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229:, a French designer, was also a member of Memphis. She first joined the group when she was in her twenties and was deemed in charge of overlooking all Memphis lighting that was produced. Her father had been an engineer and she was also continuously 'playing with forbidden things', all of which contributed to her designated position. During her time in Memphis, Bedin designed and thought of numerous ideas. Her design of the Super lamp placed on wheels, first designed in 1978, supposedly represented, along with a group of other objects, "friend-like" items. Bedin's lamp was later produced in an artisanal workshop, where all Memphis products were manufactured, and her first prototype is now featured in the
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a lifestyle publication on the west coast that
Sottsass' partner on occasion would contribute to. In one article featuring Shire's teapots in 1977, he quoted "I'm not much of a tea-drinker Actually my first impulse is to put Coke in teapots. I'm a big Coke drinker and I'd love to see Coke flowing
106:. The group of designers used the ambiguity behind the name to represent and symbolise their ambiguous design philosophies of furniture, objects and textiles. Sottsass showed great interest in the middle-class taste, the traditions of the Third World and the East, and unspoiled nature.
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and aimed to do so by creating and forming a new design collective. After their initial meeting, the group went away to brainstorm different ideas and concepts, and three months later came back together ready to share over a hundred drawings they had produced during that time.
144:, a totemic pole incorporating a variety of bright colours, solid shapes and voids. The structure itself is constructed using cheap plastic laminates, though designed to be sold by a luxury market, and incorporates a series of equilateral triangles, both real and implied.
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The mid-1980s to early 1990s design of furniture, architecture, household items, and clothes was heavily influenced by
Memphis Group. Surfing, skateboarding, skiing and BMX companies were quick to adopt the aesthetic into their designs. Television shows such as
251:, a French-born ex-member of the group, have collaborated with brands and companies in recent years. In 2013, she and the Danish company HAY collaborated where she designed and created Memphis-esque patterned bags. She later on also collaborated with
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Memphis was born on the evening of
December 11, 1980, when Sottsass invited a group of young designers and architects to discuss the future of design. Together, they wanted to change the concept of what design had been focused on, which had been
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Rewald, Sabine; Hambourg, Maria Morris; Lieberman, William S.; Sims, Lowery S.; Davis, Elliot
Bostwick; Messinger, Lisa M.; Rosenheim, Jeff L.; Holcomb, Melanie; Voorsanger, Catherine Hoover; Le Corbeiller, Clare; Johnson, J. Stewart (1993).
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Adlin, Jane; Goss, Jared D.; Rewald, Sabine; Messinger, Lisa M.; Lieberman, William S.; Loveman, Jennifer A.; Johnson, J. Stewart; Sims, Lowery Stokes; Hambourg, Maria Morris; Fineman, Mia; Eklund, Douglas (1998).
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materials and was characterized by ephemeral design featuring colorful and abstract decoration as well as asymmetrical shapes, sometimes arbitrarily alluding to exotic or earlier styles and designs.
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A "flat, geometric, figurative" illustration style "usually made up of solid colours", popular in the late 2010s, particularly with startups, was dubbed "
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Being the founder of the group, Ettore
Sottsass became the leader of the Memphis Group and is now one of the most well known Italian post-War designers.
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239:, a sculptor, designer and potter originally from California, was another figure who formed the Memphis Group. He was first discovered thanks to
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During their active years, the group designed a series of non-conformist furniture. One of their most popular and well-known designs is the
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out of the teapots and foaming on the ground." His unique approach and attitude later secured him a spot as a member of
Memphis.
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Sottsass left the group in 1985 to focus on his design and architecture firm, Sottsass
Associati. The group disbanded in 1987.
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The designs of the
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The inspiration behind naming themselves "Memphis" came about during their first meeting when
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After
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439:"Celebrating the wonders of the Memphis Group with five objects | The Arts Society"
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Memphis included contributions from many international architects and designers.
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464:"How the Memphis Movement Went Against 'Good Taste' to Inspire Designers Today"
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furniture, lighting, fabrics, carpets, ceramics, glass and metal objects.
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Memphis: Research, Experiences, Failures and
Successes of New Design
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860:"Why does every advert look the same? Blame Corporate Memphis"
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Notable Memphis style collectors included fashion designer
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Memphis Group furniture featured within a living room space
54:, was an Italian design and architecture group founded by
622:"What You Need to Know about Design Icon Ettore Sottsass"
485:(25th anniversary ed.). Köln: Taschen. p. 461.
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Carlton room divider by Ettore Sottsass for Memphis, 1981
58:. It was active from 1980 to 1987. The group designed
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Slimed!: An Oral History of Nickelodeon's Golden Age
647:"Collectors give '80s postmodernist design 2nd look"
922:"Designers - Ettore Sottsass and the Memphis Group"
102:, which was named after a capital city of ancient
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Stuck Inside of Mobile with the Memphis Blues Again
175:collection fashion show, for the Winter 2015
8:
763:"Missoni Fall 2015 Ready-to-Wear Collection"
167:Memphis Group served as inspiration for the
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34:A collection of objects by the Memphis Group
543:: CS1 maint: numeric names: authors list (
968:Memphis: Objects, Furniture, and Patterns
1033:Italian companies disestablished in 1991
714:. Penguin Publishing Group. p. 92.
645:Pellegrin, Bertrand (January 15, 2012).
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481:Fiell, Charlotte; Fiell, Peter (2005).
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954:Italian Design: 1870 to the Present
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521:"Memphis Group: awful or awesome?"
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988:Memphis Milano official website
956:. London: Thames & Hudson.
620:Alexa, Alexandra (2017-07-17).
462:Barnes, Sara (April 27, 2018).
970:. New York: Wuarto Marketing.
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761:Blanks, Tim (1 March 2015).
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382:Museum of Decorative Arts
272:Notable members include:
171:'s Fall/Winter 2011–2012
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938:Radice, Barbara (1985).
1018:Postmodern architecture
888:The Burlington Magazine
882:Adamson, Glenn (2011).
789:"Love it or loathe it?"
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952:Sparke, Penny (1988).
233:, in London, England.
142:"Carlton" Room Divider
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840:. November 11, 2016
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322:Alessandro Mendini
302:Massimo Iosa Ghini
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894:(1302): 597–600.
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398:Michele de Lucchi
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207:Corporate Memphis
194:in 2016, part of
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332:Peter Shire
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188:David Bowie
161:Double Dare
156:Nickelodeon
94:'s record "
1002:Categories
631:2021-12-30
530:2021-03-01
448:2024-05-22
422:References
396:Chair, by
287:Aldo Cibic
151:Miami Vice
77:Background
60:postmodern
900:0007-6287
838:Sotheby's
795:. London.
750:. London.
687:0026-1521
599:0026-1521
559:"History"
501:809539744
219:Designers
202:auction.
200:Sotheby's
100:Tennessee
92:Bob Dylan
84:Modernism
908:23055425
864:Wired UK
539:cite web
190:. After
129:between
71:terrazzo
844:July 4,
819:14 July
695:3269046
607:3269024
384:, Paris
363:Gallery
264:Missoni
177:Missoni
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209:" by
104:Egypt
972:ISBN
958:ISBN
944:ISBN
896:ISSN
846:2017
821:2016
774:2019
729:2022
716:ISBN
683:ISSN
595:ISSN
545:link
497:OCLC
487:ISBN
262:and
260:Dior
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