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Mont Juic (suite)

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The two composers chose not to reveal who had written which parts of the music. The manuscript Benjamin Britten submitted to the publisher was written entirely in his hand. In 1980, however, Lennox Berkeley revealed to Peter Dickinson that he had written the first two pieces and Britten the latter
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The instrumentation consists of: two flutes (one doubling piccolo), two oboes, two clarinets in B-flat, alto saxophone (ad lib.), tenor saxophone (ad lib.), two bassoons (one doubling double bassoon), four horns, two trumpets in B-flat, three trombones, tuba, timpani, glockenspiel, xylophone,
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in the first performance of his Suite for violin and piano, Op. 6. The highlight of the Festival, which Britten, Berkeley and Burra all attended, was the posthumous world premiere of
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The following year, back in England, they decided to jointly write an orchestral suite based on some of the dance melodies they had heard on Montjuïc. They named it simply
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dexterity in getting instantly every nuance and decoration down on paper in such a way that, back in England it came bouncing off the page full of life and expression".
159:, Spain in 1936. Berkeley had been living abroad for some years and had never previously met Britten. They soon became close friends. Another friend of Berkeley's, 1703: 968: 929: 287: 204:, and dedicated it "In memory of Peter Burra", who was killed in an aircraft crash in April 1937. The work was written between 6 April and 12 December 1937. 152: 1136: 582: 1683: 665: 1698: 524: 1693: 1398: 683: 632: 1347: 897: 1514: 1154: 1017: 384: 770: 1596: 1373: 1194: 1467: 1148: 613: 1123: 458: 1339: 1073: 1441: 1391: 1385: 1142: 1116: 658: 1108: 754: 517: 1641: 1428: 1406: 1186: 1708: 1608: 1524: 1331: 1009: 1688: 1414: 1285: 821: 316: 1630: 1560: 1170: 1100: 953: 856: 813: 651: 588: 1550: 1545: 1529: 1210: 975: 947: 510: 276: 259:. It is subtitled "Barcelona, July 1936", a clear reference to the Civil War that had broken out on 18 July. 1519: 1025: 786: 446: 400: 291: 492: 1655: 1435: 1421: 1355: 1316: 1253: 1178: 698: 272: 175: 104: 1065: 1001: 874: 48: 1589: 921: 427: 197:
folk tunes. Later that day Berkeley and Britten jotted down some of the melodies in a Barcelona café.
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had broken out, and the third movement Lament (in C minor) was written as a tribute to the region of
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cymbals, bass drum, tenor drum, side drum, triangle, tambourine, tam-tam, harp, and strings.
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two, although they collaborated on the orchestration, the form and other details.
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I must say that I thought your two pieces more effective than mine
647: 506: 268: 163:, was also present, and he also became a friend of Britten's. 338:
Lennox Berkeley and Friends: Writings, Letters and Interviews
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has since had many performances and a number of recordings.
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Essential Britten: A Pocket Guide for the Britten Centenary
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After the performance, Berkeley wrote to Britten, saying
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It includes a solo alto saxophone and is based on the 1639: 1574: 1538: 1497: 1478: 1451: 1366: 1229: 1092: 985: 940: 867: 832: 797: 690: 598: 575: 540: 166:At the Festival, Britten accompanied the violinist 91: 86: 71: 61: 20: 1583:Benjamin Britten: A Life in the Twentieth Century 429:Benjamin Britten: A Guide to the Orchestral Works 231:Lament: Andante moderato ("Barcelona, July 1936") 659: 518: 8: 969:Diversions for Piano Left Hand and Orchestra 153:International Society for Contemporary Music 1137:Canticle I: My beloved is mine and I am his 267:The first performance of the work was in a 666: 652: 644: 525: 511: 503: 271:radio broadcast on 8 January 1938, by the 17: 930:The Young Person's Guide to the Orchestra 1399:Prelude and Fugue on a Theme of Vittoria 469: 467: 349: 347: 1646: 423: 421: 419: 417: 415: 309: 151:Berkeley and Britten both attended the 116:, suite of Catalan dances for orchestra 1348:Sacred and Profane (8 medieval lyrics) 331: 329: 327: 325: 247:By the time the work was written, the 898:Variations on a Theme of Frank Bridge 122: 7: 1515:Britten Pears Young Artist Programme 1155:Canticle IV: The Journey of the Magi 1018:Serenade for Tenor, Horn and Strings 493:Listing for the premiere performance 442: 440: 438: 377: 375: 373: 371: 369: 367: 365: 1704:Compositions for symphony orchestra 1597:Cantus in Memoriam Benjamin Britten 1195:Songs and Proverbs of William Blake 290:how impressed he was by Britten's " 1468:Variations on an Elizabethan Theme 1149:Canticle III: Still falls the rain 614:Variations on an Elizabethan Theme 356:Benjamin Britten: A Life for Music 14: 1684:Collaborations in classical music 139:, it was published as Berkeley's 1699:Compositions by Benjamin Britten 1661: 1649: 1626: 1625: 628: 627: 583:Trio for horn, violin, and piano 47: 1694:Compositions by Lennox Berkeley 189:The next day, the trio visited 1143:Canticle II: Abraham and Isaac 1124:Britten's Purcell realizations 1117:The Holy Sonnets of John Donne 221:The suite has four movements: 1: 1109:Seven Sonnets of Michelangelo 286:. Berkeley also told his son 1429:Nocturnal after John Dowland 1407:Six Metamorphoses after Ovid 1525:Snape Maltings Concert Hall 1725: 1415:Fanfare for St Edmundsbury 127:), was written jointly by 1623: 1374:String Quartet in D major 1187:Sechs Hölderlin-Fragmente 1101:Beware! Three Early Songs 857:The Prince of the Pagodas 814:The Burning Fiery Furnace 771:A Midsummer Night's Dream 681: 623: 46: 27: 1551:Benjamin Britten Academy 1546:Benjamin Britten (train) 1530:The Red House, Aldeburgh 461:. Retrieved 14 July 2013 449:. Retrieved 14 July 2013 432:. Retrieved 14 July 2013 391:. Retrieved 14 July 2013 319:. 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Index

Lennox Berkeley
Benjamin Britten

Montjuïc
Suite
BBC Symphony Orchestra
[muɲʒuˈik]
Lennox Berkeley
Benjamin Britten
Montjuïc
Op.
International Society for Contemporary Music
Barcelona
Peter Burra
Antonio Brosa
Alban Berg
Violin Concerto
Louis Krasner
Hermann Scherchen
Montjuïc
Catalan
Spanish Civil War
Catalonia
Sardana
BBC
BBC Symphony Orchestra
Joseph Lewis
Michael
Mozartean
Music Web International

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