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movement in France, called "Art corporel". During these years, many artists started to use the human body as their material. Accordingly, this artist used his own body to perform rituals which he documented through photography or video. His work can be compared to those of
198:, " Michel Journiac's Masquerades, Incest, Drag and the Anti-Oedipus ", 2003 in Benthien, Claudia, Stephan, Inge (dir.) Mannlichkeit als Maskerade. Gender Studien mit blick auf ‘den' Mann, Köln, Böhlau Verlag, 2003, p. 128–153. (Article consultable sur le site :
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It was through his photographic works, his actions and installations, that he made his fame and became known.
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285:A detailed consideration of Michel Journiac
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164:24 Hours in the Life of an Ordinary Woman
160:24 heures de la vie d’une femme ordinaire
231:Scott, Katie; Arscott, Caroline (2000).
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269:A website about Michel Journiac's work
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69:His most famous action is probably
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191:Articles about Michel Journiac
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374:French contemporary artists
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221:. Retrieved 29 August 2010
394:French photographer stubs
364:French LGBT photographers
274:Michel Journiac on IMDB
234:Manifestations of Venus
180:Rituel de transmutation
150:Contrat de prostitution
144:Trap for a Transvestite
140:Piège pour un travesti
156:), installation, 1973
154:Prostitution Contract
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369:French photographers
279:5 March 2016 at the
184:Transmutation Ritual
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110:Piège pour un voyeur
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287:on Frieze Magazine
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