161:
circumstances under which the
Nothmanns had to sell the Cézanne. Keller writes that the altered wording creates the false impression that the artworks from the Nothmann collection were sold only in exile. However Cézanne's "Paysage du Nord. Auverse sur Oise" came into Bührle's possession as early as 1937, two years before the Nothmanns had to flee to London. In 2015, the art historian Guido Magnaguagno had identified the painting's history as problematic in the book,
94:, Nothmann's husband Berthold had to resign his 40-year-old membership in the Verein Deutscher Hüttenleute (Union of German Metallurgists) in 1935, and in 1939 he filed an application for a visa to the United Kingdom. Martha and Berthold emigrated to London in 1939. In order to finance the trip and to be able to pay the
160:
Foundation glossed over the plight of the
Nothmanns in drafting the provenance of art that came from the Nothmann collection. According to Keller, the painting by Paul Cézanne, "Paysage" was erroneously declared to have a completely clear and unproblematic provenance, while concealing the
605:
Among Keller's objections to the provenance description on the foundation's website is the failure to note that the pre-war owners, Berthold and Martha
Nothmann, were forced to flee Germany as Jews in 1939. (The website says only that they "left Germany" that
145:
In 2020, the provenance researcher at the Georg Shäfer Museum resigned, telling the New York Times that had "lost faith in its commitment to return works with tainted provenances." One of the artworks under investigation belonged to the
Nothmanns.
113:
Berthold died in London at the beginning of
February 1942 . Martha subsequently emigrated to America, living first in New York City and later in Los Angeles where she died on August 23, 1967, at the age of 93.
802:
789:
The foundation's website doesn't mention that its prewar owners, Martha and
Berthold Nothmann, were Jewish; it says the couple "left Germany in 1939," instead of spelling out that they fled persecution.
22:(22 May 1874 - 23 August 1967) was a German art collector persecuted by the Nazis because of her Jewish heritage. The concealment of her Holocaust-linked history was revealed in the 2021 book,
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or the Jewish
Property Levy and various other harassments, they were forced to sell works from the collection. In 1938, "Klosterhof" was sold to the
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Durch den veränderten
Wortlaut entsteht der falsch Eindruck, Bolder aus der Sammplung Nothmann seien einzig im Exil verkauft worden.
54:(Gliwice, Poland) and managing director of the Upper Silesian Steelworks Company, he retired in 1931. In 1932 the couple moved from
566:"Streit wegen Raubkunst: Kunsthistorikerin kritisiert Schweinfurt - Dispute over looted art - Art historian criticises Schweinfurt"
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The
Nothmanns are one of the Jewish families in conflict with the Emil Bührle Foundation, in their case a Cézanne landscape.
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38:, Dolnoslaskie, Poland, the daughter of Joseph Bender et Agnes Bender. She married Berthold Nothmann, born in Langendorf,
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in 1930 and Menzel's A Seated Woman
Reading (Portrait of Emilie Fontane) by 1936, as well as many other artworks.
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46:, Poland), on December 27, 1865. After becoming director of the Hudschinsky tube factory (
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306:"Collection: Nothmann Family Collection | The Center for Jewish History ArchivesSpace"
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416:"SZ-Serie: Wem gehört die Kunst? - Rückgabe mit Hindernissen - Kultur - SZ.de"
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652:"The Bührle Collection: A Cézanne in the Turmoil of the Second World War"
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Das kontaminierte Museum Das Kunsthaus Zürich und die Sammlung Bührle
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The Nothmanns were noted art collectors. The Nothmanns purchased
620:"She Tracked Nazi-Looted Art. She Quit When No One Returned It"
651:
489:"Lost Art Internet Database - Self-portrait as a young man"
389:"Landschaft · Paul Cézanne · Stiftung Sammlung E.G. Bührle"
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Artworks from the Nothmann collection have ended up in the
34:
Martha Nothmann, née Bender, was born on May 22, 1874, in
682:"Altlasten im Neubau - Contamination in the new building"
513:"Lost Art Internet Database - Children and putti dancing"
272:"Rückgabe mit Hindernissen - Restitution with obstacles"
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in Munich. passing into the hands of a Nazi employee,
719:. Rotpunktverlag (1. Auflage 2021 ed.). Zürich.
594:
The Art Newspaper - International art news and events
590:"An arms dealer casts a shadow over Kunsthaus Zurich"
803:"Stiftung reagiert auf "Schwarzbuch"-Vorwürfe | NZZ"
853:Emigrants from Nazi Germany to the United Kingdom
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858:Emigrants from Nazi Germany to the United States
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465:"Adolph MENZEL (Breslau 1815 - Berlin 1905)-N/A"
767:"A Nazi Legacy Haunts a Museum's New Galleries"
211:"A Nazi Legacy Haunts a Museum's New Galleries"
74:'s Dresden-Neustadt V in the early twenties,
441:"Lost Art Internet Database - search request"
122:The Nothmann family archives are kept at the
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750:: CS1 maint: location missing publisher (
353:: CS1 maint: location missing publisher (
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868:Subjects of Nazi art appropriations
270:Reithmaier, Sabine (23 May 2019).
86:Persecution during the Third Reich
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765:Hickley, Catherine (2021-10-11).
618:Hickley, Catherine (2020-03-17).
209:Hickley, Catherine (2021-10-11).
62:. The Nothmanns had no children.
16:German art collector (1874–1867)
662:from the original on 2021-10-17
369:"Inszenierung und Wirklichkeit"
282:from the original on 2021-05-14
182:History of the Jews in Germany
152:The 2021 book by Eric Keller,
106:in 1939 after the gallery was
1:
418:. 2021-05-14. Archived from
104:Friedrich Heinrich Zinckgraf
809:(in German). Archived from
538:"Rückgabe mit Hindernissen"
329:Nothmann, Berthold (1936).
90:Because of the anti-Jewish
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658:(in German). 2021-01-27.
124:Center for Jewish History
332:Meine Lebenserinnerungen
154:Das Contaminierte Museum
24:The Contaminated Museum
713:Keller, Erich (2021).
335:(in German). Wannsee.
278:. SüddeutscheZeitung.
164:Das Schwarzbuch Bührle
130:Claims for restitution
843:Jewish art collectors
838:German art collectors
469:www.stephenongpin.com
807:Neue Zürcher Zeitung
680:Magnaguagno, Guido.
136:Georg Schäfer Museum
142:Foundation Museum.
771:The New York Times
624:The New York Times
215:The New York Times
156:, states that the
726:978-3-85869-938-1
686:www.lootedart.com
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246:"Martha Nothmann"
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544:(in German)
140:Emil Bührle
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832:Categories
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735:1260202761
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196:References
190:Flight Tax
56:Düsseldorf
30:Early life
779:0362-4331
746:cite book
632:0362-4331
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223:0362-4331
108:Aryanized
72:Kokoschka
44:Wielowieś
660:Archived
280:Archived
171:See also
138:and the
52:Gleiwitz
76:Cézanne
42:(today
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