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The company was part of the wave of developing corporate art collections at that time. The
Tremaines' concept was to refer to circa 1920s European art and design crossovers, and apply those general principles to post-WWII America and recent technological developments in their fluorescent lighting.
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In the mid-1950s, the
Tremaine family transitioned their art collection activities from the Miller Co. to the private Tremaine Collection. Their decisions regarding art and design were made in various locations, including Meriden,
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Over the years, the
Tremaines built an extensive art collection, featuring hundreds of artworks exhibited in numerous national and international exhibitions. Notable early acquisitions included works like Jasper Johns'
601:. According to the museum, "The theme of this show is based on Henry Russell-Hitchcock's book on the Miller Collection of abstract art, Painting toward architecture..." Documentation showing Le Corbusier's iconic
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The exhibition featured and referred to leading
Modernists in European and American art and architecture with a connection to then-Miller Company lighting designs. Artworks exhibited included works by
616:-work (1948) for the unbuilt Tremaine house. In 2010, Berry Bergdoll, a curator at MoMA asserted the importance of the exhibition as fusing strands of the geometric and organic soon after WWII.
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They encouraged architects and designers to adopt these principles to develop new interior design forms to incorporate Miller Co. lighting into commercial interiors.
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sold for $ 7 million, the highest price paid for an artwork by a living artist at that time. In 1991, 50 additional artworks were sold at
Christie's New York.
701:, and it was "considered by museum directors, dealers and art writers to be one of the greatest private collections of 20th century art in the world", reported the
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640:, president of the "New Bauhaus", the School of Design in Chicago, to contributed graphic design and interior design concepts utilizing Miller Co. lighting.
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822:"The Painting toward architecture exhibition (1947–52) by the Miller Company Collection of Abstract Art: Documentation and historical information"
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661:. Many artworks that were attributed to the Miller Co. were actually privately owned by the Tremaines and lent for corporate initiatives.
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The travelling exhibition received national media coverage and deepened a discussion on Modern art and architecture in the United States.
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318:, as part of the Miller Company. The collection was formed by then CEO Burton Tremaine Sr. and his wife, Miller Co. art director
695:"By the early 1980s the Tremaine collection had grown to more than 400 works by European and American artists", reported the
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in
Hartford (1958). Throughout this time period, artworks were loaned to many other exhibitions at various museums.
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Photographs of Modern architectural designs accompanied the artworks starting in
December 1948 and included work by
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707:. The collection was estimated to be worth $ 84 million in 1987 (equivalent to $ 225 million in 2023).
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exhibition, putting forth post-WWII art, design and architecture crossovers, originating at the
880:. (Research: Allen L. Weathers, curator, Meriden Historical Society.) Studley Press, pp. 89–91.
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944:"Tremaine Collection Going To Auction: Bidding A Fond Farewell Gavel To Signal End Of An Era"
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It may require cleanup to comply with
Knowledge (XXG)'s content policies, particularly
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closely consulting on product design for the company for at least a three-year period
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During this time, as part of a wider
Modernist agenda, Miller Co. activities included
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in
Hartford, CT, and traveling to 28 additional venues in 1947–1952 across the
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In 1988, many artworks in the Tremaine collection were sold at auction at
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in New York. The total amount of sold artworks was $ 25.8 million.
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for the unbuilt Tremaine House. In the exhibition, Roberto Burle Marx's
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Louchhiem, Aline. (December 1947). "Abstraction on the assembly line".
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was released in November 1948. The catalogue essay was written by
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initiative, Oscar Niemeyer was commissioned to make a design with
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From Le Corbusier to Niemeyer: Savoye House - Tremaine House 1949
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Bergdoll, Barry. (Summer 2010). The synthesis of arts and MoMa.
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credited as a collaborator. The latter artwork can be found at
892:"Art view; A collection that breathes the spirit of Modernism"
841:. The Miller Company: Meriden, CT. Retrieved January 22, 2017.
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918:"Burton G. Tremaine, Executive, 89, Dies; A Collector of Art"
854:. Museum of Modern Art, New York. Retrieved June 26, 2018
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in Germany, was hired to work on the corporate logo; and
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in 1945. Works from the collection were featured in the
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In 1984, the Tremaine Collection was exhibited at the
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A major contributor to this article appears to have a
747:"Rethinking 'Painting toward architecture' (1947-52)"
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Jasper Johns's 'White flag' is sold for record price
692:in Hartford, CT. Over 150 artworks were exhibited.
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Special exhibition at Museum of Modern Art, New York
151:, and by adding encyclopedic content written from a
565:, there were other Miller Company art shows at
806:. Emily Hall Tremaine Foundation: Meriden, CT.
632:, formerly at the internationally influential
8:
986:50 paintings to be sold from Tremaine estate
222:"Miller Company Collection of Abstract Art"
53:Learn how and when to remove these messages
837:Hitchcock, Henry-Russell (essay). (1948).
804:Emily Hall Tremaine: Collector on the Cusp
778:(January 19, 1948). "Art in the factory".
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305:Miller Company Collection of Abstract Art
291:Learn how and when to remove this message
273:Learn how and when to remove this message
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105:Learn how and when to remove this message
589:From February to April 1949, during the
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543:A self-published exhibition catalogue,
751:artdesigncafe.com / Sculpture magazine
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605:was juxtaposed with Oscar Niemeyer's
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967:Rief, Rita. (November 10, 1988).
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916:Fowler, Glenn (March 27, 1991).
669:(1958), currently housed at the
593:(1947–1952) exhibition run, the
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85:. Please discuss further on the
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890:Glueck, Grace (April 8, 1984).
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591:Painting toward architecture
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992:. Retrieved April 28, 2019.
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753:. Retrieved June 26, 2018.
745:Preece, R. J. (2017).
411:Charles-Edouard Jeanneret
555:designed the catalogue.
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307:(1945 –
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679:Emily Hall Tremaine
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320:Emily Hall Tremaine
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328:Wadsworth Atheneum
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850:(c. 1949).
685:in London.
683:Tate Modern
667:Three Flags
655:Connecticut
561:Apart from
455:Henry Moore
407:Jean Hélion
312: 1955
726:References
720:White flag
712:Christie's
597:exhibited
495:Mark Tobey
435:John Marin
399:Perle Fine
233:newspapers
200:references
141:improve it
39:improve it
901:April 13,
447:Joan Miró
423:Paul Klee
403:Juan Gris
391:Max Ernst
355:Leo Amino
87:talk page
45:talk page
1003:Category
953:July 10,
927:July 10,
865:Docomomo
782:. p. 90.
780:Newsweek
607:maquette
573:(1951),
569:(1945),
419:Kunisada
363:Hans Arp
359:Jean Arp
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651:Madison
634:Bauhaus
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