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He wrote prose in a colorful style, and could flatter as easily as he offended his contemporaries. Jacob Campo
Weyerman is not only interesting to modern readers for his literary qualities, but also as a source for historians on cultural life in the 18th century. Especially his magazines give a
254:, in four parts during the years 1729–39. Though leaning heavily on Houbraken's work, he seems to have intended his version as a rebuttal to some of the anecdotes in Houbraken's work. Moreover, Weyerman also made use of one of Houbraken's sources, namely
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and emphasis on scandals caused him to have many enemies which led to his conviction for slander and a life sentence. This was a particularly heavy sentence, and he lived in the prison in
173:, where his father fought in the Dutch army against the French. His mother was a very independent woman of Scottish descent, Elisabeth Sommeruell, who kept a
268:, who had helped his mother finish Houbraken's third volume, also helped Weyerman with engravings and made the portrait of him in his book after a design by
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De levens-beschryvingen der
Nederlandsche konst-schilders en konst-schilderessen, door Jakob Campo Weyerman, Konst-schider
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in the first half of the 17th century. In 1720 he returned to the
Netherlands and started a periodical called
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In the decorative frame of the portrait, a piece of paper illustrating a book title page shows the words
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333:. Verrijkt met nieuwe Vignetten, Vierde Deel. Te Dordrecht, By Ab. Blussé en Zoon, MDCCLXIX (1729–1769)
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glimpse of daily life in Dutch taverns and coffee houses and the tourist attractions of his day.
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De levens-beschryvingen der
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De levens-beschryvingen der
Nederlandsche konst-schilders en konst-schilderessen
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After Arnold
Houbraken died, he also published biographies of painters in his
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He claims that he also studied oil painting with the
Flemish flower painter
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in
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De groote schouburgh der
Nederlantsche konstschilders en schilderessen
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from 1738 until his death nine years later at the age of 69.
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As tradition holds, he was born in a military camp outside
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337:De Leevensbyzonderheden van J.H. baron van Syberg
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364:at the Netherlands Institute for Art History
301:Democritus en Heraclitus Brabantsche Voyage
251:The Lives of Dutch painters and paintresses
229:The Lives of Dutch painters and paintresses
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185:in 1704 and found work at the academy of
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160:Still life of flowers in a glass vase
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442:De levens-beschryvingen...Volume III
404:Digital library for Dutch literature
454:De levens-beschryvingen...Volume IV
430:De levens-beschryvingen...Volume II
325:Den ontleeder der gebreeken. Deel 2
313:Den ontleeder der gebreeken. Deel 1
415:De levens-beschryvingen...Volume I
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481:Profile and works online at dbnl
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516:18th-century Dutch male artists
486:Stichting Jacob Campo Weyerman
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277:"Den Ontleeder der Gebrekken"
47:Jacob Campo Weyerman aged 48
511:18th-century Dutch painters
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546:Dutch still life painters
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307:De Rotterdamsche Hermes
373:Jacob Campo Weyerman,
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392:J. Weyerman biography
362:Weyerman, Jacob Campo
319:Historie des Pausdoms
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536:Dutch flower artists
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475:Jacob Campo Weyerman
239:Allegory of painting
137:Jacob Campo Weyerman
62:Jacob Campo Weyerman
34:Jacob Campo Weyerman
521:Dutch male painters
281:Anatomist of Faults
531:Artists from Breda
402:, courtesy of the
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264:. Houbraken's son
261:Het Gulden Cabinet
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343:Den adelaar
321:(1725–1728)
309:(1720–1721)
175:market tent
164:Rijksmuseum
101:Nationality
495:Categories
398:(1718) by
381:(in Dutch)
350:References
119:Literature
68:1677-08-09
289:The Hague
206:Compaviva
171:Charleroi
151:Biography
145:Campovivo
94:The Hague
76:Charleroi
214:Augsburg
125:Movement
115:Painting
18:Weyerman
129:Baroque
345:(1735)
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218:Hermes
183:London
248:, or
179:Breda
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