Knowledge (XXG)

Maximalism

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61: 38: 81: 1158:(Vertreib is a made-up term, deliberately misspelling Vertrieb (distribution), in order to take on the meaning of Vertreibung (expulsion – as in ... from a consumer's paradise) as a deconstructive means of processive disturbation. Also Vertreib is the second half of the German word Zeitvertreib (pastime, diversion). It also recurs to one of Duchamp's explanations of Readymades as pastimes attempting the disposal of art.) 140:, where digression, reference, and elaboration of detail occupy a great fraction of the text. It can refer to anything seen as excessive, overtly complex and "showy", providing redundant overkill in features and attachments, grossness in quantity and quality, or the tendency to add and accumulate to excess. 1160:
in the 1990s as an undertaking for ‘Beleuchtungskörperbau’. Building upon the Readymade principle of his 1980s design-critical artworks, he follows a modular construction principle, relying almost entirely on pre-existing standard industrial components, that he describes as ‘liberated from design’."
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uncertainty and therefore knowing that they can never know what is authentic and inauthentic, attempt to include in their fiction everything belonging to that age, to take these authentic and inauthentic things as they are with all their uncertainty and inauthenticity included; their work intends to
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connects maximalism in Chinese visual art to the literary definition by describing the emphasis on "the spiritual experience of the artist in the process of creation as a self-contemplation outside and beyond the artwork itself...These artists pay more attention to the process of creation and the
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of the period from 1890 to 1914, especially in German-speaking regions, defining it as "a radical intensification of means toward accepted or traditional ends". This view has been challenged, however, on the grounds that Taruskin uses the term merely as an "empty signifier" that is filled with "a
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range of musical features—big orchestration, motivic and harmonic complexity, and so on—that he takes to be typical of modernism". Taruskin, in any case, did not originate this sense of the term, which had been used by the mid-1960s with reference to Russian composers of the same period, of whom
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uncertainty of meaning and instability in a work. Meaning is not reflected directly in a work because they believe that what is in the artist's mind at the moment of creation may not necessarily appear in his work." Examples include the work of artists
854:(New York: C. F. Peters Corporation, 1982), 10: "the goal of attempting to make music as much as it might be, rather than as little as one obviously can get away with music's being", cited by Joseph Dubiel, "Three Essays on Milton Babbitt (Part Two)", 302:
Central to his notions of literary maximalism, Ercolino lists ten characteristics which all seven novels show to some extent, and thus leads him to propose maximalism as a subgenre, these characteristics are:
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as that which "embraces heterogeneity and allows for complex systems of juxtapositions and collisions, in which all outside influences are viewed as potential raw material". Examples include the music of
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Charlotte Rivers describes how "maximalism celebrates richness and excess in graphic design", characterized by decoration, sensuality, luxury and fantasy, citing examples from the work of illustrator
868:(piano), Harmonia Mundi LP HMC 5160, CD HMC 90 5160, Cassette HMC 405 160 (Los Angeles: Harmonia Mundi U.S.A., 1986), cited by Dan Warburton on p. 142 of "A Working Terminology for Minimal Music", 37: 204:Êș even Êșgather, represent, and reform the time's excesses into fictions that exceed the time's literary conventions and thereby master the time, the methods of fiction, and the readerÊș. 836:, edited by Stephen Dembski and Joseph N. Straus (Madison: University of Wisconsin Press, 1987), p. 183. Cited on p. 147 of Richard Kurth, (1994). 951: 196:
contain the maximum of the age, in other words, to be the age itself, and because of this their novels are often encyclopedic. As Tom LeClair argues in
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has been described as a "professed maximalist", his goal being, "to make music as much as it can be rather than as little as one can get away with".
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relatively thin novels and collections of short stories. These maximalists are called by such an epithet because they, situated in the age of
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29, no. 1 (Winter 1991): 90–122, citation on pp. 94 & 119n13. A third citation is found in the sleeve notes to Milton Babbitt,
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Under this label come such writers as, among others, Thomas Pynchon and Barth himself, whose bulky books are in marked contrast with
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and Norris, Andrew. "Disciplined Excess: The Minimalist / Maximalist Interface in Frank Zappa and Captain Beefheart",
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of excess. The philosophy can be summarized as "more is more", contrasting with the minimalist motto "less is more".
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defines literary maximalism through the medieval Roman Catholic Church's opposition between "two...roads to grace:"
1050: 384:, on the other hand, considers that musical maximalism "is to be understood at least partly as 'antiminimalism'". 1190: 888: 856: 850:, vol. 8 (1994), pp. 147–182 (Subscription access). A similar statement from five years earlier is found in 180: 96:. Although they may not be full of details, colourful pieces like these are put together in a maximalist interior 1137: 798:. "Orchestrating the Chimera—Musical Hybrids, Technology, and the Development of a 'Maximalist' Musical Style", 1006: 1452: 640: 1432: 800: 606: 1205: 1142: 755: 437: 129: 1025: 870: 846: 515: 476:". This maximalism was prefigured in the mid-1960s by certain psychoanalytically oriented paintings by 290: 1354: 1280: 734:. Oxford History of Western Music 4 (Oxford and New York: Oxford University Press, 2005), p. 5. 548: 472:
in the late 1970s. These artist were in part "stimulated out of sheer despair with so long a diet of
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Shah, Neil (2021-01-17). "Phil Spector, Pop-Music Revolutionary Convicted of Murder, Dies at 81".
1400: 1227: 1011: 710: 586: 575: 242: 1406: 1371: 1344: 1316: 1288: 1120: 952:"Revisiting the Radical Black Fever Dream of Kanye West's 'My Beautiful Dark Twisted Fantasy'" 911: 763: 735: 636: 469: 351: 283: 42: 410:(1966) (the former, produced by Spector) has been described as maximalist. English rock band 727: 702: 500: 365: 356: 347: 271: 188: 73: 762:. Music in Context (Cambridge and New York: Cambridge University Press, 2012), p. 22. 1308: 956: 813: 678: 591: 488: 461: 266: 534: 1194: 1287:. Routledge Harwood Critical Voices. London and New York: Routledge. pp. 208–220. 1260: 1002: 829: 795: 626:
It sparks joy. The rise of maximalism, where there's no such thing as too much|CBC News
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The Quilting Points of Musical Modernism: Revolution, Reaction, and William Walton
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of immersion in human affairs, of being in the world whether or not one is of it.
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In his book, Stefano Ercolino lists these seven titles as maximalist novels:
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to describe a group of artists, including future Oscar-nominated filmmaker
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have aptly borrowed those terms to characterize the difference between Mr.
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Talking Painting: Dialogues with Twelve Contemporary Abstract Painters
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was "the last". Contemporary maximalist music is defined by composer
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in a book review of Florian Cramer's book publication "Anti-Media."
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Frank Zappa, Captain Beefheart and the Secret History of Maximalism
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Takayoshi Ishiwari elaborates on Barth's definition by including a
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Ishiwari, Takayoshi. ÊșThe Body That Speaks: Donald Barthelme's
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33 DX 30Th Anniversary shoes, unknown designer, produced by
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This article is about the art movement. For other uses, see
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Long striped candles and candle holders, both produced by
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Stefano Ercolino (Summer 2012). "The Maximalist Novel".
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Maximalism: The Graphic Design of Decadence& Excess
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31, no. 1 (Winter 1993): 42–57, citation on p. 54.
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Laura Kikauka: "Rediscovering the art of slowing down"
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Nova Ars Subtilior: Essays zur maximalistischen Musik
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http://idioideo.pleintekst.nl/Book2013Anti-Media.html
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Postminimalism into Maximalism: American Art 1966–86
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Entries (Maximalism): Art at the Turn of the Decade
64:Maximalist necklace, unknown designer, produced by 155:of the monk's cell and the hermit's cave, and the 1343:, edited by Ralph Paland. Hofheim: Wolke Verlag. 171:, himself a maximalist except in his early works. 840:An Introduction to the Music of Milton Babbitt 551:, which she claimed as one of her projects of 468:, associated with the turbulent beginnings of 436:have also been described as maximalist works. 1103: 1091: 8: 786:(London: Barrie & Rockliffe, 1965): 58. 350:uses the term "maximalism" to describe the 1255:(Laura Kikauka and Gordon Monahan) at the 1216:Kaput – Magagazin fĂŒr Insolvenz & Pop 1136:Kristin E. M. Riemer (October 9, 2003). 167:, for example, and his erstwhile master 1191:Florian Cramer's relationship to neoism 618: 1078:Interview with Charlemagne Palestine: 1327:Jennings, Rebecca (14 October 2020). 701:(3). Duke University Press: 241–256. 512:"antipreneurial" one-man artist group 7: 1266:Media Verlag, Berlin, December 1995) 1241:Handelskunst mit Angebots-SondermĂŒll 950:Josephs, Brian (November 22, 2015). 732:Music in the Early Twentieth Century 688: 686: 1169:, Weil am Rhein, Germany, 2019, on 1315:. Cambridge, UK: Salt Publishers. 654:. "A Few Words About Minimalism", 25: 852:Contemporary Music 1982 Catalogue 433:My Beautiful Dark Twisted Fantasy 417:(What's The Story) Morning Glory? 1385:. Ann Arbor: UMI Research Press. 1051:"Oasis \'Be Here Now\' Turns 20" 820:, p. 4, vol. I, 1 (Autumn 2004). 671:The Dead Father as Installation 1381:Pincus-Witten, Robert (1987). 1366:Pincus-Witten, Robert (1983). 1259:of the VolksbĂŒhne Berlin. (in 657:The New York Times Book Review 1: 1189:on neoist interpassivity and 902:Hamilton, Jack (2021-01-18). 128:is sometimes associated with 69: 50: 1311:, and Andrew Norris (2005). 1251:project by the artist group 1175:Stiletto (Stiletto Studio,s) 1171:CONSUMER'S REST Lounge Chair 978:Fleming, John (2020-09-27). 452:Maximalism as a term in the 444:-based music as maximalist. 76:, glass, ceramic, zinc, iron 1396:"Maximalism or Minimalism?" 1138:"Chinese Maximalism debuts" 637:"Minimalism vs. Maximalism" 32:Maximalism (disambiguation) 1469: 1443:Contemporary art movements 1187:tENTATIVELY, a cONVENIENCE 1115:Rivers, Charlotte (2008). 1015:. Retrieved on 2016-11-21. 660:, p. 1. December 28, 1986. 426:(1997), along with rapper 179:approach to the notion of 29: 1245:LESS function IS MORE fun 1167:Atlas of Furniture Design 889:Perspectives of New Music 857:Perspectives of New Music 524:LESS function IS MORE fun 456:is used by art historian 707:10.1215/00104124-1672925 376:. In a different sense, 200:, the authors of these Êș 1363:55, no. 6:172–176. 641:American Writers Museum 388:'s highly influential " 322:Narratorial omniscience 1357:(1981). "Maximalism". 801:Leonardo Music Journal 695:Comparative Literature 607:Principle of plenitude 530:special waste sale of 474:Reductivist Minimalism 206: 173: 97: 77: 57: 1355:Pincus-Witten, Robert 1339:Menezes, Flo (2014). 1281:Pincus-Witten, Robert 1206:Danielle de Picciotto 1005:(November 17, 2010). 842:by Andrew Mead (1994) 756:J. P. E. Harper-Scott 438:Charlemagne Palestine 185: 149: 108:, a reaction against 83: 63: 40: 458:Robert Pincus-Witten 325:Paranoid imagination 236:David Foster Wallace 134:David Foster Wallace 1163:Vitra Design Museum 984:Sound Words Central 937:Wall Street Journal 886:, "On Complexity", 838:Untitled review of 316:Diegetic exuberance 313:Dissonant chorality 132:, such as those by 1448:Literary movements 1104:Pincus-Witten 2002 1092:Pincus-Witten 2002 1012:The New York Times 874:2 (1988): 135–159. 677:2011-06-06 at the 587:Hysterical realism 331:Ethical commitment 98: 78: 58: 1349:978-3-95593-058-5 1218:, 6 February 2018 1076:Fifteen Questions 834:Words about Music 744:978-0-19-516979-9 740:978-0-19-522273-9 549:VolksbĂŒhne Berlin 516:Stiletto (artist) 470:Neo-expressionism 310:Encyclopedic mode 219:Gravity's Rainbow 209:Maximalist novels 198:The Art of Excess 130:postmodern novels 16:(Redirected from 1460: 1336: 1309:Delville, Michel 1298: 1267: 1238: 1225: 1219: 1203: 1197: 1184: 1178: 1154: 1148: 1134: 1128: 1113: 1107: 1101: 1095: 1089: 1083: 1080:The Bare Maximum 1072: 1066: 1065: 1063: 1062: 1047: 1041: 1040: 1038: 1037: 1022: 1016: 1000: 994: 993: 991: 990: 975: 969: 968: 966: 964: 947: 941: 940: 932: 926: 925: 923: 922: 899: 893: 881: 875: 827: 821: 814:Delville, Michel 811: 805: 793: 787: 777: 771: 753: 747: 728:Richard Taruskin 725: 719: 718: 690: 681: 667: 661: 649: 643: 634: 628: 623: 543:installation by 520: 519: [] 357:Sergei Prokofiev 348:Richard Taruskin 328:Intersemioticity 291:2005 dopo Cristo 272:Jonathan Franzen 71: 52: 21: 1468: 1467: 1463: 1462: 1461: 1459: 1458: 1457: 1418: 1417: 1392: 1326: 1305: 1303:Further reading 1295: 1279: 1271: 1270: 1263:, No. 25/1995, 1247:as part of the 1232: 1226: 1222: 1204: 1200: 1185: 1181: 1155: 1151: 1135: 1131: 1114: 1110: 1102: 1098: 1090: 1086: 1073: 1069: 1060: 1058: 1049: 1048: 1044: 1035: 1033: 1024: 1023: 1019: 1003:Caramanica, Jon 1001: 997: 988: 986: 977: 976: 972: 962: 960: 949: 948: 944: 934: 933: 929: 920: 918: 901: 900: 896: 882: 878: 828: 824: 812: 808: 804:. vol. 5, 1995. 794: 790: 784:Ideas and Music 778: 774: 754: 750: 726: 722: 692: 691: 684: 679:Wayback Machine 668: 664: 650: 646: 635: 631: 624: 620: 615: 592:Maximalist film 561: 537:in a so-called 535:design-defuncts 518: 489:Julie Verhoeven 462:Julian Schnabel 450: 344: 338: 296:Babette Factory 267:The Corrections 211: 193:epistemological 157:via affirmativa 122: 35: 28: 23: 22: 15: 12: 11: 5: 1466: 1464: 1456: 1455: 1453:Postmodern art 1450: 1445: 1440: 1435: 1430: 1420: 1419: 1416: 1415: 1407:Maximal Nation 1404: 1391: 1390:External links 1388: 1387: 1386: 1379: 1364: 1352: 1337: 1324: 1304: 1301: 1300: 1299: 1293: 1269: 1268: 1220: 1198: 1179: 1149: 1129: 1108: 1106:, p. 209. 1096: 1094:, p. 219. 1084: 1067: 1042: 1017: 995: 970: 942: 927: 894: 876: 830:Milton Babbitt 822: 806: 788: 772: 748: 720: 682: 662: 644: 629: 617: 616: 614: 611: 610: 609: 604: 602:Postminimalism 599: 597:New Complexity 594: 589: 584: 579: 572: 567: 560: 557: 494:Art historian 449: 446: 440:describes his 430:'s 2010 album 402:The Beach Boys 378:Milton Babbitt 361:David A. Jaffe 343: 340: 336: 335: 334:Hybrid realism 332: 329: 326: 323: 320: 317: 314: 311: 308: 300: 299: 287: 284:Roberto Bolaño 275: 263: 251: 239: 227: 224:Thomas Pynchon 210: 207: 138:Thomas Pynchon 121: 118: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 1465: 1454: 1451: 1449: 1446: 1444: 1441: 1439: 1436: 1434: 1433:Art movements 1431: 1429: 1426: 1425: 1423: 1414: 1413: 1408: 1405: 1403: 1402: 1397: 1394: 1393: 1389: 1384: 1380: 1377: 1376:9780915570201 1373: 1369: 1365: 1362: 1361: 1360:Arts Magazine 1356: 1353: 1350: 1346: 1342: 1338: 1334: 1330: 1325: 1322: 1321:1-84471-059-9 1318: 1314: 1310: 1307: 1306: 1302: 1296: 1294:9780415276290 1290: 1286: 1282: 1278: 1277: 1276: 1275: 1265: 1262: 1261:(030) Magazin 1258: 1254: 1250: 1246: 1242: 1236: 1231: 1230: 1224: 1221: 1217: 1213: 1212: 1207: 1202: 1199: 1196: 1192: 1188: 1183: 1180: 1176: 1172: 1168: 1164: 1159: 1153: 1150: 1146: 1144: 1139: 1133: 1130: 1126: 1125:2-88893-019-6 1122: 1118: 1112: 1109: 1105: 1100: 1097: 1093: 1088: 1085: 1082: 1081: 1077: 1071: 1068: 1056: 1052: 1046: 1043: 1031: 1030:The A.V. 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Index

Maximalist
Maximalism (disambiguation)

Half Cab
Vans
suede

Pull&Bear
acrylic

HAY
Bucharest
Romania
the arts
minimalism
aesthetic
postmodern novels
David Foster Wallace
Thomas Pynchon
John Barth
Critics
Beckett
James Joyce
postmodern
authenticity
Barthelme's
epistemological
masterworks
Gravity's Rainbow
Thomas Pynchon

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