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141:, overly swinging and accenting them in an atypical fashion. Thomas Owens observes: "Once the theme ends and the improvisation begins... Gillespie and the full band continue the bebop mood, using swing eighths in spite of Pozo's continuing even eighths, until the final A section of the theme returns. Complete assimilation of Afro-Cuban rhythms and improvisations on a harmonic ostinato was still a few years away for the beboppers in 1947."
100:) of the A section and the introduction, while Gillespie wrote the bridge. Gillespie recounted: "If I'd let it go like wanted it, it would have been strictly Afro-Cuban all the way. There wouldn't have been a bridge. I thought I was writing an eight-bar bridge, but after eight bars I hadn't resolved back to B-flat, so I had to keep going and ended up writing a sixteen-bar bridge."
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The band was touring in
California when Pozo presented Gillespie with the idea for the tune. It featured a bridge of two eight-bar trumpet statements by Gillespie, percussion patterns played by Pozo, and horn lines from Gillespie's big band arranger Walter "Gil" Fuller. According to Gillespie, Pozo
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in New York. Gillespie responded to the crowd's amusement at Pozo's chanting by mimicking Pozo's chants himself, evoking laughter from the audience. This type of clowning was common to
Gillespie's stage presence but it was in contrast to his serious effort to incorporate Afro-Cuban elements into
148:
on
September 29, 1947; it was very well received. The big band recorded the tune on December 22, 1947, and in early 1948 they toured Europe for a few months, without including the piece in their set list. Instead, they featured the two-part tune "Cubana-Be/Cubana-Bop", recorded eight days before
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Early performances of "Manteca" reveal that despite their enthusiasm for collaborating, Gillespie and Pozo were not very familiar with each other's music. The members of
Gillespie's band were unaccustomed to
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289:, a Russian jazz-classical composer, wrote a piano duet called "Paraphrase on Dizzy Gillespie's 'Manteca' " featuring the two main themes and a middle section with blues-style improvisations.
219:(Cuban jam), lacking a typical jazz bridge, or B section, and is not well known enough to be considered a jazz standard. When Gillespie first began experimenting with Afro-Cuban rhythms, the
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85:. Bauzá suggested Pozo, a rough-living percussionist already famous in Cuba, and Gillespie hired him. They began to work Pozo's Cuban-style percussion into the band's arrangements.
149:"Manteca", as their nod to Afro-Cuban jazz. Resuming touring in the Spring 1948, the band replaced "Cubana-Be/Cubana-Bop" with "Manteca" in their set list, augmented with Pozo's
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said in
September 1948 that "Manteca" was performed "almost as a tribal rite", making a primitive statement. On October 9, 1948, the song was recorded as part of a show at the
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pattern on claves throughout a good portion of this 2–3 song. This recording is the last one Pozo made of "Manteca"; he was shot and killed in a Harlem bar two months later.
267:", which he wrote based on "Manteca". Parker said "I started playing the riff on my guitar and decided to make a blues out of it." Parker's song was performed on stage by
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242:". The "Never Go Back To Georgia" chant was taken from Dizzy Gillespie's introduction to this seminal Afro-Cuban tune, "Manteca".
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696:"The Perfect Summer Song, with a Dash of Social History | Now and Then: an American Social History Project blog"
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term for heroin. Because mainstream jazz audiences are generally not aware of the innovations of
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wrote that Pozo was a "frenzied drummer", "shouting incoherently" in apparent "bop transport".
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51:") and is "one of the most important records ever made in the United States", according to
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in 1947, it is among the most famous of
Gillespie's recordings (along with the earlier "
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208:'s band, "Manteca" is often erroneously cited as the first authentic Latin jazz (or
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Stages of
Conflict: A Critical Anthology of Latin American Theater and Performance
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Gil Fuller & the
Monterey Jazz Festival Orchestra featuring Dizzy Gillespie
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212:) tune. Although "Tanga" preceded "Manteca" by several years, the former is a
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590:"'We Both Speak African': Gillespie, Pozo, and the Making of Afro-Cuban Jazz"
234:; Gillespie is heard singing, "I'll never go back to Georgia". In 1965, the
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Sextet got their first crossover hit with the Latin and soul fusion of "
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Faces in the crowd: musicians, writers, actors & filmmakers
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Things Ain't What They Used to Be (And You Better
Believe It)
523:
Giant Steps: Bebop And The
Creators Of Modern Jazz, 1945–65
736:
Shaheen J. Dibai, "Bobby Parker: The Real Fifth Beatle?",
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jazz. On this recording, someone is heard playing the 3-2
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Audio playback is not supported in your browser. You can
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An Electrifying Evening with the Dizzy Gillespie Quintet
61:. "Manteca" is the first tune rhythmically based on the
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Dizzy Gillespie and his Big Band, featuring Chano Pozo
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United States National Recording Registry recordings
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Dizzy Gillespie and the Mitchell Ruff Duo in Concert
753:"Nikolai Kapustin | Authorized Fan website by Wimmo"
720:"Mourning Joe Cuba, a Bandsman Whose Legacy Was Joy"
641:(2 ed.). Oxford University Press. p. 216.
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681:Salazar, Max (1997). "The Beginning and Its Best"
594:Institute for Studies in American Music Newsletter
153:chants; audiences and critics responded strongly.
1179:The Trumpet Summit Meets the Oscar Peterson Big 4
661:Taylor, Diana, and Sarah J. Townsen (2008: 301).
165:both printed pictorials and reviews of the band.
144:"Manteca" was first performed by the big band at
31:" is one of the earliest foundational tunes of
1107:Oscar Peterson and the Trumpet Kings – Jousts
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1294:Dizzy Gillespie and the Double Six of Paris
81:to recommend a Cuban percussionist for his
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1219:Dizzy Gillespie Meets Phil Woods Quintet
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457:Afro-Cuban Dream: Live & In Clave!!!
352:Bursting Out with the All-Star Big Band!
550:(1985); cited by John Storm Roberts in
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240:El Pito (I'll Never Go Back to Georgia)
1499:The Great Blue Star Sessions 1952–1953
1123:Jazz Maturity...Where It's Coming From
384:Cal Tjader Live at the Funky Quarters
275:, provided a musical basis for both "
7:
1318:The Dizzy Gillespie Reunion Big Band
271:in 1961 and 1962, and, according to
499:. Da Capo Press. pp. 179–180.
406:Kenny Clarke/Francy Boland Big Band
1491:The Complete RCA Victor Recordings
1099:Oscar Peterson and Dizzy Gillespie
304:The Complete RCA Victor Recordings
14:
1374:The Trumpet Kings at Montreux '75
1091:The Trumpet Kings Meet Joe Turner
526:. Canongate Books. p. 1933.
1483:Dee Gee Days: The Savoy Sessions
1430:Bird Songs: The Final Recordings
931:The Greatest Trumpet of Them All
665:. University of Michigan Press.
588:Garcia, David F. (Spring 2007).
565:Bebop: The Music and Its Players
1703:Compositions by Dizzy Gillespie
1414:Live at the Royal Festival Hall
907:Dizzy Gillespie and Stuff Smith
546:Dizzy Gillespie, from his book
103:The rhythm of the 'A' section
1:
1398:Musician, Composer, Raconteur
1302:Live at the Village Vanguard
1003:Something Old, Something New
963:A Portrait of Duke Ellington
223:pioneer called the subgenre
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1286:Dizzy on the French Riviera
947:The Ebullient Mr. Gillespie
742:. Retrieved 2 November 2013
567:; cited by Roberts (1999).
563:Thomas Owens from his book
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1262:Dizzy Gillespie at Newport
955:Have Trumpet, Will Excite!
316:Dizzy Gillespie at Newport
232:racial tensions in America
1390:Digital at Montreux, 1980
1366:The Dizzy Gillespie Big 7
1310:Swing Low, Sweet Cadillac
757:www.nikolai-kapustin.info
520:Mathieson, Kenny (2012).
468:One More Trip to Birdland
250:In 1961, blues guitarist
107:is identical to a common
77:In 1947, Gillespie asked
700:nowandthen.ashp.cuny.edu
1422:Max + Dizzy: Paris 1989
1406:One Night in Washington
1083:Dizzy Gillespie's Big 4
452:Bobby Sanabria Big Band
421:You've Got It Bad, Girl
126:download the audio file
1147:Carter, Gillespie Inc.
867:The Modern Jazz Sextet
493:Giddins, Gary (1996).
89:composed the layered,
24:
1278:Carnegie Hall Concert
1131:Afro-Cuban Jazz Moods
1043:The Melody Lingers On
412:(1970, released 2006)
410:Live In '58 & '70
22:
1534:The Winter in Lisbon
1467:Modern Jazz Trumpets
1203:Closer to the Source
1195:To a Finland Station
1011:Dizzy Goes Hollywood
604:on February 23, 2011
355:(1962), arranged by
230:The piece refers to
23:Dizzy Gillespie 1955
16:Afro-Cuban jazz song
1641:To Be or Not to Bop
1382:Dizzy Gillespie Jam
1254:Jazz at Massey Hall
1187:The Alternate Blues
726:, February 19, 2009
683:Latin Beat Magazine
638:The History of Jazz
635:Gioia, Ted (2011).
625:. GNP CD 23 (1948).
600:(2). Archived from
548:To Be or Not to Bop
445:A Picture of Nectar
335:Phineas Newborn Jr.
263:hit with the song "
1602:A Night in Tunisia
1342:The Giants of Jazz
891:For Musicians Only
724:The New York Times
293:Notable recordings
49:A Night in Tunisia
25:
1675:
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1438:To Bird with Love
1075:Portrait of Jenny
987:The New Continent
843:Dizzy and Strings
718:Gonzalez, David,
340:A World of Piano!
189:The Spanish word
130:
58:The Village Voice
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1652:Related articles
1581:Dizzy Atmosphere
1507:Dizzy Digs Paris
1446:To Diz with Love
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35:. Co-written by
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883:Dizzy in Greece
875:World Statesman
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1663:
1639:
1616:Salt Peanuts
1594:
1560:Birks' Works
1553:Anthropology
1545:Compositions
1532:
1524:
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859:Jazz Recital
857:
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835:Diz and Getz
833:
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819:Bird and Diz
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760:. Retrieved
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703:. Retrieved
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606:. Retrieved
602:the original
597:
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554:1999. p. 77.
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112:bell pattern
102:
96:(Afro-Cuban
91:contrapuntal
87:
76:
65:to become a
56:
53:Gary Giddins
28:
26:
1668:(1988 film)
1518:Soundtracks
1457:Compilation
1246:Live albums
1051:It's My Way
979:Perceptions
971:Gillespiana
851:Roy and Diz
433:Tokyo Debut
323:Red Garland
281:Day Tripper
277:I Feel Fine
273:John Lennon
269:the Beatles
177:Royal Roost
79:Mario Bauzá
1698:Jazz songs
1688:1947 songs
1682:Categories
1358:The Source
1059:Cornucopia
915:Sittin' In
762:2015-11-09
705:2017-05-12
671:0472070274
569:Latin Jazz
552:Latin Jazz
475:References
428:Art Pepper
379:Soul Burst
374:Cal Tjader
199:Afro-Cuban
45:Gil Fuller
41:Chano Pozo
1350:The Giant
1227:Endlessly
1211:New Faces
1163:Free Ride
685:v.7 n. 1.
608:March 24,
404:with the
257:Billboard
246:Influence
183:son clave
98:ostinatos
1574:Con Alma
995:New Wave
571:. p. 77.
470:" (1996)
382:(1966);
367:Manteca!
236:Joe Cuba
217:descarga
197:) is an
172:DownBeat
83:big band
1595:Manteca
1139:Bahiana
328:Manteca
279:" and "
261:Hot 100
206:Machito
191:manteca
139:guajeos
94:guajeos
73:History
29:Manteca
1644:(1979)
1537:(1990)
1529:(1964)
1510:(2006)
1502:(2004)
1494:(1995)
1486:(1976)
1478:(1955)
1470:(1951)
1459:albums
1449:(1992)
1441:(1992)
1433:(1992)
1425:(1989)
1417:(1989)
1409:(1983)
1401:(1981)
1393:(1980)
1385:(1977)
1377:(1975)
1369:(1975)
1361:(1973)
1353:(1973)
1345:(1971)
1337:(1971)
1334:Giants
1329:(1971)
1321:(1968)
1313:(1967)
1305:(1967)
1297:(1963)
1289:(1962)
1281:(1961)
1273:(1961)
1265:(1957)
1257:(1953)
1238:(1988)
1230:(1988)
1222:(1986)
1214:(1985)
1206:(1984)
1198:(1983)
1190:(1980)
1182:(1980)
1174:(1977)
1166:(1977)
1158:(1976)
1150:(1976)
1142:(1975)
1134:(1975)
1126:(1975)
1118:(1975)
1110:(1974)
1102:(1974)
1094:(1974)
1086:(1974)
1078:(1970)
1070:(1970)
1062:(1969)
1054:(1969)
1046:(1966)
1038:(1965)
1030:(1965)
1022:(1964)
1014:(1964)
1006:(1963)
998:(1963)
990:(1962)
982:(1961)
974:(1960)
966:(1960)
958:(1959)
950:(1959)
942:(1959)
934:(1957)
926:(1957)
918:(1957)
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862:(1956)
854:(1954)
846:(1954)
838:(1955)
830:(1954)
822:(1952)
669:
645:
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503:
460:(2000)
448:(1992)
436:(1977)
424:(1973)
398:(1970)
386:(1972)
370:(1965)
343:(1962)
331:(1958)
319:(1957)
307:(1947)
254:had a
225:cu-bop
151:abakuá
105:melody
1633:Books
923:Duets
440:Phish
221:bebop
214:modal
202:slang
109:mambo
63:clave
1665:Bird
827:Afro
667:ISBN
643:ISBN
610:2012
528:ISBN
501:ISBN
195:lard
167:Life
162:Life
159:and
43:and
466:- "
283:".
55:of
1684::
755:.
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698:.
598:36
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576:^
483:^
454:–
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193:(
128:.
27:"
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