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Moon Deoksu

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concerns with literary experiments to produce an original, effective critique of civilization, nature, and ossified poetic forms. Moon openly rejects black-and-white logic, especially when confronting literature; his work is characterized by restlessness and a thirst for innovation. Moon has been highly praised for crafting sophisticated forms to capture the nature of psychological sentiments and for having employed language as a material with which to build entities rather than empty, merely reflective symbols. He has published, in addition to volumes of poetry, theoretical works such as Understanding Contemporary Literature (Hyeondae munhagui ihae), Theory of Contemporary Korean Poetry (Hyeondae hanguk siron), A Study of Modernism in Korea (Hanguk modeonijeum yeongu), and Reality and Humanist Literature (Hyeonsil gwa hyumeonijeum munhak).
44: 252:, resulting in a Ph.D. in Literature. He worked for the Magazine, Shidan and served in many organizations including as President of the Poetry Second of the Korean Literature Association; President of the Modern Poet's Association; Vice Director of the Korean Literature Association; Director, Vice President, and President of the Korean branch of P.E.N.; Representative of the Korean Committee for the International Poets' Union, and as President of the Korean Culture and Arts Foundation. Moon also taught at 273:
association, and occasionally automatic writing. The second category consists of the poems in the collections The Sea at Dawn (Saebyeok bada), Everlasting Flower Field (Yeongwonhan kkotbat), and Only We Who Survived Greet June (Saranameun urideulmani dasi Yuworeul maja). Here, he severely criticizes the aspects of contemporary civilization which allowed for the proliferation of immorality, conformism, standardization, simplification, and absurdities that in turn have brought about general dehumanization.
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The final, third category includes his last publications, the collections Making Bridges (Dari noki), Reducing Little by Little (Jogeumssik jurimyeonseo), The Mist of Your Words (Geudae malsseumui angae) and Allegro for Encounter (Mannameul wihan allegeuro). He combines conservative themes and
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Moon's poetry can be divided into three categories according to the time of their composition. In his early collections, Entrancement (Hwanghol) and Line and Dimension (Seon, Gonggan), he depicts the workings and the nature of the human mind and creativity in an unrestrained style of free
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Moon's pen names are Simsan and Cheongtae. Recommended by Yoo Chihwan, he made his literary debut in 1955 with his “Silence” (Chimmuk), “Foil” (Hwaseok) and “In the Wind” (Baram sogeseo) published in Contemporary Literature (Hyeondae munhak).
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Source-attribution|"Moon Deoksu" LTI Korea Datasheet available at LTI Korea Library or online at:
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and Hongik University, and served as a Dean of the College of Education at the latter.
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Moon Deoksu" LTI Korea Datasheet available at LTI Korea Library or online at:
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The Literature Translation Institute of Korea describes his work
225:; December 8, 1928 – March 13, 2020) was a South Korean poet. 198: 426:
Culture and Arts Prize of the Republic of Korea (1970)
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Index

Korean name
Moon

Haman County
Keishōnan-dō
Korea, Empire of Japan
South Korea
Hangul
Hanja



Revised Romanization
McCune–Reischauer
Korean
Haman County
Keishōnan-dō
Korea, Empire of Japan
Hongik University
Korea University
Jeju
ISBN
0856921629
ISBN
1931907129
Hyundai Munhak Literary Prize
http://klti.or.kr/ke_04_03_011.do#
Archived
Wayback Machine
"Naver Search"

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