1954:
1953:Lumen Naturae
1950:
1948:
1947:
1943:
1942:
1940:
1936:
1924:
1921:
1920:
1919:
1916:
1912:
1911:
1907:
1906:
1905:
1902:
1898:
1895:
1894:
1893:
1890:
1886:
1885:
1881:
1880:
1879:
1876:
1872:
1869:
1868:
1867:
1864:
1860:
1859:
1855:
1854:
1853:
1850:
1849:
1847:
1843:
1835:
1832:
1831:
1830:
1827:
1823:
1820:
1819:
1818:
1815:
1811:
1808:
1807:
1806:
1805:Samuel Colman
1803:
1802:
1800:
1796:
1788:
1787:
1783:
1782:
1781:
1778:
1774:
1771:
1770:
1769:
1766:
1762:
1759:
1758:
1757:
1754:
1750:
1749:
1745:
1744:
1743:
1740:
1736:
1735:
1731:
1730:
1729:
1726:
1722:
1721:
1717:
1716:
1715:
1712:
1708:
1707:
1703:
1701:
1700:
1696:
1695:
1694:
1691:
1689:
1686:
1685:
1683:
1679:
1671:
1670:
1666:
1665:
1664:
1661:
1657:
1654:
1653:
1652:
1649:
1648:
1646:
1642:
1639:
1635:
1625:
1622:
1620:
1617:
1615:
1614:Daina Taimiņa
1612:
1610:
1607:
1605:
1602:
1600:
1599:Reza Sarhangi
1597:
1595:
1592:
1590:
1587:
1585:
1582:
1580:
1577:
1575:
1572:
1570:
1567:
1565:
1562:
1560:
1557:
1555:
1552:
1548:
1547:
1543:
1542:
1541:
1538:
1536:
1533:
1531:
1528:
1526:
1523:
1521:
1518:
1516:
1513:
1511:
1510:Peter Forakis
1508:
1506:
1503:
1501:
1498:
1496:
1493:
1491:
1488:
1486:
1482:
1479:
1477:
1474:
1473:
1471:
1467:
1461:
1458:
1454:
1453:
1449:
1447:
1446:
1442:
1441:
1440:
1439:Salvador DalĂ
1437:
1433:
1432:
1428:
1427:
1426:
1425:René Magritte
1423:
1419:
1418:
1414:
1412:
1411:
1407:
1405:
1404:
1400:
1398:
1397:
1396:Print Gallery
1393:
1391:
1390:
1386:
1385:
1384:
1381:
1379:
1376:
1374:
1371:
1367:
1366:
1365:L'Oiseau bleu
1362:
1360:
1359:
1355:
1354:
1353:
1350:
1346:
1345:
1341:
1339:
1338:
1334:
1333:
1332:
1331:William Blake
1329:
1328:
1326:
1320:
1312:
1311:
1307:
1306:
1305:
1302:
1300:
1297:
1293:
1292:
1291:Vitruvian Man
1288:
1287:
1286:
1283:
1281:
1278:
1276:
1275:Paolo Uccello
1273:
1272:
1270:
1266:
1263:
1261:
1257:
1251:
1248:
1246:
1243:
1241:
1238:
1236:
1233:
1231:
1228:
1226:
1223:
1221:
1218:
1216:
1213:
1212:
1210:
1208:
1204:
1198:
1197:
1196:Pi in the Sky
1193:
1191:
1190:
1186:
1184:
1183:
1179:
1177:
1176:
1172:
1170:
1169:
1168:Mathemalchemy
1165:
1163:
1162:
1158:
1156:
1153:
1152:
1150:
1146:
1140:
1137:
1135:
1132:
1130:
1127:
1123:
1120:
1119:
1118:
1115:
1113:
1110:
1106:
1103:
1101:
1098:
1096:
1093:
1092:
1091:
1088:
1084:
1081:
1079:
1076:
1074:
1071:
1069:
1066:
1065:
1064:
1061:
1059:
1056:
1054:
1051:
1049:
1046:
1044:
1041:
1037:
1036:Vastu shastra
1034:
1032:
1029:
1027:
1026:Geodesic dome
1024:
1023:
1022:
1019:
1017:
1014:
1012:
1009:
1008:
1006:
1002:
997:
987:
984:
982:
979:
977:
974:
970:
967:
965:
962:
961:
959:
957:
954:
952:
951:Plastic ratio
949:
945:
942:
940:
939:Camera lucida
937:
936:
935:
932:
930:
927:
925:
922:
920:
917:
915:
912:
910:
907:
905:
902:
900:
897:
896:
894:
890:
886:
879:
874:
872:
867:
865:
860:
859:
856:
850:
847:
845:
842:
840:
837:
835:
832:
829:
826:
825:
821:
820:
808:
804:
800:
796:
794:
791:
789:
786:
784:
781:
779:
776:
775:
771:
766:
762:
760:
756:
752:
748:
746:
742:
738:
734:
731:
727:
725:. p. 23.
724:
720:
716:
712:
709:
705:
701:
697:
694:
693:0-13-173902-6
690:
686:
685:Prentice Hall
682:
679:
678:0-500-23817-0
675:
671:
667:
664:
660:
657:
656:0-201-38600-3
653:
649:
645:
642:
638:
635:
631:
630:
626:
618:
614:
611:
606:
600:
584:
580:
576:
570:
567:
563:
559:
553:
550:
546:
545:1-879508-05-2
542:
536:
533:
521:
517:
511:
508:
496:
492:
486:
483:
470:
466:
460:
457:
453:
448:
446:
444:
442:
438:
433:
431:1-85233-545-9
427:
423:
416:
413:
401:
400:algorists.org
397:
391:
388:
381:
379:
377:
373:
369:
361:
356:
353:
349:
345:
342:
339:
336:
333:
330:
329:
325:
323:
321:
315:
313:
309:
308:artist's book
304:
302:
297:
288:
286:
282:
279:
277:
273:
268:
264:
260:
256:
252:
248:
244:
236:
234:
232:
228:
224:
220:
216:
212:
208:
200:
198:
196:
192:
187:
183:
179:
170:
166:
163:
159:
155:
151:
147:
142:
132:
128:
123:
106:
102:
95:
92:
84:
81:
73:
63:
59:
53:
52:
46:
41:
32:
31:
19:
2069:
1972:
1965:
1958:
1951:
1944:
1938:Publications
1922:
1908:
1896:
1882:
1870:
1856:
1833:
1829:Jay Hambidge
1822:Ad Quadratum
1821:
1809:
1784:
1772:
1760:
1746:
1732:
1728:Luca Pacioli
1718:
1704:
1697:
1667:
1655:
1618:
1579:Hinke Osinga
1574:István Orosz
1544:
1535:Anthony Hill
1490:Scott Draves
1485:Erik Demaine
1469:Contemporary
1450:
1443:
1429:
1415:
1408:
1401:
1394:
1387:
1383:M. C. Escher
1363:
1356:
1342:
1335:
1308:
1304:Parmigianino
1289:
1220:Hagia Sophia
1194:
1187:
1180:
1173:
1166:
1159:
1043:Computer art
1021:Architecture
981:Tessellation
964:Architecture
914:Golden ratio
844:Harold Cohen
810:. Retrieved
802:
641:Art D'Église
627:Bibliography
613:
587:. Retrieved
583:the original
578:
569:
552:
535:
523:. Retrieved
519:
510:
498:. Retrieved
495:Verostko.com
494:
485:
473:. Retrieved
459:
421:
415:
403:. Retrieved
399:
390:
365:
316:
312:George Boole
310:in honor of
305:
295:
292:
283:
280:
276:Le Corbusier
240:
204:
177:
176:
135:(2024-06-01)
133:June 1, 2024
91:
76:
70:October 2016
67:
48:
2098:2024 deaths
2093:1929 births
1878:G. H. Hardy
1681:Renaissance
1651:Polykleitos
1589:Tony Robbin
1500:John Ernest
1495:Jan Dibbets
1445:Crucifixion
1268:Renaissance
1122:Mathematics
1095:Celtic knot
1058:Fractal art
960:Proportion
934:Perspective
849:Vera Molnar
589:January 13,
525:October 29,
500:October 29,
405:October 29,
301:Alan Turing
272:Surrealists
227:Minneapolis
149:Nationality
62:introducing
2087:Categories
1852:Owen Jones
1699:De pictura
1604:Oliver Sin
1554:Andy Lomas
1403:Relativity
1134:String art
1048:Fiber arts
929:Paraboloid
751:Bloomsbury
382:References
211:Pittsburgh
157:Occupation
114:1929-09-12
45:references
1663:Vitruvius
1637:Theorists
1417:Waterfall
1322:19th–20th
1250:Taj Mahal
1230:Parthenon
1207:Buildings
1161:Continuum
1129:Sculpture
1105:Interlace
899:Algorithm
812:March 24,
516:"Preface"
237:Education
201:Biography
191:Algorists
2071:Category
1798:Romantic
1476:Max Bill
1410:Reptiles
1225:Pantheon
1182:Octacube
1148:Artworks
1090:Knotting
1078:Muqarnas
976:Symmetry
904:Catenary
892:Concepts
599:cite web
348:SIGGRAPH
289:Artworks
152:American
18:Verostko
2030:Related
1644:Ancient
1378:Man Ray
1324:Century
1260:Artists
1117:Origami
1031:Pyramid
909:Fractal
715:Phaidon
700:Ullmann
475:June 4,
186:plotter
58:improve
1845:Modern
1481:Martin
1344:Newton
1139:Tiling
1083:Zellij
1053:4D art
757:
743:
721:
706:
691:
676:
654:
560:
543:
428:
143:, U.S.
124:, U.S.
47:, but
1656:Canon
1112:Music
1068:Girih
1004:Forms
969:Human
346:2009
296:Hodos
193:with
1483:and
1073:Jali
814:2011
755:ISBN
741:ISBN
719:ISBN
704:ISBN
689:ISBN
674:ISBN
652:ISBN
605:link
591:2022
558:ISBN
541:ISBN
527:2016
502:2016
477:2024
426:ISBN
407:2016
257:and
162:MCAD
130:Died
104:Born
217:in
2089::
1189:Pi
805:.
801:.
739:.
717:.
702:.
687:.
672:.
650:.
601:}}
597:{{
577:.
518:.
493:.
467:.
440:^
398:.
374:,
370:,
303:.
197:.
877:e
870:t
863:v
816:.
753:.
710:.
695:.
680:.
658:.
607:)
593:.
564:.
547:.
529:.
504:.
479:.
434:.
409:.
354:.
116:)
112:(
83:)
77:(
72:)
68:(
54:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.