Knowledge (XXG)

Éric Rohmer

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least for a short time. The cinema has its economical laws, its artistic laws, a craft that once in a while rewards us or forgets us. Éric Rohmer seems to have escaped from this reality by inventing his own laws, his own rules of the game. One could say his own economy of the cinema that served his own purpose, which could skip the others, or to be more accurate that couldn't skip the audience with its originality. He had a very unique point of view on the different levels of language and on desire that is at work in the heart of each and every human being, on youth, on seasons, on literature, of course, and one could say on history. Éric Rohmer, this sensual intellectual, with his silhouette of a teacher and a walker. As an outsider he made luminous and candid films in which he deliberately forgot his perfect knowledge of the cinema in a very direct link with the beauty of the world." The text was by Jacques Fieschi and it was a tribute to Éric Rohmer. Thank you.
1005:"is the one who called the shots, not only by what she said, but by the way she'd speak, the way she'd question people, and also by the questions her character evoked from the others." The film was shot chronologically and in 16mm so as to be "as inconspicuous as possible, to have Delphine blend into the crowd as a way, ultimately, of accentuating her isolation." Rohmer also instructed his cinematographer Sophie Maintigneux to keep technical aspects of the shoot to a minimum so as to not interrupt or distract the actors. The film's only major expense was a trip to the 42: 1383:, which recently published a special edition on Eric Rohmer. Truffaut once said he was one of the greatest directors of the 20th century, Godard was his brother, Chabrol admired him, Wenders couldn't stop taking photos of him. Rohmer is a tremendous international star. The one and only French director who was in coherence with the money spent on his films and the money that his films made. I remember a phrase by Daniel Toscan Du Plantier the day 1222:
many thoughts in their heads". Rohmer said he wanted to look at "thoughts rather than actions", dealing "less with what people do than what is going on in their minds while they are doing it." Given Rohmer's professed interest in the anticipation rather than the climax in his tales, the summertime provides his characters with the time and space to show their self-consciousness and anxiety, rather than the solitude and relaxation they desire.
1332:, and "ecological zealot". For years he had no telephone and refused to get into cars, which he called "immoral pollutors". For many years he was known to jog two miles to his office every morning. He was well known for his need for personal privacy and sometimes wore disguises, such as a false moustache at the New York premiere of one of his films. Rohmer's mother died without ever knowing that her son was a famous film director. 1336: 864:. Rohmer stated that "It wasn't simply the action I was drawn to, but the text itself. I didn't want to translate it into images, or make a filmed equivalent. I wanted to use the text as if Kleist himself had put it directly on the screen, as if he were making a movie ... Kleist didn't copy me and I didn't copy him, but obviously there was an affinity." 961:. Rohmer often made films that he had been working on for many years and stated "I can't say 'I make one film, then after that film I look for a subject and write on that subject...then I shoot.' Not at all...these are films that are drawn from one evolving mass, films that have been in my head for a long time and that I think about simultaneously." 1218:(1996). These films are immersed in an environment of bright sunlight, blue skies, green grass, sandy beaches, and clear water. He explained that "people sometimes ask me why most of the main characters in my films are young. I don't feel at ease with older people ... I can't get people older than forty to talk convincingly." 609:(1963). This 26-minute film portrays a young man, a college student, who sees a young woman in the street and spends days obsessively searching for her. He meets a second woman who works in a bakery and begins to flirt with her, but abandons her when he finally finds the first woman. Schroder starred as the young man and 886:
the text gravely read aloud while the images — cramped and crowded, coloured with jewelled brilliance, delighting the eye with bizarre perspectives — magnificently play the role traditionally assigned to marginal illuminations." In 1980 Rohmer made a film for television of his stage production of Kleist's play
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said that the film was "almost universally greeted as a disappointment, at best a whimsical exercise in the faux-naif in its attempt to capture the poetic simplicity of medieval faith, at worse an anticlimatic blunder" and that it was "rather like watching the animation of a medieval manuscript, with
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The director's characters engage in long conversations—mostly talking about man–woman relationships but also on mundane issues like trying to find a vacation spot. There are also occasional digressions by the characters on literature and philosophy as most of Rohmer's characters are middle class and
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Similarly, Rohmer's films all have a strong sense of place. Whether shot in Paris, Clermont-Ferrand, or elsewhere, his films clearly show where they are and how the characters are part of that place. Characters travel or walk past signposts or monuments, or converse about these places. The locations
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Half a dozen of Rohmer's films are set in the summertime, which he depicts as a time of beauty and leisure but also of "stagnation and aimlessness". He does this through cinematography and sound design, but primarily through presenting "reflective characters with too much time on their hands and too
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TV, a pay-TV station that paid $ 130,000 for the film, which was only one fifth of its budget. Rohmer stated that "Cinema here will survive only because of television. Without such an alliance we won't be able to afford French films." The experiment paid off when the film was a theatrical hit after
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Rohmer's best-known article was "Le Celluloïd et le marbre" ("Celluloid and Marble", 1955), which examines the relationship between film and other arts. In the article, Rohmer writes that in an age of cultural self-consciousness, film is "the last refuge of poetry" and the only contemporary art form
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Rohmer preferred to use non-professional actors in his films. He usually held a large number of rehearsals before shooting and would shoot his films very quickly. He spent little time editing his films. He usually shot his films chronologically, and often shot scenes during the time of day in which
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Many of Rohmer's films have a circular structure, with the main part consisting of a digression that will "seem to promise escape from a trap which the protagonist feels closing around him or her, but will come to be seen rather as itself a trap from which the protagonist must escape". This is most
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Rohmer's films concentrate on intelligent, articulate protagonists who frequently fail to own up to their desires. The contrast between what they say and what they do fuels much of the drama in his films. Gerard Legrand once said that "he is one of the rare filmmakers who is constantly inviting you
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in 1984. The film's proverb was invented by Rohmer himself: "The one who has two wives loses his soul, the one who has two houses loses his mind." The film's cinematographer Renato Berta called it "one of the most luxurious films ever made" because of the high amount of preparation put into it. The
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called it "something close to a perfect film." It was Rohmer's second film in color. Rohmer said, "the presence of the lake and the mountains is stronger in color than in black and white. It is a film I couldn't imagine in black and white. The color green seems to me essential in that film...This
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that sold 100,000 tickets, which may sound ridiculous in comparison, but no, because but it was only playing in one theater for an entire year." A happy time for cinema when this kind of thing could happen. Rohmer. Here is a tribute from Jacques Fieschi: "We are all connected with the cinema, at
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in the United States). Rohmer also tends to spend considerable time in his films showing his characters going from place to place, walking, driving, bicycling or commuting on a train, engaging the viewer in the idea that part of the day of each individual involves quotidian travel. This was most
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is someone who is interested in the description of what goes on inside man. He's concerned with states of mind and feelings." Regarding the repetition of a single storyline, he explained that it would allow him to explore six variations of the same theme. Plus, he stated, "I was determined to be
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staff, and his opinions were highly influential on the magazine's direction while he was editor. Rohmer first published articles under his real name but began using "Éric Rohmer" in 1955 so that his family would not find out that he was involved in the film world, as they would have disapproved.
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in 1986. Rohmer explained that "I was struck by the naturalness of television interviews. You can say that here, nature is perfect. If you look for it, you find it because people forget the cameras." As was becoming his custom in pre-production, Rohmer gathered his cast together to discuss the
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and female students in Paris. Rohmer later said that television taught him how to make "readable images". He later said, "When you show a film on TV, the framing goes to pieces, straight lines are warped...the way people stand and walk and move, the whole physical dimension...all this is lost.
1240:(1996) has most of the elements of a typical Rohmer film: no soundtrack music, no close-ups, a seaside resort, long conversations between beautiful young people (who are middle class and educated) and discussions involving the characters' interests from songwriting to ethnology. 1154:
to be intelligent, indeed, more intelligent than his (likable) characters." Rohmer considered filmmaking to be "closer to the novel—to a certain classical style of novel which the cinema is now taking over—than the other forms of entertainment, like the theater."
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co-founded the production company Les Films du Losange (they were later joined by Pierre Coltrell in the late 1960s). Les Films du Losange produced all of Rohmer's work (except his last three features produced by La Compagnie Eric Rohmer).
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For Rohmer, these stories' characters "like to bring their motives, the reasons for their actions, into the open, they try to analyze, they are not people who act without thinking about what they are doing. What matters is what they
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they took place. He explained that "my films are based on meteorology. If I didn't call the weather service everyday, I couldn't make my films because they're shot according to the weather outside. My films are slaves to weather."
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said that "Eric Rohmer is a virtuoso of the pen sketch... at ease with the paint tubes that Persival required, a tiny figurine whose every feature, every curl, every tone is aimed at revealing to us a state of soul and of heart."
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about their behavior, rather than their behavior itself." The French word "moraliste" does not translate directly to the English "moralist" and has more to do with what someone thinks and feels. Rohmer cited the works of
364:. Rohmer had never been very interested in film, preferring literature, but soon became an intense lover of films and about 1949 switched from journalism to film criticism. He wrote film reviews for such publications as 4113: 2177: 2159: 1169:
Rohmer saw the full-face closeup as a device that does not reflect how we see each other and avoided its use. He avoids extradiegetic music (not coming from onscreen sound sources), seeing it as a violation of the
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film began with Rohmer and the actors discussing their roles and reading from the film's scenario while tape recording the rehearsals. Rohmer then re-wrote the script based on these sessions and shot the film on
5060: 4006: 432:. It focuses on Hitchcock's Catholic background and has been called "one of the most influential film books since the Second World War, casting new light on a filmmaker hitherto considered a mere entertainer". 523:) in 1959. In the film an American composer spends the month of August waiting for his inheritance while all his friends are on vacation and gradually becomes impoverished. It included music by Louis Sagver. 4106: 407:
later remarked that, unlike the more aggressive and personal writings of younger critics like Truffaut and Godard, Rohmer favored a rhetorical style that made extensive use of questions and rarely used the
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who go on and on forever about the legitimacy of certain institutions or beliefs confronted by problems of the emotions. Quite simply, this is a minor variation on this central Rohmerian theme."
484:. The 12-minute film was co-written by and starred Jean-Luc Godard. The film was not completed until 1961. In 1952 Rohmer began collaborating with Pierre Guilbaud on a one-hour short feature, 5083: 3998: 7359: 4129: 6400: 4046: 5689: 1590: 2631: 641: 300:. He was secretive about his private life and often gave different dates of birth to reporters. He fashioned his pseudonym from the names of two famous artists: actor and director 3430: 1622: 1230:
in which the characters exist are as important an element in his films as what his characters are saying and doing. For this reason, Rohmer has been called a "poet of place".
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have stated that "all the art of Eric Rohmer consists of creating on the set a veritable osmosis among himself, the actors and the technicians." Rohmer even encouraged actress
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series. Rohmer was educated in Paris and received an advanced degree in history, though he seemed equally interested and learned in literature, philosophy, and theology.
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in 1986, his crew consisted only of a camera operator and a sound engineer. Rohmer stated that "I even wonder if I could work in the usual conditions of filmmaking."
3552: 991:. Alain Philippon called the film "one of the most accomplished films that Rohmer has given us...and that if the film moves it is because of its own risk-taking." 1313:. In 1957, Rohmer married Thérèse Barbet. The couple had two sons. The elder, René Monzat (b. 1958), is an author and investigative journalist at, most recently, 627:
were never theatrically released and Rohmer was disappointed by their poor technical quality. They were not well known until after the release of the other four.
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described him as "the most durable filmmaker of the French New Wave", outlasting his peers and "still making movies the public wanted to see" late in his career.
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Rohmer was obsessively private and gave out different dates of birth; other dates that appear in sources include 4 April 1920, 1 December 1920 and 4 April 1923.
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was later recut and rescored by distributors when Chabrol was forced to sell his production company, and Rohmer disowned the recut version. In 1962 Rohmer and
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Montero, José Francisco & Paredes, Israel. Imágenes de la Revolución. La inglesa y el duque/La commune (París, 1871). 2011. Shangrila Ediciones.
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criticized the film for betraying the rest of the series by making a moral judgment of the main character and approving of his decision in the film.
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Rohmer typically populates his films with people in their twenties and the settings are often on pleasant beaches and popular resorts, notably in
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Rohmer and Schroder then sold the rights of two of their short films to French television in order to raise $ 60,000 to produce the feature film
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as a dress rehearsal. When the film was finally shot, Rohmer often used between two and three takes for each shot, and sometimes only one take.
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and later won the Prix Max Ophüls. It was released in the US and praised by critics there as well. It eventually received Oscar nominations for
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Rohmer died on the morning of 11 January 2010 at the age of 89 after a series of strokes. He had been admitted to hospital the previous week.
7289: 3218: 2891: 2195: 183:; 21 March 1920 – 11 January 2010), was a French film director, film critic, journalist, novelist, screenwriter, and teacher. 3584: 4537: 4374: 3272: 2620: 324:. In the mid-1940s he quit his teaching job and moved to Paris, where he worked as a freelance journalist. In 1946 he published a novel, 3502:
https://web.archive.org/web/20140421082451/http://shangrilaedicionesblog.blogspot.com/2011/10/imagenes-de-la-revolucion-intertextos.html
2090: 640:, Rohmer began making short documentaries for French television. Between 1964 and 1966 Rohmer made 14 shorts for television through the 2979: 7319: 3514: 3494: 3434: 1528: 4022: 3438: 3959: 3741: 3335: 2506: 2346: 2260: 1728: 1141: 814: 7344: 2681: 2154: 1927: 1379:
I'm going to read a remarkable text written by Jacques Fieschi, writer, director, creator of "the cinematographe", challenger of
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Rohmer was a highly literary man. His films frequently refer to ideas and themes in plays and novels, such as references to
566:(1927): a man, married or otherwise committed to a woman, is tempted by a second woman but eventually returns to the first. 723:
in 1969. The film was made with funds raised by Truffaut, who liked the script, and was initially intended to be the third
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inflexible and intractable, because if you persist in an idea it seems to me that in the end you do secure a following."
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project and their characters, but then allowed each actor to invent their own dialogue. Rohmer stated that lead actress
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to design sets for the film since her character is an interior decorator. Ogier later won the Best Actress award at the
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and was made with a borrowed camera. By 1951 Rohmer had a bigger budget provided by friends and shot the short film
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propaganda. Its innovative cinematic style and strong acting performances led it to be well received elsewhere.
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as a critical method and contributed to the reevaluation of the American cinema that was central to that method.
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was Rohmer's first successful film both commercially and critically. It was screened and highly praised at the
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was a critically acclaimed release in 1999 when Rohmer was 79. The previous titles of the series were
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said that "the filmmaker fails to achieve in these dialogues the flexibility, the textual freedom of
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who actually is making the wager and whether or not they win or lose, that only enlarges the idea of
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Personally I don't feel that TV is an intimate medium." In 1964 Rohmer made the 13-minute short film
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Best Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced
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in 1976. It was one of Rohmer's most critically acclaimed films, with many critics ranking it with
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opened, which eventually sold 15 million tickets: "Yes but there is this incredible film called
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Rohmer began to reduce the number of crew members on his films. He first dispensed with the
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By 1963 Rohmer was becoming more at odds with some of the more radical left-wing critics at
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Later in 1980 Rohmer embarked on a second series of films: the "Comedies and Proverbs" (
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with Rivette and Godard, but it was short-lived. In 1951 Rohmer joined the staff of
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and was praised by French film critics, though US film critics called it "boring".
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caused considerable controversy in France, where its negative portrayal of the
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Beginning in the 2000s, Rohmer, in his eighties, returned to period drama with
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who describes viewing Rohmer's films as "kind of like watching paint dry".
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was not available so filming was delayed for a year. The film centers on
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film criticism. Rohmer resigned that year and was succeeded by Rivette.
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directors to become established. He edited the influential film journal
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Glòria Salvadó Corretger, "Object/Subject: The Films of Eric Rohmer,"
556:). Each of the films in the cycle follows the same story, inspired by 7191: 6650: 3594: 3147: 3145: 3143: 3141: 3139: 3137: 2654:"Eric Rohmer, a Leading Filmmaker of the French New Wave, Dies at 89" 1864: 1034:
wrote an unfavorable review and stated "I didn't like it very much."
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Rohmer wanted to make a less personal film and adapted a novella by
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being released three days after its initial broadcast. It won the
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from which metaphor can still spring naturally and spontaneously.
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In 1963 Les Films du Losange produced the New Wave omnibus film
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Les cabinets de physique : la vie de société au 18e siècle
3649: 3585:"Eric Rohmer: director whose films included Le genou de Claire" 3156: 1400:
held a special tribute to Rohmer that included a screening of
1353:
called Rohmer "one of the masters of French cinema". Director
210:
Rohmer gained international acclaim around 1969 when his film
1128:
In 2001, his life's work was recognised when he received the
644:(ORTF) and Télévision Scolaire. These included episodes of 500:, a 50-minute film produced by Godard. In 1958 Rohmer made 199:
from 1957 to 1963, while most of his colleagues—among them
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National Society of Film Critics Award for Best Screenplay
56:
Maurice Henri Joseph Schérer or Jean Marie Maurice Schérer
2977:
http://www.upf.edu/materials/depeca/formats/arti8_ing.htm
4130:
Boston Society of Film Critics Award for Best Screenplay
496:. In 1956 Rohmer directed, wrote, edited and starred in 2819: 2817: 2815: 2813: 2811: 2809: 2807: 2805: 2803: 2801: 2799: 2797: 2795: 2793: 2791: 2789: 2787: 2785: 2783: 2781: 2779: 2777: 2775: 2773: 2771: 2769: 2767: 2765: 2763: 5690:
New York Film Critics Circle Award for Best Screenplay
3999:
Les métamorphoses du paysage : l'ère industrielle
3558:
Interview with 'The French Revolutionary - Eric Rohmer
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Beginning in the late 1970s during the production of
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Louis Lumière / conversation avec Langlois et Renoir
1059:
He followed these with a third series in the 1990s:
805:
film would have no value to me in black and white."
7179: 7096: 7050: 6977: 6929: 6890: 6684: 6517: 6416: 6149: 5910: 5696: 5429: 5090: 4843: 4544: 4479: 4454: 4136: 3974: 3813: 3752: 3691: 3684: 2697:. New York: Oxford University Press. 1976. p. 286. 1030:. It was mostly praised by film critics, although 936:is only a variation on the spiritual states of the 153: 130: 122: 96: 77: 51: 32: 3072:. New York: Oxford University Press. 1976. p. 303. 3059:. New York: Oxford University Press. 1976. p. 288. 2945:. New York: Oxford University Press. 1976. p. 287. 2619: 881:. The film received mostly poor critical reviews. 2937: 2935: 2933: 591:as inspirations for the series. He clarified, "a 509:Chabrol's company AJYM produced Rohmer's feature 544:Rohmer's career began to gain momentum with his 7360:Golden Lion for Lifetime Achievement recipients 470:In 1950 Rohmer made his first 16mm short film, 3386:"Looking Behind Éric Rohmer's Cinematic Style" 694:as a set. Rohmer described it as a film about 255:After Rohmer's death in 2010, his obituary in 6868: 6394: 5674: 5068: 4522: 4114: 3661: 3299:"Le blog de René Monzat Le Club de Mediapart" 642:Office de Radiodiffusion Télévision Française 8: 3408:. New York: Columbia University Press. 2016. 3127:is included as a supplement to the DVD disk 2827:. New York: H. W. Wilson, 1988. pp. 919-928. 2614: 2612: 2610: 2608: 2606: 1477:Best Feature Film Suitable for Young People 1325:. His work focuses on the French far-right. 1186: 1013:there. Rohmer chose to première the film on 337: 46:Rohmer at the Cinémathèque Française in 2004 6875: 6861: 6853: 6401: 6387: 6379: 5681: 5667: 5659: 5075: 5061: 5053: 4529: 4515: 4507: 4121: 4107: 4099: 4086: 3688: 3668: 3654: 3646: 3608: 3046:. New York: Oxford University Press. 1976. 2999:Petrie, Graham; Rohmer, Eric (July 1971). 2880:Neupert, Richard John (19 February 2007). 2134:Golden Osella for Best Original Screenplay 403:contributor and French New Wave filmmaker 40: 29: 4031:Les histoires extraordinaires d'Edgar Poe 3904:Four Adventures of Reinette and Mirabelle 3213:. Bloomington: Indiana University Press. 3038: 3036: 3034: 2994: 2992: 2825:World Film Directors, Volume 2, 1945-1985 2722:"French filmmaker Eric Rohmer dies at 89" 2427:Four Adventures of Reinette and Mirabelle 1649:San Sebastián International Film Festival 790:San Sebastián International Film Festival 656:, educational films on Blaise Pascal and 506:, a 20-minute short produced by Chabrol. 385:In 1950, he co-founded the film magazine 222:San Sebastián International Film Festival 7355:Silver Bear for Best Director recipients 6837:Nelson Carlos De Los Santos Arias (2024) 5454:Shari Springer Berman and Robert Pulcini 4301:Shari Springer Berman and Robert Pulcini 2143:Sergio Trasatti Award – Special Mention 1421: 892:, another work with a medieval setting. 877:, based on a 12th-century manuscript by 800:, and was a huge international success. 492:, a 15-minute short based on a story by 424:In 1957 Rohmer and Claude Chabrol wrote 7365:French film production company founders 7237: 3928:The Tree, the Mayor and the Mediatheque 2886:. Univ of Wisconsin Press. p. 29. 2883:A history of the French new wave cinema 2852:Ruadhán Mac Cormaic (11 January 2010). 2577: 2521: 2459:The Tree, the Mayor and the Mediatheque 2173:Chicago Film Critics Association Awards 1618:National Society of Film Critics Awards 1375:presented a special tribute to Rohmer: 955:33rd Berlin International Film Festival 708:17th Berlin International Film Festival 466:1950–1962: Shorts and early film career 244:in 1986. Rohmer went on to receive the 3983:Présentation ou Charlotte et son steak 3553:Éric Rohmer — critical essay at Kamera 3273:"A Summer's Tale (1996) for SAM films" 1758:Valladolid International Film Festival 1742:National Society of Film Critics Award 788:, 1970). It won the Grand Prix at the 481:Présentation ou Charlotte et son steak 3485:de Baecque, Antoine and Herpe, Noël. 3236: 3234: 3232: 3230: 3086:"French film maker Rohmer dies at 89" 1309:Rohmer's brother was the philosopher 1264:His style was famously criticised by 1253:, then (controversially) cut out the 903:. The first "Comedy and proverb" was 178: 7: 4538:Golden Lion for Lifetime Achievement 4018:(segment "Place de l'Étoile") (1965) 3463:. Berlin International Film Festival 3153:"French film-maker Eric Rohmer dies" 2682:The religion of director Eric Rohmer 2634:from the original on 12 January 2022 1879:Boston Society of Film Critics Award 1672:Best Foreign Film (Foreign Language) 1468:Silver Bear Extraordinary Jury Prize 1360:Rohmer's grave is in district 13 of 964:The fourth "Comedy and Proverb" was 344:, where he first met and befriended 320:Rohmer first worked as a teacher in 2905:Eric Rohmer, who began writing for 2091:Chicago International Film Festival 1947:French Syndicate of Cinema Critics 1891:French Syndicate of Cinema Critics 1788:French Syndicate of Cinema Critics 1693:New York Film Critics Circle Awards 1681:French Syndicate of Cinema Critics 1389:L'arbre, le maire et la médiathèque 1158:easily observable in films such as 1037:The Sixth "Comedy and Proverb" was 994:The fifth "Comedy and Proverb" was 943:The third "Comedy and proverb" was 829:Overall, Rohmer said he wanted the 3536:extensive biography of Eric Rohmer 3435:Berlin International Film Festival 3243:"Eric Rohmer's Oppressive Summers" 3182:"French director Eric Rohmer dies" 2234:Berlin International Film Festival 2049:Berlin International Film Festival 1825:Berlin International Film Festival 1586:New York Film Critics Circle Award 1529:French Syndicate of Cinema Critics 1446:Berlin International Film Festival 899:), where each film was based on a 25: 7246:Eric Rohmer: Realist and Moralist 3960:The Romance of Astrea and Celadon 3507:Eric Rohmer: Realist and Moralist 3404:Anoine de Baecque and Noël Herpe 3277:The Dark Lady of American Letters 3211:Eric Rohmer, realist and moralist 3094:. 12 January 2010. Archived from 2854:"Film-maker Rohmer dies in Paris" 2507:The Romance of Astrea and Celadon 2261:The Romance of Astrea and Celadon 1142:The Romance of Astrea and Celadon 7295:Directors of Golden Lion winners 7285:Burials at Montparnasse Cemetery 3384:Brody, Richard (24 March 2021). 2155:National Society of Film Critics 1542:National Society of Film Critics 27:French film director (1920–2010) 7325:French people of German descent 3431:"Berlinale: 1983 Prize Winners" 393:'s newly founded film magazine 143: 7340:German-language film directors 3406:Éric Rohmer : a biography 3327:Enquêtes sur la droite extrême 2670:Eric Rohmer Biography (1920?-) 1328:Rohmer was a devout Catholic, 1268:'s character in the 1975 film 1139:In 2007, Rohmer's final film, 1: 7280:20th-century French novelists 6410:Silver Bear for Best Director 3418:Godard on the Death of Róhmer 3121:Éric Rohmer coffret intégrale 2922:The Mask and the Role of God. 1845:Silver Bear for Best Director 1121:led some critics to label it 951:Silver Bear for Best Director 613:was the narrator. The second 563:Sunrise: A Song of Two Humans 4023:Les caractères de La Bruyère 3330:. Paris: Le Monde-Editions. 3131:. Retrieved 10 January 2015. 3123:(Éditions Potemkine, 2013). 2077:Prize of the Ecumenical Jury 1349:The former Culture Minister 585:François de La Rochefoucauld 275:Maurice Henri Joseph Schérer 168:Maurice Henri Joseph Schérer 3461:"Berlinale: 1992 Programme" 3001:"Eric Rohmer: An Interview" 837:1972–1987: Adaptations and 660:, and documentaries on the 186:Rohmer was the last of the 7381: 6166:Charlie and Donald Kaufman 4654:Paolo and Vittorio Taviani 4295:Charlie and Donald Kaufman 3803:Boyfriends and Girlfriends 3702:The Bakery Girl of Monceau 2419:Boyfriends and Girlfriends 2299: 2178:Best Foreign Language Film 2160:Best Foreign Language Film 2016:Boyfriends and Girlfriends 1519:Best Foreign Language Film 1357:called his work "unique". 1040:Boyfriends and Girlfriends 606:The Bakery Girl of Monceau 486:Les Petites Filles modèles 474:. The film starred writer 271:Jean-Marie Maurice Schérer 164:Jean Marie Maurice Schérer 7320:French male screenwriters 7290:Cahiers du Cinéma editors 4096: 4065: 3858: 3815:Tales of the Four Seasons 3634: 3624: 3616: 3611: 3305:(in French). 20 June 2022 3091:Philippine Daily Inquirer 2956:"Eric Rohmer: un hommage" 2270: 2258: 2255: 2252: 2186: 2120: 2112: 2109: 2055: 2047: 2044: 1970: 1960: 1957: 1914: 1904: 1901: 1874: 1831: 1823: 1798: 1764: 1756: 1753: 1715: 1707: 1704: 1662: 1616: 1604: 1599: 1566: 1509: 1497: 1454: 1444: 1441: 1436: 1433: 1430: 1427: 1424: 1061:Tales of the Four Seasons 1053:Tales of the Four Seasons 753:1969 Cannes Film Festival 696:l'amour par désoeuvrement 360:and other members of the 338: 39: 7249:- Retrieved 30 July 2017 6368:and Alex Mechanik (2023) 6210:Joel Coen and Ethan Coen 5506:Joel Coen and Ethan Coen 4341:Joel Coen and Ethan Coen 4230:and Frank Barhydt (1993) 3509:(Midland: 22 June 1988) 2982:14 December 2012 at the 1938:Best Original Screenplay 1808:Best Original Screenplay 1396:On 8 February 2010, the 867:In 1978 Rohmer made the 757:Best Original Screenplay 741:Marie-Christine Barrault 698:("love from idleness"). 7073:Jacques Doniol-Valcroze 6531:Manuel Gutiérrez Aragón 4383:Alexander Dinelaris Jr. 3991:Véronique et son cancre 2374:(1980, television film) 2302:Éric Rohmer filmography 2034:Luchino Visconti Award 1305:Personal life and death 735:and stars Trintignant, 503:Véronique et son cancre 7330:French Roman Catholics 7204:Cinémathèque Française 7145:Last Year at Marienbad 7051:Theoretical influences 6033:and Daniel Yost (1989) 5321:and Daniel Yost (1989) 4642:Michelangelo Antonioni 4091:Awards for Éric Rohmer 4055:Victor Hugo architecte 3896:Catherine de Heilbronn 3324:Monzat, René. (1992). 3187:The New Zealand Herald 3125:Cathérine de Heilbronn 2371:Catherine de Heilbronn 1418:Awards and nominations 1398:Cinémathèque Française 1394: 1343: 1187: 889:Catherine de Heilbronn 820:Chloe in the Afternoon 729:Jean-Louis Trintignant 646:Filmmakers of Our Time 340:Cinémathèque Française 316:Career as a journalist 7345:Lycée Henri-IV alumni 7315:French male novelists 7305:French film directors 6543:Astrid Henning-Jensen 4375:Alejandro G. Iñárritu 3944:The Lady and the Duke 3872:L'enfance d'une ville 3754:Comedies and Proverbs 3742:Love in the Afternoon 3564:Obituary: Eric Rohmer 3420:, Cinemasparagus blog 3241:Fawell, John (1993). 3209:Crisp, C. G. (1988). 2491:The Lady and the Duke 2347:Love in the Afternoon 2202:The Lady and the Duke 1381:Les cahiers du cinéma 1377: 1362:Montparnasse Cemetery 1341:Montparnasse Cemetery 1338: 1234:university educated. 1115:The Lady and the Duke 1104:The Lady and the Duke 1055:and later film career 1009:in order to film the 897:Comédies et Proverbes 839:Comedies and Proverbs 815:Love in the Afternoon 673:with cinematographer 666:Industrial Revolution 472:Journal d'un scélérat 436:helped establish the 410:first person singular 216:was nominated at the 7335:French screenwriters 7083:Joseph-Marie Lo Duca 7022:Jean-Pierre Melville 6784:Małgorzata Szumowska 6738:Paul Thomas Anderson 6726:Michael Winterbottom 6635:Krzysztof Kieślowski 6350:Paul Thomas Anderson 6318:Paul Thomas Anderson 6039:Ruth Prawer Jhabvala 4702:Francis Ford Coppola 4686:Marcello Mastroianni 4664:Joseph L. Mankiewicz 4455:Original Screenplay 4249:Joseph Tropiano and 4075:Les Films du Losange 4039:Entretien sur Pascal 3824:A Tale of Springtime 3779:Pauline at the Beach 3573:Christopher Hawtree 2443:A Tale of Springtime 2395:Pauline at the Beach 2272:Venice Film Festival 2213:Venice Film Festival 2191:European Film Awards 2114:Venice Film Festival 1962:Venice Film Festival 1867:– Honorable Mention 1834:Pauline at the Beach 1709:Cannes Film Festival 1489:Cannes Film Festival 1203:Pauline at the Beach 1180:(1986) (released as 1160:Pauline at the Beach 1134:Venice Film Festival 1083:A Tale of Springtime 1028:Venice Film Festival 989:Venice Film Festival 949:in 1983. It won the 946:Pauline at the Beach 808:The sixth and final 498:La Sonate à Kreutzer 387:La Gazette du Cinéma 246:Venice Film Festival 236:Venice Film Festival 7300:French film critics 7129:Hiroshima mon amour 6964:Alain Robbe-Grillet 5031:Tony Leung Chiu-wai 4734:Suso Cecchi d'Amico 4592:Alessandro Blasetti 4480:Adapted Screenplay 3936:Rendezvous in Paris 3920:Les Jeux de société 3912:Le trio en si bémol 3888:Perceval le Gallois 2630:. 11 January 2010. 2627:The Daily Telegraph 2562:A Season in Hakkari 2467:Rendezvous in Paris 2435:Le trio en mi bémol 2363:Perceval le Gallois 2256:Louis Delluc Prize 2100:Rendezvous in Paris 1767:Perceval le Gallois 1667:Golden Globe Awards 1287:William Shakespeare 1246:Perceval le Gallois 1032:Alain Robbe-Grillet 874:Perceval le Gallois 850:Heinrich von Kleist 686:in 1967, the third 654:Carl Theodor Dreyer 540:and television work 258:The Daily Telegraph 180:[eʁikʁomɛʁ] 7310:French journalists 7218:(2010 documentary) 6768:David Gordon Green 6583:Georgiy Shengelaya 6282:Eric Warren Singer 5816:Lorenzo Semple Jr. 5730:Harold Jacob Smith 5343:David Webb Peoples 5275:Bruce Jay Friedman 4957:Jean-Paul Belmondo 4951:Bertrand Tavernier 4941:Thelma Schoonmaker 4887:Stefania Sandrelli 4873:Manoel de Oliveira 4863:Dino De Laurentiis 4752:Giuseppe De Santis 4696:Gian Maria Volonté 4335:Dustin Lance Black 3787:Full Moon in Paris 3763:The Aviator's Wife 3726:My Night at Maud's 3718:La Collectionneuse 3676:Films directed by 3129:Die Marquise von O 3098:on 13 January 2010 2403:Full Moon in Paris 2379:The Aviator's Wife 2331:My Night at Maud's 2218:Career Golden Lion 2079:– Special Mention 2030:David di Donatello 1917:Full Moon in Paris 1777:Honorable Mention 1601:Louis Delluc Prize 1559:Best Foreign Film 1500:My Night at Maud's 1457:La Collectionneuse 1406:and a short video 1344: 1339:Rohmer's grave in 1255:assistant director 1197:La Collectionneuse 1068:des quatre saisons 967:Full Moon in Paris 934:A Perfect Marriage 930:The Aviator's Wife 917:A Perfect Marriage 906:The Aviator's Wife 879:Chrétien de Troyes 858:My Night at Maud's 854:La Marquise d'O... 781:Le genou de Claire 749:My Night at Maud's 720:My Night at Maud's 700:La Collectionneuse 683:La Collectionneuse 611:Bertrand Tavernier 581:Jean de La Bruyère 302:Erich von Stroheim 287:Meurthe-et-Moselle 250:Career Golden Lion 213:My Night at Maud's 7350:People from Tulle 7232: 7231: 7198:Cahiers du Cinéma 7105:Le Coup du Berger 6987:Philippe de Broca 6921:François Truffaut 6892:Cahiers du Cinéma 6850: 6849: 6844: 6843: 6774:Richard Linklater 6762:Christian Petzold 6647:Richard Loncraine 6641:Richard Linklater 6607:Michael Verhoeven 6502:Jean-Pierre Blanc 6376: 6375: 6334:Quentin Tarantino 6071:Quentin Tarantino 5931:Marshall Brickman 5896:Suzanne Schiffman 5892:François Truffaut 5852:Penelope Gilliatt 5848:Peter Bogdanovich 5775:Harriet Frank Jr. 5656: 5655: 5626:Ryusuke Hamaguchi 5538:Richard Linklater 5359:Quentin Tarantino 5207:Marshall Brickman 5139:Penelope Gilliatt 5050: 5049: 5017:Catherine Deneuve 4961:Jerzy Skolimowski 4945:Frederick Wiseman 4756:Goffredo Lombardo 4716:Claudia Cardinale 4504: 4503: 4441:Ryusuke Hamaguchi 4429:Quentin Tarantino 4419:Nicole Holofcener 4391:Richard Linklater 4379:Nicolás Giacobone 4369:Nicole Holofcener 4289:Christopher Nolan 4238:Quentin Tarantino 4083: 4082: 3970: 3969: 3880:The Marquise of O 3644: 3643: 3635:Succeeded by 3628:Cahiers du cinéma 3597:in memoriam from 3591:, 12 January 2010 3581:, 13 January 2010 3570:, 11 January 2010 3303:Club de Mediapart 3247:The French Review 3220:978-0-253-31908-1 3190:. 12 January 2010 3159:. 11 January 2010 2962:, 12 January 2010 2893:978-0-299-21704-4 2728:. 11 January 2010 2660:, 11 January 2010 2355:The Marquise of O 2293: 2292: 1718:The Marquise of O 1555:Sant Jordi Awards 1369:2010 César Awards 1299:Ma nuit chez Maud 1251:script supervisor 1119:French Revolution 1045:L'Ami de mon amie 794:Prix Louis Delluc 761:Best Foreign Film 658:Stéphane Mallarmé 511:directorial debut 445:Cahiers du Cinéma 396:Cahiers du Cinéma 350:François Truffaut 205:François Truffaut 196:Cahiers du cinéma 188:post-World War II 161: 160: 123:Years active 16:(Redirected from 7372: 7250: 7242: 7187:Arthouse musical 7161:Cléo from 5 to 7 7058:Alexandre Astruc 6979:Other filmmakers 6944:Marguerite Duras 6877: 6870: 6863: 6854: 6808:Angela Schanelec 6537:Georgi Djulgerov 6490:Živojin Pavlović 6466:Nikos Koundouros 6403: 6396: 6389: 6380: 6369: 6361: 6353: 6345: 6337: 6329: 6321: 6313: 6310:Kenneth Lonergan 6305: 6297: 6289: 6286:David O. Russell 6277: 6269: 6253: 6241: 6234:Armando Iannucci 6221: 6213: 6205: 6197: 6189: 6177: 6169: 6161: 6142: 6139:Kenneth Lonergan 6134: 6122: 6110: 6098: 6086: 6078: 6066: 6058: 6050: 6047:David Cronenberg 6042: 6034: 6026: 6018: 6010: 6002: 5994: 5986: 5978: 5966: 5958: 5950: 5942: 5934: 5922: 5903: 5887: 5879: 5863: 5855: 5839: 5831: 5819: 5811: 5799: 5791: 5786: 5778: 5766: 5761: 5753: 5746:I. A. L. Diamond 5741: 5733: 5721: 5716: 5683: 5676: 5669: 5660: 5649: 5641: 5633: 5621: 5613: 5601: 5590:Armando Iannucci 5585: 5577: 5574:Kenneth Lonergan 5569: 5557: 5549: 5533: 5525: 5517: 5509: 5501: 5493: 5485: 5477: 5469: 5457: 5449: 5441: 5422: 5419:Kenneth Lonergan 5414: 5406: 5398: 5386: 5374: 5366: 5354: 5346: 5338: 5335:David Cronenberg 5330: 5322: 5314: 5306: 5298: 5290: 5278: 5262: 5254: 5242: 5234: 5226: 5218: 5210: 5198: 5186: 5174: 5166: 5150: 5142: 5134: 5126: 5114: 5106: 5077: 5070: 5063: 5054: 5037:Sigourney Weaver 5011:Jamie Lee Curtis 4981:Vanessa Redgrave 4977:David Cronenberg 4935:William Friedkin 4923:Marco Bellocchio 4800:Gérard Depardieu 4786:Vittorio Gassman 4728:Steven Spielberg 4648:Federico Fellini 4636:Cesare Zavattini 4632:Sergei Yutkevich 4582:Anatoli Golovnya 4531: 4524: 4517: 4508: 4407:Kenneth Lonergan 4216:David Cronenberg 4123: 4116: 4109: 4100: 4087: 3832:A Tale of Winter 3710:Suzanne's Career 3689: 3670: 3663: 3656: 3647: 3617:Preceded by 3609: 3595:"On Eric Rohmer" 3549: 3473: 3472: 3470: 3468: 3457: 3451: 3450: 3448: 3446: 3437:. Archived from 3427: 3421: 3415: 3409: 3402: 3396: 3395: 3381: 3375: 3374: 3372: 3370: 3356: 3350: 3349: 3321: 3315: 3314: 3312: 3310: 3295: 3289: 3288: 3286: 3284: 3269: 3263: 3262: 3238: 3225: 3224: 3206: 3200: 3199: 3197: 3195: 3178: 3169: 3168: 3166: 3164: 3149: 3132: 3114: 3108: 3107: 3105: 3103: 3082: 3073: 3066: 3060: 3053: 3047: 3040: 3029: 3028: 2996: 2987: 2969: 2963: 2952: 2946: 2939: 2928: 2918: 2912: 2911: 2902: 2900: 2877: 2871: 2870: 2868: 2866: 2849: 2828: 2821: 2738: 2737: 2735: 2733: 2718: 2705: 2691: 2685: 2679: 2673: 2672:, Film Reference 2667: 2661: 2650: 2644: 2643: 2641: 2639: 2623: 2616: 2601: 2600: 2598: 2596: 2582: 2565: 2553: 2547: 2535: 2529: 2526: 2451:A Tale of Winter 2058:A Tale of Winter 1883:Best Screenplay 1697:Best Screenplay 1640:Best Screenplay 1546:Best Screenplay 1422: 1190: 1089:A Tale of Winter 938:petty bourgeoise 921:Claude Baignères 737:Françoise Fabian 675:Nestor Almendros 620:Suzanne's Career 529:Barbet Schroeder 521:Le Signe du lion 430:Alfred Hitchcock 343: 342: 322:Clermont-Ferrand 308:, author of the 281:(also listed as 269:Rohmer was born 230:in 1971 and the 182: 177: 147: 145: 84: 65: 63: 44: 30: 21: 7380: 7379: 7375: 7374: 7373: 7371: 7370: 7369: 7255: 7254: 7253: 7243: 7239: 7233: 7228: 7223:Trouver Frisson 7215:Two in the Wave 7175: 7092: 7046: 6973: 6925: 6916:Jacques Rivette 6906:Jean-Luc Godard 6886: 6884:French New Wave 6881: 6851: 6846: 6845: 6840: 6832:Philippe Garrel 6790:Mia Hansen-Løve 6704:Patrice Chéreau 6698:Otar Iosseliani 6692:Lin Cheng-sheng 6680: 6555:Mario Monicelli 6525:Mario Monicelli 6513: 6508:Sergei Solovyov 6448:Jean-Luc Godard 6430:Mario Monicelli 6412: 6407: 6377: 6372: 6364: 6358:Martin McDonagh 6356: 6348: 6340: 6332: 6324: 6316: 6308: 6300: 6292: 6280: 6272: 6258:Steven Zaillian 6256: 6250:Lisa Cholodenko 6246:Stuart Blumberg 6244: 6230:Simon Blackwell 6226:Jesse Armstrong 6224: 6216: 6208: 6200: 6192: 6182:Alexander Payne 6180: 6172: 6164: 6158:Julian Fellowes 6156: 6145: 6137: 6127:Alexander Payne 6125: 6113: 6107:Brian Helgeland 6101: 6089: 6081: 6069: 6061: 6053: 6045: 6037: 6029: 6021: 6015:James L. Brooks 6013: 6005: 5997: 5989: 5981: 5975:Murray Schisgal 5969: 5961: 5953: 5945: 5937: 5925: 5919:Paddy Chayefsky 5917: 5906: 5890: 5882: 5866: 5858: 5842: 5834: 5822: 5814: 5802: 5794: 5790:No Award (1965) 5789: 5781: 5769: 5765:No Award (1962) 5764: 5756: 5744: 5736: 5724: 5720:No Award (1957) 5719: 5703: 5692: 5687: 5657: 5652: 5644: 5636: 5624: 5616: 5604: 5594:David Schneider 5588: 5580: 5572: 5560: 5552: 5536: 5528: 5520: 5512: 5504: 5496: 5488: 5480: 5472: 5462:Alexander Payne 5460: 5452: 5444: 5438:Julian Fellowes 5436: 5425: 5417: 5411:Charlie Kaufman 5409: 5401: 5395:Brian Helgeland 5389: 5377: 5369: 5357: 5349: 5341: 5333: 5327:Charles Burnett 5325: 5317: 5309: 5301: 5293: 5281: 5265: 5257: 5247:Murray Schisgal 5245: 5237: 5229: 5221: 5213: 5201: 5189: 5177: 5169: 5153: 5145: 5137: 5129: 5117: 5111:John Cassavetes 5109: 5097: 5086: 5081: 5051: 5046: 5007:Roberto Benigni 4987:Pedro Almodóvar 4839: 4804:Stanley Kubrick 4768:Martin Scorsese 4760:Ennio Morricone 4710:Paolo Villaggio 4692:Mario Monicelli 4660:Luigi Comencini 4612:Alexander Kluge 4608:Jean-Luc Godard 4578:Charlie Chaplin 4540: 4535: 4505: 4500: 4495:Jonathan Glazer 4481: 4475: 4470:David Hemingson 4464:Martin McDonagh 4456: 4450: 4435:Charlie Kaufman 4353:Steven Zaillian 4323:William Monahan 4307:Alexander Payne 4273:Charlie Kaufman 4261:Brian Helgeland 4192:James L. Brooks 4138: 4132: 4127: 4092: 4084: 4079: 4061: 3966: 3864:The Sign of Leo 3854: 3840:A Summer's Tale 3809: 3771:Le Beau Mariage 3748: 3693:Six Moral Tales 3680: 3674: 3640: 3638:Jacques Rivette 3631: 3622: 3579:The Independent 3547: 3523: 3489:. 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Perelman 5700: 5698: 5694: 5693: 5688: 5686: 5685: 5678: 5671: 5663: 5654: 5653: 5651: 5650: 5642: 5634: 5622: 5614: 5602: 5586: 5578: 5570: 5558: 5550: 5534: 5526: 5522:Asghar Farhadi 5518: 5510: 5502: 5494: 5490:Tamara Jenkins 5486: 5478: 5470: 5458: 5450: 5446:Ronald Harwood 5442: 5433: 5431: 5427: 5426: 5424: 5423: 5415: 5407: 5399: 5387: 5383:Monica Johnson 5375: 5371:Amy Heckerling 5367: 5355: 5347: 5339: 5331: 5323: 5315: 5307: 5299: 5295:Hanif Kureishi 5291: 5287:Monica Johnson 5279: 5271:Babaloo Mandel 5263: 5255: 5243: 5235: 5227: 5219: 5211: 5199: 5187: 5175: 5171:Ingmar Bergman 5167: 5151: 5147:Ingmar Bergman 5143: 5135: 5127: 5115: 5107: 5094: 5092: 5088: 5087: 5082: 5080: 5079: 5072: 5065: 5057: 5048: 5047: 5045: 5044: 5034: 5027:Liliana Cavani 5024: 5014: 5004: 4994: 4984: 4974: 4971:Robert Redford 4964: 4954: 4948: 4938: 4932: 4929:Francesco Rosi 4926: 4920: 4914: 4908: 4902: 4896: 4890: 4883:Hayao Miyazaki 4880: 4870: 4860: 4854: 4847: 4845: 4841: 4840: 4838: 4837: 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1007:Canary Islands 926:Raphael Bassan 844:Following the 841: 835: 733:Pascal's Wager 541: 534: 467: 464: 462: 459: 375:Temps Modernes 354:Claude Chabrol 334:Henri Langlois 317: 314: 266: 263: 218:Academy Awards 159: 158: 155: 151: 150: 139: 135: 134: 132: 128: 127: 124: 120: 119: 117: 116: 111: 106: 100: 98: 94: 93: 87: 85:(aged 89) 79: 75: 74: 68: 55: 53: 49: 48: 45: 37: 36: 33: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 7377: 7366: 7363: 7361: 7358: 7356: 7353: 7351: 7348: 7346: 7343: 7341: 7338: 7336: 7333: 7331: 7328: 7326: 7323: 7321: 7318: 7316: 7313: 7311: 7308: 7306: 7303: 7301: 7298: 7296: 7293: 7291: 7288: 7286: 7283: 7281: 7278: 7276: 7273: 7271: 7268: 7266: 7263: 7262: 7260: 7248: 7247: 7241: 7238: 7235: 7225: 7224: 7220: 7217: 7216: 7212: 7210: 7207: 7205: 7202: 7200: 7199: 7195: 7193: 7190: 7188: 7185: 7184: 7182: 7178: 7171: 7170: 7166: 7163: 7162: 7158: 7155: 7154: 7153:Jules and Jim 7150: 7147: 7146: 7142: 7139: 7138: 7134: 7131: 7130: 7126: 7123: 7122: 7121:The 400 Blows 7118: 7115: 7114: 7113:Le Beau Serge 7110: 7107: 7106: 7102: 7101: 7099: 7095: 7089: 7086: 7084: 7081: 7079: 7076: 7074: 7071: 7069: 7066: 7064: 7061: 7059: 7056: 7055: 7053: 7049: 7043: 7040: 7038: 7035: 7033: 7030: 7028: 7025: 7023: 7020: 7018: 7015: 7013: 7010: 7008: 7005: 7003: 7002:Jean Eustache 7000: 6998: 6995: 6993: 6990: 6988: 6985: 6984: 6982: 6980: 6976: 6970: 6967: 6965: 6962: 6960: 6959:Alain Resnais 6957: 6955: 6952: 6950: 6947: 6945: 6942: 6940: 6937: 6936: 6934: 6932: 6928: 6922: 6919: 6917: 6914: 6912: 6909: 6907: 6904: 6902: 6899: 6898: 6896: 6893: 6889: 6885: 6878: 6873: 6871: 6866: 6864: 6859: 6858: 6855: 6836: 6833: 6830: 6827: 6824: 6821: 6818: 6815: 6814:Hong Sang-soo 6812: 6809: 6806: 6803: 6800: 6797: 6794: 6791: 6788: 6785: 6781: 6778: 6775: 6772: 6769: 6766: 6763: 6760: 6757: 6756:Ulrich Köhler 6754: 6751: 6748: 6745: 6742: 6739: 6736: 6733: 6730: 6727: 6723: 6720: 6717: 6714: 6711: 6708: 6705: 6702: 6699: 6696: 6693: 6690: 6689: 6687: 6683: 6676: 6673: 6670: 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5103:Robert Benton 5100: 5096: 5095: 5093: 5089: 5085: 5078: 5073: 5071: 5066: 5064: 5059: 5058: 5055: 5042: 5038: 5035: 5032: 5028: 5025: 5022: 5021:Paul Schrader 5018: 5015: 5012: 5008: 5005: 5002: 5001:Tilda Swinton 4998: 4995: 4992: 4991:Julie Andrews 4988: 4985: 4982: 4978: 4975: 4972: 4968: 4965: 4962: 4958: 4955: 4952: 4949: 4946: 4942: 4939: 4936: 4933: 4930: 4927: 4924: 4921: 4918: 4915: 4912: 4911:John Lasseter 4909: 4906: 4903: 4900: 4897: 4894: 4891: 4888: 4884: 4881: 4878: 4877:Stanley Donen 4874: 4871: 4868: 4864: 4861: 4858: 4855: 4852: 4849: 4848: 4846: 4842: 4835: 4832: 4829: 4826: 4823: 4822:Andrzej Wajda 4819: 4815: 4814:Warren Beatty 4812: 4809: 4805: 4801: 4798: 4795: 4791: 4787: 4783: 4782:Robert Altman 4780: 4777: 4773: 4772:Alberto Sordi 4769: 4765: 4764:Alain Resnais 4761: 4757: 4753: 4749: 4746: 4743: 4739: 4735: 4732: 4729: 4725: 4721: 4717: 4714: 4711: 4707: 4706:Jeanne Moreau 4703: 4700: 4697: 4693: 4690: 4687: 4683: 4682:Miklós Jancsó 4680: 4677: 4674: 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4178: 4175: 4172: 4169: 4166: 4163: 4160: 4157: 4156:Wallace Shawn 4153: 4152:Andre Gregory 4150: 4147: 4144: 4143: 4141: 4135: 4131: 4124: 4119: 4117: 4112: 4110: 4105: 4104: 4101: 4095: 4088: 4076: 4073: 4071: 4068: 4067: 4064: 4057: 4056: 4052: 4049: 4048: 4044: 4041: 4040: 4036: 4033: 4032: 4028: 4025: 4024: 4020: 4017: 4016: 4012: 4009: 4008: 4004: 4001: 4000: 3996: 3993: 3992: 3988: 3985: 3984: 3980: 3979: 3977: 3973: 3962: 3961: 3957: 3954: 3953: 3949: 3946: 3945: 3941: 3938: 3937: 3933: 3930: 3929: 3925: 3922: 3921: 3917: 3914: 3913: 3909: 3906: 3905: 3901: 3898: 3897: 3893: 3890: 3889: 3885: 3882: 3881: 3877: 3874: 3873: 3869: 3866: 3865: 3861: 3860: 3857: 3850: 3849: 3845: 3842: 3841: 3837: 3834: 3833: 3829: 3826: 3825: 3821: 3820: 3818: 3816: 3812: 3805: 3804: 3800: 3797: 3796: 3795:The Green Ray 3792: 3789: 3788: 3784: 3781: 3780: 3776: 3773: 3772: 3768: 3765: 3764: 3760: 3759: 3757: 3755: 3751: 3744: 3743: 3739: 3736: 3735: 3734:Claire's Knee 3731: 3728: 3727: 3723: 3720: 3719: 3715: 3712: 3711: 3707: 3704: 3703: 3699: 3698: 3696: 3694: 3690: 3687: 3685:Feature films 3683: 3679: 3671: 3666: 3664: 3659: 3657: 3652: 3651: 3648: 3639: 3630: 3629: 3621: 3615: 3610: 3605: 3602: 3600: 3596: 3593: 3590: 3586: 3583: 3580: 3576: 3572: 3569: 3565: 3561: 3559: 3556: 3554: 3551: 3546: 3542: 3539: 3537: 3534: 3532: 3528: 3525: 3524: 3520: 3516: 3512: 3508: 3505: 3503: 3499: 3496: 3492: 3488: 3484: 3483: 3479: 3462: 3456: 3453: 3440: 3436: 3432: 3426: 3423: 3419: 3414: 3411: 3407: 3401: 3398: 3393: 3392: 3387: 3380: 3377: 3365: 3361: 3360:"René Monzat" 3355: 3352: 3347: 3343: 3339: 3337:2-87899-040-4 3333: 3329: 3328: 3320: 3317: 3304: 3300: 3294: 3291: 3278: 3274: 3268: 3265: 3260: 3256: 3252: 3248: 3244: 3237: 3235: 3233: 3231: 3227: 3222: 3216: 3212: 3205: 3202: 3189: 3188: 3183: 3177: 3175: 3171: 3158: 3154: 3148: 3146: 3144: 3142: 3140: 3138: 3134: 3130: 3126: 3122: 3118: 3113: 3110: 3097: 3093: 3092: 3087: 3081: 3079: 3075: 3071: 3065: 3062: 3058: 3052: 3049: 3045: 3039: 3037: 3035: 3031: 3026: 3022: 3018: 3014: 3010: 3006: 3002: 2995: 2993: 2989: 2985: 2981: 2978: 2974: 2968: 2965: 2961: 2957: 2951: 2948: 2944: 2938: 2936: 2934: 2930: 2926: 2925:Mubi Notebook 2923: 2920:Luc Moullet. 2917: 2914: 2910: 2908: 2895: 2889: 2885: 2884: 2876: 2873: 2861: 2860: 2855: 2848: 2846: 2844: 2842: 2840: 2838: 2836: 2834: 2830: 2826: 2820: 2818: 2816: 2814: 2812: 2810: 2808: 2806: 2804: 2802: 2800: 2798: 2796: 2794: 2792: 2790: 2788: 2786: 2784: 2782: 2780: 2778: 2776: 2774: 2772: 2770: 2768: 2766: 2764: 2762: 2760: 2758: 2756: 2754: 2752: 2750: 2748: 2746: 2744: 2740: 2727: 2723: 2717: 2715: 2713: 2711: 2707: 2704: 2700: 2696: 2690: 2687: 2683: 2678: 2675: 2671: 2666: 2663: 2659: 2655: 2649: 2646: 2633: 2629: 2628: 2622: 2621:"Eric Rohmer" 2615: 2613: 2611: 2609: 2607: 2603: 2591: 2587: 2581: 2578: 2571: 2564: 2563: 2558: 2552: 2549: 2546: 2545: 2540: 2534: 2531: 2525: 2522: 2515: 2509: 2508: 2504: 2501: 2500: 2496: 2493: 2492: 2488: 2485: 2484: 2480: 2477: 2476: 2472: 2469: 2468: 2464: 2461: 2460: 2456: 2453: 2452: 2448: 2445: 2444: 2440: 2437: 2436: 2432: 2429: 2428: 2424: 2421: 2420: 2416: 2413: 2412: 2411:The Green Ray 2408: 2405: 2404: 2400: 2397: 2396: 2392: 2389: 2388: 2384: 2381: 2380: 2376: 2373: 2372: 2368: 2365: 2364: 2360: 2357: 2356: 2352: 2349: 2348: 2344: 2341: 2340: 2339:Claire's Knee 2336: 2333: 2332: 2328: 2325: 2324: 2323:The Collector 2320: 2317: 2316: 2312: 2311: 2306: 2303: 2295: 2288: 2286: 2283: 2282: 2278: 2275: 2273: 2269: 2265: 2263: 2262: 2251: 2247: 2245: 2244: 2240: 2237: 2235: 2232: 2229: 2228: 2224: 2221: 2219: 2216: 2214: 2211: 2210: 2206: 2204: 2203: 2199: 2197: 2196:Best Director 2194: 2192: 2189: 2185: 2181: 2179: 2176: 2174: 2171: 2168: 2167: 2163: 2161: 2158: 2156: 2153: 2150: 2149: 2145: 2142: 2141: 2137: 2135: 2132: 2131: 2127: 2125: 2124: 2117: 2115: 2108: 2104: 2102: 2101: 2097: 2095:Best Feature 2094: 2092: 2089: 2086: 2085: 2081: 2078: 2075: 2074: 2070: 2067: 2066: 2062: 2060: 2059: 2052: 2050: 2043: 2039: 2036: 2033: 2031: 2028: 2025: 2024: 2020: 2018: 2017: 2013: 2011: 2008: 2006: 2003: 2000: 1999: 1995: 1993: 1990: 1989: 1985: 1982: 1981: 1977: 1975: 1974: 1973:The Green Ray 1968: 1965: 1963: 1956: 1952: 1949: 1946: 1945: 1941: 1939: 1936: 1935: 1931: 1929: 1928:Best Director 1926: 1925: 1921: 1919: 1918: 1912: 1909: 1907: 1900: 1896: 1893: 1890: 1889: 1885: 1882: 1880: 1877: 1873: 1869: 1866: 1863: 1862: 1858: 1856: 1853: 1852: 1848: 1846: 1843: 1842: 1838: 1836: 1835: 1828: 1826: 1822: 1818: 1816: 1815: 1811: 1809: 1806: 1804: 1801: 1797: 1793: 1790: 1787: 1784: 1783: 1779: 1776: 1775: 1771: 1769: 1768: 1762:Golden Spike 1761: 1759: 1752: 1748: 1745: 1743: 1740: 1737: 1736: 1732: 1730: 1727: 1726: 1722: 1720: 1719: 1712: 1710: 1703: 1699: 1696: 1694: 1691: 1690: 1686: 1683: 1680: 1679: 1675: 1673: 1670: 1668: 1665: 1661: 1657: 1655: 1652: 1650: 1647: 1646: 1642: 1639: 1638: 1634: 1631: 1630: 1626: 1624: 1621: 1619: 1615: 1611: 1609: 1608: 1607:Claire's Knee 1602: 1598: 1594: 1592: 1589: 1587: 1584: 1583: 1579: 1577: 1574: 1572: 1569: 1565: 1561: 1558: 1556: 1553: 1552: 1548: 1545: 1543: 1540: 1539: 1535: 1532: 1530: 1527: 1526: 1522: 1520: 1517: 1515: 1512: 1508: 1504: 1502: 1501: 1495: 1492: 1490: 1487: 1484: 1483: 1479: 1476: 1475: 1471: 1469: 1466: 1465: 1461: 1459: 1458: 1452: 1449: 1447: 1440: 1423: 1417: 1415: 1413: 1410:to Rohmer by 1409: 1405: 1404: 1403:Claire's Knee 1399: 1393: 1390: 1386: 1385:Les Visiteurs 1382: 1376: 1374: 1370: 1365: 1363: 1358: 1356: 1352: 1347: 1342: 1337: 1333: 1331: 1326: 1324: 1323: 1318: 1317: 1312: 1304: 1302: 1300: 1296: 1292: 1288: 1284: 1283:The Green Ray 1280: 1275: 1273: 1272: 1267: 1262: 1260: 1259:The Green Ray 1256: 1252: 1248: 1247: 1241: 1239: 1235: 1231: 1227: 1223: 1219: 1217: 1216: 1211: 1210: 1209:The Green Ray 1205: 1204: 1199: 1198: 1192: 1189: 1183: 1179: 1178: 1177:The Green Ray 1173: 1167: 1165: 1161: 1155: 1148: 1146: 1144: 1143: 1137: 1135: 1131: 1126: 1124: 1120: 1116: 1112: 1111: 1106: 1105: 1099: 1097: 1096: 1091: 1090: 1085: 1084: 1079: 1078: 1073: 1069: 1067: 1062: 1054: 1050: 1048: 1046: 1042: 1041: 1035: 1033: 1029: 1025: 1021: 1016: 1012: 1008: 1004: 1003:Marie Rivière 999: 998: 997:The Green Ray 992: 990: 986: 985:Pascale Ogier 982: 978: 977:Alain Bergala 974: 969: 968: 962: 960: 956: 952: 948: 947: 941: 939: 935: 931: 927: 922: 918: 914: 913: 908: 907: 902: 898: 893: 891: 890: 884: 880: 876: 875: 870: 865: 863: 862:Claire's Knee 859: 855: 851: 847: 840: 836: 834: 832: 827: 825: 824:Molly Haskell 821: 818:(released as 817: 816: 811: 806: 803: 802:Vincent Canby 799: 795: 791: 787: 786:Claire's Knee 783: 782: 777: 772: 770: 766: 762: 758: 754: 750: 746: 745:Antoine Vitez 742: 738: 734: 730: 726: 722: 721: 716: 711: 709: 705: 701: 697: 693: 689: 685: 684: 678: 676: 672: 671:Nadja à Paris 667: 663: 659: 655: 651: 650:Louis Lumiere 647: 643: 639: 635: 634: 628: 626: 622: 621: 616: 612: 608: 607: 602: 597: 594: 590: 586: 582: 578: 577:Blaise Pascal 573: 567: 565: 564: 559: 555: 553: 547: 539: 535: 533: 530: 526: 522: 518: 517: 512: 507: 505: 504: 499: 495: 491: 487: 483: 482: 477: 473: 465: 460: 458: 456: 452: 451: 450:cinéma vérité 446: 441: 439: 438:auteur theory 435: 431: 427: 422: 418: 415: 411: 406: 402: 398: 397: 392: 388: 383: 381: 380:La Parisienne 377: 376: 371: 367: 363: 359: 355: 351: 347: 341: 335: 331: 327: 323: 315: 313: 311: 307: 303: 299: 295: 291: 288: 284: 280: 276: 272: 264: 262: 260: 259: 253: 251: 247: 243: 242: 241:The Green Ray 237: 233: 229: 228: 227:Claire's Knee 223: 220:. He won the 219: 215: 214: 208: 206: 202: 198: 197: 192: 189: 184: 181: 173: 169: 165: 156: 152: 133: 129: 125: 121: 115: 112: 110: 107: 105: 104:Film director 102: 101: 99: 95: 90: 80: 76: 71: 66:21 March 1920 54: 50: 43: 38: 31: 19: 7245: 7240: 7234: 7221: 7213: 7196: 7167: 7159: 7151: 7143: 7135: 7127: 7119: 7111: 7103: 6997:Jean Douchet 6992:Jacques Demy 6954:Chris Marker 6949:Armand Gatti 6910: 6891: 6826:Claire Denis 6802:Wes Anderson 6732:Joseph Cedar 6685:2001–present 6675:Miloš Forman 6657:Eric Heumann 6589:Oliver Stone 6571:Ettore Scola 6560: 6549:István Szabó 6496:Carlos Saura 6484:Carlos Saura 6478:Satyajit Ray 6472:Satyajit Ray 6436:Tadashi Imai 6302:Phyllis Nagy 6294:Wes Anderson 6274:Tony Kushner 6266:Stan Chervin 6262:Aaron Sorkin 6202:Peter Morgan 6150:2001–present 6119:Tom Stoppard 6063:Jane Campion 6031:Gus Van Sant 5983:Bill Forsyth 5947:Steve Tesich 5900:Jean Gruault 5868:George Lucas 5835: 5828:Larry Tucker 5804:David Newman 5750:Billy Wilder 5606:Bong Joon-ho 5582:Greta Gerwig 5562:Tom McCarthy 5554:Wes Anderson 5530:Tony Kushner 5514:Aaron Sorkin 5482:Peter Morgan 5430:2001–present 5351:Jane Campion 5319:Gus Van Sant 5303:John Boorman 5259:Bill Forsyth 5223:Steve Tesich 5191:Alain Tanner 5179:Robert Towne 5155:George Lucas 5130: 5123:Larry Tucker 5099:David Newman 4905:Ermanno Olmi 4850: 4844:2001–present 4818:Sophia Loren 4776:Monica Vitti 4624:Satyajit Ray 4604:George Cukor 4586:Billy Wilder 4568:Marcel Carné 4558:Orson Welles 4413:Greta Gerwig 4397:Tom McCarthy 4363:Tony Kushner 4357:Aaron Sorkin 4347:Aaron Sorkin 4283:Steve Kloves 4167: 4053: 4045: 4037: 4029: 4021: 4015:Six in Paris 4013: 4005: 3997: 3989: 3981: 3958: 3952:Triple Agent 3950: 3942: 3934: 3926: 3918: 3910: 3902: 3894: 3886: 3878: 3870: 3862: 3846: 3838: 3830: 3822: 3814: 3801: 3793: 3785: 3777: 3769: 3761: 3753: 3740: 3732: 3724: 3716: 3708: 3700: 3692: 3677: 3625: 3588: 3578: 3568:The Guardian 3567: 3506: 3486: 3480:Bibliography 3465:. Retrieved 3455: 3443:. Retrieved 3439:the original 3425: 3413: 3405: 3400: 3389: 3379: 3367:. Retrieved 3363: 3354: 3326: 3319: 3307:. Retrieved 3302: 3293: 3281:. Retrieved 3276: 3267: 3250: 3246: 3210: 3204: 3192:. Retrieved 3185: 3161:. Retrieved 3128: 3124: 3120: 3112: 3100:. Retrieved 3096:the original 3089: 3070:The New Wave 3069: 3064: 3057:The New Wave 3056: 3051: 3044:The New Wave 3043: 3011:(4): 37–38. 3008: 3004: 2972: 2967: 2960:The Guardian 2959: 2950: 2943:The New Wave 2942: 2916: 2906: 2904: 2897:. Retrieved 2882: 2875: 2863:. Retrieved 2857: 2824: 2730:. Retrieved 2695:The New Wave 2694: 2689: 2677: 2665: 2657: 2648: 2636:. Retrieved 2625: 2593:. Retrieved 2589: 2580: 2560: 2551: 2544:Cría Cuervos 2542: 2539:Carlos Saura 2533: 2524: 2505: 2499:Triple Agent 2497: 2489: 2481: 2473: 2465: 2457: 2449: 2441: 2433: 2425: 2417: 2409: 2401: 2393: 2385: 2377: 2369: 2361: 2353: 2345: 2337: 2329: 2321: 2313: 2276:Golden Lion 2259: 2243:Triple Agent 2241: 2238:Golden Bear 2200: 2121: 2118:Golden Lion 2098: 2056: 2053:Golden Bear 2014: 2010:Best Writing 2005:César Awards 1971: 1950:Prix Méliès 1915: 1906:César Awards 1894:Prix Méliès 1832: 1829:Golden Bear 1812: 1803:César Awards 1791:Prix Méliès 1765: 1716: 1684:Prix Méliès 1654:Golden Shell 1605: 1533:Prix Méliès 1498: 1455: 1401: 1395: 1388: 1384: 1380: 1378: 1366: 1359: 1348: 1345: 1327: 1320: 1314: 1311:René Schérer 1308: 1298: 1290: 1282: 1276: 1269: 1266:Gene Hackman 1263: 1258: 1244: 1242: 1237: 1236: 1232: 1228: 1224: 1220: 1213: 1207: 1201: 1195: 1193: 1181: 1175: 1168: 1163: 1159: 1156: 1152: 1140: 1138: 1127: 1114: 1110:Triple Agent 1108: 1102: 1100: 1093: 1092:(1992), and 1087: 1081: 1075: 1071: 1064: 1060: 1058: 1052: 1044: 1038: 1036: 1026:at the 1986 995: 993: 965: 963: 944: 942: 933: 929: 916: 910: 904: 896: 894: 887: 872: 871:legend film 866: 861: 857: 853: 845: 843: 838: 830: 828: 822:in the US). 819: 813: 809: 807: 785: 779: 775: 773: 768: 764: 748: 724: 718: 714: 712: 699: 695: 687: 681: 679: 670: 664:legend, the 645: 637: 633:Six in Paris 631: 629: 624: 618: 614: 604: 600: 598: 592: 571: 568: 561: 558:F. W. Murnau 549: 545: 543: 537: 524: 520: 514: 508: 501: 497: 489: 485: 479: 476:Paul Gégauff 471: 469: 448: 444: 442: 433: 425: 423: 419: 413: 400: 394: 386: 384: 379: 373: 369: 365: 330:Les Vacances 329: 325: 319: 274: 270: 268: 256: 254: 239: 225: 211: 209: 194: 185: 171: 167: 163: 162: 83:(2010-01-11) 7275:2010 deaths 7270:1920 births 7265:Éric Rohmer 7063:André Bazin 7042:Roger Vadim 7027:Luc Moullet 7017:Louis Malle 7012:Pierre Kast 6969:Agnès Varda 6939:Henri Colpi 6911:Éric Rohmer 6663:Neil Jordan 6601:Dušan Hanák 6561:Éric Rohmer 6218:Jenny Lumet 6174:Craig Lucas 6115:Marc Norman 6075:Roger Avary 6055:Neil Jordan 6023:Ron Shelton 5999:Woody Allen 5927:Woody Allen 5872:Gloria Katz 5836:Éric Rohmer 5796:Robert Bolt 5709:John Farrow 5630:Takamasa Oe 5610:Han Jin-won 5566:Josh Singer 5546:Julie Delpy 5542:Ethan Hawke 5403:Scott Frank 5363:Roger Avary 5311:Ron Shelton 5267:Lowell Ganz 5203:Woody Allen 5195:John Berger 5159:Gloria Katz 5131:Éric Rohmer 4893:David Lynch 4867:Omar Sharif 4851:Éric Rohmer 4828:Jerry Lewis 4808:Alida Valli 4748:Woody Allen 4670:Joris Ivens 4600:Frank Capra 4596:Luis Buñuel 4552:Luis Buñuel 4445:Takamasa Oe 4423:Jeff Whitty 4401:Josh Singer 4267:Scott Frank 4234:Roger Avary 4222:Neil Jordan 4204:Woody Allen 4198:Ron Shelton 4186:Woody Allen 4180:Woody Allen 4168:Éric Rohmer 4139:(1980–2021) 4137:Screenplay 4070:Filmography 3848:Autumn Tale 3678:Éric Rohmer 3620:André Bazin 3548:(in French) 3541:Éric Rohmer 3527:Éric Rohmer 3487:Éric Rohmer 3445:20 November 3364:data.bnf.fr 2595:16 November 2557:Erden Kıral 2483:Autumn Tale 2296:Filmography 2123:Autumn Tale 1992:Golden Ciak 1967:Golden Lion 1713:Palme d'Or 1451:Golden Bear 1279:Jules Verne 1271:Night Moves 1212:(1986) and 1185:evident in 1172:fourth wall 1130:Golden Lion 1077:Autumn Tale 1051:1987–2009: 1047:) in 1987. 1020:Golden Lion 846:Moral Tales 812:was 1972's 798:Prix Méliès 713:The fourth 625:Moral Tales 536:1962–1972: 461:Film career 405:Luc Moullet 391:André Bazin 304:and writer 232:Golden Lion 172:Éric Rohmer 170:, known as 97:Occupations 34:Éric Rohmer 7259:Categories 7137:Breathless 7088:Jean Rouch 6820:Dénes Nagy 6710:Kim Ki-duk 6623:Jan Troell 6366:Samy Burch 6238:Tony Roche 6186:Jim Taylor 6131:Jim Taylor 5963:John Guare 5955:Bo Goldman 5646:Samy Burch 5638:Todd Field 5598:Ian Martin 5498:Mike Leigh 5466:Jim Taylor 5239:John Guare 5231:Bo Goldman 5041:Peter Weir 4967:Jane Fonda 4899:Tim Burton 4628:King Vidor 4387:Armando Bo 4311:Jim Taylor 4146:Bo Goldman 3632:1958–1963 3626:Editor of 3562:Tom Milne 3194:11 January 3163:11 January 3102:11 January 2865:11 January 2732:11 January 2652:Dave Kehr 2638:11 January 2590:oscars.org 2572:References 2555:Tied with 2537:Tied with 2289:Nominated 2285:Queer Lion 2279:Nominated 2266:Nominated 2248:Nominated 2207:Nominated 2182:Nominated 2128:Nominated 2105:Nominated 2063:Nominated 2021:Nominated 1942:Nominated 1932:Nominated 1922:Nominated 1865:OCIC Award 1839:Nominated 1819:Nominated 1772:Nominated 1749:Nominated 1729:Grand Prix 1723:Nominated 1700:Runner-up 1676:Nominated 1643:Nominated 1635:Nominated 1580:Nominated 1523:Nominated 1505:Nominated 1494:Palme d'Or 1462:Nominated 1330:monarchist 1123:monarchist 1015:Canal Plus 1011:green rays 869:Holy Grail 810:Moral Tale 776:Moral Tale 774:The fifth 725:Moral Tale 715:Moral Tale 692:St. Tropez 688:Moral Tale 615:Moral Tale 601:Moral Tale 599:The first 306:Sax Rohmer 290:department 265:Early life 109:journalist 62:1920-03-21 7192:Auteurism 7097:Key films 6931:Left Bank 6894:Directors 6780:Radu Jude 6518:1976–2000 6417:1956–1975 5911:1976–2000 5758:Abby Mann 5705:James Poe 5697:1956–1975 5091:1967–2000 4857:Dino Risi 4742:Al Pacino 4738:Ken Loach 4564:John Ford 4545:1969–2000 4329:Brad Bird 3589:The Times 3259:0016-111X 2909:at age 31 1911:Best Film 1623:Best Film 1431:Category 1351:Jack Lang 1322:Mediapart 973:Super 8mm 883:Tom Milne 593:moraliste 434:Hitchcock 426:Hitchcock 326:Elisabeth 310:Fu Manchu 252:in 2001. 126:1945–2009 7209:Jump cut 7169:La Jetée 4917:John Woo 4489:Kogonada 4174:Alex Cox 3545:AlloCiné 3346:26931441 3283:15 March 2980:Archived 2975:(2005), 2726:CBC News 2703:02185582 2632:Archived 2307:Features 1371:, actor 1316:Le Monde 1206:(1983), 1200:(1967), 1098:(1996). 1086:(1990), 1022:and the 796:and the 702:won the 662:Percival 589:Stendhal 490:Bérénice 298:Catholic 294:Lorraine 154:Children 91:, France 72:, France 7180:Related 4997:Ann Hui 3369:20 June 3309:20 June 3025:1211422 2973:Formats 2907:Cahiers 1437:Result 1408:tribute 1367:At the 1132:at the 953:at the 901:proverb 769:le pari 706:at the 638:Cahiers 455:Marxist 414:Cahiers 401:Cahiers 234:at the 176:French: 148:​ 140:​ 114:teacher 7172:(1962) 7164:(1962) 7156:(1962) 7148:(1961) 7140:(1960) 7132:(1959) 7124:(1959) 7116:(1958) 7108:(1956) 6834:(2023) 6828:(2022) 6822:(2021) 6816:(2020) 6810:(2019) 6804:(2018) 6798:(2017) 6792:(2016) 6786:(2015) 6776:(2014) 6770:(2013) 6764:(2012) 6758:(2011) 6752:(2010) 6746:(2009) 6740:(2008) 6734:(2007) 6728:(2006) 6718:(2005) 6712:(2004) 6706:(2003) 6700:(2002) 6694:(2001) 6677:(2000) 6671:(1999) 6665:(1998) 6659:(1997) 6653:(1996) 6651:Yim Ho 6643:(1995) 6637:(1994) 6631:(1993) 6625:(1992) 6619:(1991) 6609:(1990) 6603:(1989) 6597:(1988) 6591:(1987) 6585:(1986) 6579:(1985) 6573:(1984) 6563:(1983) 6557:(1982) 6551:(1980) 6545:(1979) 6539:(1978) 6533:(1977) 6527:(1976) 6510:(1975) 6504:(1972) 6498:(1968) 6492:(1967) 6486:(1966) 6480:(1965) 6474:(1964) 6468:(1963) 6462:(1962) 6456:(1961) 6450:(1960) 6444:(1959) 6438:(1958) 6432:(1957) 6426:(1956) 6360:(2022) 6352:(2021) 6344:(2020) 6336:(2019) 6328:(2018) 6320:(2017) 6312:(2016) 6304:(2015) 6296:(2014) 6288:(2013) 6276:(2012) 6268:(2011) 6252:(2010) 6240:(2009) 6220:(2008) 6212:(2007) 6204:(2006) 6196:(2005) 6188:(2004) 6176:(2003) 6168:(2002) 6160:(2001) 6141:(2000) 6133:(1999) 6121:(1998) 6109:(1997) 6097:(1996) 6085:(1995) 6077:(1994) 6065:(1993) 6057:(1992) 6049:(1991) 6041:(1990) 6025:(1988) 6017:(1987) 6009:(1986) 6001:(1985) 5993:(1984) 5985:(1983) 5977:(1982) 5965:(1981) 5957:(1980) 5949:(1979) 5941:(1978) 5933:(1977) 5921:(1976) 5902:(1975) 5886:(1974) 5878:(1973) 5862:(1972) 5854:(1971) 5838:(1970) 5830:(1969) 5818:(1968) 5810:(1967) 5798:(1966) 5785:(1964) 5777:(1963) 5760:(1961) 5752:(1960) 5740:(1959) 5732:(1958) 5715:(1956) 5648:(2023) 5640:(2022) 5632:(2021) 5620:(2020) 5612:(2019) 5600:(2018) 5584:(2017) 5576:(2016) 5568:(2015) 5556:(2014) 5548:(2013) 5544:, and 5532:(2012) 5524:(2011) 5516:(2010) 5508:(2009) 5500:(2008) 5492:(2007) 5484:(2006) 5476:(2005) 5468:(2004) 5456:(2003) 5448:(2002) 5440:(2001) 5421:(2000) 5413:(1999) 5405:(1998) 5397:(1997) 5385:(1996) 5373:(1995) 5365:(1994) 5353:(1993) 5345:(1992) 5337:(1991) 5329:(1990) 5313:(1988) 5305:(1987) 5297:(1986) 5289:(1985) 5277:(1984) 5261:(1983) 5253:(1982) 5241:(1981) 5233:(1980) 5225:(1979) 5217:(1978) 5209:(1977) 5197:(1976) 5185:(1975) 5173:(1974) 5165:(1973) 5149:(1972) 5141:(1971) 5133:(1970) 5125:(1969) 5113:(1968) 5105:(1967) 5043:(2024) 5033:(2023) 5023:(2022) 5013:(2021) 5003:(2020) 4993:(2019) 4983:(2018) 4973:(2017) 4963:(2016) 4953:(2015) 4947:(2014) 4937:(2013) 4931:(2012) 4925:(2011) 4919:(2010) 4913:(2009) 4907:(2008) 4901:(2007) 4895:(2006) 4889:(2005) 4879:(2004) 4869:(2003) 4859:(2002) 4853:(2001) 4836:(2000) 4830:(1999) 4824:(1998) 4810:(1997) 4796:(1996) 4778:(1995) 4744:(1994) 4730:(1993) 4712:(1992) 4698:(1991) 4688:(1990) 4678:(1989) 4672:(1988) 4666:(1987) 4656:(1986) 4650:(1985) 4644:(1983) 4638:(1982) 4588:(1972) 4574:(1971) 4560:(1970) 4554:(1969) 4497:(2023) 4491:(2022) 4472:(2023) 4466:(2022) 4447:(2021) 4437:(2020) 4431:(2019) 4425:(2018) 4415:(2017) 4409:(2016) 4403:(2015) 4393:(2014) 4385:, and 4371:(2013) 4365:(2012) 4359:(2011) 4349:(2010) 4343:(2009) 4337:(2008) 4331:(2007) 4325:(2006) 4319:(2005) 4313:(2004) 4303:(2003) 4297:(2002) 4291:(2001) 4285:(2000) 4275:(1999) 4269:(1998) 4263:(1997) 4253:(1996) 4246:(1995) 4240:(1994) 4224:(1992) 4218:(1991) 4212:(1990) 4206:(1989) 4200:(1988) 4194:(1987) 4188:(1986) 4182:(1985) 4176:(1984) 4170:(1983) 4164:(1982) 4158:(1981) 4148:(1980) 4058:(1969) 4050:(1968) 4042:(1965) 4034:(1965) 4026:(1965) 4010:(1964) 4002:(1964) 3994:(1958) 3986:(1951) 3975:Shorts 3963:(2007) 3955:(2004) 3947:(2001) 3939:(1995) 3931:(1993) 3923:(1989) 3915:(1988) 3907:(1987) 3899:(1980) 3891:(1978) 3883:(1976) 3875:(1975) 3867:(1962) 3851:(1998) 3843:(1996) 3835:(1992) 3827:(1990) 3806:(1987) 3798:(1986) 3790:(1984) 3782:(1983) 3774:(1982) 3766:(1981) 3745:(1972) 3737:(1970) 3729:(1969) 3721:(1967) 3713:(1963) 3705:(1963) 3513:  3493:  3467:22 May 3344:  3334:  3257:  3217:  3117:Review 3023:  2899:3 June 2890:  2701:  2510:(2007) 2502:(2004) 2494:(2001) 2486:(1998) 2478:(1996) 2470:(1995) 2462:(1993) 2454:(1992) 2446:(1990) 2438:(1988) 2430:(1987) 2422:(1987) 2414:(1986) 2406:(1984) 2398:(1983) 2390:(1982) 2382:(1981) 2366:(1978) 2358:(1976) 2350:(1972) 2342:(1970) 2334:(1969) 2326:(1967) 2318:(1962) 1428:Award 1293:) and 1182:Summer 1066:Contes 792:, the 554:moraux 552:contes 131:Spouse 3021:JSTOR 2516:Notes 2253:2007 2230:2004 2222:None 2187:2001 2169:2000 2151:1999 2110:1998 2087:1995 2045:1992 2037:None 2026:1990 2001:1988 1958:1986 1902:1985 1875:1984 1799:1983 1785:1980 1754:1979 1738:1977 1705:1976 1663:1972 1567:1971 1510:1970 1485:1969 1442:1967 1425:Year 1149:Style 572:think 328:(AKA 283:Tulle 279:Nancy 277:) in 224:with 142:( 138: 89:Paris 70:Tulle 6284:and 6264:and 6248:and 6236:and 6184:and 6129:and 6117:and 6105:and 6093:and 6073:and 5973:and 5929:and 5898:and 5874:and 5846:and 5826:and 5806:and 5773:and 5748:and 5728:and 5711:and 5628:and 5608:and 5596:and 5564:and 5464:and 5393:and 5381:and 5361:and 5285:and 5273:and 5249:and 5205:and 5193:and 5181:and 5161:and 5121:and 5101:and 4443:and 4421:and 4399:and 4355:and 4309:and 4259:and 4236:and 4154:and 3531:IMDb 3511:ISBN 3491:ISBN 3469:2011 3447:2010 3371:2022 3342:OCLC 3332:ISBN 3311:2022 3285:2024 3255:ISSN 3215:ISBN 3196:2010 3165:2010 3104:2010 2901:2011 2888:ISBN 2867:2010 2734:2010 2699:OCLC 2640:2010 2597:2011 2559:for 2541:for 2225:Won 2164:Won 2146:Won 2138:Won 2082:Won 2071:Won 2040:Won 1996:Won 1986:Won 1978:Won 1953:Won 1897:Won 1886:Won 1870:Won 1859:Won 1849:Won 1794:Won 1780:Won 1733:Won 1687:Won 1658:Won 1627:Won 1612:Won 1595:Won 1562:Won 1549:Won 1536:Won 1480:Won 1472:Won 1319:and 1297:(in 1289:(in 1281:(in 1162:and 1107:and 979:and 860:and 778:was 765:Maud 759:and 743:and 717:was 652:and 617:was 603:was 587:and 550:Six 453:and 378:and 370:Arts 273:(or 238:for 203:and 78:Died 52:Born 3599:n+1 3543:at 3529:at 3157:BBC 3119:of 3013:doi 1301:). 1285:), 1074:or 1070:). 648:on 560:'s 336:'s 285:), 248:'s 166:or 7261:: 6782:/ 6724:/ 6649:/ 6615:/ 6569:/ 6260:, 6232:, 6228:, 5894:, 5870:, 5850:/ 5707:, 5592:, 5540:, 5269:, 5157:, 5039:/ 5029:/ 5019:/ 5009:/ 4999:/ 4989:/ 4979:/ 4969:/ 4959:/ 4943:/ 4885:/ 4875:/ 4865:/ 4820:/ 4816:/ 4806:/ 4802:/ 4792:/ 4788:/ 4784:/ 4774:/ 4770:/ 4766:/ 4762:/ 4758:/ 4754:/ 4750:/ 4740:/ 4736:/ 4726:/ 4722:/ 4718:/ 4708:/ 4704:/ 4694:/ 4684:/ 4662:/ 4634:/ 4630:/ 4626:/ 4622:/ 4618:/ 4614:/ 4610:/ 4606:/ 4602:/ 4598:/ 4594:/ 4584:/ 4580:/ 4570:/ 4566:/ 4389:/ 4381:, 4377:, 4281:/ 3587:, 3577:, 3566:, 3433:. 3388:. 3362:. 3340:. 3301:. 3275:. 3251:66 3249:. 3245:. 3229:^ 3184:. 3173:^ 3155:. 3136:^ 3088:. 3077:^ 3033:^ 3019:. 3009:24 3007:. 3003:. 2991:^ 2958:, 2932:^ 2903:. 2856:. 2832:^ 2742:^ 2724:. 2709:^ 2656:, 2624:. 2605:^ 2588:. 1414:. 1364:. 1136:. 1113:. 932:. 852:, 747:. 739:, 677:. 583:, 579:, 513:, 382:. 372:, 368:, 356:, 352:, 348:, 292:, 144:m. 6876:e 6869:t 6862:v 6402:e 6395:t 6388:v 5682:e 5675:t 5668:v 5076:e 5069:t 5062:v 4530:e 4523:t 4516:v 4122:e 4115:t 4108:v 3669:e 3662:t 3655:v 3497:. 3471:. 3449:. 3394:. 3373:. 3348:. 3313:. 3287:. 3261:. 3223:. 3198:. 3167:. 3106:. 3027:. 3015:: 2986:. 2927:. 2869:. 2736:. 2642:. 2599:. 1063:( 1043:( 915:( 784:( 548:( 519:( 174:( 157:2 64:) 60:( 20:)

Index

Maurice Schérer

Tulle
Paris
Film director
journalist
teacher
[eʁikʁomɛʁ]
post-World War II
French New Wave
Cahiers du cinéma
Jean-Luc Godard
François Truffaut
My Night at Maud's
Academy Awards
San Sebastián International Film Festival
Claire's Knee
Golden Lion
Venice Film Festival
The Green Ray
Venice Film Festival
Career Golden Lion
The Daily Telegraph
Nancy
Tulle
Meurthe-et-Moselle
department
Lorraine
Catholic
Erich von Stroheim

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