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in 1940. Later, she was sent to an internment camp at
Avellino, near Naples; her husband retrieved her and she retreated to the Italian Alps for the duration. She reportedly actively supported the partisans, helping to smuggle Allied airmen to safety in Switzerland.
285:. She left few commercial recordings as she was in her fifties by the time she entered the studio. She never performed in, or even returned to, her native Australia after leaving in 1911, and consequently is little known there.
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235:. When news of this emerged shortly afterwards, Grandi announced that this note was not yet beyond her, and she would be singing it herself in a forthcoming concert at the
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She went to Italy, where she married stage designer
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who adopted that stage name for the same reason (student of Calvé) and whose biography has many parallels.
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22:(10 October 1892 – 29 January 1972) was an Australian-born Italian
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Returning to
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in 1932, at the Teatro
Carcano in Milan, in the title role of
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Margherita Grandi's singing voice is heard in the 1948 film
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She can be heard on disc and in the film as
Giulietta in
369:. Vol. 14. Canberra: National Centre of Biography,
98:(Vecla being an anagram of Calvé) singing Charlotte in
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223:. In 1948, she recorded the Sleepwalking Scene from
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265:conducted by Beecham, and in excerpts from Verdi's
58:, Australia. When she was ten, her family moved to
306:Some sources give her birthdate as 4 October 1894.
248:. She retired from the stage in 1951, and died in
90:. She made her professional debut in Paris, as a
205:, and there she created the role of Diana in
66:. She left Australia in 1911 to study at the
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661:20th-century Australian women opera singers
315:Not to be confused with the French singer
361:"Grandi, Margherita (Maggie) (1892–1972)"
656:20th-century Italian women opera singers
447:"A forgotten diva who never looked back"
153:. She made her British debut in 1939 at
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436:Francke Verlag, Bern and MĂĽnchen, 1982.
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215:. She sang Lady Macbeth at the 1947
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252:in 1972, survived by her daughter.
366:Australian Dictionary of Biography
108:. In 1922, she created Massenet's
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529:, Oxford University Press, 2008.
495:"Famous Soprano Honours Promise"
503:(Hobart), 12 January 1949; via
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666:Australian emigrants to Italy
651:Australian operatic sopranos
68:Royal Conservatory of Music
34:Margherita Grandi was born
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62:and she went to school in
646:Italian operatic sopranos
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452:The Sydney Morning Herald
575:by Catherine Marciniak,
507:. Retrieved 27 July 2014
139:. She made her debut at
94:under the stage name of
74:. She also studied with
195:and the title role in
359:Waters, Jill (1996).
262:The Tales of Hoffmann
143:in 1934, as Helen in
272:La forza del destino
16:Italian opera singer
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522:Grove Music Online
424:Kutsch, Karl-Josef
217:Edinburgh Festival
583:Margherita Grandi
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380:978-0-522-84459-7
289:Notes and sources
239:, which she did.
227:conducted by Sir
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20:Margherita Grandi
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150:Mefistofele
116:Monte Carlo
96:Djéma Vécla
630:Categories
482:Gramophone
477:Alan Blyth
327:References
317:Emma Vecla
278:Don Carlos
88:Emma Calvé
608:Biography
389:1833-7538
257:Offenbach
50:, in the
577:ABC News
397:70677943
141:La Scala
100:Massenet
60:Tasmania
54:area of
594:Portals
515:Sources
267:Macbeth
225:Macbeth
197:Puccini
105:Werther
48:Maclean
46:, near
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181:Mozart
127:Grandi
111:Amadis
72:London
64:Hobart
620:Opera
505:Trove
294:Notes
283:Tosca
250:Milan
221:on CD
202:Tosca
145:Boito
131:Verdi
86:with
84:Paris
587:IMDb
460:2017
404:2017
393:OCLC
385:ISSN
375:ISBN
275:and
136:Aida
78:and
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