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least for a short time. The cinema has its economical laws, its artistic laws, a craft that once in a while rewards us or forgets us. Éric Rohmer seems to have escaped from this reality by inventing his own laws, his own rules of the game. One could say his own economy of the cinema that served his own purpose, which could skip the others, or to be more accurate that couldn't skip the audience with its originality. He had a very unique point of view on the different levels of language and on desire that is at work in the heart of each and every human being, on youth, on seasons, on literature, of course, and one could say on history. Éric Rohmer, this sensual intellectual, with his silhouette of a teacher and a walker. As an outsider he made luminous and candid films in which he deliberately forgot his perfect knowledge of the cinema in a very direct link with the beauty of the world." The text was by
Jacques Fieschi and it was a tribute to Éric Rohmer. Thank you.
1005:"is the one who called the shots, not only by what she said, but by the way she'd speak, the way she'd question people, and also by the questions her character evoked from the others." The film was shot chronologically and in 16mm so as to be "as inconspicuous as possible, to have Delphine blend into the crowd as a way, ultimately, of accentuating her isolation." Rohmer also instructed his cinematographer Sophie Maintigneux to keep technical aspects of the shoot to a minimum so as to not interrupt or distract the actors. The film's only major expense was a trip to the
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1383:, which recently published a special edition on Eric Rohmer. Truffaut once said he was one of the greatest directors of the 20th century, Godard was his brother, Chabrol admired him, Wenders couldn't stop taking photos of him. Rohmer is a tremendous international star. The one and only French director who was in coherence with the money spent on his films and the money that his films made. I remember a phrase by Daniel Toscan Du Plantier the day
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many thoughts in their heads". Rohmer said he wanted to look at "thoughts rather than actions", dealing "less with what people do than what is going on in their minds while they are doing it." Given Rohmer's professed interest in the anticipation rather than the climax in his tales, the summertime provides his characters with the time and space to show their self-consciousness and anxiety, rather than the solitude and relaxation they desire.
1332:, and "ecological zealot". For years he had no telephone and refused to get into cars, which he called "immoral pollutors". For many years he was known to jog two miles to his office every morning. He was well known for his need for personal privacy and sometimes wore disguises, such as a false moustache at the New York premiere of one of his films. Rohmer's mother died without ever knowing that her son was a famous film director.
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864:. Rohmer stated that "It wasn't simply the action I was drawn to, but the text itself. I didn't want to translate it into images, or make a filmed equivalent. I wanted to use the text as if Kleist himself had put it directly on the screen, as if he were making a movie ... Kleist didn't copy me and I didn't copy him, but obviously there was an affinity."
961:. Rohmer often made films that he had been working on for many years and stated "I can't say 'I make one film, then after that film I look for a subject and write on that subject...then I shoot.' Not at all...these are films that are drawn from one evolving mass, films that have been in my head for a long time and that I think about simultaneously."
1218:(1996). These films are immersed in an environment of bright sunlight, blue skies, green grass, sandy beaches, and clear water. He explained that "people sometimes ask me why most of the main characters in my films are young. I don't feel at ease with older people ... I can't get people older than forty to talk convincingly."
609:(1963). This 26-minute film portrays a young man, a college student, who sees a young woman in the street and spends days obsessively searching for her. He meets a second woman who works in a bakery and begins to flirt with her, but abandons her when he finally finds the first woman. Schroder starred as the young man and
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the text gravely read aloud while the images — cramped and crowded, coloured with jewelled brilliance, delighting the eye with bizarre perspectives — magnificently play the role traditionally assigned to marginal illuminations." In 1980 Rohmer made a film for television of his stage production of Kleist's play
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said that the film was "almost universally greeted as a disappointment, at best a whimsical exercise in the faux-naif in its attempt to capture the poetic simplicity of medieval faith, at worse an anticlimatic blunder" and that it was "rather like watching the animation of a medieval manuscript, with
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The director's characters engage in long conversations—mostly talking about man–woman relationships but also on mundane issues like trying to find a vacation spot. There are also occasional digressions by the characters on literature and philosophy as most of Rohmer's characters are middle class and
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Similarly, Rohmer's films all have a strong sense of place. Whether shot in Paris, Clermont-Ferrand, or elsewhere, his films clearly show where they are and how the characters are part of that place. Characters travel or walk past signposts or monuments, or converse about these places. The locations
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Half a dozen of Rohmer's films are set in the summertime, which he depicts as a time of beauty and leisure but also of "stagnation and aimlessness". He does this through cinematography and sound design, but primarily through presenting "reflective characters with too much time on their hands and too
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TV, a pay-TV station that paid $ 130,000 for the film, which was only one fifth of its budget. Rohmer stated that "Cinema here will survive only because of television. Without such an alliance we won't be able to afford French films." The experiment paid off when the film was a theatrical hit after
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Rohmer's best-known article was "Le
Celluloïd et le marbre" ("Celluloid and Marble", 1955), which examines the relationship between film and other arts. In the article, Rohmer writes that in an age of cultural self-consciousness, film is "the last refuge of poetry" and the only contemporary art form
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Rohmer preferred to use non-professional actors in his films. He usually held a large number of rehearsals before shooting and would shoot his films very quickly. He spent little time editing his films. He usually shot his films chronologically, and often shot scenes during the time of day in which
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Many of Rohmer's films have a circular structure, with the main part consisting of a digression that will "seem to promise escape from a trap which the protagonist feels closing around him or her, but will come to be seen rather as itself a trap from which the protagonist must escape". This is most
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Rohmer's films concentrate on intelligent, articulate protagonists who frequently fail to own up to their desires. The contrast between what they say and what they do fuels much of the drama in his films. Gerard
Legrand once said that "he is one of the rare filmmakers who is constantly inviting you
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in 1984. The film's proverb was invented by Rohmer himself: "The one who has two wives loses his soul, the one who has two houses loses his mind." The film's cinematographer Renato Berta called it "one of the most luxurious films ever made" because of the high amount of preparation put into it. The
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called it "something close to a perfect film." It was Rohmer's second film in color. Rohmer said, "the presence of the lake and the mountains is stronger in color than in black and white. It is a film I couldn't imagine in black and white. The color green seems to me essential in that film...This
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that sold 100,000 tickets, which may sound ridiculous in comparison, but no, because but it was only playing in one theater for an entire year." A happy time for cinema when this kind of thing could happen. Rohmer. Here is a tribute from
Jacques Fieschi: "We are all connected with the cinema, at
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in the United States). Rohmer also tends to spend considerable time in his films showing his characters going from place to place, walking, driving, bicycling or commuting on a train, engaging the viewer in the idea that part of the day of each individual involves quotidian travel. This was most
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is someone who is interested in the description of what goes on inside man. He's concerned with states of mind and feelings." Regarding the repetition of a single storyline, he explained that it would allow him to explore six variations of the same theme. Plus, he stated, "I was determined to be
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staff, and his opinions were highly influential on the magazine's direction while he was editor. Rohmer first published articles under his real name but began using "Éric Rohmer" in 1955 so that his family would not find out that he was involved in the film world, as they would have disapproved.
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in 1986. Rohmer explained that "I was struck by the naturalness of television interviews. You can say that here, nature is perfect. If you look for it, you find it because people forget the cameras." As was becoming his custom in pre-production, Rohmer gathered his cast together to discuss the
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and female students in Paris. Rohmer later said that television taught him how to make "readable images". He later said, "When you show a film on TV, the framing goes to pieces, straight lines are warped...the way people stand and walk and move, the whole physical dimension...all this is lost.
1240:(1996) has most of the elements of a typical Rohmer film: no soundtrack music, no close-ups, a seaside resort, long conversations between beautiful young people (who are middle class and educated) and discussions involving the characters' interests from songwriting to ethnology.
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to be intelligent, indeed, more intelligent than his (likable) characters." Rohmer considered filmmaking to be "closer to the novel—to a certain classical style of novel which the cinema is now taking over—than the other forms of entertainment, like the theater."
833:"to portray in film what seemed most alien to the medium, to express feelings buried deep in our consciousness. That's why they have to be narrated in the first person singular...The protagonist discusses himself and judges his actions. I film the process."
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co-founded the production company Les Films du
Losange (they were later joined by Pierre Coltrell in the late 1960s). Les Films du Losange produced all of Rohmer's work (except his last three features produced by La Compagnie Eric Rohmer).
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For Rohmer, these stories' characters "like to bring their motives, the reasons for their actions, into the open, they try to analyze, they are not people who act without thinking about what they are doing. What matters is what they
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they took place. He explained that "my films are based on meteorology. If I didn't call the weather service everyday, I couldn't make my films because they're shot according to the weather outside. My films are slaves to weather."
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said that "Eric Rohmer is a virtuoso of the pen sketch... at ease with the paint tubes that
Persival required, a tiny figurine whose every feature, every curl, every tone is aimed at revealing to us a state of soul and of heart."
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about their behavior, rather than their behavior itself." The French word "moraliste" does not translate directly to the
English "moralist" and has more to do with what someone thinks and feels. Rohmer cited the works of
364:. Rohmer had never been very interested in film, preferring literature, but soon became an intense lover of films and about 1949 switched from journalism to film criticism. He wrote film reviews for such publications as
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Rohmer saw the full-face closeup as a device that does not reflect how we see each other and avoided its use. He avoids extradiegetic music (not coming from onscreen sound sources), seeing it as a violation of the
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film began with Rohmer and the actors discussing their roles and reading from the film's scenario while tape recording the rehearsals. Rohmer then re-wrote the script based on these sessions and shot the film on
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432:. It focuses on Hitchcock's Catholic background and has been called "one of the most influential film books since the Second World War, casting new light on a filmmaker hitherto considered a mere entertainer".
523:) in 1959. In the film an American composer spends the month of August waiting for his inheritance while all his friends are on vacation and gradually becomes impoverished. It included music by Louis Sagver.
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later remarked that, unlike the more aggressive and personal writings of younger critics like
Truffaut and Godard, Rohmer favored a rhetorical style that made extensive use of questions and rarely used the
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who go on and on forever about the legitimacy of certain institutions or beliefs confronted by problems of the emotions. Quite simply, this is a minor variation on this central
Rohmerian theme."
484:. The 12-minute film was co-written by and starred Jean-Luc Godard. The film was not completed until 1961. In 1952 Rohmer began collaborating with Pierre Guilbaud on a one-hour short feature,
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300:. He was secretive about his private life and often gave different dates of birth to reporters. He fashioned his pseudonym from the names of two famous artists: actor and director
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in which the characters exist are as important an element in his films as what his characters are saying and doing. For this reason, Rohmer has been called a "poet of place".
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have stated that "all the art of Eric Rohmer consists of creating on the set a veritable osmosis among himself, the actors and the technicians." Rohmer even encouraged actress
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series. Rohmer was educated in Paris and received an advanced degree in history, though he seemed equally interested and learned in literature, philosophy, and theology.
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in 1986, his crew consisted only of a camera operator and a sound engineer. Rohmer stated that "I even wonder if I could work in the usual conditions of filmmaking."
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991:. Alain Philippon called the film "one of the most accomplished films that Rohmer has given us...and that if the film moves it is because of its own risk-taking."
1313:. In 1957, Rohmer married Thérèse Barbet. The couple had two sons. The elder, René Monzat (b. 1958), is an author and investigative journalist at, most recently,
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were never theatrically released and Rohmer was disappointed by their poor technical quality. They were not well known until after the release of the other four.
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described him as "the most durable filmmaker of the French New Wave", outlasting his peers and "still making movies the public wanted to see" late in his career.
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Rohmer was obsessively private and gave out different dates of birth; other dates that appear in sources include 4 April 1920, 1 December 1920 and 4 April 1923.
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was later recut and rescored by distributors when
Chabrol was forced to sell his production company, and Rohmer disowned the recut version. In 1962 Rohmer and
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623:(1963). This 60-minute film portrays a young student who is rejected by one woman and begins a romantic relationship with a second. The first and second
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Montero, José Francisco & Paredes, Israel. Imágenes de la Revolución. La inglesa y el duque/La commune (París, 1871). 2011. Shangrila Ediciones.
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criticized the film for betraying the rest of the series by making a moral judgment of the main character and approving of his decision in the film.
763:. James Monaco wrote, "Here, for the first time the focus is clearly set on the ethical and existential question of choice. If it isn't clear within
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Rohmer typically populates his films with people in their twenties and the settings are often on pleasant beaches and popular resorts, notably in
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Rohmer and Schroder then sold the rights of two of their short films to French television in order to raise $ 60,000 to produce the feature film
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as a dress rehearsal. When the film was finally shot, Rohmer often used between two and three takes for each shot, and sometimes only one take.
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and later won the Prix Max Ophüls. It was released in the US and praised by critics there as well. It eventually received Oscar nominations for
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Rohmer died on the morning of 11 January 2010 at the age of 89 after a series of strokes. He had been admitted to hospital the previous week.
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183:; 21 March 1920 – 11 January 2010), was a French film director, film critic, journalist, novelist, screenwriter, and teacher.
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324:. In the mid-1940s he quit his teaching job and moved to Paris, where he worked as a freelance journalist. In 1946 he published a novel,
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https://web.archive.org/web/20140421082451/http://shangrilaedicionesblog.blogspot.com/2011/10/imagenes-de-la-revolucion-intertextos.html
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640:, Rohmer began making short documentaries for French television. Between 1964 and 1966 Rohmer made 14 shorts for television through the
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I'm going to read a remarkable text written by Jacques Fieschi, writer, director, creator of "the cinematographe", challenger of
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Rohmer was a highly literary man. His films frequently refer to ideas and themes in plays and novels, such as references to
566:(1927): a man, married or otherwise committed to a woman, is tempted by a second woman but eventually returns to the first.
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in 1969. The film was made with funds raised by Truffaut, who liked the script, and was initially intended to be the third
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inflexible and intractable, because if you persist in an idea it seems to me that in the end you do secure a following."
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project and their characters, but then allowed each actor to invent their own dialogue. Rohmer stated that lead actress
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to design sets for the film since her character is an interior decorator. Ogier later won the Best Actress award at the
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636:, of which Rohmer's short "Place de l'Etoile" was the centerpiece. After being driven out of his editor position at
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and was made with a borrowed camera. By 1951 Rohmer had a bigger budget provided by friends and shot the short film
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propaganda. Its innovative cinematic style and strong acting performances led it to be well received elsewhere.
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as a critical method and contributed to the reevaluation of the American cinema that was central to that method.
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was Rohmer's first successful film both commercially and critically. It was screened and highly praised at the
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3575:"Eric Rohmer: Prolific film-maker, critic and novelist whose pioneering work homed in on romantic tangles"
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727:. But because the film takes place on Christmas Eve, Rohmer wanted to shoot the film in December. Actor
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332:) under the pen name Gilbert Cordier. While living in Paris, Rohmer first began to attend screenings at
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1191:(1982), which had the female protagonist constantly traveling, particularly between Paris and Le Mans.
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was a critically acclaimed release in 1999 when Rohmer was 79. The previous titles of the series were
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said that "the filmmaker fails to achieve in these dialogues the flexibility, the textual freedom of
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who actually is making the wager and whether or not they win or lose, that only enlarges the idea of
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Personally I don't feel that TV is an intimate medium." In 1964 Rohmer made the 13-minute short film
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Best Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced
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in 1976. It was one of Rohmer's most critically acclaimed films, with many critics ranking it with
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opened, which eventually sold 15 million tickets: "Yes but there is this incredible film called
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Rohmer began to reduce the number of crew members on his films. He first dispensed with the
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By 1963 Rohmer was becoming more at odds with some of the more radical left-wing critics at
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Later in 1980 Rohmer embarked on a second series of films: the "Comedies and Proverbs" (
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771:("the bet") into the encompassing metaphor that Rohmer wants for the entire series."
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with Rivette and Godard, but it was short-lived. In 1951 Rohmer joined the staff of
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and was praised by French film critics, though US film critics called it "boring".
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957:. It was based on an idea that Rohmer had in the 1950s, originally intended for
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caused considerable controversy in France, where its negative portrayal of the
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Beginning in the 2000s, Rohmer, in his eighties, returned to period drama with
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1257:, then all other assistants and technical managers until, by the time he shot
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1145:, was shown during the Venice Film Festival, at which he spoke of retiring.
972:
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296:, France, the son of Mathilde (née Bucher) and Lucien Schérer. Rohmer was a
3604:"The Grave of Eric Rohmer (Maurice Scherer), Montparnasse Cemetery, Paris."
1274:
who describes viewing Rohmer's films as "kind of like watching paint dry".
428:(Paris: Éditions Universitaires, 1957), the earliest book-length study of
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was not available so filming was delayed for a year. The film centers on
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film criticism. Rohmer resigned that year and was succeeded by Rivette.
193:
directors to become established. He edited the influential film journal
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Glòria Salvadó Corretger, "Object/Subject: The Films of Eric Rohmer,"
556:). Each of the films in the cycle follows the same story, inspired by
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2654:"Eric Rohmer, a Leading Filmmaker of the French New Wave, Dies at 89"
1864:
1034:
wrote an unfavorable review and stated "I didn't like it very much."
412:. Rohmer was known as more politically conservative than most of the
3016:
848:
Rohmer wanted to make a less personal film and adapted a novella by
488:, but the film was never finished. In 1954 Rohmer made and acted in
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being released three days after its initial broadcast. It won the
690:. The film's budget went only to film stock and renting a house in
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from which metaphor can still spring naturally and spontaneously.
282:
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In 1963 Les Films du Losange produced the New Wave omnibus film
6856:
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4510:
4102:
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4007:
Les cabinets de physique : la vie de société au 18e siècle
3649:
3585:"Eric Rohmer: director whose films included Le genou de Claire"
3156:
1400:
held a special tribute to Rohmer that included a screening of
1353:
called Rohmer "one of the masters of French cinema". Director
210:
Rohmer gained international acclaim around 1969 when his film
1128:
In 2001, his life's work was recognised when he received the
644:(ORTF) and Télévision Scolaire. These included episodes of
500:, a 50-minute film produced by Godard. In 1958 Rohmer made
199:
from 1957 to 1963, while most of his colleagues—among them
5084:
National Society of Film Critics Award for Best Screenplay
56:
Maurice Henri Joseph Schérer or Jean Marie Maurice Schérer
2977:
http://www.upf.edu/materials/depeca/formats/arti8_ing.htm
4130:
Boston Society of Film Critics Award for Best Screenplay
496:. In 1956 Rohmer directed, wrote, edited and starred in
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5690:
New York Film Critics Circle Award for Best Screenplay
3999:
Les métamorphoses du paysage : l'ère industrielle
3558:
Interview with 'The French Revolutionary - Eric Rohmer
2761:
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2757:
2755:
2753:
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2747:
2745:
2743:
2586:"The 42nd Academy Awards (1970) Nominees and Winners"
1243:
Beginning in the late 1970s during the production of
4047:
Louis Lumière / conversation avec Langlois et Renoir
1059:
He followed these with a third series in the 1990s:
805:
film would have no value to me in black and white."
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2697:. New York: Oxford University Press. 1976. p. 286.
1030:. It was mostly praised by film critics, although
936:is only a variation on the spiritual states of the
153:
130:
122:
96:
77:
51:
32:
3072:. New York: Oxford University Press. 1976. p. 303.
3059:. New York: Oxford University Press. 1976. p. 288.
2945:. New York: Oxford University Press. 1976. p. 287.
2619:
881:. The film received mostly poor critical reviews.
2937:
2935:
2933:
591:as inspirations for the series. He clarified, "a
509:Chabrol's company AJYM produced Rohmer's feature
544:Rohmer's career began to gain momentum with his
7360:Golden Lion for Lifetime Achievement recipients
470:In 1950 Rohmer made his first 16mm short film,
3386:"Looking Behind Éric Rohmer's Cinematic Style"
694:as a set. Rohmer described it as a film about
255:After Rohmer's death in 2010, his obituary in
6868:
6394:
5674:
5068:
4522:
4114:
3661:
3299:"Le blog de René Monzat Le Club de Mediapart"
642:Office de Radiodiffusion Télévision Française
8:
3408:. New York: Columbia University Press. 2016.
3127:is included as a supplement to the DVD disk
2827:. New York: H. W. Wilson, 1988. pp. 919-928.
2614:
2612:
2610:
2608:
2606:
1477:Best Feature Film Suitable for Young People
1325:. His work focuses on the French far-right.
1186:
1013:there. Rohmer chose to première the film on
337:
46:Rohmer at the Cinémathèque Française in 2004
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3046:. New York: Oxford University Press. 1976.
2999:Petrie, Graham; Rohmer, Eric (July 1971).
2880:Neupert, Richard John (19 February 2007).
2134:Golden Osella for Best Original Screenplay
403:contributor and French New Wave filmmaker
40:
29:
4031:Les histoires extraordinaires d'Edgar Poe
3904:Four Adventures of Reinette and Mirabelle
3213:. Bloomington: Indiana University Press.
3038:
3036:
3034:
2994:
2992:
2825:World Film Directors, Volume 2, 1945-1985
2722:"French filmmaker Eric Rohmer dies at 89"
2427:Four Adventures of Reinette and Mirabelle
1649:San Sebastián International Film Festival
790:San Sebastián International Film Festival
656:, educational films on Blaise Pascal and
506:, a 20-minute short produced by Chabrol.
385:In 1950, he co-founded the film magazine
222:San Sebastián International Film Festival
7355:Silver Bear for Best Director recipients
6837:Nelson Carlos De Los Santos Arias (2024)
5454:Shari Springer Berman and Robert Pulcini
4301:Shari Springer Berman and Robert Pulcini
2143:Sergio Trasatti Award – Special Mention
1421:
892:, another work with a medieval setting.
877:, based on a 12th-century manuscript by
800:, and was a huge international success.
492:, a 15-minute short based on a story by
424:In 1957 Rohmer and Claude Chabrol wrote
7365:French film production company founders
7237:
3928:The Tree, the Mayor and the Mediatheque
2886:. Univ of Wisconsin Press. p. 29.
2883:A history of the French new wave cinema
2852:Ruadhán Mac Cormaic (11 January 2010).
2577:
2521:
2459:The Tree, the Mayor and the Mediatheque
2173:Chicago Film Critics Association Awards
1618:National Society of Film Critics Awards
1375:presented a special tribute to Rohmer:
955:33rd Berlin International Film Festival
708:17th Berlin International Film Festival
466:1950–1962: Shorts and early film career
244:in 1986. Rohmer went on to receive the
3983:Présentation ou Charlotte et son steak
3553:Éric Rohmer — critical essay at Kamera
3273:"A Summer's Tale (1996) for SAM films"
1758:Valladolid International Film Festival
1742:National Society of Film Critics Award
788:, 1970). It won the Grand Prix at the
481:Présentation ou Charlotte et son steak
3485:de Baecque, Antoine and Herpe, Noël.
3236:
3234:
3232:
3230:
3086:"French film maker Rohmer dies at 89"
1309:Rohmer's brother was the philosopher
1264:His style was famously criticised by
1253:, then (controversially) cut out the
903:. The first "Comedy and proverb" was
178:
7:
4538:Golden Lion for Lifetime Achievement
4018:(segment "Place de l'Étoile") (1965)
3463:. Berlin International Film Festival
3153:"French film-maker Eric Rohmer dies"
2682:The religion of director Eric Rohmer
2634:from the original on 12 January 2022
1879:Boston Society of Film Critics Award
1672:Best Foreign Film (Foreign Language)
1468:Silver Bear Extraordinary Jury Prize
1360:Rohmer's grave is in district 13 of
964:The fourth "Comedy and Proverb" was
344:, where he first met and befriended
320:Rohmer first worked as a teacher in
2905:Eric Rohmer, who began writing for
2091:Chicago International Film Festival
1947:French Syndicate of Cinema Critics
1891:French Syndicate of Cinema Critics
1788:French Syndicate of Cinema Critics
1693:New York Film Critics Circle Awards
1681:French Syndicate of Cinema Critics
1389:L'arbre, le maire et la médiathèque
1158:easily observable in films such as
1037:The Sixth "Comedy and Proverb" was
994:The fifth "Comedy and Proverb" was
943:The third "Comedy and proverb" was
829:Overall, Rohmer said he wanted the
3536:extensive biography of Eric Rohmer
3435:Berlin International Film Festival
3243:"Eric Rohmer's Oppressive Summers"
3182:"French director Eric Rohmer dies"
2234:Berlin International Film Festival
2049:Berlin International Film Festival
1825:Berlin International Film Festival
1586:New York Film Critics Circle Award
1529:French Syndicate of Cinema Critics
1446:Berlin International Film Festival
899:), where each film was based on a
25:
7246:Eric Rohmer: Realist and Moralist
3960:The Romance of Astrea and Celadon
3507:Eric Rohmer: Realist and Moralist
3404:Anoine de Baecque and Noël Herpe
3277:The Dark Lady of American Letters
3211:Eric Rohmer, realist and moralist
3094:. 12 January 2010. Archived from
2854:"Film-maker Rohmer dies in Paris"
2507:The Romance of Astrea and Celadon
2261:The Romance of Astrea and Celadon
1142:The Romance of Astrea and Celadon
7295:Directors of Golden Lion winners
7285:Burials at Montparnasse Cemetery
3384:Brody, Richard (24 March 2021).
2155:National Society of Film Critics
1542:National Society of Film Critics
27:French film director (1920–2010)
7325:French people of German descent
3431:"Berlinale: 1983 Prize Winners"
393:'s newly founded film magazine
143:
7340:German-language film directors
3406:Éric Rohmer : a biography
3327:Enquêtes sur la droite extrême
2670:Eric Rohmer Biography (1920?-)
1328:Rohmer was a devout Catholic,
1268:'s character in the 1975 film
1139:In 2007, Rohmer's final film,
1:
7280:20th-century French novelists
6410:Silver Bear for Best Director
3418:Godard on the Death of Róhmer
3121:Éric Rohmer coffret intégrale
2922:The Mask and the Role of God.
1845:Silver Bear for Best Director
1121:led some critics to label it
951:Silver Bear for Best Director
613:was the narrator. The second
563:Sunrise: A Song of Two Humans
4023:Les caractères de La Bruyère
3330:. Paris: Le Monde-Editions.
3131:. Retrieved 10 January 2015.
3123:(Éditions Potemkine, 2013).
2077:Prize of the Ecumenical Jury
1349:The former Culture Minister
585:François de La Rochefoucauld
275:Maurice Henri Joseph Schérer
168:Maurice Henri Joseph Schérer
3461:"Berlinale: 1992 Programme"
3001:"Eric Rohmer: An Interview"
837:1972–1987: Adaptations and
660:, and documentaries on the
186:Rohmer was the last of the
7381:
6166:Charlie and Donald Kaufman
4654:Paolo and Vittorio Taviani
4295:Charlie and Donald Kaufman
3803:Boyfriends and Girlfriends
3702:The Bakery Girl of Monceau
2419:Boyfriends and Girlfriends
2299:
2178:Best Foreign Language Film
2160:Best Foreign Language Film
2016:Boyfriends and Girlfriends
1519:Best Foreign Language Film
1357:called his work "unique".
1040:Boyfriends and Girlfriends
606:The Bakery Girl of Monceau
486:Les Petites Filles modèles
474:. The film starred writer
271:Jean-Marie Maurice Schérer
164:Jean Marie Maurice Schérer
7320:French male screenwriters
7290:Cahiers du Cinéma editors
4096:
4065:
3858:
3815:Tales of the Four Seasons
3634:
3624:
3616:
3611:
3305:(in French). 20 June 2022
3091:Philippine Daily Inquirer
2956:"Eric Rohmer: un hommage"
2270:
2258:
2255:
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2186:
2120:
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2109:
2055:
2047:
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1970:
1960:
1957:
1914:
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1441:
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1433:
1430:
1427:
1424:
1061:Tales of the Four Seasons
1053:Tales of the Four Seasons
753:1969 Cannes Film Festival
696:l'amour par désoeuvrement
360:and other members of the
338:
39:
7249:- Retrieved 30 July 2017
6368:and Alex Mechanik (2023)
6210:Joel Coen and Ethan Coen
5506:Joel Coen and Ethan Coen
4341:Joel Coen and Ethan Coen
4230:and Frank Barhydt (1993)
3509:(Midland: 22 June 1988)
2982:14 December 2012 at the
1938:Best Original Screenplay
1808:Best Original Screenplay
1396:On 8 February 2010, the
867:In 1978 Rohmer made the
757:Best Original Screenplay
741:Marie-Christine Barrault
698:("love from idleness").
7073:Jacques Doniol-Valcroze
6531:Manuel Gutiérrez Aragón
4383:Alexander Dinelaris Jr.
3991:Véronique et son cancre
2374:(1980, television film)
2302:Éric Rohmer filmography
2034:Luchino Visconti Award
1305:Personal life and death
735:and stars Trintignant,
503:Véronique et son cancre
7330:French Roman Catholics
7204:Cinémathèque Française
7145:Last Year at Marienbad
7051:Theoretical influences
6033:and Daniel Yost (1989)
5321:and Daniel Yost (1989)
4642:Michelangelo Antonioni
4091:Awards for Éric Rohmer
4055:Victor Hugo architecte
3896:Catherine de Heilbronn
3324:Monzat, René. (1992).
3187:The New Zealand Herald
3125:Cathérine de Heilbronn
2371:Catherine de Heilbronn
1418:Awards and nominations
1398:Cinémathèque Française
1394:
1343:
1187:
889:Catherine de Heilbronn
820:Chloe in the Afternoon
729:Jean-Louis Trintignant
646:Filmmakers of Our Time
340:Cinémathèque Française
316:Career as a journalist
7345:Lycée Henri-IV alumni
7315:French male novelists
7305:French film directors
6543:Astrid Henning-Jensen
4375:Alejandro G. Iñárritu
3944:The Lady and the Duke
3872:L'enfance d'une ville
3754:Comedies and Proverbs
3742:Love in the Afternoon
3564:Obituary: Eric Rohmer
3420:, Cinemasparagus blog
3241:Fawell, John (1993).
3209:Crisp, C. G. (1988).
2491:The Lady and the Duke
2347:Love in the Afternoon
2202:The Lady and the Duke
1381:Les cahiers du cinéma
1377:
1362:Montparnasse Cemetery
1341:Montparnasse Cemetery
1338:
1234:university educated.
1115:The Lady and the Duke
1104:The Lady and the Duke
1055:and later film career
1009:in order to film the
897:Comédies et Proverbes
839:Comedies and Proverbs
815:Love in the Afternoon
673:with cinematographer
666:Industrial Revolution
472:Journal d'un scélérat
436:helped establish the
410:first person singular
216:was nominated at the
7335:French screenwriters
7083:Joseph-Marie Lo Duca
7022:Jean-Pierre Melville
6784:Małgorzata Szumowska
6738:Paul Thomas Anderson
6726:Michael Winterbottom
6635:Krzysztof Kieślowski
6350:Paul Thomas Anderson
6318:Paul Thomas Anderson
6039:Ruth Prawer Jhabvala
4702:Francis Ford Coppola
4686:Marcello Mastroianni
4664:Joseph L. Mankiewicz
4455:Original Screenplay
4249:Joseph Tropiano and
4075:Les Films du Losange
4039:Entretien sur Pascal
3824:A Tale of Springtime
3779:Pauline at the Beach
3573:Christopher Hawtree
2443:A Tale of Springtime
2395:Pauline at the Beach
2272:Venice Film Festival
2213:Venice Film Festival
2191:European Film Awards
2114:Venice Film Festival
1962:Venice Film Festival
1867:– Honorable Mention
1834:Pauline at the Beach
1709:Cannes Film Festival
1489:Cannes Film Festival
1203:Pauline at the Beach
1180:(1986) (released as
1160:Pauline at the Beach
1134:Venice Film Festival
1083:A Tale of Springtime
1028:Venice Film Festival
989:Venice Film Festival
949:in 1983. It won the
946:Pauline at the Beach
808:The sixth and final
498:La Sonate à Kreutzer
387:La Gazette du Cinéma
246:Venice Film Festival
236:Venice Film Festival
7300:French film critics
7129:Hiroshima mon amour
6964:Alain Robbe-Grillet
5031:Tony Leung Chiu-wai
4734:Suso Cecchi d'Amico
4592:Alessandro Blasetti
4480:Adapted Screenplay
3936:Rendezvous in Paris
3920:Les Jeux de société
3912:Le trio en si bémol
3888:Perceval le Gallois
2630:. 11 January 2010.
2627:The Daily Telegraph
2562:A Season in Hakkari
2467:Rendezvous in Paris
2435:Le trio en mi bémol
2363:Perceval le Gallois
2256:Louis Delluc Prize
2100:Rendezvous in Paris
1767:Perceval le Gallois
1667:Golden Globe Awards
1287:William Shakespeare
1246:Perceval le Gallois
1032:Alain Robbe-Grillet
874:Perceval le Gallois
850:Heinrich von Kleist
686:in 1967, the third
654:Carl Theodor Dreyer
540:and television work
258:The Daily Telegraph
180:[eʁikʁomɛʁ]
7310:French journalists
7218:(2010 documentary)
6768:David Gordon Green
6583:Georgiy Shengelaya
6282:Eric Warren Singer
5816:Lorenzo Semple Jr.
5730:Harold Jacob Smith
5343:David Webb Peoples
5275:Bruce Jay Friedman
4957:Jean-Paul Belmondo
4951:Bertrand Tavernier
4941:Thelma Schoonmaker
4887:Stefania Sandrelli
4873:Manoel de Oliveira
4863:Dino De Laurentiis
4752:Giuseppe De Santis
4696:Gian Maria Volonté
4335:Dustin Lance Black
3787:Full Moon in Paris
3763:The Aviator's Wife
3726:My Night at Maud's
3718:La Collectionneuse
3676:Films directed by
3129:Die Marquise von O
3098:on 13 January 2010
2403:Full Moon in Paris
2379:The Aviator's Wife
2331:My Night at Maud's
2218:Career Golden Lion
2079:– Special Mention
2030:David di Donatello
1917:Full Moon in Paris
1777:Honorable Mention
1601:Louis Delluc Prize
1559:Best Foreign Film
1500:My Night at Maud's
1457:La Collectionneuse
1406:and a short video
1344:
1339:Rohmer's grave in
1255:assistant director
1197:La Collectionneuse
1068:des quatre saisons
967:Full Moon in Paris
934:A Perfect Marriage
930:The Aviator's Wife
917:A Perfect Marriage
906:The Aviator's Wife
879:Chrétien de Troyes
858:My Night at Maud's
854:La Marquise d'O...
781:Le genou de Claire
749:My Night at Maud's
720:My Night at Maud's
700:La Collectionneuse
683:La Collectionneuse
611:Bertrand Tavernier
581:Jean de La Bruyère
302:Erich von Stroheim
287:Meurthe-et-Moselle
250:Career Golden Lion
213:My Night at Maud's
7350:People from Tulle
7232:
7231:
7198:Cahiers du Cinéma
7105:Le Coup du Berger
6987:Philippe de Broca
6921:François Truffaut
6892:Cahiers du Cinéma
6850:
6849:
6844:
6843:
6774:Richard Linklater
6762:Christian Petzold
6647:Richard Loncraine
6641:Richard Linklater
6607:Michael Verhoeven
6502:Jean-Pierre Blanc
6376:
6375:
6334:Quentin Tarantino
6071:Quentin Tarantino
5931:Marshall Brickman
5896:Suzanne Schiffman
5892:François Truffaut
5852:Penelope Gilliatt
5848:Peter Bogdanovich
5775:Harriet Frank Jr.
5656:
5655:
5626:Ryusuke Hamaguchi
5538:Richard Linklater
5359:Quentin Tarantino
5207:Marshall Brickman
5139:Penelope Gilliatt
5050:
5049:
5017:Catherine Deneuve
4961:Jerzy Skolimowski
4945:Frederick Wiseman
4756:Goffredo Lombardo
4716:Claudia Cardinale
4504:
4503:
4441:Ryusuke Hamaguchi
4429:Quentin Tarantino
4419:Nicole Holofcener
4391:Richard Linklater
4379:Nicolás Giacobone
4369:Nicole Holofcener
4289:Christopher Nolan
4238:Quentin Tarantino
4083:
4082:
3970:
3969:
3880:The Marquise of O
3644:
3643:
3635:Succeeded by
3628:Cahiers du cinéma
3597:in memoriam from
3591:, 12 January 2010
3581:, 13 January 2010
3570:, 11 January 2010
3303:Club de Mediapart
3247:The French Review
3220:978-0-253-31908-1
3190:. 12 January 2010
3159:. 11 January 2010
2962:, 12 January 2010
2893:978-0-299-21704-4
2728:. 11 January 2010
2660:, 11 January 2010
2355:The Marquise of O
2293:
2292:
1718:The Marquise of O
1555:Sant Jordi Awards
1369:2010 César Awards
1299:Ma nuit chez Maud
1251:script supervisor
1119:French Revolution
1045:L'Ami de mon amie
794:Prix Louis Delluc
761:Best Foreign Film
658:Stéphane Mallarmé
511:directorial debut
445:Cahiers du Cinéma
396:Cahiers du Cinéma
350:François Truffaut
205:François Truffaut
196:Cahiers du cinéma
188:post-World War II
161:
160:
123:Years active
16:(Redirected from
7372:
7250:
7242:
7187:Arthouse musical
7161:Cléo from 5 to 7
7058:Alexandre Astruc
6979:Other filmmakers
6944:Marguerite Duras
6877:
6870:
6863:
6854:
6808:Angela Schanelec
6537:Georgi Djulgerov
6490:Živojin Pavlović
6466:Nikos Koundouros
6403:
6396:
6389:
6380:
6369:
6361:
6353:
6345:
6337:
6329:
6321:
6313:
6310:Kenneth Lonergan
6305:
6297:
6289:
6286:David O. Russell
6277:
6269:
6253:
6241:
6234:Armando Iannucci
6221:
6213:
6205:
6197:
6189:
6177:
6169:
6161:
6142:
6139:Kenneth Lonergan
6134:
6122:
6110:
6098:
6086:
6078:
6066:
6058:
6050:
6047:David Cronenberg
6042:
6034:
6026:
6018:
6010:
6002:
5994:
5986:
5978:
5966:
5958:
5950:
5942:
5934:
5922:
5903:
5887:
5879:
5863:
5855:
5839:
5831:
5819:
5811:
5799:
5791:
5786:
5778:
5766:
5761:
5753:
5746:I. A. L. Diamond
5741:
5733:
5721:
5716:
5683:
5676:
5669:
5660:
5649:
5641:
5633:
5621:
5613:
5601:
5590:Armando Iannucci
5585:
5577:
5574:Kenneth Lonergan
5569:
5557:
5549:
5533:
5525:
5517:
5509:
5501:
5493:
5485:
5477:
5469:
5457:
5449:
5441:
5422:
5419:Kenneth Lonergan
5414:
5406:
5398:
5386:
5374:
5366:
5354:
5346:
5338:
5335:David Cronenberg
5330:
5322:
5314:
5306:
5298:
5290:
5278:
5262:
5254:
5242:
5234:
5226:
5218:
5210:
5198:
5186:
5174:
5166:
5150:
5142:
5134:
5126:
5114:
5106:
5077:
5070:
5063:
5054:
5037:Sigourney Weaver
5011:Jamie Lee Curtis
4981:Vanessa Redgrave
4977:David Cronenberg
4935:William Friedkin
4923:Marco Bellocchio
4800:Gérard Depardieu
4786:Vittorio Gassman
4728:Steven Spielberg
4648:Federico Fellini
4636:Cesare Zavattini
4632:Sergei Yutkevich
4582:Anatoli Golovnya
4531:
4524:
4517:
4508:
4407:Kenneth Lonergan
4216:David Cronenberg
4123:
4116:
4109:
4100:
4087:
3832:A Tale of Winter
3710:Suzanne's Career
3689:
3670:
3663:
3656:
3647:
3617:Preceded by
3609:
3595:"On Eric Rohmer"
3549:
3473:
3472:
3470:
3468:
3457:
3451:
3450:
3448:
3446:
3437:. Archived from
3427:
3421:
3415:
3409:
3402:
3396:
3395:
3381:
3375:
3374:
3372:
3370:
3356:
3350:
3349:
3321:
3315:
3314:
3312:
3310:
3295:
3289:
3288:
3286:
3284:
3269:
3263:
3262:
3238:
3225:
3224:
3206:
3200:
3199:
3197:
3195:
3178:
3169:
3168:
3166:
3164:
3149:
3132:
3114:
3108:
3107:
3105:
3103:
3082:
3073:
3066:
3060:
3053:
3047:
3040:
3029:
3028:
2996:
2987:
2969:
2963:
2952:
2946:
2939:
2928:
2918:
2912:
2911:
2902:
2900:
2877:
2871:
2870:
2868:
2866:
2849:
2828:
2821:
2738:
2737:
2735:
2733:
2718:
2705:
2691:
2685:
2679:
2673:
2672:, Film Reference
2667:
2661:
2650:
2644:
2643:
2641:
2639:
2623:
2616:
2601:
2600:
2598:
2596:
2582:
2565:
2553:
2547:
2535:
2529:
2526:
2451:A Tale of Winter
2058:A Tale of Winter
1883:Best Screenplay
1697:Best Screenplay
1640:Best Screenplay
1546:Best Screenplay
1422:
1190:
1089:A Tale of Winter
938:petty bourgeoise
921:Claude Baignères
737:Françoise Fabian
675:Nestor Almendros
620:Suzanne's Career
529:Barbet Schroeder
521:Le Signe du lion
430:Alfred Hitchcock
343:
342:
322:Clermont-Ferrand
308:, author of the
281:(also listed as
269:Rohmer was born
230:in 1971 and the
182:
177:
147:
145:
84:
65:
63:
44:
30:
21:
7380:
7379:
7375:
7374:
7373:
7371:
7370:
7369:
7255:
7254:
7253:
7243:
7239:
7233:
7228:
7223:Trouver Frisson
7215:Two in the Wave
7175:
7092:
7046:
6973:
6925:
6916:Jacques Rivette
6906:Jean-Luc Godard
6886:
6884:French New Wave
6881:
6851:
6846:
6845:
6840:
6832:Philippe Garrel
6790:Mia Hansen-Løve
6704:Patrice Chéreau
6698:Otar Iosseliani
6692:Lin Cheng-sheng
6680:
6555:Mario Monicelli
6525:Mario Monicelli
6513:
6508:Sergei Solovyov
6448:Jean-Luc Godard
6430:Mario Monicelli
6412:
6407:
6377:
6372:
6364:
6358:Martin McDonagh
6356:
6348:
6340:
6332:
6324:
6316:
6308:
6300:
6292:
6280:
6272:
6258:Steven Zaillian
6256:
6250:Lisa Cholodenko
6246:Stuart Blumberg
6244:
6230:Simon Blackwell
6226:Jesse Armstrong
6224:
6216:
6208:
6200:
6192:
6182:Alexander Payne
6180:
6172:
6164:
6158:Julian Fellowes
6156:
6145:
6137:
6127:Alexander Payne
6125:
6113:
6107:Brian Helgeland
6101:
6089:
6081:
6069:
6061:
6053:
6045:
6037:
6029:
6021:
6015:James L. Brooks
6013:
6005:
5997:
5989:
5981:
5975:Murray Schisgal
5969:
5961:
5953:
5945:
5937:
5925:
5919:Paddy Chayefsky
5917:
5906:
5890:
5882:
5866:
5858:
5842:
5834:
5822:
5814:
5802:
5794:
5790:No Award (1965)
5789:
5781:
5769:
5765:No Award (1962)
5764:
5756:
5744:
5736:
5724:
5720:No Award (1957)
5719:
5703:
5692:
5687:
5657:
5652:
5644:
5636:
5624:
5616:
5604:
5594:David Schneider
5588:
5580:
5572:
5560:
5552:
5536:
5528:
5520:
5512:
5504:
5496:
5488:
5480:
5472:
5462:Alexander Payne
5460:
5452:
5444:
5438:Julian Fellowes
5436:
5425:
5417:
5411:Charlie Kaufman
5409:
5401:
5395:Brian Helgeland
5389:
5377:
5369:
5357:
5349:
5341:
5333:
5327:Charles Burnett
5325:
5317:
5309:
5301:
5293:
5281:
5265:
5257:
5247:Murray Schisgal
5245:
5237:
5229:
5221:
5213:
5201:
5189:
5177:
5169:
5153:
5145:
5137:
5129:
5117:
5111:John Cassavetes
5109:
5097:
5086:
5081:
5051:
5046:
5007:Roberto Benigni
4987:Pedro Almodóvar
4839:
4804:Stanley Kubrick
4768:Martin Scorsese
4760:Ennio Morricone
4710:Paolo Villaggio
4692:Mario Monicelli
4660:Luigi Comencini
4612:Alexander Kluge
4608:Jean-Luc Godard
4578:Charlie Chaplin
4540:
4535:
4505:
4500:
4495:Jonathan Glazer
4481:
4475:
4470:David Hemingson
4464:Martin McDonagh
4456:
4450:
4435:Charlie Kaufman
4353:Steven Zaillian
4323:William Monahan
4307:Alexander Payne
4273:Charlie Kaufman
4261:Brian Helgeland
4192:James L. Brooks
4138:
4132:
4127:
4092:
4084:
4079:
4061:
3966:
3864:The Sign of Leo
3854:
3840:A Summer's Tale
3809:
3771:Le Beau Mariage
3748:
3693:Six Moral Tales
3680:
3674:
3640:
3638:Jacques Rivette
3631:
3622:
3579:The Independent
3547:
3523:
3489:. Stock. 2014.
3482:
3477:
3476:
3466:
3464:
3459:
3458:
3454:
3444:
3442:
3441:on 8 April 2011
3429:
3428:
3424:
3416:
3412:
3403:
3399:
3383:
3382:
3378:
3368:
3366:
3358:
3357:
3353:
3338:
3323:
3322:
3318:
3308:
3306:
3297:
3296:
3292:
3282:
3280:
3279:. 12 March 2020
3271:
3270:
3266:
3240:
3239:
3228:
3221:
3208:
3207:
3203:
3193:
3191:
3180:
3179:
3172:
3162:
3160:
3151:
3150:
3135:
3115:
3111:
3101:
3099:
3084:
3083:
3076:
3067:
3063:
3054:
3050:
3041:
3032:
3017:10.2307/1211422
2998:
2997:
2990:
2984:Wayback Machine
2970:
2966:
2953:
2949:
2940:
2931:
2919:
2915:
2898:
2896:
2894:
2879:
2878:
2874:
2864:
2862:
2859:The Irish Times
2851:
2850:
2831:
2822:
2741:
2731:
2729:
2720:
2719:
2708:
2692:
2688:
2684:, Adherents.com
2680:
2676:
2668:
2664:
2651:
2647:
2637:
2635:
2618:
2617:
2604:
2594:
2592:
2584:
2583:
2579:
2574:
2569:
2568:
2554:
2550:
2536:
2532:
2527:
2523:
2518:
2513:
2475:A Summer's Tale
2387:A Good Marriage
2315:The Sign of Leo
2309:
2304:
2298:
2068:FIPRESCI Prize
1983:FIPRESCI Prize
1814:Le Beau Mariage
1591:Best Screenplay
1434:Nominated work
1420:
1412:Jean-Luc Godard
1373:Fabrice Luchini
1355:Thierry Fremaux
1307:
1291:A Winter's Tale
1238:A Summer's Tale
1215:A Summer's Tale
1188:Le Beau Mariage
1164:A Summer's Tale
1151:
1095:A Summer's Tale
1072:Conte d'automne
1057:
981:Alain Philippon
959:Brigitte Bardot
912:Le Beau Mariage
842:
831:Six Moral Tales
704:Jury Grand Prix
546:Six Moral Tales
542:
538:Six Moral Tales
525:The Sign of Leo
516:The Sign of Leo
494:Edgar Allan Poe
468:
463:
366:Révue du Cinéma
362:French New Wave
358:Jacques Rivette
346:Jean-Luc Godard
318:
267:
201:Jean-Luc Godard
191:French New Wave
175:
149:
146: 1957)
141:
137:
136:Thérèse Schérer
118:
92:
86:
82:
81:11 January 2010
73:
67:
61:
59:
58:
57:
47:
35:
28:
23:
22:
18:Maurice Schérer
15:
12:
11:
5:
7378:
7376:
7368:
7367:
7362:
7357:
7352:
7347:
7342:
7337:
7332:
7327:
7322:
7317:
7312:
7307:
7302:
7297:
7292:
7287:
7282:
7277:
7272:
7267:
7257:
7256:
7252:
7251:
7236:
7230:
7229:
7227:
7226:
7219:
7211:
7206:
7201:
7194:
7189:
7183:
7181:
7177:
7176:
7174:
7173:
7165:
7157:
7149:
7141:
7133:
7125:
7117:
7109:
7100:
7098:
7094:
7093:
7091:
7090:
7085:
7080:
7078:Henri Langlois
7075:
7070:
7068:Robert Bresson
7065:
7060:
7054:
7052:
7048:
7047:
7045:
7044:
7039:
7037:Straub–Huillet
7034:
7032:Jacques Rozier
7029:
7024:
7019:
7014:
7009:
7007:Georges Franju
7004:
6999:
6994:
6989:
6983:
6981:
6975:
6974:
6972:
6971:
6966:
6961:
6956:
6951:
6946:
6941:
6935:
6933:
6927:
6926:
6924:
6923:
6918:
6913:
6908:
6903:
6901:Claude Chabrol
6897:
6895:
6888:
6887:
6882:
6880:
6879:
6872:
6865:
6857:
6848:
6847:
6842:
6841:
6839:
6838:
6835:
6829:
6823:
6817:
6811:
6805:
6799:
6796:Aki Kaurismäki
6793:
6787:
6777:
6771:
6765:
6759:
6753:
6750:Roman Polanski
6747:
6744:Asghar Farhadi
6741:
6735:
6729:
6722:Mat Whitecross
6719:
6716:Marc Rothemund
6713:
6707:
6701:
6695:
6688:
6686:
6682:
6681:
6679:
6678:
6672:
6669:Stephen Frears
6666:
6660:
6654:
6644:
6638:
6632:
6626:
6620:
6617:Ricky Tognazzi
6613:Jonathan Demme
6610:
6604:
6598:
6595:Norman Jewison
6592:
6586:
6580:
6574:
6564:
6558:
6552:
6546:
6540:
6534:
6528:
6521:
6519:
6515:
6514:
6512:
6511:
6505:
6499:
6493:
6487:
6481:
6475:
6469:
6463:
6460:Francesco Rosi
6457:
6454:Bernhard Wicki
6451:
6445:
6442:Akira Kurosawa
6439:
6433:
6427:
6424:Robert Aldrich
6420:
6418:
6414:
6413:
6408:
6406:
6405:
6398:
6391:
6383:
6374:
6373:
6371:
6370:
6362:
6354:
6346:
6338:
6330:
6322:
6314:
6306:
6298:
6290:
6278:
6270:
6254:
6242:
6222:
6214:
6206:
6198:
6190:
6178:
6170:
6162:
6153:
6151:
6147:
6146:
6144:
6143:
6135:
6123:
6111:
6099:
6095:Monica Johnson
6087:
6079:
6067:
6059:
6051:
6043:
6035:
6027:
6019:
6011:
6007:Hanif Kureishi
6003:
5995:
5987:
5979:
5967:
5959:
5951:
5943:
5935:
5923:
5914:
5912:
5908:
5907:
5905:
5904:
5888:
5884:Ingmar Bergman
5880:
5864:
5860:Ingmar Bergman
5856:
5844:Larry McMurtry
5840:
5832:
5820:
5812:
5800:
5792:
5787:
5779:
5771:Irving Ravetch
5767:
5762:
5754:
5742:
5734:
5722:
5717:
5713:S. J. Perelman
5700:
5698:
5694:
5693:
5688:
5686:
5685:
5678:
5671:
5663:
5654:
5653:
5651:
5650:
5642:
5634:
5622:
5614:
5602:
5586:
5578:
5570:
5558:
5550:
5534:
5526:
5522:Asghar Farhadi
5518:
5510:
5502:
5494:
5490:Tamara Jenkins
5486:
5478:
5470:
5458:
5450:
5446:Ronald Harwood
5442:
5433:
5431:
5427:
5426:
5424:
5423:
5415:
5407:
5399:
5387:
5383:Monica Johnson
5375:
5371:Amy Heckerling
5367:
5355:
5347:
5339:
5331:
5323:
5315:
5307:
5299:
5295:Hanif Kureishi
5291:
5287:Monica Johnson
5279:
5271:Babaloo Mandel
5263:
5255:
5243:
5235:
5227:
5219:
5211:
5199:
5187:
5175:
5171:Ingmar Bergman
5167:
5151:
5147:Ingmar Bergman
5143:
5135:
5127:
5115:
5107:
5094:
5092:
5088:
5087:
5082:
5080:
5079:
5072:
5065:
5057:
5048:
5047:
5045:
5044:
5034:
5027:Liliana Cavani
5024:
5014:
5004:
4994:
4984:
4974:
4971:Robert Redford
4964:
4954:
4948:
4938:
4932:
4929:Francesco Rosi
4926:
4920:
4914:
4908:
4902:
4896:
4890:
4883:Hayao Miyazaki
4880:
4870:
4860:
4854:
4847:
4845:
4841:
4840:
4838:
4837:
4834:Clint Eastwood
4831:
4825:
4811:
4797:
4794:Michèle Morgan
4790:Dustin Hoffman
4779:
4745:
4731:
4724:Roman Polanski
4720:Robert De Niro
4713:
4699:
4689:
4679:
4676:Robert Bresson
4673:
4667:
4657:
4651:
4645:
4639:
4620:Michael Powell
4616:Akira Kurosawa
4589:
4575:
4572:Ingmar Bergman
4561:
4555:
4548:
4546:
4542:
4541:
4536:
4534:
4533:
4526:
4519:
4511:
4502:
4501:
4499:
4498:
4492:
4485:
4483:
4482:(2022–present)
4477:
4476:
4474:
4473:
4467:
4460:
4458:
4457:(2022–present)
4452:
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4438:
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4404:
4394:
4372:
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4210:Nicholas Kazan
4207:
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4162:Barry Levinson
4159:
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3612:Media offices
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3521:External links
3519:
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3515:978-0253204738
3504:
3498:
3495:978-2234075610
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3397:
3391:The New Yorker
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3253:(5): 777–787.
3226:
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3170:
3133:
3109:
3074:
3068:James Monaco.
3061:
3055:James Monaco.
3048:
3042:James Monaco.
3030:
3005:Film Quarterly
2988:
2964:
2954:Agnès Poirier
2947:
2941:James Monaco.
2929:
2913:
2892:
2872:
2829:
2823:John Wakeman,
2739:
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2693:James Monaco.
2686:
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2658:New York Times
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1855:FIPRESCI Prize
1851:
1850:
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1746:Best Director
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1637:
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1633:
1632:Best Director
1629:
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1625:
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1614:
1613:
1610:
1603:
1597:
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1593:
1588:
1582:
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1578:
1573:
1571:Academy Awards
1568:
1564:
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1551:
1550:
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1534:
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1514:Academy Awards
1511:
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1429:
1426:
1419:
1416:
1306:
1303:
1295:Pascal's wager
1150:
1147:
1056:
1049:
1024:FIPRESCI Prize
1007:Canary Islands
926:Raphael Bassan
844:Following the
841:
835:
733:Pascal's Wager
541:
534:
467:
464:
462:
459:
375:Temps Modernes
354:Claude Chabrol
334:Henri Langlois
317:
314:
266:
263:
218:Academy Awards
159:
158:
155:
151:
150:
139:
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132:
128:
127:
124:
120:
119:
117:
116:
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106:
100:
98:
94:
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87:
85:(aged 89)
79:
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74:
68:
55:
53:
49:
48:
45:
37:
36:
33:
26:
24:
14:
13:
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2:
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7153:Jules and Jim
7150:
7147:
7146:
7142:
7139:
7138:
7134:
7131:
7130:
7126:
7123:
7122:
7121:The 400 Blows
7118:
7115:
7114:
7113:Le Beau Serge
7110:
7107:
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7099:
7095:
7089:
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7005:
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7002:Jean Eustache
7000:
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6988:
6985:
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6959:Alain Resnais
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6814:Hong Sang-soo
6812:
6809:
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6800:
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6788:
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6756:Ulrich Köhler
6754:
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6629:Andrew Birkin
6627:
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6611:
6608:
6605:
6602:
6599:
6596:
6593:
6590:
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6578:
6577:Robert Benton
6575:
6572:
6568:
6567:Costas Ferris
6565:
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6342:Eliza Hittman
6339:
6335:
6331:
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6326:Paul Schrader
6323:
6319:
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6279:
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6219:
6215:
6211:
6207:
6203:
6199:
6195:
6194:Noah Baumbach
6191:
6187:
6183:
6179:
6175:
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6159:
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6152:
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6140:
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6132:
6128:
6124:
6120:
6116:
6112:
6108:
6104:
6103:Curtis Hanson
6100:
6096:
6092:
6091:Albert Brooks
6088:
6084:
6083:Emma Thompson
6080:
6076:
6072:
6068:
6064:
6060:
6056:
6052:
6048:
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6040:
6036:
6032:
6028:
6024:
6020:
6016:
6012:
6008:
6004:
6000:
5996:
5992:
5991:Robert Benton
5988:
5984:
5980:
5976:
5972:
5971:Larry Gelbart
5968:
5964:
5960:
5956:
5952:
5948:
5944:
5940:
5939:Paul Mazursky
5936:
5932:
5928:
5924:
5920:
5916:
5915:
5913:
5909:
5901:
5897:
5893:
5889:
5885:
5881:
5877:
5876:Willard Huyck
5873:
5869:
5865:
5861:
5857:
5853:
5849:
5845:
5841:
5837:
5833:
5829:
5825:
5824:Paul Mazursky
5821:
5817:
5813:
5809:
5808:Robert Benton
5805:
5801:
5797:
5793:
5788:
5784:
5783:Harold Pinter
5780:
5776:
5772:
5768:
5763:
5759:
5755:
5751:
5747:
5743:
5739:
5738:Wendell Mayes
5735:
5731:
5727:
5726:Nedrick Young
5723:
5718:
5714:
5710:
5706:
5702:
5701:
5699:
5695:
5691:
5684:
5679:
5677:
5672:
5670:
5665:
5664:
5661:
5647:
5643:
5639:
5635:
5631:
5627:
5623:
5619:
5618:Eliza Hittman
5615:
5611:
5607:
5603:
5599:
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5591:
5587:
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5511:
5507:
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5499:
5495:
5491:
5487:
5483:
5479:
5475:
5474:Noah Baumbach
5471:
5467:
5463:
5459:
5455:
5451:
5447:
5443:
5439:
5435:
5434:
5432:
5428:
5420:
5416:
5412:
5408:
5404:
5400:
5396:
5392:
5391:Curtis Hanson
5388:
5384:
5380:
5379:Albert Brooks
5376:
5372:
5368:
5364:
5360:
5356:
5352:
5348:
5344:
5340:
5336:
5332:
5328:
5324:
5320:
5316:
5312:
5308:
5304:
5300:
5296:
5292:
5288:
5284:
5283:Albert Brooks
5280:
5276:
5272:
5268:
5264:
5260:
5256:
5252:
5251:Larry Gelbart
5248:
5244:
5240:
5236:
5232:
5228:
5224:
5220:
5216:
5215:Paul Mazursky
5212:
5208:
5204:
5200:
5196:
5192:
5188:
5184:
5183:Warren Beatty
5180:
5176:
5172:
5168:
5164:
5163:Willard Huyck
5160:
5156:
5152:
5148:
5144:
5140:
5136:
5132:
5128:
5124:
5120:
5119:Paul Mazursky
5116:
5112:
5108:
5104:
5103:Robert Benton
5100:
5096:
5095:
5093:
5089:
5085:
5078:
5073:
5071:
5066:
5064:
5059:
5058:
5055:
5042:
5038:
5035:
5032:
5028:
5025:
5022:
5021:Paul Schrader
5018:
5015:
5012:
5008:
5005:
5002:
5001:Tilda Swinton
4998:
4995:
4992:
4991:Julie Andrews
4988:
4985:
4982:
4978:
4975:
4972:
4968:
4965:
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4955:
4952:
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4942:
4939:
4936:
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4930:
4927:
4924:
4921:
4918:
4915:
4912:
4911:John Lasseter
4909:
4906:
4903:
4900:
4897:
4894:
4891:
4888:
4884:
4881:
4878:
4877:Stanley Donen
4874:
4871:
4868:
4864:
4861:
4858:
4855:
4852:
4849:
4848:
4846:
4842:
4835:
4832:
4829:
4826:
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4822:Andrzej Wajda
4819:
4815:
4814:Warren Beatty
4812:
4809:
4805:
4801:
4798:
4795:
4791:
4787:
4783:
4782:Robert Altman
4780:
4777:
4773:
4772:Alberto Sordi
4769:
4765:
4764:Alain Resnais
4761:
4757:
4753:
4749:
4746:
4743:
4739:
4735:
4732:
4729:
4725:
4721:
4717:
4714:
4711:
4707:
4706:Jeanne Moreau
4703:
4700:
4697:
4693:
4690:
4687:
4683:
4682:Miklós Jancsó
4680:
4677:
4674:
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4668:
4665:
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4321:
4318:
4317:Dan Futterman
4315:
4312:
4308:
4305:
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4299:
4296:
4293:
4290:
4287:
4284:
4280:
4279:Cameron Crowe
4277:
4274:
4271:
4268:
4265:
4262:
4258:
4257:Curtis Hanson
4255:
4252:
4251:Stanley Tucci
4248:
4245:
4244:Emma Thompson
4242:
4239:
4235:
4232:
4229:
4228:Robert Altman
4226:
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4166:
4163:
4160:
4157:
4156:Wallace Shawn
4153:
4152:Andre Gregory
4150:
4147:
4144:
4143:
4141:
4135:
4131:
4124:
4119:
4117:
4112:
4110:
4105:
4104:
4101:
4095:
4088:
4076:
4073:
4071:
4068:
4067:
4064:
4057:
4056:
4052:
4049:
4048:
4044:
4041:
4040:
4036:
4033:
4032:
4028:
4025:
4024:
4020:
4017:
4016:
4012:
4009:
4008:
4004:
4001:
4000:
3996:
3993:
3992:
3988:
3985:
3984:
3980:
3979:
3977:
3973:
3962:
3961:
3957:
3954:
3953:
3949:
3946:
3945:
3941:
3938:
3937:
3933:
3930:
3929:
3925:
3922:
3921:
3917:
3914:
3913:
3909:
3906:
3905:
3901:
3898:
3897:
3893:
3890:
3889:
3885:
3882:
3881:
3877:
3874:
3873:
3869:
3866:
3865:
3861:
3860:
3857:
3850:
3849:
3845:
3842:
3841:
3837:
3834:
3833:
3829:
3826:
3825:
3821:
3820:
3818:
3816:
3812:
3805:
3804:
3800:
3797:
3796:
3795:The Green Ray
3792:
3789:
3788:
3784:
3781:
3780:
3776:
3773:
3772:
3768:
3765:
3764:
3760:
3759:
3757:
3755:
3751:
3744:
3743:
3739:
3736:
3735:
3734:Claire's Knee
3731:
3728:
3727:
3723:
3720:
3719:
3715:
3712:
3711:
3707:
3704:
3703:
3699:
3698:
3696:
3694:
3690:
3687:
3685:Feature films
3683:
3679:
3671:
3666:
3664:
3659:
3657:
3652:
3651:
3648:
3639:
3630:
3629:
3621:
3615:
3610:
3605:
3602:
3600:
3596:
3593:
3590:
3586:
3583:
3580:
3576:
3572:
3569:
3565:
3561:
3559:
3556:
3554:
3551:
3546:
3542:
3539:
3537:
3534:
3532:
3528:
3525:
3524:
3520:
3516:
3512:
3508:
3505:
3503:
3499:
3496:
3492:
3488:
3484:
3483:
3479:
3462:
3456:
3453:
3440:
3436:
3432:
3426:
3423:
3419:
3414:
3411:
3407:
3401:
3398:
3393:
3392:
3387:
3380:
3377:
3365:
3361:
3360:"René Monzat"
3355:
3352:
3347:
3343:
3339:
3337:2-87899-040-4
3333:
3329:
3328:
3320:
3317:
3304:
3300:
3294:
3291:
3278:
3274:
3268:
3265:
3260:
3256:
3252:
3248:
3244:
3237:
3235:
3233:
3231:
3227:
3222:
3216:
3212:
3205:
3202:
3189:
3188:
3183:
3177:
3175:
3171:
3158:
3154:
3148:
3146:
3144:
3142:
3140:
3138:
3134:
3130:
3126:
3122:
3118:
3113:
3110:
3097:
3093:
3092:
3087:
3081:
3079:
3075:
3071:
3065:
3062:
3058:
3052:
3049:
3045:
3039:
3037:
3035:
3031:
3026:
3022:
3018:
3014:
3010:
3006:
3002:
2995:
2993:
2989:
2985:
2981:
2978:
2974:
2968:
2965:
2961:
2957:
2951:
2948:
2944:
2938:
2936:
2934:
2930:
2926:
2925:Mubi Notebook
2923:
2920:Luc Moullet.
2917:
2914:
2910:
2908:
2895:
2889:
2885:
2884:
2876:
2873:
2861:
2860:
2855:
2848:
2846:
2844:
2842:
2840:
2838:
2836:
2834:
2830:
2826:
2820:
2818:
2816:
2814:
2812:
2810:
2808:
2806:
2804:
2802:
2800:
2798:
2796:
2794:
2792:
2790:
2788:
2786:
2784:
2782:
2780:
2778:
2776:
2774:
2772:
2770:
2768:
2766:
2764:
2762:
2760:
2758:
2756:
2754:
2752:
2750:
2748:
2746:
2744:
2740:
2727:
2723:
2717:
2715:
2713:
2711:
2707:
2704:
2700:
2696:
2690:
2687:
2683:
2678:
2675:
2671:
2666:
2663:
2659:
2655:
2649:
2646:
2633:
2629:
2628:
2622:
2621:"Eric Rohmer"
2615:
2613:
2611:
2609:
2607:
2603:
2591:
2587:
2581:
2578:
2571:
2564:
2563:
2558:
2552:
2549:
2546:
2545:
2540:
2534:
2531:
2525:
2522:
2515:
2509:
2508:
2504:
2501:
2500:
2496:
2493:
2492:
2488:
2485:
2484:
2480:
2477:
2476:
2472:
2469:
2468:
2464:
2461:
2460:
2456:
2453:
2452:
2448:
2445:
2444:
2440:
2437:
2436:
2432:
2429:
2428:
2424:
2421:
2420:
2416:
2413:
2412:
2411:The Green Ray
2408:
2405:
2404:
2400:
2397:
2396:
2392:
2389:
2388:
2384:
2381:
2380:
2376:
2373:
2372:
2368:
2365:
2364:
2360:
2357:
2356:
2352:
2349:
2348:
2344:
2341:
2340:
2339:Claire's Knee
2336:
2333:
2332:
2328:
2325:
2324:
2323:The Collector
2320:
2317:
2316:
2312:
2311:
2306:
2303:
2295:
2288:
2286:
2283:
2282:
2278:
2275:
2273:
2269:
2265:
2263:
2262:
2251:
2247:
2245:
2244:
2240:
2237:
2235:
2232:
2229:
2228:
2224:
2221:
2219:
2216:
2214:
2211:
2210:
2206:
2204:
2203:
2199:
2197:
2196:Best Director
2194:
2192:
2189:
2185:
2181:
2179:
2176:
2174:
2171:
2168:
2167:
2163:
2161:
2158:
2156:
2153:
2150:
2149:
2145:
2142:
2141:
2137:
2135:
2132:
2131:
2127:
2125:
2124:
2117:
2115:
2108:
2104:
2102:
2101:
2097:
2095:Best Feature
2094:
2092:
2089:
2086:
2085:
2081:
2078:
2075:
2074:
2070:
2067:
2066:
2062:
2060:
2059:
2052:
2050:
2043:
2039:
2036:
2033:
2031:
2028:
2025:
2024:
2020:
2018:
2017:
2013:
2011:
2008:
2006:
2003:
2000:
1999:
1995:
1993:
1990:
1989:
1985:
1982:
1981:
1977:
1975:
1974:
1973:The Green Ray
1968:
1965:
1963:
1956:
1952:
1949:
1946:
1945:
1941:
1939:
1936:
1935:
1931:
1929:
1928:Best Director
1926:
1925:
1921:
1919:
1918:
1912:
1909:
1907:
1900:
1896:
1893:
1890:
1889:
1885:
1882:
1880:
1877:
1873:
1869:
1866:
1863:
1862:
1858:
1856:
1853:
1852:
1848:
1846:
1843:
1842:
1838:
1836:
1835:
1828:
1826:
1822:
1818:
1816:
1815:
1811:
1809:
1806:
1804:
1801:
1797:
1793:
1790:
1787:
1784:
1783:
1779:
1776:
1775:
1771:
1769:
1768:
1762:Golden Spike
1761:
1759:
1752:
1748:
1745:
1743:
1740:
1737:
1736:
1732:
1730:
1727:
1726:
1722:
1720:
1719:
1712:
1710:
1703:
1699:
1696:
1694:
1691:
1690:
1686:
1683:
1680:
1679:
1675:
1673:
1670:
1668:
1665:
1661:
1657:
1655:
1652:
1650:
1647:
1646:
1642:
1639:
1638:
1634:
1631:
1630:
1626:
1624:
1621:
1619:
1615:
1611:
1609:
1608:
1607:Claire's Knee
1602:
1598:
1594:
1592:
1589:
1587:
1584:
1583:
1579:
1577:
1574:
1572:
1569:
1565:
1561:
1558:
1556:
1553:
1552:
1548:
1545:
1543:
1540:
1539:
1535:
1532:
1530:
1527:
1526:
1522:
1520:
1517:
1515:
1512:
1508:
1504:
1502:
1501:
1495:
1492:
1490:
1487:
1484:
1483:
1479:
1476:
1475:
1471:
1469:
1466:
1465:
1461:
1459:
1458:
1452:
1449:
1447:
1440:
1423:
1417:
1415:
1413:
1410:to Rohmer by
1409:
1405:
1404:
1403:Claire's Knee
1399:
1393:
1390:
1386:
1385:Les Visiteurs
1382:
1376:
1374:
1370:
1365:
1363:
1358:
1356:
1352:
1347:
1342:
1337:
1333:
1331:
1326:
1324:
1323:
1318:
1317:
1312:
1304:
1302:
1300:
1296:
1292:
1288:
1284:
1283:The Green Ray
1280:
1275:
1273:
1272:
1267:
1262:
1260:
1259:The Green Ray
1256:
1252:
1248:
1247:
1241:
1239:
1235:
1231:
1227:
1223:
1219:
1217:
1216:
1211:
1210:
1209:The Green Ray
1205:
1204:
1199:
1198:
1192:
1189:
1183:
1179:
1178:
1177:The Green Ray
1173:
1167:
1165:
1161:
1155:
1148:
1146:
1144:
1143:
1137:
1135:
1131:
1126:
1124:
1120:
1116:
1112:
1111:
1106:
1105:
1099:
1097:
1096:
1091:
1090:
1085:
1084:
1079:
1078:
1073:
1069:
1067:
1062:
1054:
1050:
1048:
1046:
1042:
1041:
1035:
1033:
1029:
1025:
1021:
1016:
1012:
1008:
1004:
1003:Marie Rivière
999:
998:
997:The Green Ray
992:
990:
986:
985:Pascale Ogier
982:
978:
977:Alain Bergala
974:
969:
968:
962:
960:
956:
952:
948:
947:
941:
939:
935:
931:
927:
922:
918:
914:
913:
908:
907:
902:
898:
893:
891:
890:
884:
880:
876:
875:
870:
865:
863:
862:Claire's Knee
859:
855:
851:
847:
840:
836:
834:
832:
827:
825:
824:Molly Haskell
821:
818:(released as
817:
816:
811:
806:
803:
802:Vincent Canby
799:
795:
791:
787:
786:Claire's Knee
783:
782:
777:
772:
770:
766:
762:
758:
754:
750:
746:
745:Antoine Vitez
742:
738:
734:
730:
726:
722:
721:
716:
711:
709:
705:
701:
697:
693:
689:
685:
684:
678:
676:
672:
671:Nadja à Paris
667:
663:
659:
655:
651:
650:Louis Lumiere
647:
643:
639:
635:
634:
628:
626:
622:
621:
616:
612:
608:
607:
602:
597:
594:
590:
586:
582:
578:
577:Blaise Pascal
573:
567:
565:
564:
559:
555:
553:
547:
539:
535:
533:
530:
526:
522:
518:
517:
512:
507:
505:
504:
499:
495:
491:
487:
483:
482:
477:
473:
465:
460:
458:
456:
452:
451:
450:cinéma vérité
446:
441:
439:
438:auteur theory
435:
431:
427:
422:
418:
415:
411:
406:
402:
398:
397:
392:
388:
383:
381:
380:La Parisienne
377:
376:
371:
367:
363:
359:
355:
351:
347:
341:
335:
331:
327:
323:
315:
313:
311:
307:
303:
299:
295:
291:
288:
284:
280:
276:
272:
264:
262:
260:
259:
253:
251:
247:
243:
242:
241:The Green Ray
237:
233:
229:
228:
227:Claire's Knee
223:
220:. He won the
219:
215:
214:
208:
206:
202:
198:
197:
192:
189:
184:
181:
173:
169:
165:
156:
152:
133:
129:
125:
121:
115:
112:
110:
107:
105:
104:Film director
102:
101:
99:
95:
90:
80:
76:
71:
66:21 March 1920
54:
50:
43:
38:
31:
19:
7245:
7240:
7234:
7221:
7213:
7196:
7167:
7159:
7151:
7143:
7135:
7127:
7119:
7111:
7103:
6997:Jean Douchet
6992:Jacques Demy
6954:Chris Marker
6949:Armand Gatti
6910:
6891:
6826:Claire Denis
6802:Wes Anderson
6732:Joseph Cedar
6685:2001–present
6675:Miloš Forman
6657:Eric Heumann
6589:Oliver Stone
6571:Ettore Scola
6560:
6549:István Szabó
6496:Carlos Saura
6484:Carlos Saura
6478:Satyajit Ray
6472:Satyajit Ray
6436:Tadashi Imai
6302:Phyllis Nagy
6294:Wes Anderson
6274:Tony Kushner
6266:Stan Chervin
6262:Aaron Sorkin
6202:Peter Morgan
6150:2001–present
6119:Tom Stoppard
6063:Jane Campion
6031:Gus Van Sant
5983:Bill Forsyth
5947:Steve Tesich
5900:Jean Gruault
5868:George Lucas
5835:
5828:Larry Tucker
5804:David Newman
5750:Billy Wilder
5606:Bong Joon-ho
5582:Greta Gerwig
5562:Tom McCarthy
5554:Wes Anderson
5530:Tony Kushner
5514:Aaron Sorkin
5482:Peter Morgan
5430:2001–present
5351:Jane Campion
5319:Gus Van Sant
5303:John Boorman
5259:Bill Forsyth
5223:Steve Tesich
5191:Alain Tanner
5179:Robert Towne
5155:George Lucas
5130:
5123:Larry Tucker
5099:David Newman
4905:Ermanno Olmi
4850:
4844:2001–present
4818:Sophia Loren
4776:Monica Vitti
4624:Satyajit Ray
4604:George Cukor
4586:Billy Wilder
4568:Marcel Carné
4558:Orson Welles
4413:Greta Gerwig
4397:Tom McCarthy
4363:Tony Kushner
4357:Aaron Sorkin
4347:Aaron Sorkin
4283:Steve Kloves
4167:
4053:
4045:
4037:
4029:
4021:
4015:Six in Paris
4013:
4005:
3997:
3989:
3981:
3958:
3952:Triple Agent
3950:
3942:
3934:
3926:
3918:
3910:
3902:
3894:
3886:
3878:
3870:
3862:
3846:
3838:
3830:
3822:
3814:
3801:
3793:
3785:
3777:
3769:
3761:
3753:
3740:
3732:
3724:
3716:
3708:
3700:
3692:
3677:
3625:
3588:
3578:
3568:The Guardian
3567:
3506:
3486:
3480:Bibliography
3465:. Retrieved
3455:
3443:. Retrieved
3439:the original
3425:
3413:
3405:
3400:
3389:
3379:
3367:. Retrieved
3363:
3354:
3326:
3319:
3307:. Retrieved
3302:
3293:
3281:. Retrieved
3276:
3267:
3250:
3246:
3210:
3204:
3192:. Retrieved
3185:
3161:. Retrieved
3128:
3124:
3120:
3112:
3100:. Retrieved
3096:the original
3089:
3070:The New Wave
3069:
3064:
3057:The New Wave
3056:
3051:
3044:The New Wave
3043:
3011:(4): 37–38.
3008:
3004:
2972:
2967:
2960:The Guardian
2959:
2950:
2943:The New Wave
2942:
2916:
2906:
2904:
2897:. Retrieved
2882:
2875:
2863:. Retrieved
2857:
2824:
2730:. Retrieved
2695:The New Wave
2694:
2689:
2677:
2665:
2657:
2648:
2636:. Retrieved
2625:
2593:. Retrieved
2589:
2580:
2560:
2551:
2544:Cría Cuervos
2542:
2539:Carlos Saura
2533:
2524:
2505:
2499:Triple Agent
2497:
2489:
2481:
2473:
2465:
2457:
2449:
2441:
2433:
2425:
2417:
2409:
2401:
2393:
2385:
2377:
2369:
2361:
2353:
2345:
2337:
2329:
2321:
2313:
2276:Golden Lion
2259:
2243:Triple Agent
2241:
2238:Golden Bear
2200:
2121:
2118:Golden Lion
2098:
2056:
2053:Golden Bear
2014:
2010:Best Writing
2005:César Awards
1971:
1950:Prix Méliès
1915:
1906:César Awards
1894:Prix Méliès
1832:
1829:Golden Bear
1812:
1803:César Awards
1791:Prix Méliès
1765:
1716:
1684:Prix Méliès
1654:Golden Shell
1605:
1533:Prix Méliès
1498:
1455:
1401:
1395:
1388:
1384:
1380:
1378:
1366:
1359:
1348:
1345:
1327:
1320:
1314:
1311:René Schérer
1308:
1298:
1290:
1282:
1276:
1269:
1266:Gene Hackman
1263:
1258:
1244:
1242:
1237:
1236:
1232:
1228:
1224:
1220:
1213:
1207:
1201:
1195:
1193:
1181:
1175:
1168:
1163:
1159:
1156:
1152:
1140:
1138:
1127:
1114:
1110:Triple Agent
1108:
1102:
1100:
1093:
1092:(1992), and
1087:
1081:
1075:
1071:
1064:
1060:
1058:
1052:
1044:
1038:
1036:
1026:at the 1986
995:
993:
965:
963:
944:
942:
933:
929:
916:
910:
904:
896:
894:
887:
872:
871:legend film
866:
861:
857:
853:
845:
843:
838:
830:
828:
822:in the US).
819:
813:
809:
807:
785:
779:
775:
773:
768:
764:
748:
724:
718:
714:
712:
699:
695:
687:
681:
679:
670:
664:legend, the
645:
637:
633:Six in Paris
631:
629:
624:
618:
614:
604:
600:
598:
592:
571:
568:
561:
558:F. W. Murnau
549:
545:
543:
537:
524:
520:
514:
508:
501:
497:
489:
485:
479:
476:Paul Gégauff
471:
469:
448:
444:
442:
433:
425:
423:
419:
413:
400:
394:
386:
384:
379:
373:
369:
365:
330:Les Vacances
329:
325:
319:
274:
270:
268:
256:
254:
239:
225:
211:
209:
194:
185:
171:
167:
163:
162:
83:(2010-01-11)
7275:2010 deaths
7270:1920 births
7265:Éric Rohmer
7063:André Bazin
7042:Roger Vadim
7027:Luc Moullet
7017:Louis Malle
7012:Pierre Kast
6969:Agnès Varda
6939:Henri Colpi
6911:Éric Rohmer
6663:Neil Jordan
6601:Dušan Hanák
6561:Éric Rohmer
6218:Jenny Lumet
6174:Craig Lucas
6115:Marc Norman
6075:Roger Avary
6055:Neil Jordan
6023:Ron Shelton
5999:Woody Allen
5927:Woody Allen
5872:Gloria Katz
5836:Éric Rohmer
5796:Robert Bolt
5709:John Farrow
5630:Takamasa Oe
5610:Han Jin-won
5566:Josh Singer
5546:Julie Delpy
5542:Ethan Hawke
5403:Scott Frank
5363:Roger Avary
5311:Ron Shelton
5267:Lowell Ganz
5203:Woody Allen
5195:John Berger
5159:Gloria Katz
5131:Éric Rohmer
4893:David Lynch
4867:Omar Sharif
4851:Éric Rohmer
4828:Jerry Lewis
4808:Alida Valli
4748:Woody Allen
4670:Joris Ivens
4600:Frank Capra
4596:Luis Buñuel
4552:Luis Buñuel
4445:Takamasa Oe
4423:Jeff Whitty
4401:Josh Singer
4267:Scott Frank
4234:Roger Avary
4222:Neil Jordan
4204:Woody Allen
4198:Ron Shelton
4186:Woody Allen
4180:Woody Allen
4168:Éric Rohmer
4139:(1980–2021)
4137:Screenplay
4070:Filmography
3848:Autumn Tale
3678:Éric Rohmer
3620:André Bazin
3548:(in French)
3541:Éric Rohmer
3527:Éric Rohmer
3487:Éric Rohmer
3445:20 November
3364:data.bnf.fr
2595:16 November
2557:Erden Kıral
2483:Autumn Tale
2296:Filmography
2123:Autumn Tale
1992:Golden Ciak
1967:Golden Lion
1713:Palme d'Or
1451:Golden Bear
1279:Jules Verne
1271:Night Moves
1212:(1986) and
1185:evident in
1172:fourth wall
1130:Golden Lion
1077:Autumn Tale
1051:1987–2009:
1047:) in 1987.
1020:Golden Lion
846:Moral Tales
812:was 1972's
798:Prix Méliès
713:The fourth
625:Moral Tales
536:1962–1972:
461:Film career
405:Luc Moullet
391:André Bazin
304:and writer
232:Golden Lion
172:Éric Rohmer
170:, known as
97:Occupations
34:Éric Rohmer
7259:Categories
7137:Breathless
7088:Jean Rouch
6820:Dénes Nagy
6710:Kim Ki-duk
6623:Jan Troell
6366:Samy Burch
6238:Tony Roche
6186:Jim Taylor
6131:Jim Taylor
5963:John Guare
5955:Bo Goldman
5646:Samy Burch
5638:Todd Field
5598:Ian Martin
5498:Mike Leigh
5466:Jim Taylor
5239:John Guare
5231:Bo Goldman
5041:Peter Weir
4967:Jane Fonda
4899:Tim Burton
4628:King Vidor
4387:Armando Bo
4311:Jim Taylor
4146:Bo Goldman
3632:1958–1963
3626:Editor of
3562:Tom Milne
3194:11 January
3163:11 January
3102:11 January
2865:11 January
2732:11 January
2652:Dave Kehr
2638:11 January
2590:oscars.org
2572:References
2555:Tied with
2537:Tied with
2289:Nominated
2285:Queer Lion
2279:Nominated
2266:Nominated
2248:Nominated
2207:Nominated
2182:Nominated
2128:Nominated
2105:Nominated
2063:Nominated
2021:Nominated
1942:Nominated
1932:Nominated
1922:Nominated
1865:OCIC Award
1839:Nominated
1819:Nominated
1772:Nominated
1749:Nominated
1729:Grand Prix
1723:Nominated
1700:Runner-up
1676:Nominated
1643:Nominated
1635:Nominated
1580:Nominated
1523:Nominated
1505:Nominated
1494:Palme d'Or
1462:Nominated
1330:monarchist
1123:monarchist
1015:Canal Plus
1011:green rays
869:Holy Grail
810:Moral Tale
776:Moral Tale
774:The fifth
725:Moral Tale
715:Moral Tale
692:St. Tropez
688:Moral Tale
615:Moral Tale
601:Moral Tale
599:The first
306:Sax Rohmer
290:department
265:Early life
109:journalist
62:1920-03-21
7192:Auteurism
7097:Key films
6931:Left Bank
6894:Directors
6780:Radu Jude
6518:1976–2000
6417:1956–1975
5911:1976–2000
5758:Abby Mann
5705:James Poe
5697:1956–1975
5091:1967–2000
4857:Dino Risi
4742:Al Pacino
4738:Ken Loach
4564:John Ford
4545:1969–2000
4329:Brad Bird
3589:The Times
3259:0016-111X
2909:at age 31
1911:Best Film
1623:Best Film
1431:Category
1351:Jack Lang
1322:Mediapart
973:Super 8mm
883:Tom Milne
593:moraliste
434:Hitchcock
426:Hitchcock
326:Elisabeth
310:Fu Manchu
252:in 2001.
126:1945–2009
7209:Jump cut
7169:La Jetée
4917:John Woo
4489:Kogonada
4174:Alex Cox
3545:AlloCiné
3346:26931441
3283:15 March
2980:Archived
2975:(2005),
2726:CBC News
2703:02185582
2632:Archived
2307:Features
1371:, actor
1316:Le Monde
1206:(1983),
1200:(1967),
1098:(1996).
1086:(1990),
1022:and the
796:and the
702:won the
662:Percival
589:Stendhal
490:Bérénice
298:Catholic
294:Lorraine
154:Children
91:, France
72:, France
7180:Related
4997:Ann Hui
3369:20 June
3309:20 June
3025:1211422
2973:Formats
2907:Cahiers
1437:Result
1408:tribute
1367:At the
1132:at the
953:at the
901:proverb
769:le pari
706:at the
638:Cahiers
455:Marxist
414:Cahiers
401:Cahiers
234:at the
176:French:
148:
140:
114:teacher
7172:(1962)
7164:(1962)
7156:(1962)
7148:(1961)
7140:(1960)
7132:(1959)
7124:(1959)
7116:(1958)
7108:(1956)
6834:(2023)
6828:(2022)
6822:(2021)
6816:(2020)
6810:(2019)
6804:(2018)
6798:(2017)
6792:(2016)
6786:(2015)
6776:(2014)
6770:(2013)
6764:(2012)
6758:(2011)
6752:(2010)
6746:(2009)
6740:(2008)
6734:(2007)
6728:(2006)
6718:(2005)
6712:(2004)
6706:(2003)
6700:(2002)
6694:(2001)
6677:(2000)
6671:(1999)
6665:(1998)
6659:(1997)
6653:(1996)
6651:Yim Ho
6643:(1995)
6637:(1994)
6631:(1993)
6625:(1992)
6619:(1991)
6609:(1990)
6603:(1989)
6597:(1988)
6591:(1987)
6585:(1986)
6579:(1985)
6573:(1984)
6563:(1983)
6557:(1982)
6551:(1980)
6545:(1979)
6539:(1978)
6533:(1977)
6527:(1976)
6510:(1975)
6504:(1972)
6498:(1968)
6492:(1967)
6486:(1966)
6480:(1965)
6474:(1964)
6468:(1963)
6462:(1962)
6456:(1961)
6450:(1960)
6444:(1959)
6438:(1958)
6432:(1957)
6426:(1956)
6360:(2022)
6352:(2021)
6344:(2020)
6336:(2019)
6328:(2018)
6320:(2017)
6312:(2016)
6304:(2015)
6296:(2014)
6288:(2013)
6276:(2012)
6268:(2011)
6252:(2010)
6240:(2009)
6220:(2008)
6212:(2007)
6204:(2006)
6196:(2005)
6188:(2004)
6176:(2003)
6168:(2002)
6160:(2001)
6141:(2000)
6133:(1999)
6121:(1998)
6109:(1997)
6097:(1996)
6085:(1995)
6077:(1994)
6065:(1993)
6057:(1992)
6049:(1991)
6041:(1990)
6025:(1988)
6017:(1987)
6009:(1986)
6001:(1985)
5993:(1984)
5985:(1983)
5977:(1982)
5965:(1981)
5957:(1980)
5949:(1979)
5941:(1978)
5933:(1977)
5921:(1976)
5902:(1975)
5886:(1974)
5878:(1973)
5862:(1972)
5854:(1971)
5838:(1970)
5830:(1969)
5818:(1968)
5810:(1967)
5798:(1966)
5785:(1964)
5777:(1963)
5760:(1961)
5752:(1960)
5740:(1959)
5732:(1958)
5715:(1956)
5648:(2023)
5640:(2022)
5632:(2021)
5620:(2020)
5612:(2019)
5600:(2018)
5584:(2017)
5576:(2016)
5568:(2015)
5556:(2014)
5548:(2013)
5544:, and
5532:(2012)
5524:(2011)
5516:(2010)
5508:(2009)
5500:(2008)
5492:(2007)
5484:(2006)
5476:(2005)
5468:(2004)
5456:(2003)
5448:(2002)
5440:(2001)
5421:(2000)
5413:(1999)
5405:(1998)
5397:(1997)
5385:(1996)
5373:(1995)
5365:(1994)
5353:(1993)
5345:(1992)
5337:(1991)
5329:(1990)
5313:(1988)
5305:(1987)
5297:(1986)
5289:(1985)
5277:(1984)
5261:(1983)
5253:(1982)
5241:(1981)
5233:(1980)
5225:(1979)
5217:(1978)
5209:(1977)
5197:(1976)
5185:(1975)
5173:(1974)
5165:(1973)
5149:(1972)
5141:(1971)
5133:(1970)
5125:(1969)
5113:(1968)
5105:(1967)
5043:(2024)
5033:(2023)
5023:(2022)
5013:(2021)
5003:(2020)
4993:(2019)
4983:(2018)
4973:(2017)
4963:(2016)
4953:(2015)
4947:(2014)
4937:(2013)
4931:(2012)
4925:(2011)
4919:(2010)
4913:(2009)
4907:(2008)
4901:(2007)
4895:(2006)
4889:(2005)
4879:(2004)
4869:(2003)
4859:(2002)
4853:(2001)
4836:(2000)
4830:(1999)
4824:(1998)
4810:(1997)
4796:(1996)
4778:(1995)
4744:(1994)
4730:(1993)
4712:(1992)
4698:(1991)
4688:(1990)
4678:(1989)
4672:(1988)
4666:(1987)
4656:(1986)
4650:(1985)
4644:(1983)
4638:(1982)
4588:(1972)
4574:(1971)
4560:(1970)
4554:(1969)
4497:(2023)
4491:(2022)
4472:(2023)
4466:(2022)
4447:(2021)
4437:(2020)
4431:(2019)
4425:(2018)
4415:(2017)
4409:(2016)
4403:(2015)
4393:(2014)
4385:, and
4371:(2013)
4365:(2012)
4359:(2011)
4349:(2010)
4343:(2009)
4337:(2008)
4331:(2007)
4325:(2006)
4319:(2005)
4313:(2004)
4303:(2003)
4297:(2002)
4291:(2001)
4285:(2000)
4275:(1999)
4269:(1998)
4263:(1997)
4253:(1996)
4246:(1995)
4240:(1994)
4224:(1992)
4218:(1991)
4212:(1990)
4206:(1989)
4200:(1988)
4194:(1987)
4188:(1986)
4182:(1985)
4176:(1984)
4170:(1983)
4164:(1982)
4158:(1981)
4148:(1980)
4058:(1969)
4050:(1968)
4042:(1965)
4034:(1965)
4026:(1965)
4010:(1964)
4002:(1964)
3994:(1958)
3986:(1951)
3975:Shorts
3963:(2007)
3955:(2004)
3947:(2001)
3939:(1995)
3931:(1993)
3923:(1989)
3915:(1988)
3907:(1987)
3899:(1980)
3891:(1978)
3883:(1976)
3875:(1975)
3867:(1962)
3851:(1998)
3843:(1996)
3835:(1992)
3827:(1990)
3806:(1987)
3798:(1986)
3790:(1984)
3782:(1983)
3774:(1982)
3766:(1981)
3745:(1972)
3737:(1970)
3729:(1969)
3721:(1967)
3713:(1963)
3705:(1963)
3513:
3493:
3467:22 May
3344:
3334:
3257:
3217:
3117:Review
3023:
2899:3 June
2890:
2701:
2510:(2007)
2502:(2004)
2494:(2001)
2486:(1998)
2478:(1996)
2470:(1995)
2462:(1993)
2454:(1992)
2446:(1990)
2438:(1988)
2430:(1987)
2422:(1987)
2414:(1986)
2406:(1984)
2398:(1983)
2390:(1982)
2382:(1981)
2366:(1978)
2358:(1976)
2350:(1972)
2342:(1970)
2334:(1969)
2326:(1967)
2318:(1962)
1428:Award
1293:) and
1182:Summer
1066:Contes
792:, the
554:moraux
552:contes
131:Spouse
3021:JSTOR
2516:Notes
2253:2007
2230:2004
2222:None
2187:2001
2169:2000
2151:1999
2110:1998
2087:1995
2045:1992
2037:None
2026:1990
2001:1988
1958:1986
1902:1985
1875:1984
1799:1983
1785:1980
1754:1979
1738:1977
1705:1976
1663:1972
1567:1971
1510:1970
1485:1969
1442:1967
1425:Year
1149:Style
572:think
328:(AKA
283:Tulle
279:Nancy
277:) in
224:with
142:(
138:
89:Paris
70:Tulle
6284:and
6264:and
6248:and
6236:and
6184:and
6129:and
6117:and
6105:and
6093:and
6073:and
5973:and
5929:and
5898:and
5874:and
5846:and
5826:and
5806:and
5773:and
5748:and
5728:and
5711:and
5628:and
5608:and
5596:and
5564:and
5464:and
5393:and
5381:and
5361:and
5285:and
5273:and
5249:and
5205:and
5193:and
5181:and
5161:and
5121:and
5101:and
4443:and
4421:and
4399:and
4355:and
4309:and
4259:and
4236:and
4154:and
3531:IMDb
3511:ISBN
3491:ISBN
3469:2011
3447:2010
3371:2022
3342:OCLC
3332:ISBN
3311:2022
3285:2024
3255:ISSN
3215:ISBN
3196:2010
3165:2010
3104:2010
2901:2011
2888:ISBN
2867:2010
2734:2010
2699:OCLC
2640:2010
2597:2011
2559:for
2541:for
2225:Won
2164:Won
2146:Won
2138:Won
2082:Won
2071:Won
2040:Won
1996:Won
1986:Won
1978:Won
1953:Won
1897:Won
1886:Won
1870:Won
1859:Won
1849:Won
1794:Won
1780:Won
1733:Won
1687:Won
1658:Won
1627:Won
1612:Won
1595:Won
1562:Won
1549:Won
1536:Won
1480:Won
1472:Won
1319:and
1297:(in
1289:(in
1281:(in
1162:and
1107:and
979:and
860:and
778:was
765:Maud
759:and
743:and
717:was
652:and
617:was
603:was
587:and
550:Six
453:and
378:and
370:Arts
273:(or
238:for
203:and
78:Died
52:Born
3599:n+1
3543:at
3529:at
3157:BBC
3119:of
3013:doi
1301:).
1285:),
1074:or
1070:).
648:on
560:'s
336:'s
285:),
248:'s
166:or
7261::
6782:/
6724:/
6649:/
6615:/
6569:/
6260:,
6232:,
6228:,
5894:,
5870:,
5850:/
5707:,
5592:,
5540:,
5269:,
5157:,
5039:/
5029:/
5019:/
5009:/
4999:/
4989:/
4979:/
4969:/
4959:/
4943:/
4885:/
4875:/
4865:/
4820:/
4816:/
4806:/
4802:/
4792:/
4788:/
4784:/
4774:/
4770:/
4766:/
4762:/
4758:/
4754:/
4750:/
4740:/
4736:/
4726:/
4722:/
4718:/
4708:/
4704:/
4694:/
4684:/
4662:/
4634:/
4630:/
4626:/
4622:/
4618:/
4614:/
4610:/
4606:/
4602:/
4598:/
4594:/
4584:/
4580:/
4570:/
4566:/
4389:/
4381:,
4377:,
4281:/
3587:,
3577:,
3566:,
3433:.
3388:.
3362:.
3340:.
3301:.
3275:.
3251:66
3249:.
3245:.
3229:^
3184:.
3173:^
3155:.
3136:^
3088:.
3077:^
3033:^
3019:.
3009:24
3007:.
3003:.
2991:^
2958:,
2932:^
2903:.
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2832:^
2742:^
2724:.
2709:^
2656:,
2624:.
2605:^
2588:.
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1364:.
1136:.
1113:.
932:.
852:,
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739:,
677:.
583:,
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513:,
382:.
372:,
368:,
356:,
352:,
348:,
292:,
144:m.
6876:e
6869:t
6862:v
6402:e
6395:t
6388:v
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2642:.
2599:.
1063:(
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784:(
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60:(
20:)
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