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Minnie Nast left recordings for G&T (Dresden 1902 and Berlin 1905-07), Odeon (Berlin 1907 and 1910-11), Gramophone (Dresden 1908 and Berlin 1908-11, among these
Micaela in complete "Carmen") and Polyphon (Leipzig 1910). In 1911 she recorded scenes from "Rosenkavalier" with her fellow creators
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in 1911. Her clear tone and lack of continuous vibrato were echoed by other sopranos of the period. She made some recordings which indicate high technical accomplishment, including her part in the trio from
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Rainer E. Lotz, Axel Weggen und Oliver Wurl: Discographie der deutschen
Gesangsaufnahmen Band 2, Birgit Lotz Verlag, Bonn 1998,
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from 1898 to 1919 and then taught singing there until the bombing of the city in 1945 during
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Margarethe Siems and Eva von der Osten for
Gramophone and Odeon.
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and studied at the
Karlsruhe Conservatory, making her début at
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Les stars de l'opéra: grands artistes lyriques de l'histoire
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188:19th-century German women opera singers
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37:(10 October 1874 – 20 June 1956) was a
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132:The Cambridge companion to Schubert
130:Gibbs, Christopher Howard (1997).
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67:Nast specialized in light and
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136:Cambridge Companions to Music
115:Stinchelli, Enrico (2002).
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41:soprano. She was born in
198:Musicians from Karlsruhe
183:German operatic sopranos
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23:Minnie Nast in 1899,
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71:roles, especially
52:Nast performed in
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84:Der Rosenkavalier
78:Der Rosenkavalier
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25:National Museum
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16:German soprano
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58:World War II
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178:1956 deaths
173:1874 births
62:Netherlands
35:Minnie Nast
167:Categories
147:Literature
102:References
69:soubrette
49:in 1897.
43:Karlsruhe
54:Dresden
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92:Füssen
88:Carmen
73:Mozart
47:Aachen
39:German
29:Warsaw
154:ISBN
27:in
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