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Machine Translations

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37: 342:(21 May 2001). Walker was joined in the studio by Freer on saxophone and accordion; Loucataris on lead vocals, drums and percussion; Nix on double bass; White on clarinet, broken piano and percussion; and Gemma Clare on cello; Kazuaki Nakahara on banjo, electric and classical guitars; Elmo Reed on lead vocals and electric guitar; and Melissa Owl. It was issued on Spunk! Records and achieved critical acclaim and "got everyone paying attention". Walker described collaborating with Freer, Loucataris, and Nix: "We've known each other for at least 10 years ... I really enjoy working with them, and writing with them, because, doing what I do, I know my own tricks, but with the group there's far less chance of stagnation". 302:, was released in 1997 on the Way Over There label. Hans Uhad of Stylus Magazine felt it showed a "juxtaposition of slow burning, moody, Codeine-like numbers with deft, mildly psychotic stabs at fusing traditional Celtic music with his own burnt version of Americana and flamenco". One of the tracks, "Jezebel", was a re-recorded version of his earlier work as Shed Method. For touring Walker expanded the band with Guy Freer on accordion and keyboards; Marianthe Loucataris on drums; and Jonathan Nix on bass and samples. Machine Translations' second album, 36: 497:. The program described their interpretation as "fantastically twisted" including a "brilliantly 'outside' guitar solo near the end". Walker recalled that at 16 or 17 he was "listening to a lot of old blues, more country style blues ... really affected me, just the rawness of it and the sincerity of it". Walker produced Stoneking's albums 454:
and was impressed by Walker's "considered approach to live dynamics, arrangements beautifully designed around his conversational vocal style" and he was "a pretty flash guitarist, his modal solos and big, chunky rhythm freak-outs bringing plenty of excitement". Bowditch guested on lead vocals for a
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s Matt Dornan noted there is "no disguising the homemade feel of both music and sparse packaging, but there's certainly a twisted core to this antipodean walkabout through sonic pastures new". Walker co-produced the album with Kimmo Vennon, he also used guest vocalists including Kirsty Stegwazi.
478:, with six tracks. Zuel noted it had "an acoustic, low-profile feel" while mostly "the mood is languorous" however "there is menace in 'A Ghost Rides' and insistent percussion bringing on some disturbance in 'Extress'". By that time Walker and his domestic partner Tua were living in 584:
and noted that it is "a beautifully made film, crafted with compassion, alternating the sounds of destruction with the silence left behind, intercut with noise of rebuilding lives and structures and heightened with a compelling score from ". Walker also worked for ABC-TV on
221:, where he learned synthesiser, multi-track recording and musical composition. By 1985 Walker, on keyboards, was a member of local psychedelic band, Moon, with Paul Davies on bass guitar and lead vocals; Chris Freney on guitar; and Ralph Rehak on drums. Kathryn Whitfield of 418:
noted that Walker's "language is elliptical, the emotions often very clear but their carriage wrapped up in lines that remain elusive" and that he "used more concrete images for the decidedly concrete emotions of his characters" for "another sublime pop album".
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caught their performance in May 1986: "their lighting effects are reminiscent of the sixties oil lights with a kaleidoscope of coloured lights floating across the stage". In 2003 Walker recalled " played in a succession of 'funny little Canberra bands'".
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as a "precious mix of light orchestration, inward-gazing songwriting and post-rock experimentation". It provided two singles, "Amnesia" and "She Wears a Mask". Tommo Eitelhuber felt the tracks had "enough unique charm to make them noticable ".
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By February 2004 Walker had joined Clare Bowditch & the Feeding Set on erhu, electric guitar, rhodes synthesiser and viola. The group included Bowditch on vocals and guitar; and her domestic partner Marty Brown (of Sodastream and
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Walker was also a member of P. Harness, which Enfield opined were "madcap ocker goons", with Geoff Hinchcliffe on guitar and lead vocals; and Mikel Simic on drums and lead vocals. By August 1995 they released their second album,
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Machine Translations' songs vary between simple guitar melodies and complex works with unusual instruments—a spectrum from pop to art. Since 1997 Walker has released several albums. In 2001 he toured the United States supporting
372:, which Munro felt was "an advance on its predecessors with elements of acoustic pop ... warped Middle Eastern flavours, weirdly joyful and layered melodies, and robotically beautiful, Stereolab-type vocal cut-ups and loops". 522:
felt it was "stunningly organic" as Walker "weaves a shimmering layer of acoustic nuance and texture throughout". Walker composed the score and Machine Translations contributed to the soundtrack for ABC-TV drama series
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s Chris Girdler sees Walker chronicling the "complications and anxieties of growing older" with life's "highs and lows" captured by "its gentle, harmonious songs harbouring a sense of discord and foreboding".
271:. Simic described its underlying theme: "all the songs are specifically about eating, they've got food references through them". In October that year Walker and White supplied the music for a stage play, 1889: 2397: 239:
described the album as "an eclectic mix of his unique array of original sounds". Walker had been recording for over ten years making his own demos and producing other local artists. His
518:, appeared in October 2007. Zuel finds Walker is "as unfussy a musician as you could find" and provides a "feeling of great calm" where "hings happen but they happen naturally". Dan Rule of 446:, Machine Translations toured with a line-up of Walker on vocals and guitar; Tua on keyboards and backing vocals; Iain Downie on bass guitar; and Kjirsten Robb on drums. Michael Dwyer of 357:
s Jo Roberts. After the album appeared Walker moved to Melbourne. He toured the eastern states of Australia and then in late 2001 Machine Translations supported instrumental group,
217:. His mother, Valda, is a classically trained vocalist. He has an older brother and sister, and together with his mother, they encouraged him to learn piano and guitar. He attended 243:
approach included using traditional instruments: drums, guitars and keyboards; together with less conventional ones: broken piano (its front removed and strings played directly),
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while also "listening to a lot of belly-dancing music lately, as well as Chinese classical music, and Indian music". One of Walker's associates on the album was Kevin White.
2276: 2306: 931: 2458: 1725: 2680: 2219: 2431: 2245: 2193: 529:(March 2008 – September 2009). Walker's "A Most Peculiar Place" was used as the show's theme: it had originally appeared on Machine Translations' album, 2074: 1057: 775: 2405: 2371: 1984: 608:, which was recorded in a hall in Jumbunna. Walker was also used on upright bass guitar, dobro, violin and harmonica; as well as Paul's nephew 2344: 1490: 557: 276: 2280: 1798: 870: 620: 587: 433:. Walker also toured with the band, and, as a member of the Feeding Set, he contributed to three extended plays and another album, 201: 2675: 605: 2549: 2284: 1346: 2042: 392:. He also supplied electric and slide guitars, viola and keyboards. Machine Translations released a seven-track extended play, 2314: 2078: 2462: 1794: 459: 229:
By July 1995 Walker was working in a home studio in his garden shed. Under the name Shed Method he issued a cassette album,
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Walker's work was nominated for Best Music for a Documentary. In October that year Machine Translations issued another EP,
2336: 1178: 2047: 1608: 1406: 1267: 75: 1628: 624:(August 2006). During August 2013 and then December that year Walker joined Paul's backing band to tour in support of 361:, on a ten‑day tour of the United States. Walker's group then toured Europe including a gig in Paris on a boat in the 2517: 2461:. Australasian Performing Right Association (APRA) | Australian Guild of Screen Composers (AGSC). Archived from 2248:. Australasian Performing Right Association (APRA) | Australian Guild of Screen Composers (AGSC). Archived from 533:. Walker has a cameo as a singer-songwriter in episode five where he performs "Don't Give Up on Me Just Yet". At the 2223: 1842: 612:
on acoustic guitar and harmony vocals. Walker had produced tracks on albums for Dan's earlier band the Alpha Males:
2487: 2101: 167:. Walker started out recording all instruments himself in a home studio and later branched out to include a band. 2401: 1230: 986: 811: 697: 592: 534: 508: 471: 414: 408:
with it being "pleasantly enjoyable in the short term, but repetitive and uninspiring in the long term". However
319: 196: 186: 176: 2249: 2197: 1820: 581: 42: 335:(1999). At times Machine Translations performed with White aboard under the name Thing of a Thousand Strings. 348:
provided "Poor Circle", a "radio-friendly" single which was "rresistibly fresh, bent and poppy" according to
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the work was nominated for both Best Music for a Television Series or Serial and for Best Television Theme.
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and Karen Tua, Tua also provided keyboards on another track. The EP was followed by a studio album,
1782: 1547: 837: 771: 218: 163:(born 1967), an Australian singer, songwriter and multi-instrumentalist; who is also a producer as 17: 1757: 1699: 1459: 2526: 1093: 1027: 525: 479: 235: 191: 2610: 2579: 981: 806: 902: 614: 389: 288: 87: 2427: 2010: 1695: 1662: 1208: 567: 490: 1053: 2436: 1432: 572: 397: 2071:"ARIA Awards 2009 : History: Winners by Year : 2009:23rd Annual ARIA Awards" 2664: 2020: 553: 467: 435: 307: 240: 181: 124: 894: 489:
broadcast a cover version of Willie Dixon's "Spoonful" by Machine Translations with
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Greg James Walker, who works as J Walker or Machine Translations, was raised in
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for Best Music for a Television Series or Serial and Best Television Theme for
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This article is about a musician. For automated translation of language, see
2490:. Mess+Noise (Danny Bos, Kristy Milliken). 20 September 2012. Archived from 1640: 591:(February 2012 – December 2013) composing the theme music and score. At the 455:
track, "Simple Life", with "a splash of high glamour in a too-brief cameo".
260: 252: 404:, in May 2004. For Eitelhuber the album was "even more disappointing" than 1729: 306:, appeared in the following year on Way Over There and was distributed by 1728:. Who the Bloody Hell Are They? (Jerry Soer, Dom Alessio). Archived from 1670: 1555: 1120: 842: 294:
Upon return to Australia Walker continued his musical career living near
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On 11 October 2013 Machine Translations issued the eighth studio album,
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In 2009 Walker composed original music for ABC-TV's documentary series,
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During the next year Walker co-produced, engineered and mixed an album,
2491: 1931: 1464: 1322: 1291: 552:(August 2010), a documentary film on Australian rock music journalist, 486: 350: 1965:. ABC Digital Radio (Australian Broadcasting Corporation). 8 June 2005 1234: 41:
Machine Translations, with J. Walker at front left, performing at the
2644: 2587: 140: 1603:(album notes). Machine Translations. Spunk! Records. 2003. ura 108. 1433:"It's Getting Colder – Machine Translations & Their New Album, 1401:(album notes). Machine Translations. Spunk! Records. 2001. ura 044. 564:, with a soundtrack which included work by Walker and by Bowditch. 2222:. Australasian Performing Right Association (APRA). Archived from 2196:. Australasian Performing Right Association (APRA). Archived from 1262:(album notes). Machine Translations. Way Over There. 1998. WOT034. 362: 901:. Coast Media Pty Ltd (Maria Reed). Summer 2009. pp. 30–32. 427:) on multiple instruments and producing; they recorded an album, 331:
Walker had provided guitar on tracks for Stegwazi's solo album,
256: 248: 560:. Premiering at that festival was a comedy-drama feature film, 323:
felt the album was a "criminally ignored underground classic".
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for Best Roots and Blues Album and four other nominations.
2279:. Australasian Performing Right Association (APRA) | 1959:"Machine Translations & CW Stoneking Twist The Blues" 1673:. (Australian Broadcasting Corporation). 20 February 2004 291:. He also lived in India "absorbing musical influences". 2043:"CW Stoneking Raises Questions About Who Can Sing Blues" 1233:. Machine Translations Official Website. Archived from 507:(October 2008). The latter provided Stoneking with an 233:, which included the track "Jezebel". Nick Enfield of 2372:"City Stars in a Marriage of Comedy, Drama and Chaos" 368:
In October 2002 the group released their next album,
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Mother of Rock: The Life and Times of Lillian Roxon
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Mother of Rock: The Life and Times of Lillian Roxon
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Mother of Rock: The Life and Times of Lillian Roxon
537:Walker was nominated for Best Soundtrack Album for 396:(late 2003). The title track had backing vocals by 135: 131: 119: 109: 101: 93: 82: 65: 55: 50: 27: 2482: 2480: 1845:. Australasian Performing Right Association (APRA) 1823:. Australasian Performing Right Association (APRA) 1369: 1367: 1166: 1164: 175:. As a composer Walker has been nominated at the 2271: 2269: 2267: 1953: 1951: 1949: 1870:, Spunk! Records. National Library of Australia 1613:: CS1 maint: others in cite AV media (notes) ( 1582:, Spunk! Records. National Library of Australia 1411:: CS1 maint: others in cite AV media (notes) ( 1380:, Spunk! Records. National Library of Australia 1272:: CS1 maint: others in cite AV media (notes) ( 754:(October 2005) Spunk! Records / Inertia Records 598:During July and August 2012 Walker co-produced 97:Singer-songwriter, musician, producer, engineer 2277:"Nominations > Best Music for a Short Film" 2154: 2152: 2150: 2133:East of Everything Series One Soundtrack Album 1048: 1046: 539:East of Everything Series One Soundtrack Album 2432:"Tender Exploration of Post-Disaster Healing" 1785:Girl in a Mirror: A Portrait of Carol Jerrems 1513: 1511: 895:"Machine Translations: We Chat with J Walker" 464:Girl in a Mirror: A Portrait of Carol Jerrems 182:Girl in a Mirror: A Portrait of Carol Jerrems 8: 2511: 2509: 1690: 1688: 317:which was released in 1999. Kelsey Munro of 1097:. National Library of Australia. p. 25 1078: 1076: 1074: 1031:. National Library of Australia. p. 26 1023:"Good Times: Greg's Unique Array of Sounds" 925: 923: 831: 829: 546:Bombora – The History of Australian Surfing 279:. Walker completed his tertiary studies in 1143:"Machine Translations: 'Follow Your Nose'" 772:"'Abstract Poverty' at APRA search engine" 35: 24: 2075:Australian Recording Industry Association 1426: 1424: 1422: 1285: 1283: 1058:Australasian Performing Right Association 1016: 1014: 1012: 1010: 1008: 1006: 1004: 776:Australasian Performing Right Association 466:, on the life of Australian photographer 310:. White provided clarinet for the album. 2459:"Nominations > Best Television Theme" 2396:Siemienowicz, Rochelle (February 2011). 2220:"2008 Nominations – Screen Music Awards" 1843:"2005 Nominations – Screen Music Awards" 1751: 1749: 1747: 1491:"The Pop Life; Up-and-Comers Down Under" 556:. The film was showcased at that year's 1663:"Clare Bowditch & The Feeding Set: 1254: 1252: 975: 973: 971: 969: 967: 965: 963: 961: 959: 957: 889: 887: 763: 2681:People educated at Narrabundah College 1606: 1520:"Album Review: Machine Translations – 1404: 1327:, Way Over There Recordings: BMG Music 1265: 864: 862: 860: 797: 795: 793: 458:In 2005 Walker composed the score for 2345:Melbourne International Film Festival 2081:from the original on 24 November 2009 1934:(Australian Broadcasting Corporation) 1292:"Review: Machine Translations | 558:Melbourne International Film Festival 338:In 2000 he worked on his next album, 313:His next album on Way Over There was 179:for Best Music for a Documentary for 7: 2516:Valentish, Jenny (18 October 2012). 2281:Australian Guild of Screen Composers 2246:"2012 Winners – Screen Music Awards" 2194:"2008 Winners – Screen Music Awards" 1985:"C. W. Stoneking, Live Music: Blues" 1821:"2005 Winners – Screen Music Awards" 938:. Canberra Musicians. Archived from 1890:"CD Reviews: Machine Translations: 1799:Australian Broadcasting Corporation 1141:Hennessy, Kate (12 November 2013). 720:(22 October 2007) Spunk! Records / 2609:Girdler, Chris (5 December 2013). 2548:Weiley, Meaghan (25 August 2013). 514:Machine Translations' next album, 388:(August 2003), for folk rock duo, 14: 2488:"Forthcoming: Paul Kelly in News" 2100:Zuel, Bernard (26 October 2007). 1888:Zuel, Bernard (13 October 2005). 1054:"'Jezebel' at APRA search engine" 621:Drowning in the Fountain of Youth 576:previewed an ABC-TV documentary, 2370:Hawker, Phillipa (9 June 2010). 1963:The DiG Australian Blues Project 1926:The DiG Australian Blues Project 1458:Roberts, Jo (22 November 2002). 1083:Enfield, Nick (17 August 1995). 838:"Machine Translations Biography" 495:The DiG Australian Blues Project 105:Guitar, piano, keyboards, vocals 2023:. National Library of Australia 1783:"Documentaries & Specials: 1756:Dwyer, Michael (29 June 2004). 1724:Alessio, Dom (30 August 2006). 1347:"Canberra Band at Home in Gong" 1198:Uhad, Hans (1 September 2003). 980:Munro, Kelsey (17 April 2003). 930:Whitfield, Kathryn (May 1986). 2032:Note: Reissue of 2005 version. 1431:Parkes, Geoffrey (July 2001). 1345:Moore, Chris (20 April 2000). 1021:Enfield, Nick (13 July 1995). 869:Rule, Dan (16 November 2007). 696:(21 May 2001) Spunk! Records, 588:Miss Fisher's Murder Mysteries 202:Miss Fisher's Murder Mysteries 189:for Best Soundtrack Album for 1: 2130:Machine Translations (2008), 1864:Machine Translations (2005), 1576:Machine Translations (2003), 1374:Machine Translations (2001), 1321:Machine Translations (1999), 1179:National Library of Australia 1171:Machine Translations (1997), 807:"The Shape of Things to Come" 708:(October 2002) Spunk! Records 219:Narrabundah Secondary College 2313:. Debate.org. Archived from 1552:– Sodastream | Credits" 1290:Dornan, Matt (Autumn 2000). 1149:. Danny Bos, Kristy Milliken 76:Australian Capital Territory 548:. He contributed music for 69:1967 (age 56–57) 2702: 1987:. Spoonfed. Archived from 1231:"Machine Translations Bio" 748:(late 2003) Spunk! Records 159:is the performing name of 15: 2402:Australian Film Institute 2376:The Sydney Morning Herald 2110:The Sydney Morning Herald 1898:The Sydney Morning Herald 1460:"Lost in the Translation" 987:The Sydney Morning Herald 812:The Sydney Morning Herald 714:(May 2004) Spunk! Records 698:Festival Mushroom Records 593:APRA Music Awards of 2012 535:APRA Music Awards of 2008 472:APRA Music Awards of 2005 442:In June 2004, to promote 415:The Sydney Morning Herald 320:The Sydney Morning Herald 177:APRA Music Awards of 2005 34: 2584:by Machine Translations" 1200:"Machine Translations – 982:"All in the Translation" 932:"Over the Top with Moon" 582:Black Saturday bushfires 580:(February 2012), on the 43:Cockatoo Island festival 2676:Musicians from Canberra 2611:"Machine Translations: 2398:"The Year Ahead Part 2" 1637:Australian Music Online 1302:. No. 6. Mark Venn 2283:(AGSC). Archived from 1758:"Machine Translations" 1085:"Good Times Music CD: 251:. His influences were 51:Background information 2159:Giuffre, Liz (2010). 578:Then the Wind Changed 493:as the first part of 450:saw their gig at the 2652:Machine Translations 2172:Screen Sound Journal 670:Machine Translations 663:Machine Translations 231:Machine Translations 157:Machine Translations 29:Machine Translations 2494:on 31 December 2013 2430:(7 February 2012). 2408:on 30 December 2013 2317:on 28 December 2013 2048:The Daily Telegraph 1991:on 27 December 2013 1904:on 1 September 2009 1609:cite AV media notes 1518:Eitelhuber, Tommo. 1489:(6 February 2006). 1407:cite AV media notes 1268:cite AV media notes 871:"In Seventh Heaven" 141:machinetranslations 18:Machine translation 2527:Time Out Melbourne 2465:on 20 January 2013 2163:East of Everything 2136:, ABC/Warner Music 2051:. 15 November 2008 1629:"Releases :: 1495:The New York Times 1300:Comes with a Smile 1237:on 25 October 2001 1177:, Way Over There. 1094:The Canberra Times 1028:The Canberra Times 526:East of Everything 509:ARIA Award in 2009 378:The New York Times 325:Comes with a Smile 236:The Canberra Times 192:East of Everything 2590:. 11 October 2013 2351:on 6 January 2011 1932:ABC Digital Radio 1700:"Baby Makes Trio" 1698:(16 April 2004). 1296:(Way Over There)" 836:Macgregor, Jody. 702: 618:(March 2004) and 615:The Tabloid Blues 562:The Wedding Party 487:ABC Digital Radio 283:with a degree in 275:, at Studio One, 161:Greg James Walker 151: 150: 61:Greg James Walker 2693: 2648: 2647: 2645:Official website 2631: 2630: 2628: 2626: 2606: 2600: 2599: 2597: 2595: 2576: 2570: 2569: 2567: 2565: 2545: 2539: 2538: 2536: 2534: 2513: 2504: 2503: 2501: 2499: 2484: 2475: 2474: 2472: 2470: 2455: 2449: 2448: 2446: 2444: 2428:Blundell, Graeme 2424: 2418: 2417: 2415: 2413: 2404:. 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W. Stoneking 485:On 8 June 2005 444:Venus Traps Fly 425:Art of Fighting 402:Venus Traps Fly 386:A Minor Revival 354: 327: 247:, and electric 211: 154: 139: 110: 70: 56: 46: 30: 21: 12: 11: 5: 2699: 2697: 2689: 2688: 2683: 2678: 2673: 2663: 2662: 2659: 2658: 2649: 2638: 2637:External links 2635: 2633: 2632: 2601: 2571: 2560:. 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Index

Machine translation
A band is performing on stage with three members visible. A man is at front left, he is singing into a microphone, which is held in his left hand. He has a guitar slung over his shoulder. The drummer sits behind a kit in the centre. A bearded man is at the right but is blurred. All three artists are partly obscured by audience members. There are stage lights behind and above the artists. Musical speakers are partly visible at right.
Cockatoo Island festival
Canberra
Australian Capital Territory
alternative rock
Shock
machinetranslations.com.au
Dirty Three
APRA Music Awards of 2005
Girl in a Mirror: A Portrait of Carol Jerrems
2008
East of Everything
2012
Miss Fisher's Murder Mysteries
Canberra
Narrabundah Secondary College
The Canberra Times
lo-fi (music)
oud
erhu
John Cale
Nico
Tom Waits
Braddon
Shanghai
Linguistics
Mandarin Chinese
Wollongong
Shock Records

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