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In 1938 Lifshitz's work "The
Philosophy of Art of Karl Marx" was translated into English. His work also featured prominently in the influential work "Literature and Marxism: A Controversy by Soviet Critics" (1938). Lifshitz was considered a leading literary critic during the Stalin period.
205:...resembled that of Lifschitz in one important (and now almost forgotten) realm: the relationship between philosophy, culture (art, literature, music and so on) and the 'communist ideal' of a new human being, formed as a result of the political-economic changes to come...
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Early on, Lifshitz was attacked in the mainstream Soviet press because of his criticisms of
Modernist art; towards the end of his career he was honoured by the mainstream, and yet strongly disliked by the Soviet non-conformist artists.
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Early on, he saw some serious combat. His unit was surrounded by the German army, and he had to escape back through the front lines. Later on, he worked as a journalist in military publications. He received awards for his service.
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Starting in the 1990s, Lifshitz acquired new popularity among the
Nationalist circles in Russia, who appreciate his critique of "Western Modernist art", and his defence of traditional art. His works are being republished again.
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254:... Tvardovsky forwarded Solzhenitsyn's manuscript to one of his oldest and most trusted friends, Mikhail Lifschitz. Lifschitz's report was unequivocal: 'It would be a crime not to publish this work'.
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He ended his studies there in 1925 because he disagreed with his modernist oriented instructors. Instead, he was offered a teaching position there; his job was to teach
Marxist philosophy to artists.
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In: Make
Everything New - A Project on Communism. Edited by Grant Watson, Gerrie van Noord & Gavin Everall. Published by Book Works and Project Arts Centre, Dublin, 2006 PP. 24-37.
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Longwood
Publishing Group, 1980. (Original English translation of 1938); available also in the German translation (Lifschitz 1960), and the Spanish translation (Lifshits 1982)
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According to some sources, at that stage, he was expelled from the
Communist Party. Yet he perhaps was merely severely sanctioned as a member, coming very close to expulsion.
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who had a long and controversial career in the former Soviet Union. In the 1930s, he strongly influenced
Marxist views on aesthetics while being a close associate of
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Fragments from
Chapter 9 "The Meaning of the World" – Moscow: Iskusstvo XXI vek Publishing House. 2004. (Ed. V. Arslanov) Translation from Russian: David Riff
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340:, Mikhail Lifshitz. Translated and with an Introduction by David Riff. Leiden: BRILL, 2018 (originally published in Russian by Iskusstvo, 1968)
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His post-war career as a critic was marked by considerable controversy. In the last years of Stalin, as a Jew, he was attacked as part of the "
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movement in the arts. From a political vantage point, Lifshitz, despite his criticism of the Soviet system, remained a strong proponent of
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was published in 1933 (also an extended edition of 1938) as the first anthology of its kind. It was also published in German in 1948.
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After Stalin's death in 1953, Lifshitz was in trouble again. A pamphlet he published in 1954, criticizing the writer
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He pursued an analysis of aesthetics from a fundamentally
Marxist perspective. His ideas became controversial at
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started in 1956, and the sanctions against him were gradually lifted. Many of his works were published again.
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In 1926–1940, Lifschitz also published a very large number of works dedicated to such diverse authorities as
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Lifshitz died in Moscow on 28 September 1983, eight years after his election as a full member of the
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In 1963 Lifshitz wrote the controversial article "Why Am I Not a Modernist?" where he defended
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The same time-frame was also a period of Lifshitz's collaboration with the Soviet philosopher
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Gutov, Dmitriy. "Михаил Александрович Лифшиц" ("Mikhail Aleksandrovich Lifshitz"). 2003.
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Perepiska (Letters), Mikhail Lifschitz and György Lukács. Moscow: Grundrisse, 2011.
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Starting in 1933, he edited an influential Moscow magazine "The Literary Critic" (
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In 1938, he published a similar anthology of Lenin's view on aesthetics called
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The vast majority of his work remains untranslated. One book on aesthetics,
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Marx / Engels. Über Kunst und Literatur. Eine Sammlung aus ihren Schriften
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Lifschitz's collection of Marx and Engels's views on aesthetics –
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Yet later Solzhenitsyn was not kind in his remarks about him.
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Expelled members of the Communist Party of the Soviet Union
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In the early 1960s, Lifshitz gave considerable support to
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Lifshitz's main object of criticism in the 1960s was the
512:“Art is dead! Long live art!” — Mikhail Lifshitz on
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