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depiction of movement as
Corradini was. Her face is turned away from the viewer, shielding her eyes with the transparent veil. The veil seems heavy but also see-through. It falls just so over her chest to accentuate her breasts, but also covers her pubic area so that it is not overtly sexual. She is exposed yet metaphorically shielded by the drapery. Her supple body is fluid, a smooth and perfect human. These idealized qualities lead to a feeling that she is a divine woman and not of this world.
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stance, having her weight on one foot more than the other. This pose gives her human-like qualities and a motion as if she is in the middle of an action. The way her classical drapery falls on her body also shows this movement. The artists of eighteenth-century Italy were especially interested in the
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is imperative in the art world and is meant to convey the visions of the person paying for the artwork. Raimondo was known for his interest in science and the arts. Raimondo acquired the church in the mid eighteenth century and transformed it into what is seen today. He was very particular about his
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is one of two sculptures
Corradini completed for the Sansevero Chapel, both a part of a ten-statue series of the Virtues. The veiled female figure embodies modesty but can also be considered a representation of wisdom. There is a clear reference to the veiled statue of Isis at Sais in Egypt. It is
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was the last in
Corradini's series of veiled female nudes, a subject he developed and refined throughout his career. His mastery of the medium of marble is seen in the increasingly skilled representation of seemingly weightless cloth over human flesh in his commissioned pieces.
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is positioned on a pedestal in the chapel and can sometimes be lost in the beauty of the space and its surrounding statues created by other various artists. Raimondo wanted this commemoration to depict his mother's untimely death when he was not even a year old.
265:. Early in his career, his works depicted heavily draped figures in a classical manner and then progressed to a thin, translucent layer of marble acting as a veil as he perfected his craft. An example of the latter and the work on which Corradini based
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ideas for the mausoleum and hired what he thought were the best artists to work on it. The visual theme of the Rococo movement is seen in the adorned building with a painted ceiling, marble tombs and relief sculptures.
199:. The symbols such as the cracked plaque illustrate her life being cut too short. On the pedestal that the statue stands there is a relief of a biblical scene of Christ appearing to
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D’Agostino, Paola (2013). "The Second Prince of
Sansevero's Tomb: Addenda to a Seventeenth-Century Neapolitan Drawing in the Cooper-Hewitt, National Design Museum, New York".
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said that there is a quote on the ancient statue that reads "I am past, present, and future…". This allegory furthers
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Corradini's interest in the veiled human form spanned his long career. His subjects were usually woman and often
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is positioned in its original location giving viewers the ability to see the statue in its intended arrangement.
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is a depiction of a youthful male nude scantily clothed in lion skin. He was also commissioned to make the piece
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instead when
Corradini died suddenly. His two statues line the wall of Sansevero along with eight others.
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as a gardener portraying the importance of the
Christian faith to the family. Corradini's other work is
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This series of virtues was commissioned by
Raimondo di Sangro who was the seventh Prince of Sansevero.
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An image of this statue is painted on the wall of a high building in Naples.
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s aspect of wisdom and the statue is often referred to as
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441:Artstor. "Veiled woman." Accessed November 9, 2017
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217:for the chapel but it was completed by
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361:"Statues of the Virtues - Modesty"
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481:A Dictionary of Literary Symbols
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367:. 28 March 2018. Archived from
365:Statues and Anatomical Machines
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514:"Statues of Virtues: Modesty"
567:Sculptures of women in Italy
323:, mid-19th century sculpture
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547:Marble sculptures in Italy
417:Atlas database of exhibits
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518:Museo Cappella Sansevero
16:Italian marble sculpture
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413:"Veiled woman (Faith?)"
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272:Vestal Virgin Tuccia
252:Vestal Virgin Tuccia
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167:Detail of the work
120:Cappella Sansevero
116:Raimondo di Sangro
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320:The Veiled Virgin
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536:Categories
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435:References
423:2019-10-05
375:22 October
471:2153-5531
285:Pudicitia
235:Patronage
229:Patronage
279:See also
87:Chastity
64:Location
269:is his
267:Modesty
254:in the
223:Modesty
209:Decorum
205:Decorum
190:Modesty
185:Modesty
149:Modesty
144:Modesty
92:Italian
81:Modesty
24:Modesty
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140:Vienna
136:Venice
124:Naples
112:Rococo
72:Naples
59:Marble
56:Medium
38:Artist
344:Notes
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