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Hanslick's tastes were conservative; in his memoirs he said that for him musical history really began with Mozart and culminated in
Beethoven, Schumann and Brahms. He is best remembered today for his critical advocacy of Brahms as against the school of Wagner, an episode in 19th century music history
363:
as inimical to the nature of music, which he thought to be expressive solely by virtue of its form, and not through any extra-musical associations. On the other hand, he referred to extra-musicality when he asked, "When you play Chopin's mazurkas, do you not feel the mournful and oppressive air of
403:
Hanslick is noted as one of the first widely influential music critics. While his aesthetics and his criticism are typically considered separately, they are importantly connected. Hanslick was an outspoken opponent of the music of Liszt and Wagner, which broke down traditional musical forms as a
308:. Hanslick often served on juries for musical competitions and held a post at the Austrian Ministry of Culture and fulfilled other administrative roles. He retired after writing his memoirs, but still wrote articles on the most important premieres of the day, up to his death in 1904 in
404:
means of communicating something extra-musical. His opposition to "the music of the future" is congruent with his aesthetics of music: the meaning of music is the form of music. It is along these lines that
Hanslick became one of Brahms's champions and often pitted him against Wagner.
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376:), which started as an attack on the Wagnerian aesthetic and established itself as an influential text, subsequently going through many editions and translations in several languages. Other targets for Hanslick's heavy criticism were
291:, Wagner attacked Hanslick as 'of gracefully concealed Jewish origin', and asserted that his supposedly Jewish style of criticism was anti-German. It is sometimes claimed that Wagner caricatured Hanslick in his opera
358:
Being a close friend of Brahms from 1862, Hanslick possibly had some influence on Brahms's composing, often getting to hear new music before it was published. Hanslick saw Wagner's reliance on dramatics and
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Hanslick replied to this attack that "my father and all his ancestors were of
Catholic peasant stock and came, moreover, from a region where Jews were known only as peddlers."
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Eduard
Hanslick, "Censur und Kunst-Kritik," Wiener Zeitung, 24 March 1848, republished in his Sämtliche Schriften, vol 1, part 1, p. 157, Ed. Dietmar Strauß
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189:), the son of Joseph Adolph Hanslik, a bibliographer and music teacher from a German-speaking family, and one of Hanslik's piano pupils, the daughter of a
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and obtained a degree in that field, but his amateur study of music eventually led to writing music reviews for small town newspapers, then the
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258:. From this point on, Hanslick found his sympathies moving away from the so-called 'music of the Future' associated with Wagner and
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252:. By this time his interest in Wagner had begun to cool; he had written a disparaging review of the first Vienna production of
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Nicole Grimes et al., ed., Rethinking
Hanslick: Music, Formalism, and Expression, University of Rochester Press, 2013
368:?" (Hanslick 1848, p. 157). The theoretical framework of Hanslick's criticism is expounded in his book of 1854,
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Ambros
Wilhelmer, "Der junge Hanslick. Sein 'Intermezzo' in Klagenfurt 1850-1852". Klagenfurt 1959
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led in 1870 to a full professorship in history and aesthetic of music and later to a doctorate
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Ludvová, Jitka. Dokonalý antiwagnerián Eduard
Hanslick. Paměti/Fejetony/Kritiky (Praha 1992).
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as the carping critic
Beckmesser (whose name was originally to be Veit Hanslich).
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A Philosophical
Enquiry into the Origin of Our Ideas of the Sublime and Beautiful
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Eduard
Hanslick, "Geschichte des Konzertwesens in Wien", 2 vol. Vienna 1869–70
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from 1864 until the end of his life. His best known work, the 1854 treatise
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for much of his career. As such, he sided with and promoted the faction of
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Eduard Hanslick, "Suite. Aufsätze über Musik und Musiker". Vienna 1884
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and outlines much of his artistic and philosophical beliefs on music.
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112:(11 September 1825 – 6 August 1904) was an Austrian
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and historian. Among the leading critics of his time, he was the
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Eduard Hanslick, "Die moderne Oper", 9 vol. Berlin 1875–1900
197:. At the age of eighteen Hanslick went to study music with
413:
Eduard Hanslick, "Vom Musikalisch-Schönen". Leipzig 1854 (
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Eduard Hanslick, "Aus meinem Leben", 2 vol. Berlin 1894
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The Work of Art in the Age of Mechanical Reproduction
244:
Grave of Dr. Eduard Hanslick, Zentralfriedhof, Vienna
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145:Hanslick was a conservative critic and championed
165:", often deriding the works of composers such as
351:, represented the progressive composers of the "
328:; cartoon from the Viennese satirical magazine,
270:and Schumann — in particular the music of
861:Geoffrey Payzant and Eduard Hanslick collection
822:Geoffrey Payzant and Eduard Hanslick collection
392:, he accused both Tchaikovsky and the soloist,
553:. Cambridge University Press, Cambridge 1976,
285:). In 1869, in a revised edition of his essay
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8:
2879:The Literary Mind and the Carving of Dragons
3330:Academic staff of the University of Vienna
3290:Austrian people of German Bohemian descent
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2004:
1967:
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734:Wagner's Musical Prose: Texts and Contexts
248:In 1854 he published his influential book
29:
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789:University of Toronto Music Library
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634:10.1093/gmo/9781561592630.article.12341
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35:Portrait of Hanslick, published in 1894
3325:Burials at the Vienna Central Cemetery
718:
570:
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486:
300:Hanslick's unpaid lectureship at the
7:
756:. Kurze Geschichte einer Feindschaft
551:The Life of Richard Wagner, volume 3
474:
324:Eduard Hanslick offering incense to
3335:19th-century Austrian musicologists
874:Internet Encyclopedia of Philosophy
865:University of Toronto Music Library
3255:Musicologists from Austria-Hungary
3250:Music critics from Austria-Hungary
14:
3245:Scholars from the Austrian Empire
852:Works by or about Eduard Hanslick
16:Austrian music critic (1825–1904)
3260:Journalists from Austria-Hungary
3217:
3200:
3172:
3160:
3148:
3136:
3124:
3097:
760:Österreichische Musikzeitschrift
721:for an extensive bibliography
681:10.1093/OBO/9780199757824-0014
294:Die Meistersinger von Nürnberg
233:; here Hanslick also met with
1:
2095:
1575:
910:Chief classical music critics
3009:Aestheticization of politics
1035:Arthur Johnstone (1896–1904)
1032:George Fremantle (1867–1895)
834:How to use archival material
651:UK public library membership
181:Eduard Hanslick was born in
3351:
3275:Austrian music journalists
738:Cambridge University Press
605:Princeton University Press
348:Neue Zeitschrift für Musik
274:(who dedicated to him his
136:On the Musically Beautiful
3280:Charles University alumni
3077:
1705:The Sydney Morning Herald
691:Hanslick, Eduard (1963).
374:On the Beautiful in Music
250:On the Beautiful in Music
138:), was a landmark in the
28:
2025:Henry Sutherland Edwards
843:Works by Eduard Hanslick
612:Grey, Thomas S. (2001).
3300:Classical music critics
3029:Evolutionary aesthetics
2979:The Aesthetic Dimension
2083:New York Herald Tribune
1994:Charles Lewis Gruneisen
1880:San Francisco Chronicle
1465:Frederick Grant Gleason
1174:William James Henderson
972:Robin Legge (1906–1931)
697:Music Criticism 1846-99
686:(subscription required)
673:Oxford University Press
658:Grimes, Nicole (2015).
626:Oxford University Press
599:Frisch, Walter (1990).
408:Works (German editions)
370:Vom Musikalisch-Schönen
132:Vom Musikalisch-Schönen
3285:German Bohemian people
3270:Austrian musicologists
3265:Austrian music critics
2959:Avant-Garde and Kitsch
2909:Lectures on Aesthetics
1645:William Barclay Squire
1624:San Francisco Examiner
1406:(1995–1999, 2001–2008)
333:
245:
3189:at Knowledge (XXG)'s
3104:Philosophy portal
1973:The Morning Chronicle
1422:Michael Andor Brodeur
1324:James William Davison
762:67 (2012), p.. 14–21.
732:Grey, Thomas (1995).
667:Oxford Bibliographies
337:sometimes called the
323:
243:
3049:Philosophy of design
2929:In Praise of Shadows
2919:The Critic as Artist
1944:Desmond Shawe-Taylor
1858:Desmond Shawe-Taylor
1684:The Sunday Telegraph
1348:A. H. Fox Strangways
1261:A. H. Fox Strangways
601:Brahms and His World
339:War of the Romantics
302:University of Vienna
207:Wiener Musik-Zeitung
163:War of the Romantics
3305:Writers from Prague
3059:Philosophy of music
3034:Mathematical beauty
1889:Alfred Frankenstein
1713:(1960 – late 1990s)
1588:New York Daily News
1546:Frankfurter Zeitung
1459:George Putnam Upton
1383:The Washington Post
1336:J A Fuller Maitland
1198:Harold C. Schonberg
952:The Daily Telegraph
585:, pp. 302–303.
501:, "Absolute Music".
366:Battle of Ostroleka
353:Music of the Future
288:Jewishness in Music
209:and eventually the
140:aesthetics of music
3054:Philosophy of film
3044:Patterns in nature
3014:Applied aesthetics
2989:Why Beauty Matters
2775:Life imitating art
2636:Art for art's sake
1723:Position abolished
1594:William Zakariasen
1165:The New York Times
1090:Isabel Morse Jones
699:. Introduction by
621:Grove Music Online
615:"Hanslick, Eduard"
334:
246:
227:to hear his opera
161:in the so-called "
151:programmatic music
122:chief music critic
3112:
3111:
3064:Psychology of art
2939:Art as Experience
2136:
2135:
2132:
2131:
2107:(1923-late 1930s)
2076:
2075:
2052:Neue Freie Presse
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2044:
2003:
2002:
1959:
1958:
1910:
1909:
1873:
1872:
1836:
1835:
1799:
1798:
1762:
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1439:The Baltimore Sun
1222:Anthony Tommasini
1135:Winthrop Sargeant
1102:Martin Bernheimer
1081:Los Angeles Times
1057:Edward Greenfield
928:Michael Steinberg
847:Project Gutenberg
839:
838:
828:
827:
661:"Eduard Hanslick"
649:(subscription or
643:978-1-56159-263-0
489:, "Introduction".
212:Neue Freie Presse
203:Prague University
127:Neue Freie Presse
107:
106:
51:11 September 1825
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2099: 1880–1923
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2092:Henry E Krehbiel
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2010:The Morning Post
2005:
1968:
1917:The Sunday Times
1912:
1895:Robert Commanday
1875:
1838:
1801:
1764:
1741:Stephen Stratton
1727:
1580:
1579: 2009–2012
1577:
1572:Edward Seckerson
1516:Barry Millington
1504:Evening Standard
1410:Philip Kennicott
1400:(mid-1970s–1995)
1371:Richard Morrison
1210:Edward Rothstein
919:The Boston Globe
903:
896:
889:
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856:Internet Archive
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747:Christian Jung:
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693:Pleasants, Henry
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3192:sister projects
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3187:Eduard Hanslick
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3155:Classical music
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2969:Critical Essays
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2105:Lawrence Gilman
2098:
2072:
2067:Julius Korngold
2061:Eduard Hanslick
2041:
1999:
1955:
1906:
1869:
1832:
1795:
1758:
1732:Birmingham Post
1718:
1696:Michael Kennedy
1639:Saturday Review
1578:
1566:Bayan Northcott
1560:The Independent
1537:Ronald Crichton
1525:Financial Times
1453:Chicago Tribune
1427:
1398:Joseph McLellan
1376:
1330:Francis Hueffer
1308:
1285:Nicholas Kenyon
1233:
1216:Bernard Holland
1180:Richard Aldrich
1158:
1129:Robert A. Simon
1113:
1096:Albert Goldberg
1074:
1069:Andrew Clements
1045:Samuel Langford
1017:
1006:Geoffrey Norris
1000:Michael Kennedy
961:Campbell Clarke
945:
912:
907:
870:Eduard Hanslick
820:
790:
772:
731:
715:
713:Further reading
701:Henry Pleasants
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390:Violin Concerto
318:
272:Johannes Brahms
235:Robert Schumann
187:Austrian Empire
179:
177:Life and career
159:Johannes Brahms
155:Robert Schumann
110:Eduard Hanslick
103:
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59:Austrian Empire
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23:Eduard Hanslick
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3229:from Wikiquote
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3039:Neuroesthetics
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3019:Arts criticism
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2889:On the Sublime
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2753:Interpretation
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2646:Artistic merit
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1155:(1996–present)
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378:Anton Bruckner
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316:Views on music
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276:set of waltzes
217:Richard Wagner
199:Václav Tomášek
193:merchant from
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147:absolute music
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2019:Howard Glover
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1769:Daily Express
1765:
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1267:William Glock
1265:
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1255:Percy Scholes
1253:
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1249:Ernest Newman
1247:
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1071:(since 2003?)
1070:
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1064:
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1049:
1046:
1043:
1040:
1039:Ernest Newman
1037:
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1013:
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746:
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736:. Cambridge:
735:
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724:
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705:Penguin Books
702:
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603:. Princeton:
602:
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584:
583:Hanslick 1963
579:
576:
572:
567:
564:
560:
559:0-521-29096-1
556:
552:
548:
543:
540:
537:, p. 12.
536:
535:Hanslick 1963
531:
528:
525:, p. 13.
524:
523:Hanslick 1963
519:
516:
513:, p. 11.
512:
511:Hanslick 1963
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361:word painting
356:
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341:. The critic
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306:honoris causa
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69:6 August 1904
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43:
39:
32:
27:
20:
3224:
3212:from Commons
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2907:
2897:
2887:
2877:
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2857:
2804:
2780:Magnificence
2762:
2612:
2578:Schopenhauer
2452:
2413:Coomaraswamy
2331:Philosophers
2319:
2250:Aestheticism
2081:
2060:
2050:
2036:Francis Toye
2008:
1971:
1964:Discontinued
1950:David Cairns
1915:
1878:
1852:W. J. Turner
1841:
1804:
1790:Noël Goodwin
1778:Francis Toye
1767:
1730:
1711:Roger Covell
1703:
1690:John Warrack
1682:
1667:
1654:The Scotsman
1652:
1637:
1622:
1601:
1586:
1558:
1544:
1523:
1502:
1495:Mosco Carner
1489:Evening News
1487:
1472:
1451:
1441:(2000–2019)
1424:(since 2020)
1394:(1946–1982.)
1381:
1373:(since 1992)
1359:William Mann
1342:H. C. Colles
1313:
1305:(since 2008)
1240:The Observer
1238:
1230:(since 2022)
1163:
1118:
1110:(since 1996)
1079:
1024:The Guardian
1022:
1014:(since 2009)
963:(1855?–1870)
950:
934:Richard Dyer
917:
873:
759:
748:
733:
716:
696:
665:
619:
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578:
566:
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373:
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346:
343:Richard Pohl
335:
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286:
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180:
144:
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118:aesthetician
114:music critic
109:
108:
96:aesthetician
91:Music critic
71:(1904-08-06)
3315:1904 deaths
3310:1825 births
2873:(c. 335 BC)
2863:(c. 390 BC)
2842:Work of art
2795:Picturesque
2651:Avant-garde
2608:Winckelmann
2483:Kierkegaard
2408:Collingwood
2378:Baudrillard
2305:Romanticism
2275:Historicism
2209:Mathematics
2125:(1963–1968)
2119:(1954–1963)
2113:(1940–1954)
2069:(1904–1934)
2063:(1864–1904)
2038:(1925–1937)
2032:(1892–1908)
2021:(1849–1865)
1996:(1845–1853)
1990:(1834–1844)
1984:(1816–1826)
1952:(1983–1992)
1946:(1958–1983)
1940:(1920–1959)
1934:(1881–1901)
1928:(1865–1870)
1903:(1993–2024)
1897:(1964–1993)
1891:(1934–1964)
1866:(1959–1967)
1860:(1945–1958)
1854:(1915–1940)
1829:(1945–1948)
1823:(1933–1945)
1821:Edwin Evans
1817:(1911–1933)
1792:(1965–1978)
1786:(1947–1952)
1780:(1922–1925)
1755:(1931–1946)
1749:(1906–1919)
1743:(1877–1906)
1698:(1989–2005)
1692:(1961–1972)
1662:(1992–1998)
1660:Mary Miller
1647:(1888–1894)
1632:(1977–1981)
1617:(1926–1928)
1611:(1881–1924)
1596:(1976–1993)
1568:(1986–2009)
1552:Paul Bekker
1539:(1972–1978)
1533:(1953–1972)
1512:(1913–1920)
1497:(1957–1961)
1482:(1846–1866)
1467:(1884–1889)
1461:(1861–1881)
1418:(2008–2019)
1412:(1999–2001)
1367:(1982–1992)
1361:(1960–1982)
1355:(1943–1960)
1353:Frank Howes
1344:(1911–1943)
1338:(1889–1911)
1332:(1879–1889)
1326:(1846–1879)
1299:(2000–2008)
1293:(1992–1996)
1287:(1986–1992)
1281:(1955–1987)
1275:(1949–1953)
1269:(1939–1945)
1263:(1925–1939)
1257:(1920–1925)
1224:(2000–2021)
1218:(1995–2000)
1212:(1991–1995)
1206:(1980–1991)
1200:(1960–1980)
1194:(1955–1960)
1188:(1924–1955)
1186:Olin Downes
1182:(1902–1923)
1176:(1887–1902)
1149:(1992–1996)
1143:(1972–1992)
1137:(1949–1972)
1131:(1925–1948)
1104:(1965–1996)
1098:(1947–1965)
1092:(1925–1947)
1065:(1999–2003)
1063:Tom Service
1059:(1977–1993)
1053:(1927–1940)
1047:(1906–1927)
1041:(1905–1906)
1012:Ivan Hewett
1008:(1995–2009)
1002:(1986–2005)
996:(1976–1985)
990:(1954–1976)
984:(1933–1954)
978:(1911–1932)
969:(1870–1906)
942:(2006–2024)
936:(1976–2006)
930:(1964–1976)
804:CA OTUFM 32
801:Identifiers
777:Archives at
719:Grimes 2015
571:Frisch 1990
499:Grimes 2015
487:Grimes 2015
386:Tchaikovsky
260:Franz Liszt
167:Franz Liszt
84:Occupations
3295:Czech Jews
3239:Categories
3226:Quotations
2812:Recreation
2790:Perception
2683:Creativity
2383:Baumgarten
2373:Baudelaire
2255:Classicism
2170:Aesthetics
1864:David Drew
1827:Ralph Hill
1806:Daily Mail
1675:Ralph Hill
1474:Daily News
703:. London:
671:. Oxford:
624:. Oxford:
434:References
283:piano duet
230:Tannhäuser
47:1825-09-11
3143:Biography
2817:Reverence
2723:Eroticism
2693:Depiction
2666:Masculine
2568:Santayana
2528:Nietzsche
2473:Hutcheson
2463:Heidegger
2448:Greenberg
2403:Coleridge
2368:Balthasar
2353:Aristotle
2315:Theosophy
2310:Symbolism
2285:Modernism
2270:Formalism
2123:Alan Rich
2117:Paul Lang
1753:Eric Blom
1445:Tim Smith
1392:Paul Hume
1315:The Times
1273:Eric Blom
1153:Alex Ross
1108:Mark Swed
812:1981-2001
653:required)
475:Grey 2001
459:Citations
382:Hugo Wolf
345:, of the
268:Beethoven
255:Lohengrin
221:Marienbad
100:historian
3092:Category
3024:Axiology
2893:(c. 500)
2883:(c. 100)
2758:Judgment
2713:Emotions
2708:Elegance
2688:Cuteness
2661:Feminine
2624:Concepts
2593:Tanizaki
2573:Schiller
2558:Richards
2548:Rancière
2518:Maritain
2453:Hanslick
2393:Benjamin
2265:Feminism
2234:Theology
2214:Medieval
2204:Japanese
2199:Internet
1404:Tim Page
786:Location
754:Hanslick
3131:Austria
3117:Portals
3087:Outline
3002:Related
2869:Poetics
2837:Tragedy
2827:Sublime
2800:Quality
2785:Mimesis
2743:Harmony
2728:Fashion
2703:Ecstasy
2698:Disgust
2614:more...
2583:Scruton
2508:Lyotard
2443:Goodman
2423:Deleuze
2358:Aquinas
2348:Alberti
2321:more...
2300:Realism
2280:Marxism
2260:Fascism
2243:Schools
2229:Science
2184:Ancient
1677:(1940s)
1518:(2000s)
854:at the
695:(ed.).
669:: Music
593:Sources
561:, p.199
281:39 for
225:Dresden
124:of the
2993:(2009)
2983:(1977)
2973:(1946)
2963:(1939)
2953:(1935)
2943:(1934)
2933:(1933)
2923:(1891)
2913:(1835)
2903:(1757)
2770:Kitsch
2748:Humour
2678:Comedy
2656:Beauty
2598:Vasari
2588:Tagore
2563:Ruskin
2503:Lukács
2493:Langer
2438:Goethe
2363:Balázs
2343:Adorno
2224:Nature
2189:Africa
1432:Others
1251:(1919)
817:Source
758:. In:
750:Wagner
640:
557:
332:, 1890
330:Figaro
326:Brahms
264:Mozart
195:Vienna
191:Jewish
183:Prague
55:Prague
3209:Media
3179:Opera
3167:Music
3082:Index
2851:Works
2832:Taste
2822:Style
2603:Wilde
2543:Plato
2538:Pater
2498:Lipps
2458:Hegel
2428:Dewey
2418:Danto
2398:Burke
2219:Music
2194:India
2177:Areas
809:Dates
439:Notes
384:. Of
310:Baden
149:over
2806:Rasa
2764:Kama
2738:Gaze
2673:Camp
2553:Rand
2488:Klee
2478:Kant
2468:Hume
2388:Bell
752:und
717:See
638:ISBN
555:ISBN
380:and
364:the
279:opus
169:and
157:and
66:Died
41:Born
2733:Fun
2513:Man
2433:Fry
863:at
845:at
677:doi
630:doi
388:'s
355:".
219:in
173:.
3241::
2961:"
2951:"
2921:"
2096:c.
1576:c.
872:,
675:.
664:.
636:.
628:.
618:.
549:.
467:^
400:.
312:.
266:,
237:.
116:,
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