Knowledge (XXG)

Mass No. 3 (Bruckner)

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2807: 247:, took place in 1868 or 1869, but "were badly attended by orchestral players" and were "generally unsuccessful". Ultimately, Herbeck found the mass "too long and unsingable". After various delays, the mass was finally premiered on June 16, 1872, at the Augustinerkirche, with Bruckner himself conducting. Herbeck changed his opinion of the piece, claiming to know only two masses: this one and Beethoven's 2832: 390:, which was superseded by Leopold Nowak's edition of 1960, and again more recently by Paul Hawkshaw's of 2005. These three editors had access to various manuscripts and contemporary copies. Hans Ferdinand Redlich, on the other hand, did not for his Eulenburg edition, and complained of being denied access by Nowak. 270:
After the third performance (30 July 1876), Bruckner made slight revisions on the "Kyrie" and the "Gloria", and in 1877 on the "Credo". He made a further revision on the "Credo" in 1881, in preparation for performances at the Hofkapelle, mainly to address "difficulties of execution", but also to take
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Matthew Best's more recent recording with the Corydon Singers has been critically acclaimed, particularly for Best's not toning down "the Wagnerian element in the gorgeous Benedictus". Franz Anton Krager's 2013 recording with the Houston Symphony Chorus is a good example of substantial pipe organ
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The first edition of 1894 contained "numerous spurious performance directions and articulations as well as massive reorchestration, particularly of the winds". Bruckner was angry when he saw it in print, and annotated instances of parallel octaves, which he had eliminated in his own revisions.
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Ricardo Luna, Wiener Madrigalchor, Chorvereinigung Schola Cantorum and Symphonic orchestra of the Wiener Volksoper, István Mátiás (organ) – CD issued by the Wiener Madrigalchor: WMCH 024, 2008. Live premiere of the 1883 version, (Hawkshaw ed.) – with the
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Der Bruckner wird alt und möchte doch so gern noch die F-Moll '' hören! Bitte, bitte! Das wÀre der Höhepunkt meines Lebens. Aber dann manches anders als die Partitur! Bei Des-Dur im Credo: 'Deum vero de Deo' bitte 'Organo pleno'! Nicht Register
545:, the "Credo" also ends with a fugue, a "classical feature". In this fugue the next voice entry is preceded by the acclamation "Credo, credo" sustained by the organ. The theme of the "Agnus Dei" has some reminiscence of that of the 399:
by Paul Hawkshaw the two versions, which Bruckner considered to be the definitive ones, those of 1883 and 1893, are presented, so that the performers are provided with the opportunity to choose between the two versions.
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Luna's recording (2008) shows a different side of Bruckner's score. It is not a serene mind that is making music here, but someone who is overflowing with energy. An 'exciting' recording of the Third Mass.
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The live recording under Ticciati (2013) breathes a different spirit: restraint is a salient feature here; moreover, the score is subtly implemented again and again. A nicely balanced performance.
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170–179 of the "Gloria" – a part of the last "Miserere nobis" – as optional. As yet, these ten bars were recorded by only a few conductors. Whereas the "Gloria" ends with a
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Bruckner is growing old and would very much like to live to hear the F minor ! Please, please! That would be the climax of my life. But then much is to be different from the score! In the D
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Karl Richter (Schalk first edition), Lovro von Matačić, Colin Davis, Heinz Rögner and Franz Welser-Möst, and the more recent recordings by Ricardo Luna, Robin Ticciati and Gerd Schaller.
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The recording under Davis (1988) is one of the best of the Third Mass. Interpretatively as well as sonically, this is a great recording in which care and emotion are balanced.
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and the Chorus of the St. Hedwigs-Kathedrale have been remastered to CD. According to Hans Roelofs, Jochum's and Forster's belong to the better recordings of the mass.
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A curiosity about this recording is that the incipit of the Gloria and Credo is intoned by a soloist – as in Bruckner's earlier Masses – before the choir is going on.
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Karl Forster, Berliner Symphoniker und Chor der St. Hedwigs-Kathedrale – LP: Electrola E/STE 80715 – CD: EMI 697-252 180-2 (Box of 3 CDs), 1962 (Haas edition)
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The "Gloria" starts out with the words "Gloria in excelsis Deo" and the "Credo" with the words "Credo in unum Deum" sung by the whole choir, rather than intoned in
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In the 1890s Bruckner was still revising the work, but there were very few changes made to the vocal parts after 1868. At a November 1893 performance of this mass,
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Schaller's recording (2015) is sonically clear and present. A successful recording, in which the cliffs of church acoustics could be largely circumnavigated.
2693: 2221: 2492: 1498: 2428: 1867: 1619: 1529: 1494: 2872: 1637: 232:, Bruckner was commissioned "to write a new Mass for the Burgkapelle". Bruckner wrote the first version between Septembers 1867–1868 in 1407: 1308: 34: 1993: 1653: 2485: 2788: 2387: 2263: 1591: 372: 1817: 2852: 2773: 1746: 1438: 1251: 613: 2572: 1204: 2882: 2731: 2341: 1937: 1794: 1513: 771: 2877: 2612: 2178: 2162: 2748: 2516: 1671: 1659: 189: 63: 2034: 279:
if not justified by Mozart's example. In some later performances, Bruckner was in the organ loft rather than on the podium.
2652: 2170: 2106: 1571: 1279: 715: 661: 2822: 1764: 1612: 605: 1457: 785:, Chöre am Hohen Dom zu Mainz, Mainzer Domorchester, Daniel Beckmann (organ) – CD: Rondeau ROP6161, 2018 (1893 version) 2711: 2660: 2154: 2122: 1215: 1082: 350: 674:, Philharmonia Chorus and Orchestra – CD: Premiere Opera 4286, Live Royal Festival Hall London, 8 March 1981 – with 2867: 2862: 2857: 2269: 2194: 2130: 2041: 1897: 1583: 1555: 1525: 1509: 718:
and Linzer Mozart-Chor – CD: EMI CDC5 56168 2, 1995 (Nowak edition, with the optional bars 170–179 of the "Gloria")
461:. "The organ serves first of all to accentuate significant passages, in order to increase their sound brightness." 356: 248: 244: 2725: 2705: 1830: 1758: 1723: 1717: 1711: 1705: 1699: 1689: 1683: 1677: 1665: 1395: 1383: 668:, Vienna – CD: Kapellmeister KMS-064, 1974 (Schalk first edition, with the optional bars 170–179 of the "Gloria") 585: 578: 541: 264: 2476: 2347: 2202: 2016: 1533: 701: 657: 137: 2355: 1482: 1181: 665: 1232:
The Second Golden Age of the Viennese Symphony: Brahms, Bruckner, Dvoƙák, Mahler, and Selected Contemporaries
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The organ, present in the Wöss edition, is absent in the Haas edition, and put "ad libitum" in the current
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Grosse Messe Nr. 3 F moll von Anton Bruckner – Eulenburgs kleine Orchester-Partitur-Ausgabe, foreword by
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Hawkshaw, Paul (2013). "Anton Bruckner and the Austrian Choral Tradition". In Donna M Di Grazia (ed.).
1129:, from page 33 of the Universal Edition (edited by Josef V. von Wöss) full score of the mass is quoted. 604:
The first complete recording of the mass was by Maurice Kessler with the Oberlin Musical Union and the
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Hawkshaw, Paul (1997). "An anatomy of change: Anton Bruckner's Revisions to the Mass in F minor". In
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Anton Bruckner, SĂ€mtliche Werke, Kritische Gesamtausgabe – Band 14: Messe f-Moll (Originalfassung)
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Bruckner make four successive revisions of the work, in 1876, 1877, 1881 and from 1890 to 1893.
746:– CD/BD: abruckner.com BSVD 0116, 2013 (with the optional bars 170–179 of the "Gloria") – with 744:
Anton Bruckner: Symphonisches Praeludium, Mass No. 3 in F minor, Postludium Organ Improvisation
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by a soloist, as in Bruckner's previous masses. The setting is more symphonic than that of the
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Hawkshaw, Paul (2004). "Bruckner's large sacred compositions". In John Williamson (ed.).
695: 2009: 1628: 1126: 728: 689: 651:(organ) – LP: DG 18829 – CD: DG 423 127-2 (Box set of 4 CDs), 1962 (Haas edition) 524: 333:, however, believed that the piece was actually dedicated to conductor Johann Herbeck. 283: 240: 217: 25: 692:(organ) – CD: Philips 422 358-2, 1988 (with the optional bars 170–179 of the "Gloria") 2846: 2685: 2245: 1594:
with the Mass in F minor, Markus Landerer (conductor) - Live recording on 5 June 2022
1291: 756: 362: 346: 330: 208: 553:, and recalls the fugue subject of the "Gloria" and the last phrase of the "Credo". 2783: 1786: 1371: 609: 505: 193: 74: 33: 1353:
Johnson, Stephen (2008). "Anton Bruckner, Masses nos. 1–3". In Rye Matthew (ed.).
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orchestra and choir, the chamber choir Vocalisti Rostochiensis, the choir of the
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Anton Bruckner – Critical Complete Edition: Requiem, Masses & Te Deum
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being used to reinforce the chorus and orchestra tutti sections of the Mass.
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Anton Bruckner: SĂ€mtliche Werke: Band XVIII: Messe f-Moll (1867/68, 1883/93)
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quotes both the "Kyrie" in its finale, and the "Benedictus" in its Adagio.
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Franz Anton Krager & Michelle Perrin Blair, Houston Symphony Chorus,
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The Essence of Bruckner: An Essay Towards the Understanding of His Music
1859: 514: 501: 496: 492: 481: 472: 447: 439: 427: 185: 53: 704:, Corydon Singers and Orchestra – CD: Hyperion CDA 66599, 1992 (with 698:, Rundfunkchor Berlin and RSO Berlin – CD: Ars Vivendi 2100 173, 1988 326: 1294:(editor), Vienna, 1960 / new edition by Paul Hawkshaw, Vienna, 2005 631:
Other excellent recordings, according to Hans Roelofs, are that by
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The composition of the Mass in F minor may have been influenced by
1929: 536: 486: 468: 415: 200: 1597: 531:, with a larger contribution of the soloists. Bruckner indicated 2333: 589: 419: 409: 233: 158: 103: 1601: 1466:, Gustav Bosse Verlag, Regensburg, 1927, pp. 137–166 1216:
Critical review of Krager's recording on MusicWeb international
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About 70 recordings of Bruckner's Mass No. 3 have been issued.
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in all Bruckner's masses, in Mass No. 3, as in his previous
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Eugen Jochum, Bavarian Radio Symphony Orchestra and Choir,
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Anton Ritter von Imhof-Geißlinghof at "the last minute".
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into account what he had learned from studying Mozart's
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praised the piece. A second performance occurred in the
549:. The "Dona nobis" resumes the theme of the "Kyrie" in 386:
In 1944, Robert Haas put out an edition as part of the
1472:, Bruckner-Verlag, Robert Haas (editor), Leipzig, 1944 1355:
1001 Classical Recordings You Must Hear Before You Die
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on 8 December 1873. The manuscript is archived at the
2820: 410: 159: 2741: 2684: 2407: 2332: 2256: 2244: 2214: 1928: 1858: 1785: 1776: 1736: 1644: 167: 154: 146: 121: 111: 80: 70: 59: 49: 18: 608:in 1949. Of the other recordings from the LP era, 1362:Lovallo, Lee T. (1991). "Mass No. 3 in F minor". 1320:The Wind and Wind-Chorus Music of Anton Bruckner 1205:Amazon's editorial Review of Krager's recording 688:, Bavarian Radio Symphony Orchestra and Choir, 588:, bar 139, quotes also the "Kyrie" call by the 2764:Versions and editions of Bruckner's symphonies 1613: 8: 1007:Meister der deutschen Musik in ihren Briefen 966: 964: 951: 949: 907: 905: 345:First edition (Doblinger, 1894), revised by 290: 880: 878: 865: 863: 2253: 1782: 1620: 1606: 1598: 1574:, Schleswig-Holstein Musik Festival (1996) 1177: 1175: 1173: 1171: 911: 837: 32: 15: 1499:International Music Score Library Project 1322:. Westport, Connecticut: Greenwood Press. 1234:. Indianapolis: Indiana University Press. 1125:, p. 62. A passage, 6 bars or so of 850: 848: 846: 1282:. Cambridge: Cambridge University Press. 1269:. Cambridge: Cambridge University Press. 1110: 1098: 1054: 1030: 1018: 982: 970: 955: 884: 869: 2827: 1530:Rostock University of Music and Theatre 1192: 1162: 1138: 1122: 1077: 1075: 1066: 994: 924: 922: 920: 854: 794: 1042: 940: 896: 286:of 14 April 1895, the composer wrote: 1488:Critical discography by Hans Roelofs 1366:. New York: Rowman & Littlefield. 1150: 804: 802: 800: 798: 731:, Chor des Bayerischen Rundfunks and 414:choir and soloists, and orchestra (2 7: 1994:Dir, Herr, dir will ich mich ergeben 928: 778:, CD: Profil HĂ€nssler PH16034, 2016. 513:– Andante, F minor veering to 464:The work is divided into six parts: 325:The composer dedicated the piece to 2365:Wie bist du, FrĂŒhling, gut und treu 1562:with the choir of the Choir of the 1378:(preface). London: Ernst Eulenburg. 1276:The Cambridge Companion to Bruckner 606:Conservatory Orchestra of Cleveland 239:The first rehearsals, conducted by 2789:Anton-Bruckner-Gymnasium Straubing 1376:Mass in F minor (revision of 1881) 1009:, H. Brandt (editor), p. 442, 1928 236:(just before his move to Vienna). 116:Anton Ritter von Imhof-Geißlinghof 14: 2774:Anton Bruckner Private University 1528:, Christfried Göckeritz with the 1464:Anton Bruckner als Kirchenmusiker 614:Bavarian Radio Symphony Orchestra 520:Total duration: about 62 minutes 2830: 2806: 2805: 2494:Des Dankes Wort sei mir vergönnt 2430:Das Lied vom deutschen Vaterland 1514:National Philharmonic of Ukraine 1431:Anton Bruckner – Leven en Werken 1414:. London: J. M. Dent & Sons. 1330:(1997). "Bruckner's 'Oktaven'". 2288:Heil Vater! Dir zum hohen Feste 1301:Nineteenth-Century Choral Music 275:, correcting some instances of 2749:International Bruckner Society 1433:, Bussum (Netherlands): Thot. 1318:Kinder, Keith William (2000). 1182:Roelofs' commented discography 620:, and Karl Forster's with the 314:! Spare not on the registers!. 228:After the 1867 success of his 1: 2873:Music for orchestra and organ 2486:Laßt Jubeltöne laut erklingen 1364:Anton Bruckner: A Discography 1280:Cambridge Companions to Music 1246:. Salzburg: Residenz Verlag. 783:Anton Bruckner – Messe f-Moll 772:Philharmonischer Chor MĂŒnchen 735:– CD: Tudor 7193, 2013 (live) 716:London Philharmonic Orchestra 662:Gesellschaft der Musikfreunde 39: 1818:Messe fĂŒr den GrĂŒndonnerstag 1512:, Igor Andrievskiy with the 1244:Anton Bruckner. Ein Handbuch 2035:In jener letzten der NĂ€chte 1516:(2008) (Schalk-WĂ¶ĂŸ edition) 742:and Sigurd Øgaard (organ), 442:in C, alto, tenor and bass 378:Hawkshaw new edition (2005) 2899: 2389:Mein Herz und deine Stimme 1402:. London: Victor Gollancz. 566:Mass No. 6 in E flat major 562:Mass No. 5 in A flat major 504:– Allegro moderato, 450:, and strings), and organ 2802: 1635: 265:Austrian National Library 243:at the court church, the 31: 23: 2853:Masses by Anton Bruckner 1390:. London: Marion Boyars. 1265:; Paul Hawkshaw (eds.). 1230:Brown, A. Peter (2002). 489:– Allegro, C major 138:Augustinerkirche, Vienna 2883:Compositions in F minor 2779:Bruckner Orchestra Linz 2164:Salvum fac populum tuum 1766:Symphonisches PrĂ€ludium 1384:Schönzeler, Hans-Hubert 1372:Redlich, Hans Ferdinand 740:Moores School Orchestra 220:composed in 1867–1868. 2878:Music with dedications 2754:Bruckner Gesamtausgabe 2574:VaterlĂ€ndisch Weinlied 2518:Du bist wie eine Blume 1747:Four Orchestral Pieces 1696:; 1874/1878–1880/1888) 612:'s recording with the 369:Hans Ferdinand Redlich 316: 291: 126:16 June 1872 2794:Anton Bruckner Museum 2732:Intermezzo in D minor 2172:Veni Creator Spiritus 2108:Iam lucis orto sidere 2002:O Du liebes Jesu-Kind 1849:Mass No. 3 in F minor 1843:Mass No. 2 in E minor 1837:Mass No. 1 in D minor 1759:March in E-flat major 1572:NDR Sinfonieorchester 1495:Mass No. 3 (Bruckner) 1357:. New York: Universe. 733:Bamberger Symphoniker 337:Versions and editions 288: 230:Mass No. 1 in D minor 2614:Zur VermĂ€hlungsfeier 2497:(at the latest 1855) 2180:Ecce sacerdos magnus 1638:List of compositions 776:Philharmonie Festiva 666:TonkĂŒnstlerorchester 622:Berliner Symphoniker 597:Selected discography 408:The work is set for 359:edition (1944, 1952) 306:major of the Credo: 199:for vocal soloists, 171:orchestra and organ 2662:Der deutsche Gesang 2415:Weltliche Chorwerke 2196:Ave Regina caelorum 2156:Christus factus est 2124:Christus factus est 1753:Overture in G minor 1672:Symphony in D minor 1660:Symphony in F minor 1346:10.1093/ml/78.3.391 1333:Music & Letters 1328:Jackson, Timothy L. 1045:, pp. 126–127. 761:Bruckner – Mass 3, 618:Deutsche Grammophon 194:setting of the mass 2759:Kitzler Study Book 2654:TrĂ€umen und Wachen 1825:Requiem in D minor 1564:DĂ€nischer Rundfunk 1420:Zwol, Cornelis van 1263:Timothy L. Jackson 931:, pp. 690–694 495:– Moderato, 471:– Moderato, 163:choir and soloists 2868:1881 compositions 2863:1877 compositions 2858:1868 compositions 2818: 2817: 2680: 2679: 2306:Sankt Jodok sproß 2240: 2239: 1900:Preiset den Herrn 1898:Festive Cantata: 1810:Kronstorfer Messe 1729: 1700:No. 5 in B♭ major 1690:No. 4 in E♭ major 1560:Herbert Blomstedt 1310:978-1-136-29409-9 1087:Universal Edition 1083:Josef V. von Wöss 828:R. Simpson, p. 19 712:Franz Welser-Möst 672:Lovro von Matačić 660:, Singverein der 480:– Allegro, 308:Deum verum de Deo 178: 177: 2890: 2835: 2834: 2833: 2826: 2809: 2808: 2742:Related articles 2712:Rondo in C minor 2478:Vor Arneths Grab 2286:Arneth Cantata: 2254: 1851:(1868/1883/1893) 1802:Windhaager Messe 1783: 1727: 1724:No. 9 in D minor 1718:No. 8 in C minor 1712:No. 7 in E major 1706:No. 6 in A major 1686:(1873/1877/1889) 1684:No. 3 in D minor 1678:No. 2 in C minor 1666:No. 1 in C minor 1622: 1615: 1608: 1599: 1592:Vienna Cathedral 1580: 1552: 1542: 1522: 1506: 1497:: Scores at the 1491: 1461: 1442: 1428: 1415: 1403: 1391: 1379: 1367: 1358: 1349: 1323: 1314: 1295: 1283: 1270: 1267:Bruckner Studies 1257: 1235: 1218: 1213: 1207: 1202: 1196: 1190: 1184: 1179: 1166: 1160: 1154: 1148: 1142: 1136: 1130: 1120: 1114: 1108: 1102: 1096: 1090: 1079: 1070: 1064: 1058: 1052: 1046: 1040: 1034: 1028: 1022: 1016: 1010: 1004: 998: 992: 986: 980: 974: 968: 959: 953: 944: 938: 932: 926: 915: 909: 900: 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1199: 1191: 1187: 1180: 1169: 1161: 1157: 1149: 1145: 1137: 1133: 1121: 1117: 1109: 1105: 1097: 1093: 1080: 1073: 1065: 1061: 1053: 1049: 1041: 1037: 1029: 1025: 1017: 1013: 1005: 1001: 993: 989: 981: 977: 969: 962: 954: 947: 939: 935: 927: 918: 912:Schönzeler 1978 910: 903: 895: 891: 883: 876: 868: 861: 853: 844: 838:Schönzeler 1978 836: 832: 827: 823: 818: 814: 807: 796: 792: 642: 640: 638: 636: 599: 574: 406: 393:In the current 339: 320:Johannes Brahms 302: 301: 296: 282:In a letter to 261:Hofmusikkapelle 257:Eduard Hanslick 226: 136: 135: 129: 127: 125: 115: 102: 96: 94: 88: 86: 84: 45: 42: 12: 11: 5: 2896: 2894: 2886: 2885: 2880: 2875: 2870: 2865: 2860: 2855: 2845: 2844: 2840: 2839: 2816: 2815: 2803: 2800: 2799: 2797: 2796: 2791: 2786: 2781: 2776: 2771: 2766: 2761: 2756: 2751: 2745: 2743: 2739: 2738: 2736: 2735: 2729: 2726:String Quintet 2723: 2715: 2709: 2706:String Quartet 2703: 2697: 2690: 2688: 2682: 2681: 2678: 2677: 2675: 2674: 2666: 2658: 2650: 2646:Um Mitternacht 2642: 2634: 2626: 2618: 2610: 2602: 2594: 2586: 2578: 2570: 2566:Vaterlandslied 2562: 2554: 2546: 2542:Um Mitternacht 2538: 2530: 2522: 2514: 2506: 2498: 2490: 2482: 2474: 2466: 2458: 2454:Sternschnuppen 2450: 2442: 2434: 2426: 2418: 2411: 2409: 2405: 2404: 2402: 2401: 2393: 2385: 2377: 2369: 2361: 2353: 2345: 2338: 2336: 2330: 2329: 2327: 2326: 2318: 2310: 2301: 2292: 2283: 2275: 2267: 2260: 2258: 2251: 2242: 2241: 2238: 2237: 2235: 2234: 2225: 2218: 2216: 2212: 2211: 2209: 2208: 2200: 2192: 2184: 2176: 2168: 2160: 2152: 2144: 2136: 2128: 2120: 2112: 2104: 2096: 2088: 2080: 2072: 2064: 2056: 2048: 2039: 2031: 2023: 2014: 2010:Herz Jesu-Lied 2006: 1998: 1990: 1982: 1974: 1965: 1957: 1949: 1948:(c. 1835/1891) 1941: 1940:(c. 1835–1892) 1934: 1932: 1926: 1925: 1923: 1922: 1916: 1910: 1904: 1895: 1889: 1883: 1877: 1871: 1868:Psalm settings 1864: 1862: 1856: 1855: 1853: 1852: 1846: 1840: 1834: 1831:Missa solemnis 1828: 1822: 1814: 1806: 1798: 1791: 1789: 1780: 1774: 1773: 1771: 1770: 1762: 1756: 1750: 1743: 1741: 1734: 1733: 1731: 1730: 1721: 1715: 1709: 1703: 1697: 1687: 1681: 1675: 1669: 1663: 1657: 1650: 1648: 1642: 1641: 1636: 1633: 1632: 1629:Anton Bruckner 1627: 1625: 1624: 1617: 1610: 1602: 1596: 1595: 1575: 1547: 1517: 1501: 1492: 1478: 1477:External links 1475: 1474: 1473: 1467: 1448: 1445: 1444: 1443: 1416: 1404: 1392: 1380: 1368: 1359: 1350: 1340:(3): 391–409. 1324: 1315: 1309: 1296: 1284: 1271: 1258: 1252: 1236: 1225: 1222: 1220: 1219: 1208: 1197: 1195:, p. 361. 1185: 1167: 1155: 1153:, p. 193. 1143: 1131: 1115: 1103: 1091: 1071: 1059: 1047: 1035: 1023: 1021:, p. xii. 1011: 999: 997:, p. 395. 987: 975: 960: 945: 943:, p. 285. 933: 916: 901: 889: 874: 859: 842: 830: 821: 812: 793: 791: 788: 787: 786: 779: 754: 736: 729:Robin Ticciati 726: 719: 709: 699: 693: 690:Elmar Schloter 683: 669: 655: 652: 598: 595: 594: 593: 586:Symphony No. 9 584:The Adagio of 582: 579:Symphony No. 2 573: 570: 547:Missa solemnis 542:Missa solemnis 525:Gregorian mode 518: 517: 508: 499: 490: 484: 475: 405: 402: 380: 379: 376: 366: 365:edition (1960) 360: 354: 338: 335: 284:Siegfried Ochs 249:Missa solemnis 241:Johann Herbeck 225: 222: 218:Anton Bruckner 176: 175: 169: 165: 164: 156: 152: 151: 148: 144: 143: 123: 119: 118: 113: 109: 108: 82: 78: 77: 72: 68: 67: 61: 57: 56: 51: 47: 46: 38:The composer, 37: 29: 28: 26:Anton Bruckner 21: 20: 13: 10: 9: 6: 4: 3: 2: 2895: 2884: 2881: 2879: 2876: 2874: 2871: 2869: 2866: 2864: 2861: 2859: 2856: 2854: 2851: 2850: 2848: 2838: 2828: 2824: 2813: 2812: 2801: 2795: 2792: 2790: 2787: 2785: 2782: 2780: 2777: 2775: 2772: 2770: 2767: 2765: 2762: 2760: 2757: 2755: 2752: 2750: 2747: 2746: 2744: 2740: 2733: 2730: 2727: 2724: 2721: 2720: 2716: 2713: 2710: 2707: 2704: 2701: 2700:Chamber music 2698: 2695: 2692: 2691: 2689: 2687: 2683: 2672: 2671: 2667: 2664: 2663: 2659: 2656: 2655: 2651: 2648: 2647: 2643: 2640: 2639: 2635: 2632: 2631: 2627: 2624: 2623: 2619: 2616: 2615: 2611: 2608: 2607: 2603: 2600: 2599: 2598:Das hohe Lied 2595: 2592: 2591: 2587: 2584: 2583: 2579: 2576: 2575: 2571: 2568: 2567: 2563: 2560: 2559: 2555: 2552: 2551: 2547: 2544: 2543: 2539: 2536: 2535: 2531: 2528: 2527: 2523: 2520: 2519: 2515: 2512: 2511: 2507: 2504: 2503: 2502:Das edle Herz 2499: 2496: 2495: 2491: 2488: 2487: 2483: 2480: 2479: 2475: 2472: 2471: 2467: 2464: 2463: 2462:Das edle Herz 2459: 2456: 2455: 2451: 2448: 2447: 2443: 2440: 2439: 2435: 2432: 2431: 2427: 2424: 2423: 2419: 2416: 2413: 2412: 2410: 2406: 2399: 2398: 2394: 2391: 2390: 2386: 2383: 2382: 2378: 2375: 2374: 2370: 2367: 2366: 2362: 2359: 2358: 2357:FrĂŒhlingslied 2354: 2351: 2350: 2349:Der Mondabend 2346: 2343: 2340: 2339: 2337: 2335: 2331: 2324: 2323: 2319: 2316: 2315: 2311: 2308: 2307: 2302: 2299: 2298: 2293: 2290: 2289: 2284: 2281: 2280: 2276: 2273: 2272: 2268: 2265: 2262: 2261: 2259: 2255: 2252: 2250: 2247: 2243: 2232: 2231: 2226: 2223: 2220: 2219: 2217: 2213: 2206: 2205: 2204:Vexilla regis 2201: 2198: 2197: 2193: 2190: 2189: 2185: 2182: 2181: 2177: 2174: 2173: 2169: 2166: 2165: 2161: 2158: 2157: 2153: 2150: 2149: 2145: 2142: 2141: 2137: 2134: 2133: 2129: 2126: 2125: 2121: 2118: 2117: 2113: 2110: 2109: 2105: 2102: 2101: 2097: 2094: 2093: 2089: 2086: 2085: 2081: 2078: 2077: 2073: 2070: 2069: 2065: 2062: 2061: 2057: 2054: 2053: 2049: 2046: 2045: 2040: 2037: 2036: 2032: 2029: 2028: 2024: 2021: 2020: 2015: 2012: 2011: 2007: 2004: 2003: 1999: 1996: 1995: 1991: 1988: 1987: 1983: 1980: 1979: 1975: 1972: 1971: 1966: 1963: 1962: 1958: 1955: 1954: 1950: 1947: 1946: 1942: 1939: 1936: 1935: 1933: 1931: 1927: 1920: 1917: 1914: 1911: 1908: 1905: 1902: 1901: 1896: 1893: 1890: 1887: 1884: 1881: 1878: 1875: 1872: 1869: 1866: 1865: 1863: 1861: 1857: 1850: 1847: 1844: 1841: 1838: 1835: 1832: 1829: 1826: 1823: 1820: 1819: 1815: 1812: 1811: 1807: 1804: 1803: 1799: 1796: 1793: 1792: 1790: 1788: 1784: 1781: 1779: 1775: 1768: 1767: 1763: 1760: 1757: 1754: 1751: 1748: 1745: 1744: 1742: 1740: 1735: 1725: 1722: 1719: 1716: 1713: 1710: 1707: 1704: 1701: 1698: 1695: 1691: 1688: 1685: 1682: 1679: 1676: 1673: 1670: 1667: 1664: 1661: 1658: 1655: 1652: 1651: 1649: 1647: 1643: 1639: 1634: 1630: 1623: 1618: 1616: 1611: 1609: 1604: 1603: 1600: 1593: 1589: 1586:, Pontifical 1585: 1581: 1576: 1573: 1569: 1565: 1561: 1557: 1553: 1548: 1545: 1540: 1535: 1531: 1527: 1523: 1518: 1515: 1511: 1507: 1502: 1500: 1496: 1493: 1487: 1485: 1481: 1480: 1476: 1471: 1468: 1465: 1459: 1454: 1451: 1450: 1446: 1440: 1439:90-686-8590-2 1436: 1432: 1426: 1421: 1417: 1413: 1409: 1408:Watson, Derek 1405: 1401: 1397: 1393: 1389: 1385: 1381: 1377: 1373: 1369: 1365: 1360: 1356: 1351: 1347: 1343: 1339: 1335: 1334: 1329: 1325: 1321: 1316: 1312: 1306: 1303:. Routledge. 1302: 1297: 1293: 1292:Leopold Nowak 1289: 1285: 1281: 1277: 1272: 1268: 1264: 1259: 1255: 1253:3-7017-1030-9 1249: 1245: 1241: 1237: 1233: 1228: 1227: 1223: 1217: 1212: 1209: 1206: 1201: 1198: 1194: 1189: 1186: 1183: 1178: 1176: 1174: 1172: 1168: 1165:, p. 28. 1164: 1159: 1156: 1152: 1147: 1144: 1141:, p. 54. 1140: 1135: 1132: 1128: 1124: 1119: 1116: 1112: 1111:Hawkshaw 2013 1107: 1104: 1101:, p. 50. 1100: 1099:Hawkshaw 2004 1095: 1092: 1088: 1084: 1078: 1076: 1072: 1069:, p. 40. 1068: 1063: 1060: 1057:, p. 30. 1056: 1055:Hawkshaw 1997 1051: 1048: 1044: 1039: 1036: 1032: 1031:Hawkshaw 1997 1027: 1024: 1020: 1019:Hawkshaw 2005 1015: 1012: 1008: 1003: 1000: 996: 991: 988: 984: 983:Hawkshaw 1997 979: 976: 972: 971:Hawkshaw 1997 967: 965: 961: 957: 956:Hawkshaw 1997 952: 950: 946: 942: 937: 934: 930: 925: 923: 921: 917: 913: 908: 906: 902: 899:, p. 26. 898: 893: 890: 886: 885:Hawkshaw 1997 881: 879: 875: 871: 870:Hawkshaw 2005 866: 864: 860: 856: 851: 849: 847: 843: 840:, p. 48. 839: 834: 831: 825: 822: 816: 813: 810: 805: 803: 801: 799: 795: 789: 784: 780: 777: 773: 769: 768: 764: 758: 757:Gerd Schaller 755: 753: 749: 745: 741: 737: 734: 730: 727: 725: 720: 717: 713: 710: 707: 703: 700: 697: 694: 691: 687: 684: 681: 677: 673: 670: 667: 663: 659: 656: 653: 650: 646: 645: 644: 634: 629: 625: 623: 619: 616:and Choir on 615: 611: 607: 602: 596: 591: 587: 583: 580: 576: 575: 571: 569: 567: 563: 559: 554: 552: 548: 544: 543: 538: 534: 530: 526: 521: 516: 512: 509: 507: 503: 500: 498: 494: 491: 488: 485: 483: 479: 476: 474: 470: 467: 466: 465: 462: 460: 459:Gesamtausgabe 455: 453: 449: 445: 441: 438:in B-flat, 2 437: 433: 429: 426:in B-flat, 2 425: 421: 417: 413: 403: 401: 398: 397: 396:Gesamtausgabe 391: 389: 388:Gesamtausgabe 384: 377: 374: 370: 367: 364: 361: 358: 355: 352: 348: 347:Joseph Schalk 344: 343: 342: 336: 334: 332: 331:Leopold Nowak 328: 323: 321: 315: 313: 309: 299: 294: 287: 285: 280: 278: 274: 268: 266: 262: 258: 254: 250: 246: 242: 237: 235: 231: 223: 221: 219: 215: 214: 210: 206: 202: 198: 195: 191: 187: 183: 174: 170: 166: 162: 157: 153: 149: 145: 139: 124: 120: 114: 110: 105: 83: 79: 76: 73: 69: 65: 62: 58: 55: 52: 48: 35: 30: 27: 22: 17: 2804: 2784:Brucknerhaus 2718: 2669: 2661: 2653: 2645: 2637: 2629: 2621: 2613: 2605: 2597: 2589: 2581: 2573: 2565: 2557: 2550:Trauungschor 2549: 2541: 2533: 2525: 2517: 2509: 2501: 2493: 2484: 2477: 2469: 2461: 2453: 2445: 2437: 2429: 2422:An dem Feste 2421: 2408:Choral works 2396: 2388: 2380: 2373:Herbstkummer 2372: 2364: 2356: 2348: 2321: 2312: 2305: 2304:Festgesang: 2296: 2287: 2278: 2270: 2229: 2203: 2195: 2187: 2179: 2171: 2163: 2155: 2147: 2139: 2131: 2123: 2115: 2107: 2100:Inveni David 2099: 2092:Pange lingua 2091: 2082: 2075: 2067: 2059: 2051: 2043: 2033: 2026: 2018: 2008: 2000: 1992: 1985: 1977: 1969: 1960: 1952: 1945:Pange lingua 1944: 1899: 1848: 1816: 1808: 1800: 1778:Sacred works 1765: 1728:(unfinished) 1693: 1590:Mass in the 1483: 1469: 1463: 1430: 1411: 1399: 1387: 1375: 1363: 1354: 1337: 1331: 1319: 1300: 1287: 1275: 1266: 1243: 1231: 1211: 1200: 1193:Johnson 2008 1188: 1163:Lovallo 1991 1158: 1146: 1139:Simpson 1967 1134: 1123:Simpson 1967 1118: 1106: 1094: 1067:Redlich 1967 1062: 1050: 1038: 1033:, p. 8. 1026: 1014: 1006: 1002: 995:Jackson 1997 990: 985:, p. 19 978: 973:, p. 31 958:, p. 18 936: 914:, p. 60 892: 872:, p. xi 857:, p. 35 855:Redlich 1967 833: 824: 815: 782: 760: 743: 702:Matthew Best 696:Heinz Rögner 679: 678:'s Te Deum. 658:Karl Richter 632: 630: 626: 610:Eugen Jochum 603: 600: 555: 546: 540: 522: 519: 506:A-flat major 463: 458: 456: 451: 407: 394: 392: 387: 385: 381: 340: 324: 317: 312:Organo Pleno 311: 307: 298:Translation: 297: 289: 281: 269: 260: 238: 227: 211: 181: 179: 172: 168:Instrumental 2719:AbendklĂ€nge 2702:(1862–1879) 2696:(1850–1868) 2694:Piano works 2606:Abendzauber 2601:(1876–1879) 2582:Mitternacht 2417:(1843–1893) 2344:(1850–1882) 2314:Germanenzug 2266:(1845–1893) 2224:(1835–1890) 2222:Organ works 2215:Other works 2188:Virga Jesse 2111:(1868/1886) 2060:Tantum ergo 2044:Totenlieder 2030:(1846/1888) 2027:Tantum ergo 2022:(1846/1888) 2019:Tantum ergo 2013:(1845–1846) 2005:(1845–1846) 1989:(1845–1846) 1986:Tantum ergo 1978:Tantum ergo 1973:(1844–1845) 1970:Asperges me 1964:(1843–1844) 1961:Asperges me 1915:(1881–1884) 1870:(1852–1892) 1845:(1866/1882) 1821:(1844–1845) 1797:(1842–1868) 1755:(1862–1863) 1720:(1887/1890) 1680:(1872/1877) 1668:(1866/1891) 1656:(1863–1896) 1537: [ 1490:(in German) 1484:Messe Nr. 3 1456: [ 1423: [ 1240:Harten, Uwe 1127:common time 1043:Kinder 2000 941:Harten 1996 897:Watson 1975 887:, p. 3 767:Organ works 752:offertorium 686:Colin Davis 577:Bruckner's 253:Franz Liszt 43: 1860 2847:Categories 2622:SĂ€ngerbund 2534:Herbstlied 2470:Die Geburt 2116:Locus iste 1880:Magnificat 1739:orchestral 1654:Symphonies 1646:Symphonies 1566:, and the 1441:(in Dutch) 1429:. (2012). 1151:Brown 2002 790:References 551:major mode 529:Mass No. 1 502:Benedictus 452:ad libitum 310:, please, 213:ad libitum 182:Mass No. 3 130:1872-06-16 112:Dedication 19:Mass No. 3 2670:Tafellied 2630:Volkslied 2465:(c. 1851) 2457:(c. 1848) 2449:(c. 1847) 2441:(c. 1846) 2438:StĂ€ndchen 2433:(c. 1845) 2397:Volkslied 2384:(c. 1865) 2352:(c. 1850) 2322:Helgoland 2282:(c. 1851) 2199:(c. 1886) 2175:(c. 1884) 2148:Ave Maria 2076:Ave Maria 2068:Ave Maria 2063:(c. 1854) 2052:Libera me 2038:(c. 1848) 1997:(c. 1845) 1956:(c. 1843) 1953:Libera me 1919:Psalm 150 1907:Psalm 112 1894:(c. 1856) 1892:Psalm 146 1888:(c. 1852) 1874:Psalm 114 1588:Pentecost 929:Zwol 2012 763:Psalm 146 706:Psalm 150 511:Agnus Dei 444:trombones 424:clarinets 373:Eulenburg 255:and even 205:orchestra 192:28, is a 147:Movements 122:Performed 60:Catalogue 2811:Category 2510:Am Grabe 2381:Im April 2279:Entsagen 2264:Cantatas 2257:Cantatas 2140:Os justi 1886:Psalm 22 1860:Cantatas 1694:Romantic 1568:NDR Chor 1544:Schwerin 1453:Max Auer 1412:Bruckner 1410:(1975). 1398:(1967). 1388:Bruckner 1386:(1978). 1374:(1967). 1242:(1996). 819:L. Nowak 560:'s late 558:Schubert 440:trumpets 434:in F, 2 428:bassoons 303:♭ 197:ordinary 81:Composed 2686:Chamber 2590:Nachruf 2246:Secular 2230:Aequali 1913:Te Deum 1726:(1896) 1584:YouTube 1556:YouTube 1526:YouTube 1510:YouTube 1224:Sources 724:Te Deum 515:F major 497:F major 493:Sanctus 482:C major 473:F minor 448:timpani 404:Setting 375:, 1967) 293:sparen! 273:Requiem 224:History 216:, that 186:F minor 173:ad lib. 128: ( 95: ( 87: ( 54:F minor 2823:Portal 2734:(1879) 2728:(1879) 2722:(1866) 2714:(1862) 2708:(1862) 2673:(1893) 2665:(1892) 2657:(1890) 2649:(1886) 2641:(1886) 2633:(1882) 2625:(1882) 2617:(1878) 2609:(1878) 2593:(1877) 2585:(1869) 2577:(1866) 2569:(1866) 2561:(1866) 2553:(1865) 2545:(1864) 2537:(1864) 2529:(1862) 2521:(1861) 2513:(1861) 2505:(1857) 2489:(1854) 2481:(1854) 2473:(1852) 2425:(1843) 2400:(1882) 2392:(1868) 2376:(1864) 2368:(1856) 2360:(1851) 2342:Lieder 2334:Lieder 2325:(1893) 2317:(1865) 2309:(1855) 2300:(1855) 2291:(1852) 2274:(1845) 2233:(1847) 2207:(1892) 2191:(1885) 2183:(1885) 2167:(1884) 2159:(1884) 2151:(1882) 2143:(1879) 2135:(1878) 2127:(1873) 2119:(1869) 2103:(1868) 2095:(1868) 2087:(1861) 2079:(1861) 2071:(1856) 2055:(1854) 2047:(1852) 1981:(1845) 1938:Motets 1930:Motets 1921:(1892) 1909:(1863) 1903:(1862) 1882:(1852) 1876:(1852) 1839:(1864) 1833:(1854) 1827:(1849) 1813:(1843) 1805:(1842) 1795:Masses 1787:Masses 1769:(1876) 1761:(1865) 1749:(1862) 1737:Other 1714:(1883) 1708:(1881) 1702:(1876) 1674:(1869) 1662:(1863) 1546:(2015) 1437:  1307:  1250:  1089:, 1924 676:Dvoƙák 478:Gloria 416:flutes 353:(1924) 327:Hofrat 207:, and 201:chorus 2249:vocal 2017:Four 1579:Video 1551:Video 1541:] 1521:Video 1505:Video 1460:] 1427:] 572:Notes 537:fugue 487:Credo 469:Kyrie 436:horns 432:horns 420:oboes 363:Nowak 209:organ 155:Vocal 2228:Two 2042:Two 1968:Two 1570:and 1435:ISBN 1305:ISBN 1248:ISBN 774:and 664:and 633:i.a. 590:oboe 564:and 533:bars 430:, 2 422:, 2 418:, 2 411:SATB 357:Haas 351:Wöss 234:Linz 203:and 180:The 160:SATB 104:Linz 97:1868 89:1867 85:1867 75:Mass 71:Form 1582:on 1554:on 1524:on 1508:on 1342:doi 750:as 680:NB: 190:WAB 184:in 64:WAB 50:Key 24:by 2849:: 1558:, 1539:de 1462:, 1458:de 1425:fr 1338:78 1336:. 1278:. 1170:^ 1085:, 1074:^ 963:^ 948:^ 919:^ 904:^ 877:^ 862:^ 845:^ 797:^ 770:, 765:, 759:, 714:, 708:). 568:. 454:. 446:, 267:. 251:. 188:, 134:: 101:: 66:28 40:c. 2825:: 1692:( 1621:e 1614:t 1607:v 1348:. 1344:: 1313:. 1256:. 1113:. 592:. 371:( 150:6 132:) 99:) 91:)

Index

Anton Bruckner

F minor
WAB
Mass
Linz
Augustinerkirche, Vienna
SATB
F minor
WAB
setting of the mass
ordinary
chorus
orchestra
organ
ad libitum
Anton Bruckner
Mass No. 1 in D minor
Linz
Johann Herbeck
Augustinerkirche
Missa solemnis
Franz Liszt
Eduard Hanslick
Austrian National Library
Requiem
parallel octaves
Siegfried Ochs
Johannes Brahms
Hofrat

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