Knowledge (XXG)

Marktbrunnen (Mainz)

Source đź“ť

41: 25: 17: 33: 104:
of the square and later supplemented with a Madonna figure at the top end. During World War II, the market well was walled and survived the bombing of Mainz, with no major damage. As part of the redesign of the surroundings of the cathedral and the establishment of a large, interconnected pedestrian zone during 1975, the fountain was relocated to its original place near the cathedral houses.
87:
in his electoral residence. In April 1525 there had occurred unrests and an adoption of 31 articles of the insurgent population. The municipal administration and the cathedral chapter had to agree to these articles in the absence of the elector. Following the military defeat of the Peasants' War, the
117:. This was originally called the "market standard" with the arms of the sovereign, who acted as a protective and court Lord of the market. Today there is a subsequently sat Madonna. This was created in 1890 by the Mainz sculptor Valentin Barth and placed after the first dislocation of Marktbunnens. 112:
Thestructure of this fountain is a three column fountain built of red sandstone. The round fountain vat, comprising two shallow steps is divided by the three pedestals of shallow relief pillars. These carry a triangular shaped circulating frames on which there is also the donor's inscription. Above
103:
The fountain that Albert of Mainz donated emphatically to the population of Mainz was first conceived as a draw-well. It became an important source of fresh water in the inner city and in 1767 they altered it to a pumping well. In 1889 the market fountain was first transferred to the northeast side
120:
Presumably, the fountain was created by the sculptor Peter Schro, a student of the late Hans Backoffen 1519. Backoffen has created, among many other works in the Renaissance style, the grave monument of Albert of Brandenburg located still today in Mainz cathedral.
129:
The iconography o the market fountain reflects the glorification of the city ruler and the victory of the God-given order against the rebels. For example, the picture of a drunken peasant with a red rooster is headed with the words
337: 218: 189:
The donor's inscription is in the crossbar of the triangular entablature. It is, despite the dedication of the fountain for illiterate people, written in Latin.
88:
Mainzer subjugated by 1 July 1525 without further action again their rulers. With the inscription on the representative market fountain Albert honored Emperor
146:
also remind the viewer. There are also a variety of other symbols such as justice symbols that stood for the politics of the sovereign, floral ornaments and
376: 396: 386: 406: 169:. Also shown is the cardinal's hat, that Albrecht had received in 1518. In the niches of the pillars of the city's the two patrons St. 248: 234: 153:
On the top of the fountain mythical creatures keep the coat of arms of the donator: two personal arms of Albrecht of Brandenburg
113:
the entablature is a figurative and ornate openwork crown from light sandstone. The completion of the fountain is a pillar
391: 381: 89: 401: 79:
Motivation for the donation of the fountain to the community of Mainz had been two events. On one hand, the donator
162: 293: 40: 24: 16: 158: 84: 71:. The Marktbrunnen represents one of the first architectural formed decorated fountains of the renaissance. 329: 154: 166: 97: 178: 244: 230: 289: 170: 93: 64: 157:
and Brandenburg emblems and coats of arms with the emblems of his three (arch) dioceses
174: 80: 68: 370: 44: 285: 32: 56: 147: 352: 339: 143: 114: 310:
Kulturdenkmäler in Rheinland-Pfalz. Band 2.2.: Stadt Mainz - Altstadt.
269:
Mainzer Zeitzeugen aus Stein. Baustile erzählen 1000 Jahre Geschichte.
241:
Mainzer Zeitzeugen aus Stein. Baustile erzählen 1000 Jahre Geschichte.
223:
Kulturdenkmäler in Rheinland-Pfalz. Band 2.2.: Stadt Mainz - Altstadt.
203:
TRIVMPHANTE: FATALIQ(ve?) RVSTICOR (S)VPER GERMANIA CONSPIRATIONE
139: 60: 39: 31: 23: 15: 205:
PROSTRATA ALBER(T) CARD(INAL) ET ARCHIEP:(ISCOPUS) MOG(VNTIAE)
267:
Rolf Dörrlamm, Susanne Feick, Hartmut Fischer, Hans Kersting:
239:
Rolf Dörrlamm, Susanne Feick, Hartmut Fischer, Hans Kersting:
199:
DIVO KAROLO V CAESARE SEMP(ER): AVGUST(US) POST VICTORIA(M)
195:
QVOS AMAT EX ANIMO CUSTOS AMBITOR HONESTI (honestus?) CVPIT)
229:. Wernersche Verlagsgesellschaft, Worms 1997 (3. Auflage), 207:
FONTE(M) HUNC VETVSTATE DILAPSV(S) AD CIVI(B)US V(S)ORUM
282:
Aus der Kunst der Renaissance und des Barocks in Mainz.
138:
Oh consider the end). Allegorical symbols such as the
201:
GALLICAM REGE IPSO AD TICINV(M) SVPERATO(R) AC CAPTO
83:
and cardinal Albert celebrated the lucky end of the
67:and crafted in the workshop of the Mainz sculptor 59:fountain located at the ″Markt″ (market place) of 191:ACCIPE POSTERITAS HAEC QVAE MONUMENTA PARAVIT 314:Denkmaltopographie Bundesrepublik Deutschland 227:Denkmaltopographie Bundesrepublik Deutschland 8: 330:Historisches Mainz: Der Mainzer Marktbrunnen 219:Landesamt fĂĽr Denkmalpflege Rheinland-Pfalz 260: 197:VTQVAE VICES REDDANT SEMPER AMORE CVPIT 7: 243:Verlag Hermann Schmidt, Mainz 2001, 209:POSTERITASQVE VSUM RESTITVI CVRAVIT 193:ALBERTVS PRINCEPS CIVIBUS IPSE SUIS 100:, whose capture is also mentioned. 14: 377:Buildings and structures in Mainz 298:Mainz – Die Geschichte der Stadt. 397:Sculptures of women in Germany 181:available as a source patron. 1: 387:Outdoor sculptures in Germany 63:. It was donated by elector 184: 425: 407:Statues of the Virgin Mary 47:topping the Marktbrunnen 92:and his victory at the 48: 37: 29: 21: 185:Donator's inscription 155:House of Hohenzollern 53:Marktbrunnen in Mainz 43: 36:Marktbrunnen in Mainz 35: 28:Marktbrunnen in Mainz 27: 20:Marktbrunnen in Mainz 19: 392:Sandstone sculptures 382:Fountains in Germany 353:49.99944°N 8.27417°E 255:References and notes 85:German Peasants' War 349: /  98:Francis I of France 402:Statues in Germany 179:Ulrich of Augsburg 49: 38: 30: 22: 358:49.99944; 8.27417 414: 364: 363: 361: 360: 359: 354: 350: 347: 346: 345: 342: 317: 307: 301: 294:Friedrich SchĂĽtz 290:Ferdinand Scherf 278: 272: 265: 132:O BEDENK DAS END 424: 423: 417: 416: 415: 413: 412: 411: 367: 366: 357: 355: 351: 348: 343: 340: 338: 336: 335: 326: 321: 320: 308: 304: 279: 275: 266: 262: 257: 215: 208: 206: 204: 202: 200: 198: 196: 194: 192: 190: 187: 177:as well as St. 171:Martin of Tours 127: 110: 94:Battle of Pavia 77: 65:Albert of Mainz 12: 11: 5: 422: 421: 418: 410: 409: 404: 399: 394: 389: 384: 379: 369: 368: 333: 332: 325: 324:External links 322: 319: 318: 302: 273: 259: 258: 256: 253: 252: 251: 237: 214: 211: 186: 183: 175:Saint Boniface 126: 123: 109: 106: 81:prince-elector 76: 73: 69:Hans Backoffen 13: 10: 9: 6: 4: 3: 2: 420: 419: 408: 405: 403: 400: 398: 395: 393: 390: 388: 385: 383: 380: 378: 375: 374: 372: 365: 362: 331: 328: 327: 323: 316:. S. 264 315: 311: 306: 303: 299: 295: 291: 287: 283: 280:Horst Reber: 277: 274: 270: 264: 261: 254: 250: 249:3-87439-525-1 246: 242: 238: 236: 235:3-88462-139-4 232: 228: 224: 220: 217: 216: 212: 210: 182: 180: 176: 172: 168: 164: 160: 156: 151: 149: 145: 141: 137: 133: 124: 122: 118: 116: 107: 105: 101: 99: 95: 91: 86: 82: 74: 72: 70: 66: 62: 58: 54: 46: 42: 34: 26: 18: 334: 313: 309: 305: 300:p. 1102 297: 286:Franz Dumont 281: 276: 271:S. 110. 268: 263: 240: 226: 222: 188: 152: 135: 131: 128: 119: 111: 108:Architecture 102: 78: 52: 50: 356: / 159:Halberstadt 125:Iconography 57:renaissance 371:Categories 341:49°59′58″N 213:References 148:arabesques 136:literally: 344:8°16′27″E 221:(Hrsg.): 163:Magdeburg 144:hourglass 115:baldachin 90:Charles V 296:(ed.): 142:or the 75:History 45:Madonna 247:  233:  167:Mainz 140:skull 61:Mainz 55:is a 312:in: 284:In: 245:ISBN 231:ISBN 225:in: 173:and 165:and 51:The 96:on 373:: 292:, 288:, 161:, 150:. 134:(

Index





Madonna
renaissance
Mainz
Albert of Mainz
Hans Backoffen
prince-elector
German Peasants' War
Charles V
Battle of Pavia
Francis I of France
baldachin
skull
hourglass
arabesques
House of Hohenzollern
Halberstadt
Magdeburg
Mainz
Martin of Tours
Saint Boniface
Ulrich of Augsburg
Landesamt fĂĽr Denkmalpflege Rheinland-Pfalz
ISBN
3-88462-139-4
ISBN
3-87439-525-1

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑