61:
38:
81:
1158:(Vertreib is a made-up term, deliberately misspelling Vertrieb (distribution), in order to take on the meaning of Vertreibung (expulsion â as in ... from a consumer's paradise) as a deconstructive means of processive disturbation. Also Vertreib is the second half of the German word Zeitvertreib (pastime, diversion). It also recurs to one of Duchamp's explanations of Readymades as pastimes attempting the disposal of art.)
140:, where digression, reference, and elaboration of detail occupy a great fraction of the text. It can refer to anything seen as excessive, overtly complex and "showy", providing redundant overkill in features and attachments, grossness in quantity and quality, or the tendency to add and accumulate to excess.
1160:
in the 1990s as an undertaking for âBeleuchtungskörperbauâ. Building upon the
Readymade principle of his 1980s design-critical artworks, he follows a modular construction principle, relying almost entirely on pre-existing standard industrial components, that he describes as âliberated from designâ."
195:
uncertainty and therefore knowing that they can never know what is authentic and inauthentic, attempt to include in their fiction everything belonging to that age, to take these authentic and inauthentic things as they are with all their uncertainty and inauthenticity included; their work intends to
498:
connects maximalism in
Chinese visual art to the literary definition by describing the emphasis on "the spiritual experience of the artist in the process of creation as a self-contemplation outside and beyond the artwork itself...These artists pay more attention to the process of creation and the
354:
of the period from 1890 to 1914, especially in German-speaking regions, defining it as "a radical intensification of means toward accepted or traditional ends". This view has been challenged, however, on the grounds that
Taruskin uses the term merely as an "empty signifier" that is filled with "a
355:
range of musical featuresâbig orchestration, motivic and harmonic complexity, and so onâthat he takes to be typical of modernism". Taruskin, in any case, did not originate this sense of the term, which had been used by the mid-1960s with reference to
Russian composers of the same period, of whom
80:
60:
499:
uncertainty of meaning and instability in a work. Meaning is not reflected directly in a work because they believe that what is in the artist's mind at the moment of creation may not necessarily appear in his work." Examples include the work of artists
854:(New York: C. F. Peters Corporation, 1982), 10: "the goal of attempting to make music as much as it might be, rather than as little as one obviously can get away with music's being", cited by Joseph Dubiel, "Three Essays on Milton Babbitt (Part Two)",
302:
Central to his notions of literary maximalism, Ercolino lists ten characteristics which all seven novels show to some extent, and thus leads him to propose maximalism as a subgenre, these characteristics are:
363:
as that which "embraces heterogeneity and allows for complex systems of juxtapositions and collisions, in which all outside influences are viewed as potential raw material". Examples include the music of
483:
Charlotte Rivers describes how "maximalism celebrates richness and excess in graphic design", characterized by decoration, sensuality, luxury and fantasy, citing examples from the work of illustrator
868:(piano), Harmonia Mundi LP HMC 5160, CD HMC 90 5160, Cassette HMC 405 160 (Los Angeles: Harmonia Mundi U.S.A., 1986), cited by Dan Warburton on p. 142 of "A Working Terminology for Minimal Music",
37:
204:Êș even Êșgather, represent, and reform the time's excesses into fictions that exceed the time's literary conventions and thereby master the time, the methods of fiction, and the readerÊș.
836:, edited by Stephen Dembski and Joseph N. Straus (Madison: University of Wisconsin Press, 1987), p. 183. Cited on p. 147 of Richard Kurth, (1994).
951:
196:
contain the maximum of the age, in other words, to be the age itself, and because of this their novels are often encyclopedic. As Tom LeClair argues in
380:
has been described as a "professed maximalist", his goal being, "to make music as much as it can be rather than as little as one can get away with".
1156:"Stiletto, who describes himself as an âantipreneurship expertâ and the âhead of one-man artist group Stiletto Studio,sâ, started Design Vertreib
191:
relatively thin novels and collections of short stories. These maximalists are called by such an epithet because they, situated in the age of
1348:
743:
739:
416:
1442:
860:
29, no. 1 (Winter 1991): 90â122, citation on pp. 94 & 119n13. A third citation is found in the sleeve notes to Milton
Babbitt,
187:
Under this label come such writers as, among others, Thomas
Pynchon and Barth himself, whose bulky books are in marked contrast with
1375:
1320:
1292:
1124:
767:
432:
1074:
656:
1209:
903:
1395:
88:, paraffin-based wax (candle body) and wax with stearin (stripes), zinc alloy (candleholders), at sale at The Edit Shop,
1328:
779:
979:
1447:
816:
and Norris, Andrew. "Disciplined Excess: The
Minimalist / Maximalist Interface in Frank Zappa and Captain Beefheart",
31:
116:
of excess. The philosophy can be summarized as "more is more", contrasting with the minimalist motto "less is more".
674:
147:
defines literary maximalism through the medieval Roman
Catholic Church's opposition between "two...roads to grace:"
1050:
384:, on the other hand, considers that musical maximalism "is to be understood at least partly as 'antiminimalism'".
1190:
888:
856:
850:, vol. 8 (1994), pp. 147â182 (Subscription access). A similar statement from five years earlier is found in
180:
96:. Although they may not be full of details, colourful pieces like these are put together in a maximalist interior
1137:
798:. "Orchestrating the ChimeraâMusical Hybrids, Technology, and the Development of a 'Maximalist' Musical Style",
1006:
1452:
640:
1432:
800:
606:
1205:
1142:
755:
437:
129:
1025:
870:
846:
515:
476:". This maximalism was prefigured in the mid-1960s by certain psychoanalytically oriented paintings by
290:
1354:
1280:
734:. Oxford History of Western Music 4 (Oxford and New York: Oxford University Press, 2005), p. 5.
548:
472:
in the late 1970s. These artist were in part "stimulated out of sheer despair with so long a diet of
457:
295:
235:
218:
133:
625:
1437:
1427:
1411:
1162:
421:
935:
Shah, Neil (2021-01-17). "Phil
Spector, Pop-Music Revolutionary Convicted of Murder, Dies at 81".
1400:
1227:
1011:
710:
586:
575:
242:
1406:
1371:
1344:
1316:
1288:
1120:
952:"Revisiting the Radical Black Fever Dream of Kanye West's 'My Beautiful Dark Twisted Fantasy'"
911:
763:
735:
636:
469:
351:
283:
42:
410:(1966) (the former, produced by Spector) has been described as maximalist. English rock band
727:
702:
500:
365:
356:
347:
271:
188:
73:
762:. Music in Context (Cambridge and New York: Cambridge University Press, 2012), p. 22.
1308:
956:
813:
678:
591:
488:
461:
266:
534:
1194:
1287:. Routledge Harwood Critical Voices. London and New York: Routledge. pp. 208â220.
1260:
1002:
829:
795:
626:
It sparks joy. The rise of maximalism, where there's no such thing as too much|CBC News
601:
596:
531:
401:
377:
360:
223:
164:
137:
1421:
1359:
544:
441:
389:
230:
85:
883:
477:
453:
411:
393:
385:
381:
369:
192:
46:
760:
The
Quilting Points of Musical Modernism: Revolution, Reaction, and William Walton
159:
of immersion in human affairs, of being in the world whether or not one is of it.
65:
865:
538:
504:
465:
373:
259:
254:
247:
201:
168:
1234:
651:
495:
473:
427:
406:
397:
176:
144:
109:
1243:(special waste offer), announcement and short review of the sales exhibition
915:
706:
213:
In his book, Stefano Ercolino lists these seven titles as maximalist novels:
1332:
113:
89:
460:
to describe a group of artists, including future Oscar-nominated filmmaker
163:
have aptly borrowed those terms to characterize the difference between Mr.
17:
581:
484:
101:
1283:(2002). "Gary Stephan: The Brief Against Matisse". In David Ryan (ed.).
837:
714:
569:
564:
93:
1285:
Talking Painting: Dialogues with Twelve Contemporary Abstract Painters
1026:"Oasis' Be Here Now remains a glorious tribute to overproduced hubris"
527:
359:
was "the last". Contemporary maximalist music is defined by composer
160:
1193:
in a book review of Florian Cramer's book publication "Anti-Media."
1313:
Frank Zappa, Captain Beefheart and the Secret History of Maximalism
175:
Takayoshi Ishiwari elaborates on Barth's definition by including a
1256:
79:
59:
54:
36:
1329:"Home design has gotten overstuffed, garish, and glorious. Good!"
980:""(What's the Story) Morning Glory?" Could Have Been Even Better"
278:
669:
Ishiwari, Takayoshi. ÊșThe Body That Speaks: Donald Barthelme's
673:Êș, Unpublished Master's thesis, p. 1. Osaka University, 1996.
45:
33 DX 30Th Anniversary shoes, unknown designer, produced by
30:
This article is about the art movement. For other uses, see
1370:. Art and Criticism Series. New York: Out of London Press.
84:
Long striped candles and candle holders, both produced by
904:"Phil Spector Transformed Pop Music and Destroyed Lives"
693:
Stefano Ercolino (Summer 2012). "The Maximalist Novel".
1117:
Maximalism: The Graphic Design of Decadence& Excess
892:
31, no. 1 (Winter 1993): 42â57, citation on p. 54.
1211:
Laura Kikauka: "Rediscovering the art of slowing down"
1341:
Nova Ars Subtilior: Essays zur maximalistischen Musik
1195:
http://idioideo.pleintekst.nl/Book2013Anti-Media.html
1007:"Kanye West, Still Unfiltered, on Eve of Fifth Album"
392:" recording technique, present in recordings such as
1383:
Postminimalism into Maximalism: American Art 1966â86
1368:
Entries (Maximalism): Art at the Turn of the Decade
64:Maximalist necklace, unknown designer, produced by
155:of the monk's cell and the hermit's cave, and the
1343:, edited by Ralph Paland. Hofheim: Wolke Verlag.
171:, himself a maximalist except in his early works.
840:An Introduction to the Music of Milton Babbitt
551:, which she claimed as one of her projects of
468:, associated with the turbulent beginnings of
436:have also been described as maximalist works.
1103:
1091:
8:
786:(London: Barrie & Rockliffe, 1965): 58.
350:uses the term "maximalism" to describe the
1255:(Laura Kikauka and Gordon Monahan) at the
1216:Kaput â Magagazin fĂŒr Insolvenz & Pop
1136:Kristin E. M. Riemer (October 9, 2003).
167:, for example, and his erstwhile master
1191:Florian Cramer's relationship to neoism
618:
1078:Interview with Charlemagne Palestine:
1327:Jennings, Rebecca (14 October 2020).
701:(3). Duke University Press: 241â256.
512:"antipreneurial" one-man artist group
7:
1266:Media Verlag, Berlin, December 1995)
1241:Handelskunst mit Angebots-SondermĂŒll
950:Josephs, Brian (November 22, 2015).
732:Music in the Early Twentieth Century
688:
686:
1169:, Weil am Rhein, Germany, 2019, on
1315:. Cambridge, UK: Salt Publishers.
654:. "A Few Words About Minimalism",
25:
852:Contemporary Music 1982 Catalogue
433:My Beautiful Dark Twisted Fantasy
417:(What's The Story) Morning Glory?
1385:. Ann Arbor: UMI Research Press.
1051:"Oasis \'Be Here Now\' Turns 20"
820:, p. 4, vol. I, 1 (Autumn 2004).
671:The Dead Father as Installation
1381:Pincus-Witten, Robert (1987).
1366:Pincus-Witten, Robert (1983).
1259:of the VolksbĂŒhne Berlin. (in
657:The New York Times Book Review
1:
1189:on neoist interpassivity and
902:Hamilton, Jack (2021-01-18).
128:is sometimes associated with
69:
50:
1311:, and Andrew Norris (2005).
1251:project by the artist group
1175:Stiletto (Stiletto Studio,s)
1171:CONSUMER'S REST Lounge Chair
978:Fleming, John (2020-09-27).
452:Maximalism as a term in the
444:-based music as maximalist.
76:, glass, ceramic, zinc, iron
1396:"Maximalism or Minimalism?"
1138:"Chinese Maximalism debuts"
637:"Minimalism vs. Maximalism"
32:Maximalism (disambiguation)
1469:
1443:Contemporary art movements
1187:tENTATIVELY, a cONVENIENCE
1115:Rivers, Charlotte (2008).
1015:. Retrieved on 2016-11-21.
660:, p. 1. December 28, 1986.
426:(1997), along with rapper
179:approach to the notion of
29:
1245:LESS function IS MORE fun
1167:Atlas of Furniture Design
889:Perspectives of New Music
857:Perspectives of New Music
524:LESS function IS MORE fun
456:is used by art historian
707:10.1215/00104124-1672925
376:. In a different sense,
200:, the authors of these Êș
1363:55, no. 6:172â176.
641:American Writers Museum
388:'s highly influential "
322:Narratorial omniscience
1357:(1981). "Maximalism".
801:Leonardo Music Journal
695:Comparative Literature
607:Principle of plenitude
530:special waste sale of
474:Reductivist Minimalism
206:
173:
97:
77:
57:
1355:Pincus-Witten, Robert
1339:Menezes, Flo (2014).
1281:Pincus-Witten, Robert
1206:Danielle de Picciotto
1005:(November 17, 2010).
842:by Andrew Mead (1994)
756:J. P. E. Harper-Scott
438:Charlemagne Palestine
185:
149:
108:, a reaction against
83:
63:
40:
458:Robert Pincus-Witten
325:Paranoid imagination
236:David Foster Wallace
134:David Foster Wallace
1163:Vitra Design Museum
984:Sound Words Central
937:Wall Street Journal
886:, "On Complexity",
838:Untitled review of
316:Diegetic exuberance
313:Dissonant chorality
132:, such as those by
1448:Literary movements
1104:Pincus-Witten 2002
1092:Pincus-Witten 2002
1012:The New York Times
874:2 (1988): 135â159.
677:2011-06-06 at the
587:Hysterical realism
331:Ethical commitment
98:
78:
58:
1349:978-3-95593-058-5
1218:, 6 February 2018
1076:Fifteen Questions
834:Words about Music
744:978-0-19-516979-9
740:978-0-19-522273-9
549:VolksbĂŒhne Berlin
516:Stiletto (artist)
470:Neo-expressionism
310:Encyclopedic mode
219:Gravity's Rainbow
209:Maximalist novels
198:The Art of Excess
130:postmodern novels
16:(Redirected from
1460:
1336:
1309:Delville, Michel
1298:
1267:
1238:
1225:
1219:
1203:
1197:
1184:
1178:
1154:
1148:
1134:
1128:
1113:
1107:
1101:
1095:
1089:
1083:
1080:The Bare Maximum
1072:
1066:
1065:
1063:
1062:
1047:
1041:
1040:
1038:
1037:
1022:
1016:
1000:
994:
993:
991:
990:
975:
969:
968:
966:
964:
947:
941:
940:
932:
926:
925:
923:
922:
899:
893:
881:
875:
827:
821:
814:Delville, Michel
811:
805:
793:
787:
777:
771:
753:
747:
728:Richard Taruskin
725:
719:
718:
690:
681:
667:
661:
649:
643:
634:
628:
623:
543:installation by
520:
519: []
357:Sergei Prokofiev
348:Richard Taruskin
328:Intersemioticity
291:2005 dopo Cristo
272:Jonathan Franzen
71:
52:
21:
1468:
1467:
1463:
1462:
1461:
1459:
1458:
1457:
1418:
1417:
1392:
1326:
1305:
1303:Further reading
1295:
1279:
1271:
1270:
1263:, No. 25/1995,
1247:as part of the
1232:
1226:
1222:
1204:
1200:
1185:
1181:
1155:
1151:
1135:
1131:
1114:
1110:
1102:
1098:
1090:
1086:
1073:
1069:
1060:
1058:
1049:
1048:
1044:
1035:
1033:
1024:
1023:
1019:
1003:Caramanica, Jon
1001:
997:
988:
986:
977:
976:
972:
962:
960:
949:
948:
944:
934:
933:
929:
920:
918:
901:
900:
896:
882:
878:
828:
824:
812:
808:
804:. vol. 5, 1995.
794:
790:
784:Ideas and Music
778:
774:
754:
750:
726:
722:
692:
691:
684:
679:Wayback Machine
668:
664:
650:
646:
635:
631:
624:
620:
615:
592:Maximalist film
561:
537:in a so-called
535:design-defuncts
518:
489:Julie Verhoeven
462:Julian Schnabel
450:
344:
338:
296:Babette Factory
267:The Corrections
211:
193:epistemological
157:via affirmativa
122:
35:
28:
23:
22:
15:
12:
11:
5:
1466:
1464:
1456:
1455:
1453:Postmodern art
1450:
1445:
1440:
1435:
1430:
1420:
1419:
1416:
1415:
1407:Maximal Nation
1404:
1391:
1390:External links
1388:
1387:
1386:
1379:
1364:
1352:
1337:
1324:
1304:
1301:
1300:
1299:
1293:
1269:
1268:
1220:
1198:
1179:
1149:
1129:
1108:
1106:, p. 209.
1096:
1094:, p. 219.
1084:
1067:
1042:
1017:
995:
970:
942:
927:
894:
876:
830:Milton Babbitt
822:
806:
788:
772:
748:
720:
682:
662:
644:
629:
617:
616:
614:
611:
610:
609:
604:
602:Postminimalism
599:
597:New Complexity
594:
589:
584:
579:
572:
567:
560:
557:
494:Art historian
449:
446:
440:describes his
430:'s 2010 album
402:The Beach Boys
378:Milton Babbitt
361:David A. Jaffe
343:
340:
336:
335:
334:Hybrid realism
332:
329:
326:
323:
320:
317:
314:
311:
308:
300:
299:
287:
284:Roberto Bolaño
275:
263:
251:
239:
227:
224:Thomas Pynchon
210:
207:
138:Thomas Pynchon
121:
118:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1465:
1454:
1451:
1449:
1446:
1444:
1441:
1439:
1436:
1434:
1433:Art movements
1431:
1429:
1426:
1425:
1423:
1414:
1413:
1408:
1405:
1403:
1402:
1397:
1394:
1393:
1389:
1384:
1380:
1377:
1376:9780915570201
1373:
1369:
1365:
1362:
1361:
1360:Arts Magazine
1356:
1353:
1350:
1346:
1342:
1338:
1334:
1330:
1325:
1322:
1321:1-84471-059-9
1318:
1314:
1310:
1307:
1306:
1302:
1296:
1294:9780415276290
1290:
1286:
1282:
1278:
1277:
1276:
1275:
1265:
1262:
1261:(030) Magazin
1258:
1254:
1250:
1246:
1242:
1236:
1231:
1230:
1224:
1221:
1217:
1213:
1212:
1207:
1202:
1199:
1196:
1192:
1188:
1183:
1180:
1176:
1172:
1168:
1164:
1159:
1153:
1150:
1146:
1144:
1139:
1133:
1130:
1126:
1125:2-88893-019-6
1122:
1118:
1112:
1109:
1105:
1100:
1097:
1093:
1088:
1085:
1082:
1081:
1077:
1071:
1068:
1056:
1052:
1046:
1043:
1031:
1030:The A.V. Club
1027:
1021:
1018:
1014:
1013:
1008:
1004:
999:
996:
985:
981:
974:
971:
959:
958:
953:
946:
943:
938:
931:
928:
917:
913:
909:
905:
898:
895:
891:
890:
885:
880:
877:
873:
872:
867:
863:
859:
858:
853:
849:
848:
843:
841:
835:
831:
826:
823:
819:
818:Interval(le)s
815:
810:
807:
803:
802:
797:
792:
789:
785:
781:
780:Martin Cooper
776:
773:
769:
768:9780521765213
765:
761:
757:
752:
749:
745:
741:
737:
733:
729:
724:
721:
716:
712:
708:
704:
700:
696:
689:
687:
683:
680:
676:
672:
666:
663:
659:
658:
653:
648:
645:
642:
638:
633:
630:
627:
622:
619:
612:
608:
605:
603:
600:
598:
595:
593:
590:
588:
585:
583:
580:
578:
577:
573:
571:
568:
566:
563:
562:
558:
556:
554:
550:
546:
545:Laura Kikauka
542:
541:
536:
533:
529:
525:
521:
517:
513:
508:
506:
502:
497:
492:
490:
486:
481:
479:
475:
471:
467:
463:
459:
455:
447:
445:
443:
439:
435:
434:
429:
425:
424:
419:
418:
413:
409:
408:
403:
399:
395:
391:
390:Wall of Sound
387:
383:
379:
375:
371:
367:
366:Edgard VarĂšse
362:
358:
353:
349:
341:
339:
333:
330:
327:
324:
321:
318:
315:
312:
309:
306:
305:
304:
297:
293:
292:
288:
285:
281:
280:
276:
273:
269:
268:
264:
261:
257:
256:
252:
249:
245:
244:
240:
237:
233:
232:
231:Infinite Jest
228:
225:
221:
220:
216:
215:
214:
208:
205:
203:
199:
194:
190:
184:
182:
178:
172:
170:
166:
162:
158:
154:
148:
146:
141:
139:
135:
131:
127:
119:
117:
115:
111:
107:
103:
95:
91:
87:
82:
75:
67:
66:Pull&Bear
62:
56:
48:
44:
39:
33:
19:
1410:
1399:
1398:âarticle on
1382:
1367:
1358:
1340:
1333:Vox magazine
1312:
1284:
1273:
1272:
1264:
1252:
1248:
1244:
1240:
1228:
1223:
1215:
1210:
1201:
1186:
1182:
1174:
1170:
1166:
1157:
1152:
1141:
1132:
1116:
1111:
1099:
1087:
1079:
1075:
1070:
1059:. Retrieved
1057:. 2017-08-18
1054:
1045:
1034:. Retrieved
1032:. 2022-02-21
1029:
1020:
1010:
998:
987:. Retrieved
983:
973:
963:November 21,
961:. Retrieved
955:
945:
936:
930:
919:. Retrieved
907:
897:
887:
884:Richard Toop
879:
869:
861:
855:
851:
845:
839:
833:
825:
817:
809:
799:
796:Jaffe, David
791:
783:
775:
759:
751:
731:
723:
698:
694:
670:
665:
655:
647:
632:
621:
576:Horror vacui
574:
552:
539:
532:interpassive
523:
514:
511:
510:In 1995 the
509:
493:
482:
478:Gary Stephan
454:plastic arts
451:
431:
422:
415:
405:
394:The Ronettes
386:Phil Spector
382:Richard Toop
370:Charles Ives
345:
337:
319:Completeness
301:
289:
277:
265:
253:
241:
229:
217:
212:
197:
186:
181:authenticity
174:
156:
153:via negativa
152:
150:
142:
125:
123:
105:
99:
27:Art movement
1249:SpÀtverkauf
1233: [
1177:, page 726)
866:Robert Taub
862:Piano Works
652:Barth, John
540:SpÀtverkauf
505:Li Huasheng
487:and artist
466:David Salle
448:Visual arts
423:Be Here Now
420:(1995) and
374:Frank Zappa
260:Zadie Smith
255:White Teeth
248:Don DeLillo
202:masterworks
189:Barthelme's
169:James Joyce
41:Maximalist
1438:Collecting
1428:Aesthetics
1422:Categories
1253:Funny Farm
1061:2023-10-03
1036:2023-10-03
989:2023-10-03
921:2023-10-03
613:References
553:Maximalism
526:as a post-
522:presented
496:Gao Minglu
428:Kanye West
407:Pet Sounds
398:Be My Baby
346:In music,
243:Underworld
177:postmodern
145:John Barth
126:maximalism
120:Literature
110:minimalism
106:maximalism
18:Maximalist
1412:Pitchfork
1119:, p. 11.
1055:Stereogum
916:1091-2339
414:' albums
352:modernism
143:Novelist
124:The term
114:aesthetic
90:Bucharest
1145:Reporter
871:Intégral
847:Intégral
715:23252885
675:Archived
582:Hyperpop
559:See also
485:Kam Tang
183:. Thus:
112:, is an
102:the arts
43:Half Cab
1401:Esquire
1274:Sources
570:Collage
565:Baroque
547:at the
501:Ding Yi
298:, 2005)
286:, 2004)
274:, 2001)
262:, 2000)
250:, 1997)
238:, 1996)
226:, 1973)
165:Beckett
161:Critics
94:Romania
74:acrylic
1374:
1347:
1319:
1291:
1123:
914:
766:
738:
713:
528:neoist
400:" and
372:, and
307:Length
72:2023,
53:2024,
1257:Kiosk
1237:]
1161:(in:
908:Slate
711:JSTOR
442:drone
412:Oasis
342:Music
55:suede
1372:ISBN
1345:ISBN
1317:ISBN
1289:ISBN
1121:ISBN
965:2016
957:Vice
912:ISSN
764:ISBN
736:ISBN
503:and
464:and
279:2666
151:the
136:and
47:Vans
1229:QRT
1173:by
703:doi
396:' "
100:In
86:HAY
1424::
1331:.
1235:de
1214:,
1208::
1165::
1143:UB
1140:,
1053:.
1028:.
1009:.
982:.
954:.
910:.
906:.
864:,
844:,
832:,
782:,
758:,
742:,
730:,
709:.
699:64
697:.
685:^
639:,
555:.
507:.
491:.
480:.
404:'
368:,
104:,
92:,
70:c.
68:,
51:c.
49:,
1409:â
1378:.
1351:.
1335:.
1323:.
1297:.
1239::
1147:.
1127:.
1064:.
1039:.
992:.
967:.
939:.
924:.
770:.
746:.
717:.
705::
294:(
282:(
270:(
258:(
246:(
234:(
222:(
34:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.