Knowledge (XXG)

Alonso Mudarra

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34: 133: 152:("Three books of music in numbers for vihuela"), which he published on December 7, 1546 in Seville. These three books contain the first music ever published for the four-course guitar, which was then a relatively new instrument. The second book is noteworthy in that it contains eight multi-movement works, all arranged by "tono", or mode. 124:
in 1546, where he remained for the rest of his life. While at the cathedral, he directed all of the musical activities; many records remain of his musical activities there, which included hiring instrumentalists, buying and assembling a new organ, and working closely with composer
179:, and songs. Modern listeners are probably most familiar with his Fantasia X, which has been a concert and recording mainstay for many years. The songs are in Latin, Spanish and Italian, and include romances, 117: 92:-shaped string instrument. He was an innovative composer of instrumental music as well as songs, and was the composer of the earliest surviving music for the guitar. 298: 333: 318: 277: 338: 313: 293: 54: 343: 129:
for various festivities. Mudarra died in Seville, and his sizable fortune was distributed to the poor of the city according to his will.
53: 229: 328: 132: 126: 109: 240: 267: 323: 43: 303: 208: 113: 273: 250: 308: 160: 263: 120:. When he returned to Spain he became a priest, receiving the post of canon at the cathedral in 101: 225: 81: 237:
The Eight Masterpieces of Alonso Mudarra, Mel Bay Publications (transcribed by Keith Calmes)
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John Griffiths: "Alonso Mudarra", Grove Music Online ed. L. Macy (Accessed March 24, 2005),
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Guitar Music of the Sixteenth Century, Mel Bay Publications (transcribed by Keith Calmes)
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Jacob Heringman and Catherine King: "Alonso Mudarra songs and solos". Magnatune.com (
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A work composed by Mudarra around 1546, and performed in 2008. The duration is 1:13.
52: 184: 69: 191:(sonnets). Another innovation was the use of different signs for different 104:, and probably received his musical training there. He most likely went to 176: 164: 180: 145: 121: 85: 17: 188: 172: 168: 89: 251:
http://www.magnatune.com/artists/albums/heringman-mudarra/hifi_play
192: 105: 80:(c. 1510 – April 1, 1580) was a Spanish composer of the 205: 148:
and the four-course guitar, all contained in the collection
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The place of his birth is not recorded, but he grew up in
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Compositions represented in this publication include
243:in hypermedia (Shockwave Player required) at the 118:Íñigo López de Mendoza, marqués de Santillana 8: 150:Tres libros de musica en cifras para vihuela 224:. New York, W.W. Norton & Co., 1954. 138:Tres libros de música en cifra para vihuela 278:International Music Score Library Project 131: 144:Mudarra wrote numerous pieces for the 67: 7: 299:Composers for the classical guitar 25: 334:16th-century classical composers 319:Spanish male classical composers 245:BinAural Collaborative Hypertext 68:Problems playing this file? See 50: 112:, in the company of the fourth 339:16th-century Spanish composers 314:People from Guadalajara, Spain 199:References and further reading 1: 294:Spanish Renaissance composers 274:Free scores by Alonso Mudarra 264:Free scores by Alonso Mudarra 268:Choral Public Domain Library 344:16th-century Spanish people 195:: slow, medium, and fast. 360: 222:Music in the Renaissance 136:Title page of Mudarra's 329:Spanish male guitarists 187:, (popular songs) and 141: 84:, and also played the 37: 206:(subscription access) 135: 114:Duke of the Infantado 36: 163:(including a set on 324:Spanish guitarists 211:2008-05-16 at the 142: 127:Francisco Guerrero 38: 55: 45:Tiento para harpa 16:(Redirected from 351: 57: 56: 35: 27:Spanish composer 21: 359: 358: 354: 353: 352: 350: 349: 348: 284: 283: 260: 213:Wayback Machine 201: 140:(Seville, 1546) 98: 75: 74: 66: 64: 63: 62: 61: 58: 51: 48: 39: 33: 28: 23: 22: 15: 12: 11: 5: 357: 355: 347: 346: 341: 336: 331: 326: 321: 316: 311: 306: 301: 296: 286: 285: 282: 281: 271: 259: 258:External links 256: 255: 254: 247: 238: 235: 232: 215: 200: 197: 97: 94: 78:Alonso Mudarra 65: 59: 49: 42: 41: 40: 31: 30: 29: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 356: 345: 342: 340: 337: 335: 332: 330: 327: 325: 322: 320: 317: 315: 312: 310: 307: 305: 302: 300: 297: 295: 292: 291: 289: 279: 275: 272: 269: 265: 262: 261: 257: 252: 248: 246: 242: 239: 236: 233: 231: 230:0-393-09530-4 227: 223: 219: 218:Gustave Reese 216: 214: 210: 207: 203: 202: 198: 196: 194: 190: 186: 182: 178: 174: 170: 166: 162: 158: 153: 151: 147: 139: 134: 130: 128: 123: 119: 115: 111: 108:in 1529 with 107: 103: 95: 93: 91: 87: 83: 79: 73: 71: 47: 46: 19: 304:1510s births 270:(ChoralWiki) 221: 154: 149: 143: 137: 99: 77: 76: 44: 309:1580 deaths 241:Fantasia VI 185:villancicos 102:Guadalajara 82:Renaissance 288:Categories 161:variations 70:media help 183:(songs), 181:canciones 177:galliards 157:fantasias 110:Charles V 96:Biography 209:Archived 165:La Folia 280:(IMSLP) 276:at the 266:in the 189:sonetos 173:pavanes 169:tientos 146:vihuela 122:Seville 86:vihuela 18:Mudarra 228:  193:tempos 90:guitar 106:Italy 226:ISBN 175:and 88:, a 167:), 290:: 220:, 171:, 159:, 116:, 253:) 72:. 20:)

Index

Mudarra
Tiento para harpa
media help
Renaissance
vihuela
guitar
Guadalajara
Italy
Charles V
Duke of the Infantado
Íñigo López de Mendoza, marqués de Santillana
Seville
Francisco Guerrero

vihuela
fantasias
variations
La Folia
tientos
pavanes
galliards
canciones
villancicos
sonetos
tempos
(subscription access)
Archived
Wayback Machine
Gustave Reese
ISBN

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