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250:, who remains unnamed throughout the book, is portrayed as young and inexperienced, unaware of the dangers that lurk in the bush, including ghosts and spirits that pose great peril to mortals. As he navigates through this strange and mysterious place, he encounters a series of bizarre and often
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beings and experiences. Tutuola's use of
English, from the perspective of a naive and youthful narrator, creates a unique and authentic voice that adds to the novel's charm and intrigue.
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to craft a tale that explores themes of identity, culture, and the human condition. The novel's disjointed narrative structure and fantastical elements, reminiscent of
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Mbembe, Achille; Mitsch, R. H. (2003). "Life, Sovereignty, and Terror in the
Fiction of Amos Tutuola".
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Commonwealth of
Letters: British Literary Culture and the Emergence of Postcolonial Aesthetics
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Kalliney, Peter J. (September 2013). "Developing
Fictions: Amos Tutuola at Faber and Faber".
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Lynn, Thomas Jay (2016). "'Redemption Song': Slavery's
Disruption in Amos Tutuola's
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The title was
Nominee for narrative Strainers in 1984 by Premio Grinzane Cavour.
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as one of its "100 Best
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484:10.1093/acprof:oso/9780199977970.003.0005
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218:Learn how and when to remove this message
397:"The 100 Best Fantasy Books of All Time"
618:See guidelines for writing about novels
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439:and David Byrne (reissue ed.).
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451:26 November
319:David Byrne
267:is heavily
252:nightmarish
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382:2023-04-13
329:References
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437:Brian Eno
377:Goodreads
323:Brian Eno
208:July 2021
63:Publisher
427:(2006).
307:Tributes
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