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has shown that the third and eighth modes have had their dominants raised from B to C. In mode III is E authentic; the dominant a fifth above is B, which in many chants is raised to C in official editions. Not only are many chants in mode III and VIII in need of melodic restitution, there are errors
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Though much has been published concerning melodic restitution in academic circles, it has not reached the area of chant performance practice and remains a mostly specialist subject.
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in all other modes. The
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are set in large tables of comparison which is juxtaposed with a similar table of later
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368:.notation. Whereas some of the researchers are hoping to establish an
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for Geert
Maassens melodic restitutions in Fluxus notation, see:
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http://www.conbrio.de/musikbuch/graduale/graduale.php
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397:"Gregorian Chant Is Returning from Exile. Maybe"
355:Research by Dom. Jean Claire in the field of
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61:Learn how and when to remove these messages
315:is the process of restoring the original
300:Learn how and when to remove this message
282:Learn how and when to remove this message
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158:Learn how and when to remove this message
331:All mainstream editions of chant books (
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351:Description
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264:introducing
406:2023-06-14
383:References
247:references
194:improve it
148:March 2008
118:newspapers
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272:June 2024
198:verifying
53:talk page
443:Category
357:modality
337:Solesmes
327:Research
333:Vatican
260:improve
192:Please
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366:Fluxus
317:melody
249:, but
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139:JSTOR
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