576:
179:
681:
64:
1873:
1184:, Ursula â Manuela Uhl, Hans Schwalb â Raymond Very, Regina â Katerina Tretyakova, Lorenz von Pommersfelden â Martin Snell, Wolfgang Capito â Charles Reid, Sylvester von Schaumberg â Oliver Ringelhahn, Truchsess von Waldburg â Ben Connor, Helfensteinâs Piper â Andrew Owens, Countess Helfenstein â Magdalena Anna Hofmann, Slovak Philharmonic Chorus (chorus master: Blanka JuhaĆĂĄkovĂĄ), Vienna Symphony Orchestra,
739:
709:; Pommersfelden praises power over money; Ursula appears in the guises of a beggar, then a seductress and, led to the scaffold, as a martyr; Capito, now a scholar, tells 'Anthony' the world can be mastered by science and reproaches him for unobjectivity; Schwalb upbraids for his unwarlike compassion. The chorus unite in an enactment of the temptation scene of the
2305:
1730:
725:
Ursula cares for the dying Regina, who confuses Mathis' painting of the dying Christ with her father. Only the sight of Mathis calms her before she dies. In the morning (following the interlude from the
Symphony) he is visited by Albrecht who offers his home, but Mathis prefers to spend his last days
529:
He promises the merchant
Riedinger to countermand an order to burn books, but later gives in to Pomerfeld, who points out that he cannot defy Rome. Mathis, reunited with Reidinger's daughter Ursula, is recognized by Sylvester and makes a passionate plea to Albrecht not to join in the suppression of
598:
in his hands" is in such dire financial straits that it is likely he would agree, and
Reidinger asks Ursula to give thought to the matter as it would be to the benefit of both the Lutheran faith and the Empire. Mathis arrives to bid farewell and insists she cannot follow him to the war. When her
671:
Albrecht discusses his debts and Luther's challenge with Capito and agrees to interview a rich bride. He is astonished when Ursula enters and, dubious of her avowals, reproaches her for lending herself to the scheme. She admits that she is motivated not by love but by her faith to attempt his
538:
The
Lutherans are at first outraged when Capito leads soldiers to the stash of hidden books in Reidinger's house ("Ein Verbrechen / Gegen Luther, gegen deutsche Glaubenskraft" ), but appeased when he reveals a letter from Luther to Albrecht suggesting that he demonstrate his advanced views by
472:
In a cloister courtyard Mathis's musings and doubts about his vocation are interrupted by the peasant leader
Schwalb and his child Regina. Moved by the peasants' plight, he offers his horse and stays to face the pursuing Sylvester who dares not arrest the cardinal's favorite painter.
663:("Kein Herrscher gilt / Als der Kaiser"). Mathis remonstrates and is beaten down. The federal army arrives and the disheartened peasants prepare for battle but are quickly overrun; Schwalb is killed and Mathis barely saved by the Countess. He flees with the orphaned Regina.
198:(1524â25), concerns Matthias's struggle for artistic freedom of expression in the repressive climate of his day, which mirrored Hindemith's own struggle as the Nazis attained power and repressed dissent. The opera's obvious political message did not escape the regime.
672:
conversion, and in turn reproaches him for his vacillations and his lack of vision. He appears to be profoundly moved by her plea, but when the others are called in he announces that he will reform his ways by striving to return to his vows and to lead a simple life.
726:
in solitude. Packing his trunk, he bids farewell to good intentions â a scroll, ambition â compass and ruler, creation â paints and brush, acclaim â a gold chain, questioning â books, and last, kissing a ribbon from Ursula â to love.
2107:
2236:
1641:
1776:
1627:
2365:
659:, marching the Count to execution and humiliating the Countess. Asked for their demands, one of the peasants replies, amongst others, that they do not accept any ruler save the
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on 29 August 1952, and it was first given in the United States on 17 February 1956, at Boston
University, conducted by
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the peasant's revolt. Realizing he cannot change his friend's mind, Albrecht grants him safe passage to join their cause.
2295:
1306:
2113:
1452:
691:
forest Mathis lulls the haunted Regina to sleep with a description of a concert of angels, she joining in the folksong "
1165:, Scott MacAllister, Susan Anthony, Inga Kalna, PĂ€r Lindskog. 2005 Hamburg staging. (Libretto not included in booklet.)
2168:
2158:
1801:
1348:
226:
made a documentary exhibition of the painting 'The Small
Crucifixion' and two drawings by Mathias Grunewald owned by
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243:
33:
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was performed in
Amsterdam, conducted by Karl Schmid-Bloss, director of the Opera in ZĂŒrich. At the same time the
2200:
1192:â stage director, Johan Engels â set designer, Emma Ryott â costume designer, Mark Jonathan â lighting designer).
1731:
OuvertĂŒre zum "Fliegenden HollĂ€nder", wie sie eine schlechte
Kurkapelle morgens um 7 am Brunnen vom Blatt spielt
1072:
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1410:, Schott/AMP (with English synopsis, credited "courtesy of University of Southern California Opera Theatre")
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190:
Hindemith completed the opera, writing his own libretto, in 1935. By that time, however, the rise of
247:, the large-scale opera itself is only occasionally staged. A notable US production was that of the
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1970:
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1935:
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The Artist-Operas of
Pfitzner, Krenek, and Hindemith: Politics and the Ideology of the Artist
2152:
2015:
1945:
1819:
1648:
1508:
1181:
1123:
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in Cologne opened with a gala performance of the opera. On 9 and 11 March in 1939 the opera
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717:. Paul/Albrecht consoles Anthony/Mathis and calls him to his duty: "go forth and paint".
133:
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At the end of scene 3, all men chant a paean to God, their religion and the fatherland:
63:
2179:
2005:
1980:
1843:
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701:'s first movement). No sooner is she asleep but Mathis, now in the garb of GrĂŒnewald's
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55:
705:, is beset by tempters: a figure resembling the Countess Helfenstein offers a life of
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Albrecht, "the strongest clerical prince in Germany" who "... holds / The fate of the
194:
prevented Hindemith from securing a performance in Germany. The story, set during the
2319:
2020:
1960:
1950:
1930:
1758:
1173:
1107:
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A riot between Catholics, Lutherans and students in front of Albrecht's residence in
227:
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in 1995. Hamburg State Opera staged the work in 2005. It was being performed at the
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1985:
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1955:
1692:
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1139:
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The Temptation of Paul Hindemith: 'Mathis der Maler' as a Spiritual Testimony
1215:
The Temptation of Paul Hindemith: 'Mathis der Maler' as a Spiritual Testimony
1522:
1426:
1294:
314:
231:
1431:
1307:
Letters from a Life: The Selected Letters and Diaries of Benjamin Britten
688:
407:
255:
in Barcelona when the building was destroyed by a fire in January 1994.
342:
2304:
1885:
1432:
Site on the altar, with pages on the opera and 2007 Karlsruhe revival
191:
2108:
Divertimento for chamber orchestra after keyboard pieces by Couperin
713:
before the scene suddenly changes to that of Anthony's visit to St.
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Of Germany. A lot of people would be appeased and allured, and
541:
491:
561:"Your electoral Grace would be an example, as you surely are
175:, inspired many creative figures in the early 20th century.
1293:
Grove's Dictionary of Music and Musicians, 5th ed., 1954,
547:"Ein Vorbild wĂ€re kurfĂŒrstliche Gnaden, weil sie gleichsam
1642:
Symphonic Metamorphosis of Themes by Carl Maria von Weber
497:
Kann ich nicht immer bei euch sein, bin ich doch bedacht,
1335:
Newspaper De Tijd 2 March 1939 and De Tijd 5 March 1939.
563:
One of the most important princes, situated in the midst
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Den Ruhm der Stadt zu mehren. Hier soll versammelt sein,
750:
515:
Enhance the prestige of our city. May here be assembled
32:
This article is about the opera. For the symphony, see
2293:
551:
ist. Das wĂŒrde viele Leute beruhigen und gewinnen und
813:
Sonniges Land. Mildes DrÀngen schon nahen Sommers...
549:
mitten in deutschen Landen eines der gröĂten HĂ€upter
167:, was a historical figure who flourished during the
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1811:
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768:
513:
Even if I cannot always be amongst you, I intend to
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108:
100:
92:
82:
41:
2237:Tanzsuite aus KlavierstĂŒcken von François Couperin
599:father returns she gives her consent to the plan.
1628:Konzertmusik fĂŒr Streichorchester und BlechblĂ€ser
517:Everything noble that human thought has generated
505:Nehmt dies Geschenk als Zeugen fĂŒr mein Wort hin.
77:, regarded in Hindemith's time as a self-portrait
908:Dem Volk stopft man die falschen Lehren ins Maul
968:Rom verzieh oft, was ihr euch an Freiheit nahmt
1901:
1453:
1320:Wuppertal: Die Schönsten Seiten â At Its Best
844:Woher kommt ihr denn? Was fĂŒr Leute seid ihr?
519:In art and words. A German Rome on the Rhine.
8:
2366:Cultural depictions of 16th-century painters
1317:Thorsten Leiendecker and Nadine Leiendecker
938:Man fĂŒhlt den Segen, der auf eurem Land ruht
692:
501:Was an Werk und Wort Edles der Menschengeist
42:
1908:
1894:
1886:
1460:
1446:
1438:
1063:1977: EMI Classical 555 237-2 (CD issue):
62:
38:
503:Hervorbringt. Ein deutsches Rom am Rhein.
1777:When Lilacs Last in the Dooryard Bloom'd
262:
2300:
1206:
1349:"City Opera Gamely Flirts With Danger"
859:Es wollt ein Maidlein waschen gehen...
521:May this gift be witness of my words.
485:is averted only by the arrival of the
634:With David, who wrote the psalms, ...
206:The opera was first performed at the
7:
2361:Cultural depictions of German people
1861:Hindemith Prize of the City of Hanau
1079:(Cardinal Albrecht), Ursula Koszut,
2102:Concerto in E-flat (Dumbarton Oaks)
1392:. L'Almanacco di Gherardo Casaglia
489:himself with relics of St. Martin:
171:, and whose art, in particular the
655:The peasant army has captured the
640:As many Christians start following
25:
1069:Bavarian Radio Symphony Orchestra
630:Praise God, you pious Christians.
567:Other bishops would follow you."
265:Roles, voice types, premiere cast
2303:
1872:
1871:
1401:The Temptation of Paul Hindemith
1142:, Ulrich Hielscher, Ulrich ReĂ,
737:
610:Lobt Gott, ihr frommen Christen.
354:Catholic Dean of Mainz Cathedral
214:. On 14 October 1956, a rebuilt
2356:Operas set in the 16th century
1622:Die Harmonie der Welt Symphony
1112:WDR Symphony Orchestra Cologne
403:a painter, in love with Ursula
230:. The British premiere was in
1:
1406:Hindemith, Paul, Libretto of
1213:Claire Taylor-Jay, Review of
1176:, Albrecht von Brandenburg â
889:Staub am Himmel, Pferdetraben
210:on 28 May 1938, conducted by
697:" (this is the music of the
614:Mit David dem Psalmisten ...
553:andere Bischöfe nachziehen."
186:from the Isenheim Altarpiece
2376:Operas based on real people
2224:Symphony in Three Movements
2169:Piano Sonata No. 3 (Enescu)
2164:Piano Sonata No. 3 (ChĂĄvez)
2159:Piano Sonata No. 1 (Enescu)
1802:The Flight Across the Ocean
1655:Symphony in B-flat for Band
1502:Mörder, Hoffnung der Frauen
1273:Shirley Althorp, Review of
1236:John Williamson, Review of
620:Darum viel Christen dringen
616:Die Harfen hört man klingen
279:Premiere cast, 28 May 1938
241:In contrast to the popular
2392:
2174:Piano Suite No. 2 (Enescu)
1672:Klaviermusik mit Orchester
1380:Casaglia, Gherardo (2005).
1263:, Aldershot: Ashgate, 2004
953:Gewinnst du auch mein Herz
417:Sylvester von Schaumberg,
352:Lorenz von Pommersfelden,
244:Symphony: Mathis der Maler
163:. The work's protagonist,
34:Symphony: Mathis der Maler
31:
2201:El retablo de maese Pedro
1869:
1565:The Long Christmas Dinner
1475:
923:Nach dem LĂ€rm vieler Orte
693:
370:a rich protestant citizen
61:
50:
2326:Operas by Paul Hindemith
2084:Le bourgeois gentilhomme
1073:Dietrich Fischer-Dieskau
832:Open the door! Help us!
612:Freut euch und jubiliert
608:
545:
495:
430:Truchsess von Waldburg,
338:Schwalb's child daughter
290:Albrecht von Brandenburg
2208:Sonatine bureaucratique
1850:Ghosts Before Breakfast
730:List of musical numbers
294:Cardinal Archbishop of
27:Opera by Paul Hindemith
2351:German patriotic songs
2331:German-language operas
2273:Neoromanticism (music)
2244:Le Tombeau de Couperin
1277:(Hamburg State Opera).
684:
628:
591:
559:
511:
325:leader of the peasants
187:
43:
2371:Operas set in Germany
1597:The Four Temperaments
1551:Die Harmonie der Welt
1161:Symphony and chorus.
828:Aufmachen! Helft uns!
683:
578:
449:Albrecht's counsellor
311:Countess Helfenstein
253:Gran Teatre del Liceu
224:Rijksmuseum Amsterdam
181:
123:28 May 1938
2114:Harpsichord Concerto
2063:Antiche arie e danze
2041:Germaine Tailleferre
1838:Adolescence (ballet)
1725:String Quartet No. 4
1480:List of compositions
1259:Taylor-Jay, Claire,
1159:Hamburg Philharmonic
751:adding missing items
694:Es sungen drei Engel
632:Rejoice and jubilate
618:In deutscher Nation,
456:Fridolin Mossbacher
384:Riedinger's daughter
196:German Peasants' War
150:Matthias the Painter
87:Matthias the Painter
2268:Neoclassical ballet
2194:The Rake's Progress
2077:Le baiser de la fée
1715:Violin Sonata No. 2
1590:Nobilissima Visione
1583:Triadisches Ballett
1357:, 9 September 1995.
1220:Music & Letters
1170:Theater an der Wien
1146:, Marilyn Schmiege.
1144:Gabriele Rossmanith
711:Isenheim Altarpiece
267:
249:New York City Opera
202:Performance history
173:Isenheim Altarpiece
70:John the Evangelist
2346:Matthias GrĂŒnewald
2230:Symphony of Psalms
2046:Heitor Villa-Lobos
1917:Neoclassical music
1812:Other compositions
1753:Piano Sonata No. 2
1748:Piano Sonata No. 1
1720:Viola Sonata No. 1
1686:Der Schwanendreher
1354:The New York Times
1097:Trudeliese Schmidt
749:; you can help by
685:
592:
263:
188:
182:The temptation of
165:Matthias GrĂŒnewald
113:Matthias GrĂŒnewald
75:Matthias GrĂŒnewald
2291:
2290:
2283:Modernism (music)
2091:Concert champĂȘtre
1976:Camargo Guarnieri
1883:
1882:
1699:Clarinet Concerto
1403:, Pendragon, 1998
1284:, 5 October 2005.
1250:, 951-954 (2000).
1227:, 469-472 (2000).
1186:Bertrand de Billy
1091:, Gerd Feldhoff,
1087:, Rose Wagemann,
1055:
1054:
874:Was redest du da?
767:
766:
648:
647:
573:
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527:
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460:
459:
439:Marko RothmĂŒller
141:
140:
16:(Redirected from
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2127:Mathis der Maler
2016:Sergei Prokofiev
2001:Bohuslav MartinĆŻ
1971:Radamés Gnattali
1910:
1903:
1896:
1887:
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1830:Related articles
1649:Symphonia Serena
1635:Mathis der Maler
1614:Orchestral works
1544:Mathis der Maler
1509:Das Nusch-Nuschi
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1455:
1448:
1439:
1422:Mathis der Maler
1408:Mathis der Maler
1399:Bruhn, Siglind,
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1384:Mathis der Maler
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1275:Mathis der Maler
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1182:Franz Grundheber
1124:Victor von Halem
797:Angelic Concert
781:Title (English)
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377:Albert Emmerich
306:Peter Baxevanos
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220:Mathis der Maler
208:Opernhaus ZĂŒrich
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145:Mathis der Maler
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2140:Octet for winds
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2031:Richard Strauss
2011:Francis Poulenc
1991:Arthur Honegger
1966:Manuel de Falla
1941:Alfredo Casella
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1856:Hindemith Prize
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1367:German libretto
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1345:Bernard Holland
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1128:Hermann Winkler
1116:Josef Protschka
1093:Alexander Malta
1081:William Cochran
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778:Title (German)
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588:Alte Pinakothek
580:Albert of Mainz
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445:Wolfgang Capito
419:an army officer
347:Emmy Leni Funk
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216:Schauspiel Köln
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2006:Darius Milhaud
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1981:Paul Hindemith
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1794:Collaborations
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1569:
1568:
1561:
1554:
1547:
1540:
1537:Neues vom Tage
1533:
1530:Hin und zurĂŒck
1526:
1519:
1516:Sancta Susanna
1512:
1505:
1497:
1495:
1491:
1490:
1488:
1487:
1485:List of operas
1482:
1476:
1473:
1472:
1469:Paul Hindemith
1467:
1465:
1464:
1457:
1450:
1442:
1436:
1435:
1429:
1416:
1415:External links
1413:
1412:
1411:
1404:
1397:
1376:
1373:
1371:
1370:
1359:
1337:
1328:
1310:
1299:
1286:
1265:
1252:
1246:(2nd series),
1229:
1205:
1203:
1200:
1198:
1195:
1194:
1193:
1188:, conductor, (
1180:, Riedinger â
1166:
1151:Oehms Classics
1147:
1120:Roland Hermann
1114:& Chorus.
1100:
1071:& Chorus.
1065:Rafael KubelĂk
1059:
1056:
1053:
1052:
1050:
1048:
1046:
1040:
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1037:
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1001:
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996:
994:
988:
987:
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977:
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970:
965:
962:
958:
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950:
947:
943:
942:
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935:
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928:
927:
925:
920:
917:
913:
912:
910:
905:
902:
894:
893:
891:
886:
883:
879:
878:
876:
871:
868:
864:
863:
861:
856:
853:
849:
848:
846:
841:
838:
834:
833:
830:
825:
822:
818:
817:
815:
810:
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798:
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783:
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779:
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773:
765:
764:
744:
742:
731:
728:
722:
719:
677:
674:
668:
665:
652:
649:
646:
645:
626:
571:
570:
557:
535:
532:
525:
524:
509:
478:
475:
469:
466:
464:
461:
458:
457:
454:
451:
441:
440:
437:
434:
427:
426:
424:
421:
414:
413:
410:
405:
395:
394:
392:Judith Hellwig
389:
386:
379:
378:
375:
372:
365:
364:
363:Fritz Honisch
361:
356:
349:
348:
345:
340:
333:
332:
330:
327:
323:Hans Schwalb,
320:
319:
317:
312:
308:
307:
304:
299:
286:
285:
283:Robert Denzler
277:
272:
260:
257:
236:Sarah Caldwell
212:Robert Denzler
203:
200:
161:Paul Hindemith
139:
138:
132:
122:
120:
116:
115:
110:
106:
105:
102:
98:
97:
94:
90:
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84:
80:
79:
67:
59:
58:
56:Paul Hindemith
48:
47:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
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2241:
2239:
2238:
2234:
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2231:
2227:
2225:
2222:
2220:
2219:Symphony in C
2217:
2215:
2212:
2210:
2209:
2205:
2203:
2202:
2198:
2196:
2195:
2191:
2189:
2188:
2184:
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2143:
2141:
2138:
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2135:
2131:
2129:
2128:
2124:
2122:
2121:
2120:Jeu de cartes
2117:
2115:
2112:
2110:
2109:
2105:
2103:
2100:
2098:
2097:Concerto in D
2095:
2093:
2092:
2088:
2086:
2085:
2081:
2079:
2078:
2074:
2072:
2071:
2067:
2065:
2064:
2060:
2059:
2057:
2053:
2047:
2044:
2042:
2039:
2037:
2034:
2032:
2029:
2027:
2024:
2022:
2021:Maurice Ravel
2019:
2017:
2014:
2012:
2009:
2007:
2004:
2002:
1999:
1997:
1996:ZoltĂĄn KodĂĄly
1994:
1992:
1989:
1987:
1984:
1982:
1979:
1977:
1974:
1972:
1969:
1967:
1964:
1962:
1961:George Enescu
1959:
1957:
1954:
1952:
1951:Aaron Copland
1949:
1947:
1946:Carlos ChĂĄvez
1944:
1942:
1939:
1937:
1934:
1932:
1931:Georges Auric
1929:
1928:
1926:
1922:
1918:
1911:
1906:
1904:
1899:
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1821:
1820:TuttifÀntchen
1817:
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1804:
1803:
1799:
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1796:
1792:
1786:
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1761:
1760:
1759:Ludus Tonalis
1756:
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1749:
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1739:
1733:
1732:
1728:
1726:
1723:
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1713:
1712:
1710:
1708:Chamber music
1706:
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1201:
1196:
1191:
1187:
1183:
1179:
1175:
1174:Wolfgang Koch
1171:
1167:
1164:
1160:
1156:
1152:
1148:
1145:
1141:
1137:
1133:
1129:
1125:
1121:
1117:
1113:
1109:
1108:Gerd Albrecht
1105:
1101:
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1090:
1086:
1082:
1078:
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1062:
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1038:
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1034:
1032:
1029:
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1019:
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997:
995:
993:
990:
989:
986:
984:
981:
978:
975:
974:
971:
969:
966:
964:Pomerianians
963:
960:
959:
956:
954:
951:
948:
945:
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936:
933:
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906:
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835:
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811:
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796:
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791:
788:
785:
784:
780:
777:
775:Performed by
774:
771:
770:
761:
752:
748:
745:This list is
743:
736:
735:
729:
727:
720:
718:
716:
712:
708:
704:
703:Saint Anthony
700:
690:
682:
675:
673:
666:
664:
662:
658:
650:
643:
636:Harps resound
627:
624:
607:
606:
603:
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585:
581:
577:
568:
558:
555:
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531:
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510:
507:
494:
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476:
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467:
462:
455:
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318:
316:
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310:
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298:
297:
291:
288:
287:
284:
278:
276:
273:
270:
269:
258:
256:
254:
250:
246:
245:
239:
237:
233:
229:
228:Franz Koenigs
225:
221:
217:
213:
209:
201:
199:
197:
193:
185:
180:
176:
174:
170:
166:
162:
158:
151:
147:
146:
135:
121:
117:
114:
111:
107:
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99:
95:
91:
88:
85:
81:
76:
72:
71:
65:
60:
57:
53:
49:
45:
40:
35:
30:
19:
2261:Other topics
2249:
2242:
2235:
2228:
2206:
2199:
2192:
2185:
2178:
2151:
2144:
2132:
2126:
2125:
2118:
2106:
2089:
2082:
2075:
2068:
2061:
2055:Compositions
1986:Vagn Holmboe
1848:
1836:
1818:
1800:
1782:
1775:
1757:
1729:
1691:
1684:
1677:
1670:
1647:
1640:
1634:
1620:
1602:
1595:
1588:
1581:
1563:
1556:
1549:
1543:
1542:
1535:
1528:
1521:
1514:
1507:
1500:
1421:
1407:
1400:
1394:(in Italian)
1390:28 May 1938"
1383:
1362:
1352:
1340:
1331:
1325:Google Books
1323:, p. 54, at
1318:
1313:
1302:
1289:
1279:
1274:
1268:
1260:
1255:
1247:
1241:
1237:
1232:
1224:
1218:
1214:
1209:
1190:Keith Warner
1155:Simone Young
1132:Harald Stamm
1106:WER 6255-2:
1089:Donald Grobe
1043:
1030:
1017:
1004:
991:
982:
967:
952:
937:
922:
907:
897:
888:
873:
858:
843:
827:
812:
802:
793:Engelkonzert
792:
755:
724:
686:
670:
657:Helfensteins
654:
642:The gospel.
629:
609:
601:
593:
560:
546:
537:
528:
512:
496:
480:
471:
448:
432:army general
431:
418:
412:Asger Stieg
402:
383:
369:
353:
337:
324:
293:
242:
240:
219:
205:
189:
149:
144:
143:
142:
134:ZĂŒrich Opera
86:
68:
29:
2341:1938 operas
2278:Neotonality
2251:Gli uccelli
2146:Oedipus rex
1956:Louis Durey
1936:BĂ©la BartĂłk
1769:Vocal music
1741:Piano music
1693:Trauermusik
1679:Kammermusik
1664:Concertante
1434:(in German)
1178:Kurt Streit
1172:: Mathis â
1140:Heinz Kruse
1136:Sabine Hass
1085:Peter Meven
983:Was gibtâs?
638:In Germany,
584:St. Erasmus
368:Riedinger,
281:Conductor:
184:St. Anthony
169:Reformation
83:Translation
2320:Categories
2187:Pulcinella
2026:Erik Satie
1633:Symphony:
1197:References
1077:James King
1075:(Mathis),
1058:Recordings
789:orchestra
758:April 2014
747:incomplete
539:marrying:
275:Voice type
259:Main roles
127:1938-05-28
93:Librettist
1924:Composers
1604:HĂ©rodiade
1558:LehrstĂŒck
1523:Cardillac
1427:Operabase
1295:Eric Blom
1110:(cond.),
1067:(cond.),
979:Albrecht
949:Albrecht
934:Albrecht
919:Albrecht
904:Citizens
786:Overture
590:, Munich)
315:contralto
232:Edinburgh
96:Hindemith
1877:Category
1153:OC 908:
870:Schwalb
824:Schwalb
699:symphony
689:Odenwald
487:Cardinal
463:Synopsis
408:baritone
388:soprano
382:Ursula,
336:Regina,
119:Premiere
109:Based on
101:Language
2153:Orpheus
1575:Ballets
1375:Sources
1044:Scene 7
1031:Scene 6
1018:Scene 5
1005:Scene 4
992:Scene 3
901:Chorus
898:Scene 2
885:Regina
855:Regina
840:Mathis
809:Mathis
803:Scene 1
772:Number
721:Scene 7
687:In the
676:Scene 6
667:Scene 5
661:emperor
651:Scene 4
534:Scene 3
477:Scene 2
468:Scene 1
343:soprano
125: (
2336:Operas
2296:Portal
2070:Apollo
1494:Operas
1388:
1149:2005:
1102:1990:
707:luxury
596:Empire
453:tenor
423:tenor
399:Mathis
329:tenor
192:Nazism
155:is an
104:German
2310:Opera
2134:Mavra
1297:, ed.
1248:56(4)
1243:Notes
1225:81(3)
1202:Notes
1168:2012
1104:Wergo
976:Aria
961:Aria
946:Aria
931:Aria
916:Aria
882:Aria
867:Aria
852:Aria
837:Aria
821:Aria
806:Aria
483:Mainz
436:bass
374:bass
302:tenor
296:Mainz
271:Role
157:opera
153:)
52:Opera
359:bass
1425:on
753:.
582:as
159:by
73:by
54:by
2322::
1351:.
1347::
1240:.
1223:,
1217:.
1157:,
1138:,
1134:,
1130:,
1126:,
1122:,
1118:,
1095:,
1083:,
447:,
401:,
292:,
238:.
2298::
1909:e
1902:t
1895:v
1461:e
1454:t
1447:v
1396:.
1386:,
1382:"
1099:.
760:)
756:(
586:(
148:(
129:)
36:.
20:)
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