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this collection got published, it is outside of me. Now that they called me "Poet of the New Wave" should I be committed to it? I published this collection as an internal ebullition and also dependent on all elements of modern thinking. This modern thinking is dependent on not a knowledge of painting, but a painterly way of thinking. Painting is not only an art; It is a worldview. Painting turns the world into a visual text. It is a way of thinking. What
Kandinsky says that you can make a world with lighting, color tones, and contrasts and compositions does not mean that you have to mimic the world. Anyways, it was an issue for us that poetry is not mere sentimentalism.
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ridiculous that one thinks that s/he is doing something modern. I did what I had to do and that's why the second book is different from the first one. The very statement that says because I've found a new style I should stick to it and I should keep working in it, in a way, is nonsense. The question is what path I am in and where this path leads to. I am not committed to any kind of achievement. These achievements can be added up to, but cannot become fixated. This happening is another kind of
365:(Bench-y Nights, Wind Days) which went viral through Iranian literary salons at the time and was considered as avant-garde future of the new wave poetry and also graphic design. He mentions that in school of decorative arts, instead of learning any classical form of painting, he directly started to learn modern architecture and art and their worldview towards the environment became his questions as well. His questions beside the questions of the
540:. It took him 6 years to finance and finally make the movie. It was met with critical acclaim and audience apathy when it opened in Tehran in 1976 and also some controversies while screening the movie and after 1979 revolution towards archiving it made it tough for the movie to come out. The stunning period drama was prohibited by the Islamic Republic and thought to be lost until 2014. In 2020, Scorsese Foundation restored the movie for
25:
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Mohammad Reza Aslani started off his career as a poet before becoming a renowned as a filmmaker. He and his wife, Soudabeh
Fazaeli mostly recognize themselves as participants of a particular literary movement called Alternative Poem (She'er-e-Digar) and Alternative Prose (Nathr-e-Digar). Some of the
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of Tehran also known as Film Club (Kanoon-e-Film) with two of his friends and classmates Iraj Anvari and Edward
Arshamian. After seeing an announcement poster for production designer recruitment course by Ministry of Arts and Culture, he decided to take the entrance exam for the course which was on
421:
or traditionalism. I try to find a new thing any moment and staying the same for even a moment is meaningless. The question is that how can I form a dynamic movement in myself. The most important thing is how to be honest with ourselves. Being committed to an extrinsic matter is meaningless. Once
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The group called the New Wave formed two years after this book (Shabhâye
Nimkati, Roozhây-e-Bâd). In 1964 we were introduced to the title "New Wave". These poems are the product of 1959-61. In Spring 62 the book was published. I didn't think that I am doing something modern. Afterall, it is
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During 1983-93 he and his wife founded a publication called Nashr-e-Noghreh. It introduced different style of book design and publishing for its time. Nashr-e-Noghre got closed after its office caught in fire because they have published Women without Men by
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as an art director and senior production designer. He also designed the logo for the
Institution. Later he got introduced to Fereydoun Rahnema who was Television's content and research advisor at the time. After Rahnema proposed a program to
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In 2019, his new historical-epic poem book called Hezâr Bâde-ye Hezâr Bâd dar Hezâreh-hâye Shab-e-Too-bar-Too (Thousand Wines of
Thousand Wind in Millenary of Labyrinth-ed Night) got published after 49 years, since the
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had taken it all away. According to an interview he had to rewrite the whole book of 200 pages based on 30 pages of draft he found in his archive. Many historical and mythological characters of
Iranian culture like
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392:'s poetry and also does not have the emotional variation and sentimentalism of the Ahmadi's poems as well. He brought everyday language to poetry, not like any other, and with a painting-like composition.
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296:. He is also the co-writer of Espacementalism manifesto—although he never signed the manifesto—and one of the main poets of the New Wave Poetry of Iran alongside
388:, he believed that style of the artist forms around the essential needs and emotions of his soul. For the same reason his poetry does not have the musicality of
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to be shown in classics section of the festival. He also made The Green Fire in 2008 after years of not working. The film supposed to be shot in the
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Hezâr Bâde-ye Hezâr Bâd dar Hezâreh-hâye Shab-e-Too-bar-Too (Thousand Wines of
Thousand Wind in Millenary of Labyrinth-ed Night), 2019
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In 1962, Mohammad Reza Aslani and some of his classmates in school of decorative arts such as published a book of poetry named
324:. He graduated with a graduate diploma in Filmmaking with specialization in Production Design through the first cohort of the
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556:. The movie consists of different narratives in different timelines narrating an old Iranian tale called Sang-e-Sabour.
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and complete destruction of the citadel, the project got delayed. Later he made the movie in a citadel near
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513:. The film consists of scenes from bowl's motifs while the narrator reads from Passion of Al-Hallaj of the
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Degarkhâni-e Cinema-ye
Mostanad (Alternative Reading on Documentary Cinema), 1999–2010, Publication: 2010
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403:), he disappointed New Wave movement by revising his style and aesthetics and also in his third book,
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1030:"منظومه جدیدم را ساواک سال 49 برد/ورود هنرمندان به شعر و ادبیات بیانگر جریان ابتذال است | ایبنا"
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and others started making films. Rahnema himself produced his first film Jaam-e-Hasanlou about the
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In 2015, Aslani received a certificate of First Order
Artistic Badge of Ph.D. equivalent from the
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1119:"Magiran | روزنامه آفتاب یزد (1387/09/18): محمدرضا اصلانی: " آتش سبز" به شدت اجتماعی است"
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1105:"A lost movie relic from Iran, found: 'Chess of the Wind' is this week only at the Music Box"
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Aslani later abandoned the New Wave Poetry into the New Wave Cinema. With his second book,
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the same day. He ended up getting accepted for the filmmaking course which took 9 months.
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Although his style is sometimes similar to some of his contemporaries like Ahmadi or
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Shabhâye Nimkati, Roozhây-e-Bâd (Bench-y Nights, Wind Days), 1962, Re-published 2022
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are among the characters of this epopee. He wrote this book under the influence of
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973:"ناتوانی نیما او را تبدیل به نیما کرد / گفتوگو با محمدرضا اصلانی فیلمساز شاعر"
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Hasti-ye Ayineh (The Being of the Mirror), 2018, Interviews with Arash Sanjabi
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As student in school of decorative arts, he used to watch artistic films in
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Binesh-e-Tasviri dar Iran (Vision of the Image in Iran), Not yet published.
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National Iranian Radio and Television logo designed by Mohammad Reza Aslani
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Soognâme-ye-Sâlha-ye-Mamnoo'e (Requiem of the Abandoned Years), 1979
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Bar Tafâzol-e-Do Maghreb (On Differential of Two Occidents), 1972
1073:"روزنامه شهروند: محمدرضا اصلانی: به برخوردهای سطحی عادت کردهام"
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from the article and its talk page, especially if potentially
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1018:فرارو: دیدن جهان مرا منقلب میکند. - مصاحبه با محمدرضا اصلانی
866:(Wind on the Watching Garden) (2014) Dir. Pouyan Kazemi
1174:"کارنامه هنری 6 سینماگری که دکترای افتخاری گرفتند / 2"
200:
Technical School of Television and Cinema (currently
705:(Such a Pleasant Sunshine was Glowing in Him) (2012)
16:
Iranian writer, poet, film director and screenwriter
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807:(Onto Silent City) (1969) Dir. Manouchehr Tayyab
1138:هستی آینه محمدرضا اصلانی در گفتگو با آرش سنجابی
1049:هستی آینه محمدرضا اصلانی در گفتگو با آرش سنجابی
949:هستی آینه محمدرضا اصلانی در گفتگو با آرش سنجابی
910:هستی آینه محمدرضا اصلانی در گفتگو با آرش سنجابی
717:(Golden bowl of Hasanlu: 50 Years Later) (2016)
413:
934:"Mohammad Reza Aslani with Forrest Cardamenis"
1172:bultannews.com, بولتن نیوز (March 21, 1394).
8:
350:important figures of this movement includes
649:Experimental and experimental documentaries
860:(Flowing Treasure) (2012) Dir. Amin Aslani
638:(Carpet and Exploitation of Labour) (1979)
138:
56:about living persons that is unsourced or
872:(The Purple Tree) (2019) Dir. Amin Aslani
801:(Switchman) (1968) Dir. Manouchehr Tayyab
723:(A House as Wide as Consciousness) (2018)
644:(Child and Exploitation of Labour) (1982)
326:Technical School of Television and Cinema
212:Writer, Director, Poet and Art Researcher
127:Learn how and when to remove this message
884:Ministry of Culture and Islamic Guidance
354:, Yadollah Royaee, Bahram Ardabili, and
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532:In the world of feature films, he made
505:, Hassanali Kowsar, Houshang Azadivar,
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523:Rappresentatione di Anima, et di Corpo
703:Che Aftaab-e-Khoshi Darun-e-Oo Mitaft
494:National Iranian Radio and Television
194:School of Decorative Arts (currently
7:
788:(The Conference of the Birds) (1999)
492:Later he got into the newly founded
813:(Fourth Day's Morning) (1972) Dir.
776:(Samak the Knight Errant) (1974–75)
738:(The Chess Game of The Wind) (1976)
263:
699:(The Hands of the Ecbatana) (2010)
693:(Memoirs of a 75 Years Old) (2007)
521:while the soundtrack consisted of
14:
1107:. Chicago Tribune. December 2021.
936:. BROOKLYN RAIL. 8 December 2021.
691:Khaterat-e-Yek Haftad-o-Panj Sale
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721:Khaaneh-yi bar vosa'at-e Aagaahi
401:On Differential of Two Occidents
154:
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1226:The New York Times movie review
851:(The Stone Garden) (1976) Dir.
711:(Tehran, Conceptual Art) (2012)
669:(Congregation of Fahraj) (1968)
657:(Golden bowl of Hasanlu) (1964)
536:in 1976 with the production of
363:Shabhâye Nimkati, Roozhây-e-Bâd
231:
1216:Chess of the Wind movie review
951:. Akhtaran. pp. 166–169.
715:Jaam-e-Hasanlou: 50 Saal Ba'ad
409:Requiem of the Abandoned Years
1:
1221:Chess of the Wind Resurfacing
782:(Dust of the Light) (1997–98)
451:Ya'qub ibn al-Layth al-Saffar
316:Mohammad Reza Aslani studied
268:) (born December 9, 1943, in
405:Soognâme-ye-Sâlha-ye-Mamnooe
377:was also what he called the
202:Iran Broadcasting University
34:biography of a living person
888:Iranian Academy of the Arts
61:must be removed immediately
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1034:خبرگزاری کتاب ايران (IBNA)
990:Langeroodi, Shams (1998).
912:. Akhtaran. pp. 5–6.
534:The Chess Game of the Wind
1140:. Akhtaran. p. 141.
763:(Thus they say...) (1977)
663:(Occidental Exile) (1967)
597:Theoretical and interview
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1251:Iranian literary critics
709:Tehran, Honar-e-Mafhoumi
397:Bar Tafâzol-e-Do Maghreb
381:of the image in poetry.
196:Tehran University of Art
1136:Sanjabi, Arash (2018).
1047:Sanjabi, Arash (2018).
994:. Markaz. p. 292.
992:تاریخ تحلیلی شعر نو v.3
947:Sanjabi, Arash (2018).
908:Sanjabi, Arash (2018).
805:Soo-ye Shahr-e Khamoush
744:(The Green Fire) (2008)
632:(Nowadays Child) (1978)
1246:Iranian film directors
1091:"Mohammad Reza Aslani"
877:Awards and recognition
842:(Requiem) (1975) Dir.
822:(Mongols) (1973) Dir.
811:Sobh-e Rooz-e Chaharom
697:Dast-hay-e-Hegmataaneh
511:golden bowl of Hasanlu
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76:"Mohammad Reza Aslani"
48:Please help by adding
1093:. FESTIVAL DE CANNES.
864:Baad bar Bagh-e Nazar
833:(Strait) (1973) Dir.
761:Chenin Konand Hekayat
479:
439:Ayn al-Quzat Hamadani
288:known mostly for his
1207:Mohammad Reza Aslani
1203:at Wikimedia Commons
1201:Mohammad Reza Aslani
527:Emilio de' Cavalieri
256:Mohammad Reza Aslani
143:Mohammad Reza Aslani
54:Contentious material
979:. October 15, 2013.
642:Koodak va Estethmar
567:Shahrnoush Parsipur
550:2003 Bam earthquake
332:. He is married to
1036:. August 21, 2019.
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636:Ghali va Estethmar
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844:Amir Naderi
835:Amir Naderi
749:Short films
613:Filmography
546:Bam Citadel
542:Cannes 2020
499:Reza Ghotbi
352:Bijan Elahi
270:Rasht, Iran
1235:Categories
799:Soozanbaan
679:Abu Rayhan
673:Tarikhaneh
548:but after
386:Farrokhzad
379:plasticity
169:1943-12-09
87:newspapers
977:خبرآنلاین
768:TV series
755:Bad Badeh
443:Al-Hallaj
419:dogmatism
274:filmmaker
191:Education
39:citations
820:Mogholha
455:Shahname
318:Painting
242:Children
65:libelous
840:Marsieh
371:England
367:Imagist
320:at the
260:Persian
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101:scholar
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467:edit
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304:and
292:and
286:poet
284:and
184:Iran
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373:or
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