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439:'s, "Anthropométries de l'époque bleue" where he wore a tuxedo and white gloves as Klein had done, directing naked women to make prints with their bodies on large sheets of paper using ultramarine blue paint. There were four evenings where this was enacted: in New York City in 1985, in 1986 in Sweden, in 1988 in Tokyo, and in 1989 in Seattle.
669:
Bidlo, M., Cohen, C., Wolff
Gallery., & Feigen Inc. (1990). Strategies for the last painting: Mike Bidlo ... , November 27 – December 21, 1990, Wolff Gallery; January 11 – February 16, 1991, Feigen Incorporated. Strategies for the next painting : Cora Cohen ... , January 8 – February 9,
569:
In 2016 an exhibition "MIKE BIDLO: NOT Duchamp, Fountain and Bottle Rack" included a bronze edition of "Fractured
Fountain" and "Bottleracks" that were gilded in gold. Three bottleracks that were inaccurate and canceled from the edition were exhibited flattened by a steamroller.
496:"St. Duchamp" Between 1995 and 1997 Bidlo assembled his ready-mades, rented a vintage storefront and there produced the installation and exhibition, "St. Duchamp". In 1997, Bidlo re-created a ceramic sculpture based on the image of "
556:
mounted an exhibition titled "MIKE BIDLO. NOT Picasso, NOT Pollock, NOT Warhol" which included NOT Duchamp, NOT LĂ©ger, NOT Magritte and NOT de
Chirico, and a catalog was published with two essays. The one in English has an essay by
544:, "The Consumption of Art (1960)." In 2015 Bidlo reinvented the "sculpture viventi," "NOT Manzoni, Carta d'authenticitá (1964)" in which Bidlo signed people as 'living sculptures' and gave them a numbered and signed certificate.
456:"Picasso's Women 1901–1971", Bidlo began a series of paintings that was called, "Picasso's Women 1901–1971" in 1987 in which he selected images of women from Picasso's oeuvre. In 1988 they were exhibited at
355:. Bidlo's event was an act of homage and defiance and for the next few years he immersed himself in discovering how to paint like Pollock, then executing his series to scale of "NOT Pollock" drip paintings.
651:
Rosenblum, R. (January 1, 1999). Bidlo's
Shrines: With a series of more than 3,000 "Fountain Drawings," Mike Bidlo pays tribute to Marcel Duchamp's most scandalous readymade. Art in America, 87, 2, 102–104.
648:
Bidlo, M., Astrup
Fearnley museet for moderne kunst., Bergen kunstmuseum., & Listasafn ĂŤslands. (2002). Mike Bidlo: Not Picasso, not Pollock, not Warhol. Oslo: Astrup Fearnley museet for moderne kunst.
673:
Bidlo, M., Daniel
Templon (Gallery), Galerie Bischofberger, & Exposition. (1990). Bidlo (not de Chirico): Galerie Daniel Templon, Galerie Bruno Bischofberger. Paris: Galerie Daniel Templon.
1289:
809:
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Bidlo, M., & Galerie
Bischofberger. (1992). Not LĂ©ger, Mike Bidlo: , Galerie Bruno Bischofberger. Zurich, Switzerland: Edition Gallery Bruno Bischofberger.
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and lasted from 1983 to 1984 until it was closed by the police. The pier was located in the abandoned Ward Line shipping terminal located at the foot of
780:
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Bidlo, M., Galerie
Bischofberger., & Tony Shafrazi Gallery. (1998). The fountain drawings. Zurich, Switzerland: Edition Galerie Bruno Bischofberger.
507:"Fountain Drawings" Between 1995 and 1998 The "Fountain Drawings" series was ongoing and large selections were exhibited at the Bruno Bischofberger and
1274:
666:
Kent, S., Bidlo, M., Ocampo, M., Serrano, A., & Saatchi
Gallery. (1991). Mike Bidlo, Manuel Ocampo, Andres Serrano. London: Saatchi Collection.
639:
Bidlo, M., Rosenblum, R., & Francis M. Naumann Fine Art. (2005). Mike Bidlo: Erased de
Kooning drawings. New York: Francis M. Naumann Fine Art.
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536:"NOT Manzoni" In 2006, Bidlo produced an edition of NOT Manzoni, "Merda d'artista (Artist's Shit)," and continued to reinterpret the work of
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in Paris. This painting was the beginning of Bidlo's reinventions and recreations of iconic works in the history of modernist masters.
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Bidlo, M., Daniel Templon (Gallery), & Galerie Bischofberger. (1990). Bidlo: (not de Chirico). Paris: Galerie Daniel Templon.
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202:
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Bidlo, M., & Printed Matter, Inc. (1982). Nancy Reagan fashion show: Limited edition souvenir. New York, N.Y: M. Bidlo.
969:
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383:
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Rosenblum, R., Jakobson, B., Pincus-Witten, R., & Leo Castelli (N.Y.). (1988). Mike Bidlo: Picasso's women 1901–71.
120:
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Since 2006 Bidlo has been engaged in creating a series of works on paper, meditations on modern masters including;
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533:, both paintings and molded and cast sculptures and he also produced a series of "NOT Warhol Oxidation Paintings."
127:
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449:"NOT Morandi", 1984–1986, Bidlo completed a series (concentration and recreation) of still life paintings by
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134:
83:
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Bidlo, M., Rosenblum, R., & Galerie Bischofberger. (1989). Masterpieces. Zurich: Edition Bischofberger.
1244:
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645:'80s THEN – Mike Bidlo talks to Robert Rosenblum. (January 1, 2003). Artforum International, 41, 8, 192.
116:
255:
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1991, Wolff Gallery; February 23 – March 30, 1991, Feigen Incorporated. New York City: Wolff Gallery.
481:"NOT Georgia O'Keeffe and Magritte" Between 1993 and 1995 Bidlo investigated the flower paintings of
457:
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366:. Bidlo and Wojnarowicz issued a statement and an invitation spread through art channels including
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series, for a show that opened at the Bruno Bischofberger Gallery and remained on view for a week
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386:" in the PS1 studio. This painting was subsequently shown in "Picasso's Women: 1901–1971" at
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Masheck, J., & Schjeldahl, P. (January 1, 1988). Bidlo's Pablo. Art in America, 172–175.
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in oils and in numerous works on paper. Between 1996 and 1998 he invented a series based on
475:
474:"NOT Fernand LĂ©ger" Between 1991 and 1992 Bidlo produced full size oil paintings in the NOT
344:
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Galerie Bischofberger. (n.d.). Mike Bidlo: "Not Leger.". Zurich;Galerie Bischofberger 1992.
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Costa, R., & Bidlo, M. (1984). The Warhol papers. New York: publisher not identified.
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In 1980 shortly after moving to New York City from Chicago, Bidlo participated in
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Bidlo, M., & Whitney Museum of American Art. (n.d.). Mike Bidlo: Artist file.
529:"Venus of Willendorf" Between 2001 and 2005 Bidlo produced a series based on the
201:
It may require cleanup to comply with Knowledge's content policies, particularly
428:
413:
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423:"NOT Guernica and NOT Klein", in 1985, with a full-scale version of Picasso's "
642:
Rosenblum, R. (January 1, 2003). Mike Bidlo: Talks to. Artforum International.
519:
453:. "NOT Morandi" paintings were shown in dual exhibitions in Rome and New York.
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Bonney, A., & Bidlo, M. (October 1, 1993). Mike Bidlo. Bomb, 45, 22–27.
512:
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Rosenblum, R. (January 1, 1999). Mike Bidlo: 1989. On Modern American Art.
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970:"Not Manzoni (Carta d'autenticita, 1961-62) | World House Editions"
416:'s seminal black and white abstractions, to scale, and a re-creation of
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995:"Mike Bidlo - Not Picasso, Not Pollock, Not Warhol | Exhibition"
266:(born 20 October 1953) is an American conceptual artist who employs
335:'s Times Square Show and in 1982 Bidlo was awarded a studio at the
332:
254:
412:"NOT Franz Kline and NOT Man Ray", which included a series after
553:
442:"NOT Brancusi", 1986, for which Bidlo produced 100 replicas of
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from the article and its talk page, especially if potentially
59:
18:
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series of oil paintings that were exhibited in Paris at the
420:'s masterpiece, "A l'Heure de l'observatoire: Les amoureux".
351:
townhouse, with the fireplace famously used by Pollock as a
518:"NOT Erased de Kooning" Bidlo undertook the series "Erased
1153:
By Howard N. Fox, Los Angeles County Museum of Art. 1987.
614:"Success Is a Job In New York" Grey Art Gallery, NY 1989.
463:"NOT de Chirico" Bidlo worked from 1989 to 1990 on a NOT
194:
A major contributor to this article appears to have a
489:'s paintings and sculptures, but most were done in
370:for artists to come and work in the pier building.
358:The Pier 34 project was co-organized by Bidlo and
522:Drawings" in 2003 and they were exhibited at the
446:'s marble, "Mademoiselle Pogany" in cast plaster.
1052:. New York Media, LLC. 1983-05-23. pp. 85–
405:"NOT Andy Warhol's Factory", a reinvention of "
8:
1290:Teachers College, Columbia University alumni
409:" for one afternoon in Bidlo's attic studio.
773:"He's Not a Forger, He's an 'Appropriator'"
53:Learn how and when to remove these messages
1139:By Sara Pendergast, Tom Pendergast. 2002.
97:about living persons that is unsourced or
1118:Learn how and when to remove this message
282:, and other forms of "social sculpture."
243:Learn how and when to remove this message
225:Learn how and when to remove this message
168:Learn how and when to remove this message
1081:This article includes a list of general
343:an installation rendering his vision of
707:
304:Southern Illinois University Carbondale
1201:
1191:
954:: CS1 maint: archived copy as title (
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909:: CS1 maint: archived copy as title (
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864:: CS1 maint: archived copy as title (
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1026:from the original on 20 December 2016
815:from the original on 21 December 2016
715:Potempa, Philip (November 11, 2011).
378:In 1983 Bidlo painted his version of
7:
771:Hemphill, Clara (January 22, 1988).
550:Astrup Fearnley Museum of Modern Art
803:"Department of Art and Art History"
401:Series from 1985 to 1998 include:
390:, the "Masterpieces" exhibition at
1280:20th-century American male artists
1265:21st-century American male artists
1087:it lacks sufficient corresponding
783:from the original on June 22, 2022
727:from the original on June 22, 2022
603:"Warhol's Factory" P.S. One Museum
14:
259:Mike Bidlo Jersey City 2005 06 09
34:This article has multiple issues.
1072:
341:Jack the Dripper at Peg's Place,
205:. Please discuss further on the
184:
64:
23:
1275:20th-century American sculptors
1001:from the original on 2022-02-18
753:from the original on 2016-01-07
599:Jack the Dripper at Peg's Place
540:in 2008, creating an action at
42:or discuss these issues on the
1260:21st-century American painters
1250:20th-century American painters
435:Gallery, and a re-creation of
1:
1270:American performance artists
721:The Times (Munster, Indiana)
394:Gallery, and in 2015 at the
75:biography of a living person
1223:"Cultureshock Beyond Manet"
1213:Mike Bidlo: The End of Art?
1151:Avant-garde in the eighties
791:– via Newspapers.com.
735:– via Newspapers.com.
565:Recent exhibitions and work
102:must be removed immediately
1306:
16:American conceptual artist
1166:By Henry M. Sayre. 1987.
1164:The object of performance
593:Installations and actions
384:Les Demoiselles d'Avignon
585:, Georgia O'Keeffe, and
286:Early life and education
1285:American male sculptors
1102:more precise citations.
617:Yves Klien, Monochromes
339:Museum where he staged
1255:American male painters
300:University of Illinois
260:
89:Please help by adding
634:Selected bibliography
258:
203:neutral point of view
1137:Contemporary Artists
1020:"Mike Bidlo Aktions"
500:" that was taken by
458:Leo Castelli Gallery
388:Leo Castelli Gallery
95:Contentious material
808:. 19 October 2023.
531:Venus of Willendorf
444:Constantin Brâncuși
392:Bruno Bischofberger
374:Masterpieces Series
312:Columbia University
306:(MFA,1975), and at
298:and studied at the
747:"Grey Art Gallery"
559:David Levi Strauss
515:and New York City.
465:Giorgio de Chirico
290:Bidlo was born in
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1050:New York Magazine
1022:. 22 March 2016.
723:. p. B1,B4.
628:Appropriation art
360:David Wojnarowicz
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308:Teachers College
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84:verification
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36:Please help
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1240:1953 births
1202:|work=
1179:Bidlo, Mike
1100:introducing
1046:"Lee Story"
1030:11 December
819:11 December
717:"Pop to it"
429:Los Angeles
414:Franz Kline
407:The Factory
327:Early years
302:(BA,1973),
280:performance
1234:Categories
1185:2007-07-20
1159:0875871380
1147:. str. 173
1083:references
1056:17 October
1005:2021-02-15
980:2016-12-11
941:2016-12-12
896:2016-12-12
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