Knowledge (XXG)

Mordent

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as shown in the examples here. The same applies to trills, which in Baroque and Classical times would typically begin with the added, upper note. Practice, notation, and
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may have sometimes been executed with more than one alternation between the indicated note and the note below, making it a sort of inverted trill.
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can be written using a symbol similar to that of the mordent, but placed to the left of the principal note, rather than above it.
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vary widely for all of these ornaments, and this article as a whole addresses an approximate nineteenth-century standard.
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Although mordents are now thought of as just a single alternation between notes, in the Baroque period it appears that a
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As with the trill, the exact speed with which the mordent is performed will vary according to the
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is thought of as a rapid single alternation between an indicated note, the note above (the
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mordents respectively. This ornament in French, and sometimes in German, is spelled
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This article is about the musical ornament. For the substance used to set dyes, see
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Also, mordents of all sorts might typically, in some periods, begin with an extra
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of the piece, but at a moderate tempo the above might be executed as follows:
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In other languages the situation is different: for example in German
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Musical ornament; single alternation with the note above or below
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A passage first played with lower mordents, then played without.
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Audio playback is not supported in your browser. You can
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rapid alternation with the note above or below. Like
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New York: Dover. pp.  371:The AB Guide to Music Theory 191: 843:History of music publishing 1085: 26: 1048:Category:Musical notation 1028: 914:Numbered musical notation 705:Scientific pitch notation 344:Harnum, Jonathan (2006). 695:Helmholtz pitch notation 1038:List of musical symbols 909:Nashville Number System 429:; Karl Leimer (1972) . 206:The precise meaning of 196:download the audio file 588:Transposing instrument 279: 265: 259: 234: 228: 113: 89: 79: 24: 369:Taylor, Eric (1989). 112: 50:is to be played with 22: 62:modified by a small 46:indicating that the 934:Percussion notation 250:became known as an 114: 25: 1056: 1055: 1000:Mensural notation 427:Gieseking, Walter 322:List of ornaments 246:mordent, and the 200: 129: 103: 'to bite'. 1076: 1046: 1045: 1036: 1035: 899:Graphic notation 563:Rehearsal letter 487:Musical notation 480: 473: 466: 457: 452: 436: 422: 420: 418: 389: 388: 366: 360: 359: 341: 295:unessential note 282: 268: 262: 252:inverted mordent 237: 231: 168:musical notation 159:) or below (the 131: 130: 111: 92: 83:and its Italian 82: 23:Various mordents 1084: 1083: 1079: 1078: 1077: 1075: 1074: 1073: 1059: 1058: 1057: 1052: 1024: 988: 862: 853:Music publisher 848:Music engraving 829: 709: 700:Letter notation 592: 489: 484: 449: 433:Piano Technique 425: 416: 414: 401: 398: 396:Further reading 393: 392: 385: 368: 367: 363: 356: 343: 342: 335: 330: 318: 202: 201: 199: 176: 149: 148: 140: 138: 137: 136: 135: 132: 125: 122: 115: 109: 32: 17: 12: 11: 5: 1082: 1080: 1072: 1071: 1061: 1060: 1054: 1053: 1051: 1050: 1040: 1029: 1026: 1025: 1023: 1022: 1017: 1012: 1007: 1002: 996: 994: 990: 989: 987: 986: 981: 976: 971: 966: 961: 956: 951: 946: 941: 936: 931: 926: 921: 916: 911: 906: 901: 896: 891: 886: 881: 876: 870: 868: 864: 863: 861: 860: 855: 850: 845: 839: 837: 831: 830: 828: 827: 822: 817: 812: 807: 802: 797: 796: 795: 790: 785: 780: 775: 770: 760: 755: 750: 745: 740: 735: 730: 725: 719: 717: 711: 710: 708: 707: 702: 697: 692: 687: 682: 677: 672: 667: 662: 661: 660: 655: 650: 640: 635: 630: 625: 624: 623: 618: 613: 602: 600: 594: 593: 591: 590: 585: 580: 578:Time signature 575: 570: 565: 560: 555: 550: 545: 540: 535: 530: 525: 520: 515: 510: 505: 499: 497: 491: 490: 485: 483: 482: 475: 468: 460: 454: 453: 447: 423: 402:Blood, Brian. 397: 394: 391: 390: 383: 377:. p. 93. 361: 355:978-1450590181 354: 332: 331: 329: 326: 325: 324: 317: 314: 299:principal note 269:are still the 212:Baroque period 204: 203: 193: 190: 188: 178: 177: 174: 139: 133: 123: 120:Piano mordents 118: 117: 116: 107: 106: 105: 58:, they can be 15: 13: 10: 9: 6: 4: 3: 2: 1081: 1070: 1069:Ornamentation 1067: 1066: 1064: 1049: 1041: 1039: 1031: 1030: 1027: 1021: 1020:Transcription 1018: 1016: 1015:Sight-reading 1013: 1011: 1010:Perfect pitch 1008: 1006: 1003: 1001: 998: 997: 995: 991: 985: 982: 980: 977: 975: 972: 970: 967: 965: 962: 960: 957: 955: 952: 950: 947: 945: 944:Ancient Greek 942: 940: 937: 935: 932: 930: 927: 925: 922: 920: 917: 915: 912: 910: 907: 905: 902: 900: 897: 895: 892: 890: 887: 885: 884:Chord diagram 882: 880: 877: 875: 874:Braille music 872: 871: 869: 867:Other systems 865: 859: 856: 854: 851: 849: 846: 844: 841: 840: 838: 836: 832: 826: 823: 821: 818: 816: 813: 811: 808: 806: 803: 801: 798: 794: 791: 789: 786: 784: 781: 779: 776: 774: 771: 769: 766: 765: 764: 761: 759: 756: 754: 751: 749: 746: 744: 741: 739: 736: 734: 731: 729: 726: 724: 721: 720: 718: 716: 712: 706: 703: 701: 698: 696: 693: 691: 688: 686: 683: 681: 678: 676: 673: 671: 668: 666: 663: 659: 656: 654: 651: 649: 646: 645: 644: 641: 639: 636: 634: 631: 629: 626: 622: 619: 617: 614: 612: 609: 608: 607: 604: 603: 601: 599: 598:Musical notes 595: 589: 586: 584: 583:Transposition 581: 579: 576: 574: 571: 569: 566: 564: 561: 559: 556: 554: 551: 549: 546: 544: 541: 539: 538:Key signature 536: 534: 531: 529: 526: 524: 521: 519: 516: 514: 511: 509: 506: 504: 501: 500: 498: 496: 492: 488: 481: 476: 474: 469: 467: 462: 461: 458: 450: 448:0-486-22867-3 444: 440: 435: 434: 428: 424: 413: 409: 405: 400: 399: 395: 386: 384:1-85472-446-0 380: 376: 372: 365: 362: 357: 351: 347: 340: 338: 334: 327: 323: 320: 319: 315: 313: 311: 306: 304: 300: 296: 291: 289: 284: 281: 276: 272: 267: 261: 255: 253: 249: 248:lower mordent 245: 241: 236: 230: 225: 224:upper mordent 221: 220:lower mordent 217: 213: 209: 197: 187: 186: 185: 183: 173: 172: 171: 169: 164: 162: 161:lower mordent 158: 157:upper mordent 154: 147: 145: 121: 104: 102: 101: 96: 91: 86: 81: 76: 73: 69: 65: 61: 60:chromatically 57: 53: 49: 45: 41: 37: 30: 21: 919:Klavarskribo 894:Figured bass 782: 768:Appoggiatura 715:Articulation 513:Abbreviation 432: 415:. Retrieved 407: 370: 364: 345: 307: 303:nomenclature 298: 294: 292: 287: 285: 274: 270: 260:Pralltriller 256: 251: 247: 243: 239: 229:pralltriller 223: 219: 215: 207: 205: 179: 165: 160: 156: 152: 150: 98: 51: 39: 33: 1005:Music stand 879:Chord chart 858:Scorewriter 835:Sheet music 633:Dotted note 568:Repeat sign 543:Ledger line 979:Shakuhachi 954:Ekphonetic 939:Simplified 904:Lead sheet 778:Grace note 643:Note value 638:Grace note 606:Accidental 373:. London: 328:References 144:media help 75:accidental 974:Swaralipi 964:Kunkunshi 924:Tablature 889:Eye music 773:Glissando 748:Fingering 533:Dal segno 412:Dolmetsch 235:schneller 1063:Category 984:Znamenny 825:Tonguing 810:Staccato 763:Ornament 738:Dynamics 690:Interval 653:Notehead 628:Cue note 417:11 March 316:See also 90:mordente 52:a single 44:ornament 993:Related 959:Gamelan 949:Chinese 929:Parsons 800:Portato 783:Mordent 758:Marcato 743:Fermata 733:Damping 728:Caesura 685:Tremolo 616:natural 528:Da capo 288:Mordent 280:mordant 266:Mordent 240:mordent 222:and an 216:mordent 208:mordent 153:mordent 100:mordere 80:Mordent 72:natural 40:mordent 29:Mordant 815:Tenuto 753:Legato 723:Accent 680:Tuplet 445:  439:26, 27 381:  352:  226:was a 218:was a 85:etymon 56:trills 42:is an 969:Neume 793:Trill 788:Slide 675:Tacet 665:Pitch 621:sharp 573:Tempo 558:Scale 553:Ossia 495:Staff 310:slide 275:lower 271:upper 244:upper 182:tempo 97: 95:Latin 68:sharp 36:music 805:Slur 670:Rest 658:stem 648:beam 611:flat 548:Mode 523:Clef 443:ISBN 419:2008 379:ISBN 350:ISBN 308:The 273:and 263:and 214:, a 151:The 64:flat 48:note 38:, a 820:Tie 518:Bar 232:or 166:In 70:or 34:In 1065:: 508:15 441:. 410:. 406:. 336:^ 283:. 254:. 87:, 66:, 503:8 479:e 472:t 465:v 451:. 421:. 387:. 358:. 198:. 146:. 31:.

Index


Mordant
music
ornament
note
trills
chromatically
flat
sharp
natural
accidental
etymon
Latin
mordere
Piano mordents
media help
musical notation
tempo
download the audio file
Baroque period
nomenclature
slide
List of ornaments


ISBN
978-1450590181
Associated Board of the Royal Schools of Music
ISBN
1-85472-446-0

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