1119:
nowhere, and who had not thought her handsome enough to dance with". Darcy is attracted to
Elizabeth early on, but he sees her as unfit socially as a wife; however his feelings for her are such that he decides to forgo convention to marry the woman he loves, fitting him into the mould of a Romantic hero. After Darcy gets over his prejudices against marrying the middle-class Elizabeth, the scholar Bernard Paris wrote that Darcy "becomes the most romantic figure in the book" while at the same time upholding traditional British values as "he uses his great power in the service of both order and desire". Darcy is equally opposed to the "anarchistic tendencies" of Wickham on one hand and the "tyranny" of Lady Catherine on the other. The scholar Alison Sulloway noted that Darcy has little patience for polite society with its false courtesies and superficial talk, and much prefers to be running Pemberley or to be outdoors. Darcy's heroic stance is shown by the way he pursues Elizabeth despite her rejection of his first offer of marriage, showing the depth of his feelings that he often has trouble expressing properly. Even though Darcy is sometimes clumsy at expressing his love for Elizabeth, his tendency to speak only what he really feels stands in marked contrast to the polished words of Wickham who never means what he says. The scholar Josephine Ross wrote that the picture today of Darcy as asexual says more about the standards of our time rather than of the Romantic era, noting when Elizabeth tells him that Wickham has seduced her sister Lydia, he can only "observe her in compassionate silence"; despite clearly wanting to touch Elizabeth he does not as that would not be proper for a gentleman. Ross wrote: "Had he taken her in his arms and covered her with kisses, the atmosphere of that critical scene could not have been more thrillingly charged".
1127:
French
Revolution when elites all over Europe felt threatened, there was a tendency in British literature to glorify the aristocratic and gentry classes as the personification of British values in contrast to the French who guillotined their old elite to create the grasping, vulgar new elite of Napoleonic France. For the British middle class or "middling sort" as Austen called them, to emulate the landed elite, however, retained its social superiority. The character of Mr. Darcy reflects this trend. When Mr. Bingley suggests that he might like to one day build an estate like Pemberley, he is informed by Mr. Darcy that it is not the estate itself, but rather what it contains, its cultural heritage like the family library that makes Pemberley special. Mr. Bingley cannot be the heir to a family library built up over generations like the one Mr. Darcy is the heir to. In this way, Austen suggests that there is more to Mr. Darcy than the proud and sneering man at the Meryton assembly, that there is a deepness to him as people like him are custodians of the national culture. The scholar C. C. Barfoot described Pemberley as the "marvelous accretion of all the choices made by his predecessors", providing as the novel calls it "a kind of model" for how to live properly. Barfoot argued that for Austen "civilization is not a gift, but is a possession that needs to be earned and sustained by practice"; in this regard, the fact that Darcy takes good care of his estate shows his basically civilised nature which he hides under his veneer of snobbery and coldness.
1157:
that it was because of "a motive within her of goodwill which could not be overlooked. It was gratitude—Gratitude, not merely for having loved her once, but for loving her still well enough, to forgive all the petulance and acrimony of her manner in rejecting him, and all the unjust accusations accompanying her rejection". Morgan argued that the growth of
Elizabeth's feelings for Darcy is a sign of her intellectual growth, as she comes to understand that freedom means the freedom to appreciate and understand the value of love. In this sense, Darcy, by seeking to improve himself, by ignoring repeated slights and insults, and by paying off Wickham's debts to rescue Lydia from her ill-conceived marriage just to impress her, proves himself worthy of Elizabeth's love. Morgan wrote that the gratitude that Austen meant for Elizabeth to feel for Darcy "is a gratitude that, despite all the obstacles which realism can provide, despite time, conventions, and misunderstanding, despite her wrongs and his own limitations, Mr. Darcy can see Elizabeth honestly and can love her as well." One critic, Wilbur Cross, wrote that at first Darcy displays outrageous arrogance to Elizabeth, but the novel ends with an "almost pitiable humiliation of Darcy", which was a testament to the power of women to tame men.
1115:
attributes for a man in the new
Romantic age. Even after Mr. Darcy apologises to Miss Bennet for his brusque rudeness, his honesty means that the change of heart is sincere, and not the polished words of a follower of the cult of sensibility. More broadly, the character of Mr. Darcy showed the emergence of a new type of rawer masculinity that could not tolerate the foppish, superficial values of the previous century. Nicolson called Darcy "the template on which the severe and unbending model of Victorian manliness is founded". Nicolson concluded that: "The implication of the novel is that there is something better than politeness and that the merely civil is inadequate. ... Darcy is 'silent, grave and indifferent', words in this new moral universe which signal pure approval". At one point, Darcy states "disguise of every sort is my abhorrence" reflecting the fact he never pretends to be anything other than what he is. When the lightweight and pretentious Miss Bingley lists all the attributes of "an accomplished woman", Darcy says "To all this she must yet add something more substantial, in the improvement of her mind by extensive reading", indicating he wants more from a woman than what Miss Bingley thinks is necessary.
1111:
toy-like and it was not long before the anti-heroic fashion for a delicate sensibility ran out of control. Manliness, or even the ability to survive had in fact almost entirely deserted those were suffering from the cult of sensibility". In the 18th-century idea, a man was expected above all to be pleasant and pleasing, and so it was better for a man to lie rather than say anything which might offend. By the early 19th century, a tougher, more brooding version of masculinity was starting to come into vogue and the character of Mr. Darcy exemplifies the trend. Nicolson described the differences between Mr. Bingley and Mr. Darcy as follows: "Mr. Bingley is a 18th century man: handsome, young, agreeable, delightful, fond of dancing, gentlemanlike, pleasant, easy, unaffected and not entirely in control of his own destiny. Darcy is fine, tall, handsome, noble, proud, forbidding, disagreeable and subject to no control but his own. ... Darcy is a 19th-century man, manliness itself, uncompromising, dark and sexy. And it is Darcy, of course, whom the novel ends up loving".
1123:
very fact that
Elizabeth is impressed by the beauty of Pemberley's gardens, hills, forests, fields, valleys, streams and pastures, which show Darcy's commitment to appreciating the beauty of nature, further underlines the point. Like all of Jane Austen's heroes, Darcy wore the standard dress of a Regency gentleman, described as a darkly coloured, double-collared coat over a waistcoat together with breeches and riding boots in the day and a darkly coloured tailcoat, light breeches or dark trousers in the evening. In the 18th century, it was normal for spouses to address each other by their surnames, and Elizabeth Bennet's parents, for example, address each other as Mr. Bennet and Mrs. Bennet despite having been married for 20 years; by contrast after his engagement, Darcy for the first time calls his fiancée Elizabeth, which shows the depth of his love. A sign that this is a marriage based on love is the fact that Darcy is described as having an annual income of 10,000 pounds, yet Elizabeth refuses to marry him until she finally decides she loves him.
1099:
it easy to make new acquaintances and finds it hard to converse with people he does not know. This shows a sort of shy, perhaps even reclusive nature in Darcy that is not illustrated before this point in the book. After receiving Mr. Darcy's letter of explanation, Elizabeth notes: that she has never "seen anything that betrayed him to be unprincipled or unjust—anything that spoke him of irreligious or immoral habits; that among his own connections he was esteemed and valued". For example, his behaviour with
Bingley is more than brotherly as he rescues him from a bad marriage and is a constant companion at his side. Through Elizabeth, he learns to be less boastful and arrogant because he realizes that his actions have deeply affected others. This arrogance is seen in his first proposal to Elizabeth whereby he acts with more pride rather than in a loving manner. Despite the way in which Elizabeth often mocks him, she is surprised by his "gallantry" as he persists in pursuing her.
1103:– if he had made Wickham's bad character known, Lydia would have been safe. Darcy chooses to involve himself in arranging Lydia's marriage, risking his own reputation. Elizabeth dismisses him at first as "intricate", though she adds that "intricate" men are at least "amusing". Though Darcy treats Elizabeth with contempt, he always finds her to be "uncommonly intelligent by the beautiful expression of her dark eyes" and is "caught by the easy playfulness of her manner". At one point, Elizabeth notes that "Mr. Darcy is all politeness" and speaks of his "grave propriety". The term "grave propriety" is meant ironically, noting that Darcy is polite, but only in the sense that he possesses the mere civility of "the proudest, most disagreeable man in the world". However, despite his barely tactful behaviour, it is implied he has deeper feelings of affection for Elizabeth, which he has difficulty in expressing and which she often does not notice.
282:. Elizabeth is offended and vehemently refuses him, expressing her reasons for disliking him, including her knowledge of his interference with Jane and Bingley and the account she received from Mr. Wickham of Darcy's alleged unfair treatment toward him. Insulted by Darcy's arrogant retorts, Elizabeth says that his proposal prevented her from feeling concerns for him she "might have felt had you behaved in a more gentlemanlike manner". Darcy departs in anger and mortification and the next morning, writes and hand delivers a letter to Elizabeth in which he defends his wounded honour, reveals the motives for his interference in Jane and Bingley's relationship, and gives a full account of his dealings with Wickham, who had attempted to seduce and elope with Darcy's younger sister, Georgiana, the previous summer.
1131:
had cost him 50 pounds to travel from
Edinburgh to London in 1828; in today's money the sum was equal to 2,500 pounds. Brown wrote that the readers in Austen's time would have known it had been an expensive burden for Darcy to go off searching for Wickham and Lydia, and readers today almost miss the significance of Darcy's financial sacrifice caused by his love for Elizabeth. However, Brown wrote that Scott himself had admitted that he insisted on travelling in style on his trip, staying at the most expensive hotels and eating at the most expensive restaurants as befitting a gentleman of means, and that not all travellers at the time would have stayed and eaten at the same sort of establishments patronised by Scott.
235:, the novel's protagonist. The story's narration is almost exclusively from Elizabeth's perspective; the reader is given a one-sided view of Darcy for much of the novel, but hints are given throughout that there is much more to his character than meets the eye. The reader gets a healthy dose of dramatic irony as Elizabeth continually censures Mr. Darcy's character despite the aforementioned hints (via the narrative voice and other characters' observations) that Mr. Darcy is really a noble character at heart, albeit somewhat prideful. Usually referred to only as "Mr. Darcy" or "Darcy" by characters and the narrator, his first name is mentioned twice in the novel.
271:, where he makes rather demeaning remarks about her while she is within earshot. Gradually he becomes attracted to her and later attempts to court her while simultaneously struggling against his continued feelings of superiority. Darcy disapproves when his friend Bingley, develops a serious attachment to Elizabeth's elder sister Jane, and persuades Bingley that Jane does not return his feelings (which Darcy honestly but inaccurately believes). He later explains this seeming hypocrisy by asserting "I was kinder to than to myself". Although he doesn't realise it,
1166:
2999:
313:
286:
when she is visiting his estate in
Derbyshire with her aunt and uncle. Elizabeth is first embarrassed to be discovered at Pemberley, having only visited on the belief that Darcy was absent; however, she is surprised to discover a marked change in Darcy's manner. Having responded to Elizabeth's criticism, Darcy is now determined to display the "gentlemanlike manner" she accused him of lacking and astonishes her with his kindness towards both her and her relations.
2305:
3198:
2291:
2277:
294:
distress (the narrator hints through Mr. Bennet that Darcy's intervention to help
Elizabeth may have cost him as much as a year's income: "Wickham's a fool if he takes with a farthing less than ten thousand pounds"). Darcy also felt partially responsible for failing to warn Elizabeth's family and the public of Wickham's true character.
1156:
is that one should marry for love rather than money as
Wickham disqualifies himself as a potential groom owing to his bad character, not his income. Morgan observed that for most of the novel Darcy loves Elizabeth even when she loathes him and also when she comes to return his feelings. Austen writes
1114:
The character of Mr. Darcy very much reflects the changing standards of English masculinity as, unlike the heroes of the 18th century with their excessive politeness and unwillingness to offend, Mr. Darcy says whatever he likes, which shows his authenticity and honesty, which were the most important
1102:
Vivien Jones notes that Darcy's handsome appearance, wealth and original arrogance signify to the reader that he is the hero of a romance novel. Wickham's irresponsible elopement with Lydia allows Darcy to demonstrate that he now feels responsible for Wickham's continued bad behaviour by his silence
1098:
aristocracy, as indicated by his own name as well as that of his aunt, Lady Catherine de Bourgh. At the dance, he does not dance with any ladies outside his own party because he believes them to be beneath him in class and beauty. He does, however, mention later on to Elizabeth that he does not find
1208:
in Yorkshire in the 1790s (a documented event). This allowed them to be the ancestors of many other famous literary characters, some of whom possessed unusual or even superhuman gifts and abilities. Numerous re-imaginings of the original work written from the perspective of Mr. Darcy have also been
1151:
is primarily a novel about class, the American scholar Susan Morgan argued the novel is about character, stating Mr. Wickham may not be as wealthy as Darcy, but his commission in the militia would have made him an eminently respectable man to marry in Regency England. Morgan wrote that though Darcy
1134:
Irvine argued that for someone like Darcy to live about half of the year in London, which is a glittering and far-away place for people of Meryton, proves his social superiority as his "London manners" are described variously in the novel as "fashionable" and "elegant". Irvine argued that the union
1126:
The British cultural critic Robert Irvine described the appeal of Mr. Darcy to women as that of an "absolute and unconditioned male need for a woman". Irvine argued that this was a female "fantasy" that was only possible in a context of general powerlessness on the part of women. At the time of the
275:'s tale of how Darcy mistreated him and Elizabeth's later discovery of Darcy's interference in Bingley and Jane's budding relationship, along with Elizabeth's previous observations of Darcy's arrogance, conceit, and selfish disdain of the feelings of others, has caused her to dislike him intensely.
1130:
A sign of the depth of Darcy's love for Elizabeth can be seen in that he tracks down Lydia and Wickham despite all of the costs. The scholar James Brown observed that at the time transport via the mud roads of Britain was hugely expensive, citing the remark by the novelist Sir Walter Scott that it
1118:
Nicolson further argued that a character like Mr. Darcy reflects changes in British life as the Romantic age was a time when "What mattered was authentic, self-generated worth". In this regard, the novel says "Of this she was perfectly unaware; to her he was only the man who made himself agreeable
293:
has fallen prey to and run off with Mr. Wickham, Darcy tracks them down and induces Wickham to marry Lydia, thus saving both Lydia and her family from social disgrace. Darcy's intervention was done not to win Elizabeth—he attempted to keep her from knowing of his involvement—but rather to ease her
1122:
In the Romantic age, those who prefer the "authentic" world of the outdoors are usually seen as the more sincere and passionate in their emotions, and in this sense, Darcy's preference for being in his garden at Pemberley or otherwise on the grounds of the estate shows him as a Romantic hero. The
285:
Although initially angered by Elizabeth's vehement refusal and harsh criticism, Darcy is shocked to discover the reality of how his behaviour is perceived by others, particularly Elizabeth, and commits himself to re-evaluate his actions. A few months later, Darcy unexpectedly encounters Elizabeth
1110:
to a situation where "wide swathes of English 18th century life become fragile and dainty, in a way that no age in England, before or since, has managed. ... In some ways, natural human dignity had been sacrificed on the altar of a kind of rococo politeness. ... Acceptable behaviour had become
51:
244:
1299:'s Top 100 TV Moments. Colin Firth has found it hard to shake off the Darcy image, and he thought that playing Bridget Jones's Mark Darcy, a character inspired by the other Darcy, would both ridicule and liberate him once and for all from the iconic character.
1146:
Irvine argued that Elizabeth appears to be unworthy of Darcy not because of their differences in income level, but because of the class divide as she contemplates the glories of Pemberley. Against the interpretation that
834:
Through his loyal depiction, Colin Firth's adaptation is widely known as the best portrayal of Darcy. The acting is largely beloved and remembered as one of the best performances of the classic romantic hero.
297:
Darcy then releases Bingley to return to Longbourn and to Jane, accepting his misjudgement of her character. Accompanying his friend to Longbourn, Darcy proposes to Elizabeth again, who accepts his proposal.
1279:) emerges from a pond wearing a wet white shirt, and refers to the Darcy and Elizabeth of the TV series as "my chosen representatives in the field of shagging, or, rather, courtship". When in
2944:
1135:
of Elizabeth and Darcy at the end of the novel was meant by Austen as a symbol of the union of the national and regional elites in England, forging together a united nation. One scholar,
2653:
1106:
The 18th century had been a time of a "Cult of Courtesy", a time that prized delicacy, refinement and exaggerated politeness above all, leading in the words of the British writer
2785:
1152:
is rich, he does not represent "society" as some would have done, because he is reserved, vain, and quasi-isolated from society. Morgan argued that Austen's message in
1139:, noted that of all the Austen romances, that of Darcy and Elizabeth is the only one where the couple began as complete strangers at the beginning of the book, making
3232:
1289:, but finds herself only asking him questions about Mr. Darcy and the filming of the "pond scene". This scene was shot but not included in the film adaptation of
2338:
255:
Mr. Darcy is a wealthy young gentleman with an income exceeding £10,000 a year (equivalent to over £13,000,000 a year in relative income) and the proprietor of
3144:
1007:
2020:
2432:
1263:
861:
500:
429:
1291:
592:
492:
3227:
3237:
2463:
553:
2818:
1621:
1484:
1205:
2554:
2530:
2514:
2506:
2498:
1272:
971:
828:
806:
784:
742:
407:
320:
3038:
2071:
2056:
2249:
2331:
2102:
1447:
1238:
1230:
2772:
3242:
3149:
3139:
3124:
2582:
2447:
1249:
1174:
855:
598:
531:
394:
2976:
2720:
2645:
2415:
678:
560:
510:
386:
364:
1374:
1358:
1354:
3134:
2044:
1327:
channel. Modelled on actor Colin Firth, the statue made the rounds of several English lakes before its final installation in
1200:) via an interconnected family tree of people and events. According to Farmer's works, both were exposed to radiation from a
996:
701:
307:
1315:
On 9 July 2013, a 12-foot (3.7 m) fibreglass statue of the figure of Mr. Darcy emerging from the water was installed in the
3018:
2704:
2597:
2324:
1215:
1165:
3093:
2696:
2367:
278:
Eventually, Mr. Darcy declares his love for Elizabeth and asks for her hand. He reminds her of the large gap in their
1442:
Doody, Margaret (14 April 2015). Jane Austen's Names: Riddles, Persons, Places. University of Chicago Press. p. 72.
1283:
Bridget becomes a journalist, she is flown to Italy where she is to interview Firth about his (then upcoming) film
312:
3222:
3048:
2811:
2746:
2739:
944:
2222:
2998:
2969:
2661:
2603:
2394:
126:
2590:
2423:
3155:
2983:
2838:
2172:"Darcin: a male pheromone that stimulates female memory and sexual attraction to an individual male's odour"
1285:
584:
3088:
2712:
1201:
761:
20:
2017:
1387:
2862:
2637:
2754:
2281:
3201:
3058:
2804:
1136:
922:
886:
436:
3181:
3063:
2962:
2870:
2523:
2440:
2352:
1180:
The character of Fitzwilliam Darcy has appeared in and inspired numerous works. Both Mr. Darcy and
1048:
950:
A modern adaptation where the main character Lizzie tells the story of Pride and Prejudice through
917:
631:
474:
462:
441:
290:
223:
3098:
3083:
3013:
2902:
2619:
2472:
2389:
1987:
1517:
1189:
1185:
622:
564:
268:
2068:
3103:
2491:
2456:
2310:
2203:
2152:
2040:
1979:
1617:
1480:
1443:
1320:
1295:. This scene can be seen in the DVD's extra features. Colin Firth's "pond scene" made it into
1234:
1226:
1170:
522:
2316:
3068:
2894:
2677:
2574:
2377:
2193:
2183:
2142:
2132:
1971:
1509:
1221:
1181:
926:
453:
355:
264:
232:
214:
95:
50:
2611:
2106:
2075:
2024:
1316:
1197:
614:
243:
117:
2099:
1573:
Brower, Reuben Arthur "Irony Reveals Character and Advances the Drama" page 144-152 from
1459:
Brower, Reuben Arthur "Irony Reveals Character and Advances the Drama" page 144-152 from
1090:
Mr. Darcy is a proud and arrogant man, particularly to those that he considers of lower
3078:
3073:
2878:
2547:
2539:
2399:
2198:
2171:
2147:
2120:
2087:
1613:
1605:
1244:
1039:
1003:
909:
877:
850:
752:
603:
505:
399:
141:
1770:
Sulloway, Alison "The Significance of Gardens and Pastoral Scenes" pages 119–127 from
1712:
Sulloway, Alison "The Significance of Gardens and Pastoral Scenes" pages 119–127 from
3216:
3173:
3027:
3023:
2372:
2296:
1991:
1331:, a location where the programme was partly filmed and already a pilgrimage site for
1268:
1107:
1095:
797:
775:
692:
669:
279:
228:
177:
171:
165:
159:
153:
147:
1474:
3108:
3053:
2886:
1210:
962:
900:
2928:
2827:
2347:
1276:
1066:
1055:
1018:
846:
838:
819:
575:
483:
411:
377:
316:
272:
248:
218:
135:
56:
40:
1302:
Darcy's status as a romantic hero transcends literature. In 2010 a protein sex
2921:
2629:
2290:
2286:
2100:
Vanity Fair (Italy) – Me Sexy? only to that crazy Bridget Jones (Oct 16, 2003)
978:
951:
842:
733:
260:
195:
1983:
2780:
2669:
1699:
Paris, Bernard "Marriage and Manners in Civilized Society" pages 33–42 from
1686:
Paris, Bernard "Marriage and Manners in Civilized Society" pages 33–42 from
1636:
Paris, Bernard "Marriage and Manners in Civilized Society" pages 33–42 from
1328:
1303:
1296:
1091:
544:
469:
256:
191:
2207:
2188:
2156:
2137:
1306:
in male mouse urine, that is sexually attractive to female mice, was named
2276:
2039:"Bridget Jones: The Edge of Reason" Helen Fielding. Penguin Books, 1999. (
1407:"The Definitive Ranking of the Best Mr. Darcy Ever (Spoiler: Colin Firth)"
2936:
1742:
edited by Clarice Swisher, San Diego: Greenhaven Press, 1999 pages 81–82.
1729:
edited by Clarice Swisher, San Diego: Greenhaven Press, 1999 pages 80–81.
1559:
edited by Clarice Swisher, San Diego: Greenhaven Press, 1999 pages 61–62.
1425:
1703:
edited by Clarice Swisher, San Diego: Greenhaven Press, 1999 pages 35–36
3129:
845:
in all three film adaptations of Fielding's novels. The adaptation and
206:
1774:
edited by Clarice Swisher, San Diego: Greenhaven Press, 1999 page 124.
1716:
edited by Clarice Swisher, San Diego: Greenhaven Press, 1999 page 122.
1577:
edited by Clarice Swisher, San Diego: Greenhaven Press, 1999 page 148.
1521:
1463:
edited by Clarice Swisher, San Diego: Greenhaven Press, 1999 page 149.
1869:
edited by Clarice Swisher, San Diego: Greenhaven Press, 1999 page 54.
1690:
edited by Clarice Swisher, San Diego: Greenhaven Press, 1999 page 35.
1640:
edited by Clarice Swisher, San Diego: Greenhaven Press, 1999 page 40.
1308:
1193:
1500:
Sherry, James (1979). "Pride and Prejudice: The Limits of Society".
1275:
and repeatedly watches the scene in the fourth episode where Darcy (
1975:
1513:
1479:(2003 Penguin ed.). New York: Penguin Books. pp. xi–xii.
767:
Episode – "Pride and Prejudice" (Originally aired on 21 December).
2057:
MTV.com – 'Pride & Prejudice': The Way They Were (Nov 23 2005)
1164:
311:
242:
1555:
Hardy, John ""Elizabeth's Teasing Charms Darcy" pages 61–67 from
323:
is regarded as among the finest interpretations of the character.
1324:
2800:
2320:
2170:
Roberts SA, Simpson DM, Armstrong SD, et al. (June 2010).
1962:
Morgan, Susan (1975). "Intelligence in 'Pride and Prejudice'".
2796:
2069:
The Independent – There's no escaping Mr. Darcy (9 June 2000)
1219:
trilogy, and English author Janet Aylmer's successful novel
1750:
1748:
1426:"RANKING THE 10 BEST MR. DARCY'S AND WHAT YOU NEED TO KNOW"
1406:
1885:
Brown, James "Jane Austen's Mental Maps" pages 20–41 from
1821:
1819:
1610:
Seize the Fire: Heroism, Duty, and the Battle of Trafalgar
1897:
1895:
1857:
1855:
1841:
1839:
1837:
1835:
1766:
1764:
1758:, New Brunswick: Rutgers University Press, 2002 page 137.
308:
Jane Austen in popular culture § Pride and Prejudice
1738:
Wright, Andrew "The Hero and Villain" pages 79–84 from
1725:
Wright, Andrew "The Hero and Villain" pages 79–84 from
2654:
Pride and Prejudice and Zombies: Dawn of the Dreadfuls
2008:, New York: Chelsea House Publishing, 1996 page 28-29.
1926:, Cambridge: Cambridge University Press, 1997 page 51.
1674:, Cambridge: Cambridge University Press, 1997 page 54.
1569:
1567:
1565:
1546:, Cambridge: Cambridge University Press, 1997 page 52.
1192:', which links numerous literary characters (such as
1881:
1879:
1877:
1875:
1682:
1680:
61:"She is tolerable, but not handsome enough to tempt
3165:
3117:
3037:
3006:
2954:
2913:
2854:
2847:
2765:
2731:
2688:
2566:
2483:
2408:
2360:
187:
101:
91:
83:
75:
70:
33:
1473:Jones, Vivien; Austen, Jane; Tanner, Tony (2003).
1094:. It is suggested that he is a member of the old
402:. Fielding's novel is loosely based on the novel
289:On discovering that Elizabeth's youngest sister
2250:"Pride, Prejudice, Promotion? Mr. Darcy Rising"
1599:
1597:
1595:
1593:
1591:
1589:
1587:
1585:
1583:
2018:Penguin Reading Guides – Bridget Jones's Diary
2812:
2332:
2223:"Biologists Learn Why Mice Go Gaga for Urine"
1957:
1955:
1953:
1951:
1949:
1947:
1945:
684:Season 1, Episode 17 – "Pride and Prejudice"
8:
2088:BBC News – Star takes pride in new Prejudice
1502:SEL: Studies in English Literature 1500–1900
892:Season 1, Episode 25 – "Furst Impressions"
849:'s portrayal of Fitzwilliam Darcy inspired
2851:
2819:
2805:
2797:
2433:Pride & Prejudice: A Latter-Day Comedy
2339:
2325:
2317:
1813:, London: John Murray, 2002 pages 199–200.
1800:, London: John Murray, 2002 pages 192–193.
1184:feature as part of science fiction author
430:Pride & Prejudice: A Latter-Day Comedy
108:Lord —— (Earl of ——, maternal grandfather)
49:
2197:
2187:
2146:
2136:
1247:has admitted she "pillaged her plot" for
1323:for a promotion of British television's
1143:the most romantic of the Austen novels.
645:
331:
114:Lady Anne Fitzwilliam (mother; deceased)
2035:
2033:
1343:
3233:Literary characters introduced in 1813
1924:The Cambridge Companion to Jane Austen
1672:The Cambridge Companion to Jane Austen
1544:The Cambridge Companion to Jane Austen
1209:published, among them American writer
596:, based on an adaptation of the novel
30:
1653:, London: John Murray, 2002 page 106.
635:set in New York's Fire Island Pines.
629:A queer romantic comedy retelling of
7:
1787:, London: John Murray, 2002 page 91.
321:Pride and Prejudice (1995 TV series)
2121:"On the scent of sexual attraction"
1861:Barfoot, C. C. "Fate and Choice in
1829:, London: Routledge, 2005 page 152.
1002:A brief appearance in the episode "
414:'s portrayal of Fitzwilliam Darcy.
1939:, London: Routledge, 2005 page 59.
1905:, London: Routledge, 2005 page 60.
1849:, London: Routledge, 2005 page 61.
1424:Topping, Amber (28 January 2020).
1405:Moeslein, Anna (24 October 2014).
1233:) and later in the United States (
227:. He is an archetype of the aloof
123:Colonel Fitzwilliam (first cousin)
55:Mr. Darcy and Elizabeth Bennet by
14:
3145:Georgian society in Austen novels
2006:Jane Austen's Pride and Prejudice
1292:Bridget Jones: The Edge of Reason
593:Bridget Jones: The Edge of Reason
493:Bridget Jones: The Edge of Reason
302:Depictions in film and television
3197:
3196:
3099:Eliza de Feuillide (née Hancock)
2997:
2303:
2289:
2275:
111:Mr. Darcy Sr. (father; deceased)
2721:Pride and Prejudice* (*sort of)
2646:Pride and Prejudice and Zombies
2465:Pride and Prejudice and Zombies
1867:Readings on Pride and Prejudice
1772:Readings on Pride and Prejudice
1740:Readings on Pride and Prejudice
1727:Readings on Pride and Prejudice
1714:Readings on Pride and Prejudice
1701:Readings on Pride and Prejudice
1688:Readings on Pride and Prejudice
1638:Readings on Pride and Prejudice
1575:Readings on Pride and Prejudice
1557:Readings on Pride and Prejudice
1461:Readings on Pride and Prejudice
679:The Philco Television Playhouse
554:Pride and Prejudice and Zombies
3228:Pride and Prejudice characters
2109:Retrieved on 4–2 January, 008.
2090:Retrieved on 4–2 January, 008.
2078:Retrieved on 4–2 January, 008.
2059:Retrieved on 4–2 January, 008.
2027:Retrieved on 4–2 January, 008.
997:Once Upon a Time in Wonderland
1:
3238:Male characters in literature
1271:is constantly mentioning the
1161:Cultural influence and legacy
263:, England. Darcy first meets
231:, and a romantic interest of
132:Anne de Bourgh (first cousin)
2786:List of literary adaptations
2598:Fitzwilliam Darcy, Gentleman
2248:Lyall, Sarah (9 July 2013).
2221:Moskowitz, C (3 June 2010).
1450:. Retrieved 27 January 2018.
1312:in honour of the character.
1216:Fitzwilliam Darcy, Gentleman
1169:Bust of Mr. Darcy played by
1006:" as a potential suitor for
213:, is one of the two central
3094:Philadelphia Austen Hancock
1889:, Volume 26, No. 1 page 25.
981:' book with the same name.
841:portrayed the character of
498:An adaptation of the novel
392:An adaptation of the novel
209:, generally referred to as
3261:
1612:. HarperCollins. pp.
1078:
1053:
1030:
1001:
976:
949:
914:
891:
868:
833:
811:
789:
766:
683:
589:
558:
549:Colonel Fitzwilliam Darcy
536:
497:
467:
434:
391:
369:
305:
18:
3192:
2995:
2834:
2747:The Lizzie Bennet Diaries
945:The Lizzie Bennet Diaries
925:woman trades places with
729:
660:
657:
654:
651:
648:
449:
346:
343:
340:
337:
334:
319:’s portrayal of Darcy in
48:
38:
2970:The Beautifull Cassandra
2662:Death Comes to Pemberley
2604:An Assembly Such as This
2556:Death Comes to Pemberley
2395:Lady Catherine de Bourgh
1388:"Relative Values – UK £"
977:A continuation based on
972:Death Comes to Pemberley
915:A fantasy adaptation of
658:Television program
172:Catherine "Kitty" Bennet
127:Lady Catherine de Bourgh
3243:Male characters in film
3156:A Memoir of Jane Austen
2984:Catharine, or The Bower
2119:Brennan PA (May 2010).
2105:4 February 2010 at the
2074:9 February 2012 at the
1918:Sense and Sensibility,
1811:Jane Austen A Companion
1798:Jane Austen A Companion
1785:Jane Austen A Companion
1756:Jane Austen A Companion
1666:Sense and Sensibility,
1651:Jane Austen A Companion
1604:Nicolson, Adam (2005).
1538:Sense and Sensibility,
1430:Silver Petticoat Review
71:In-universe information
3089:Thomas Langlois Lefroy
2977:The History of England
2755:Stride & Prejudice
2189:10.1186/1741-7007-8-75
2138:10.1186/1741-7007-8-71
1177:
762:General Motors Theatre
721:Orgoglio e pregiudizio
324:
252:
21:Darcy (disambiguation)
2863:Sense and Sensibility
2774:Pride & Prejudice
2638:Love, Lies and Lizzie
2591:Mr. Darcy's Daughters
2583:Bridget Jones's Diary
2449:Pride & Prejudice
2425:Bridget Jones's Diary
2284:at Wikimedia Commons
1606:"Chapter 5. Boldness"
1259:Bridget Jones's Diary
1250:Bridget Jones's Diary
1225:published in the UK (
1168:
937:Daniel Vincent Gordh
856:Bridget Jones's Diary
599:Bridget Jones's Diary
532:Pride & Prejudice
511:Bridget Jones's Diary
458:William "Will" Darcy
395:Bridget Jones's Diary
387:Bridget Jones's Diary
315:
306:Further information:
246:
3059:Edward Austen Knight
2023:2 March 2014 at the
1914:Brownstein, Rachel "
1662:Brownstein, Rachel "
1534:Brownstein, Rachel "
1027:Unleashing Mr. Darcy
585:Bridget Jones's Baby
259:, a large estate in
19:For other uses, see
3182:Miss Austen Regrets
3064:Henry Thomas Austen
2963:Love and Freindship
2871:Pride and Prejudice
2713:Stolthet och fördom
2705:Pride and Prejudice
2532:Pride and Prejudice
2516:Pride and Prejudice
2508:Pride and Prejudice
2500:Pride and Prejudice
2441:Bride and Prejudice
2417:Pride and Prejudice
2353:Pride and Prejudice
1922:" pages 32–57 from
1920:Pride and Prejudice
1863:Pride and Prejudice
1670:" pages 32–57 from
1668:Pride and Prejudice
1542:" pages 32-57 from
1540:Pride and Prejudice
1476:Pride and prejudice
1371:Pride and Prejudice
1351:Pride and Prejudice
1333:Pride and Prejudice
1273:1995 BBC adaptation
1255:Pride and Prejudice
1154:Pride and Prejudice
1149:Pride and Prejudice
1141:Pride and Prejudice
1054:A telenovela based
918:Pride and Prejudice
829:Pride and Prejudice
807:Pride and Prejudice
785:Pride and Prejudice
743:Pride and Prejudice
725:Italian adaptation
702:Pride and Prejudice
632:Pride and Prejudice
590:a sequel to 2004's
475:Pride and Prejudice
463:Bride and Prejudice
442:Pride and Prejudice
404:Pride and Prejudice
365:Pride and Prejudice
224:Pride and Prejudice
28:Fictional character
3135:In popular culture
3084:Anna Austen Lefroy
3049:Rev. George Austen
3014:Jane Austen Centre
2620:These Three Remain
2368:List of characters
2254:The New York Times
2229:. FOX News Network
1916:Northanger Abbey,
1865:pages 52–59 from
1664:Northanger Abbey,
1536:Northanger Abbey,
1281:The Edge of Reason
1264:The Edge of Reason
1190:Wold Newton family
1186:Philip Jose Farmer
1178:
1175:2005 film adaption
1075:Marrying Mr. Darcy
967:Fitzwilliam Darcy
905:Fitzwilliam Darcy
862:The Edge of Reason
824:Fitzwilliam Darcy
802:Fitzwilliam Darcy
780:Fitzwilliam Darcy
738:Fitzwilliam Darcy
697:Fitzwilliam Darcy
674:Fitzwilliam Darcy
565:Seth Grahame-Smith
527:Fitzwilliam Darcy
501:The Edge of Reason
408:1995 BBC TV series
360:Fitzwilliam Darcy
325:
253:
16:Literary character
3210:
3209:
3150:Reception history
3140:Styles and themes
3104:Catherine Hubback
2993:
2992:
2794:
2793:
2777:(2005 soundtrack)
2758:(2013 video game)
2750:(2012 web series)
2697:First Impressions
2540:Will be Somewhere
2492:Elizabeth Refuses
2385:Fitzwilliam Darcy
2311:Literature portal
2280:Media related to
1623:978-0-06-075361-0
1486:978-0-14-143951-8
1171:Matthew Macfadyen
1137:Rachel Brownstein
1083:
1082:
1079:Television film.
1044:Darcy Williamson
1031:Television film.
639:
638:
523:Matthew Macfadyen
204:Fitzwilliam Darcy
201:
200:
79:Fitzwilliam Darcy
3250:
3223:Fictional gentry
3200:
3199:
3069:Cassandra Austen
3001:
2895:Northanger Abbey
2852:
2821:
2814:
2807:
2798:
2378:Elizabeth Bennet
2341:
2334:
2327:
2318:
2313:
2308:
2307:
2306:
2299:
2294:
2293:
2279:
2265:
2264:
2262:
2260:
2245:
2239:
2238:
2236:
2234:
2218:
2212:
2211:
2201:
2191:
2167:
2161:
2160:
2150:
2140:
2116:
2110:
2097:
2091:
2085:
2079:
2066:
2060:
2054:
2048:
2037:
2028:
2015:
2009:
2002:
1996:
1995:
1964:Modern Philology
1959:
1940:
1933:
1927:
1912:
1906:
1899:
1890:
1883:
1870:
1859:
1850:
1843:
1830:
1823:
1814:
1809:Ross, Josephine
1807:
1801:
1796:Ross, Josephine
1794:
1788:
1783:Ross, Josephine
1781:
1775:
1768:
1759:
1754:Ross, Josephine
1752:
1743:
1736:
1730:
1723:
1717:
1710:
1704:
1697:
1691:
1684:
1675:
1660:
1654:
1649:Ross, Josephine
1647:
1641:
1634:
1628:
1627:
1601:
1578:
1571:
1560:
1553:
1547:
1532:
1526:
1525:
1497:
1491:
1490:
1470:
1464:
1457:
1451:
1440:
1434:
1433:
1421:
1415:
1414:
1402:
1396:
1395:
1384:
1378:
1368:
1362:
1348:
1182:Elizabeth Bennet
1049:Orgulho e Paixão
927:Elizabeth Bennet
646:
508:and a sequel to
454:Martin Henderson
356:Laurence Olivier
332:
265:Elizabeth Bennet
233:Elizabeth Bennet
194:, near Lambton,
144:(brother-in-law)
138:(brother-in-law)
53:
31:
3260:
3259:
3253:
3252:
3251:
3249:
3248:
3247:
3213:
3212:
3211:
3206:
3188:
3161:
3125:Causes of death
3113:
3041:
3033:
3002:
2989:
2950:
2945:Plan of a Novel
2909:
2843:
2830:
2825:
2795:
2790:
2761:
2727:
2684:
2612:Duty and Desire
2562:
2479:
2404:
2390:William Collins
2356:
2345:
2309:
2304:
2302:
2295:
2288:
2273:
2268:
2258:
2256:
2247:
2246:
2242:
2232:
2230:
2220:
2219:
2215:
2169:
2168:
2164:
2118:
2117:
2113:
2107:Wayback Machine
2098:
2094:
2086:
2082:
2076:Wayback Machine
2067:
2063:
2055:
2051:
2038:
2031:
2025:Wayback Machine
2016:
2012:
2003:
1999:
1961:
1960:
1943:
1935:Irvine, Robert
1934:
1930:
1913:
1909:
1901:Irvine, Robert
1900:
1893:
1887:Critical Survey
1884:
1873:
1860:
1853:
1845:Irvine, Robert
1844:
1833:
1825:Irvine, Robert
1824:
1817:
1808:
1804:
1795:
1791:
1782:
1778:
1769:
1762:
1753:
1746:
1737:
1733:
1724:
1720:
1711:
1707:
1698:
1694:
1685:
1678:
1661:
1657:
1648:
1644:
1635:
1631:
1624:
1603:
1602:
1581:
1572:
1563:
1554:
1550:
1533:
1529:
1499:
1498:
1494:
1487:
1472:
1471:
1467:
1458:
1454:
1441:
1437:
1423:
1422:
1418:
1404:
1403:
1399:
1392:Measuring Worth
1386:
1385:
1381:
1369:
1365:
1349:
1345:
1341:
1317:Serpentine Lake
1261:and its sequel
1198:Sherlock Holmes
1163:
1088:
644:
615:Conrad Ricamora
330:
310:
304:
241:
183:
180:(sister-in-law)
174:(sister-in-law)
168:(sister-in-law)
162:(sister-in-law)
156:(mother-in-law)
150:(father-in-law)
129:(maternal aunt)
118:Georgiana Darcy
96:Elizabeth Darcy
66:
60:
29:
24:
17:
12:
11:
5:
3258:
3257:
3254:
3246:
3245:
3240:
3235:
3230:
3225:
3215:
3214:
3208:
3207:
3205:
3204:
3193:
3190:
3189:
3187:
3186:
3178:
3169:
3167:
3163:
3162:
3160:
3159:
3152:
3147:
3142:
3137:
3132:
3127:
3121:
3119:
3115:
3114:
3112:
3111:
3106:
3101:
3096:
3091:
3086:
3081:
3079:Charles Austen
3076:
3074:Francis Austen
3071:
3066:
3061:
3056:
3051:
3045:
3043:
3035:
3034:
3032:
3031:
3021:
3016:
3010:
3008:
3004:
3003:
2996:
2994:
2991:
2990:
2988:
2987:
2980:
2973:
2966:
2958:
2956:
2952:
2951:
2949:
2948:
2941:
2933:
2925:
2917:
2915:
2911:
2910:
2908:
2907:
2899:
2891:
2883:
2879:Mansfield Park
2875:
2867:
2858:
2856:
2849:
2845:
2844:
2842:
2841:
2835:
2832:
2831:
2826:
2824:
2823:
2816:
2809:
2801:
2792:
2791:
2789:
2788:
2783:
2778:
2769:
2767:
2763:
2762:
2760:
2759:
2751:
2743:
2735:
2733:
2729:
2728:
2726:
2725:
2717:
2709:
2708:(1993 musical)
2701:
2700:(1959 musical)
2692:
2690:
2686:
2685:
2683:
2682:
2674:
2666:
2658:
2650:
2642:
2634:
2626:
2625:
2624:
2616:
2608:
2595:
2587:
2579:
2570:
2568:
2564:
2563:
2561:
2560:
2552:
2548:Lost in Austen
2544:
2536:
2528:
2520:
2512:
2504:
2496:
2487:
2485:
2481:
2480:
2478:
2477:
2469:
2461:
2453:
2445:
2437:
2429:
2421:
2412:
2410:
2406:
2405:
2403:
2402:
2400:George Wickham
2397:
2392:
2387:
2382:
2381:
2380:
2370:
2364:
2362:
2358:
2357:
2346:
2344:
2343:
2336:
2329:
2321:
2315:
2314:
2300:
2272:
2271:External links
2269:
2267:
2266:
2240:
2213:
2162:
2111:
2092:
2080:
2061:
2049:
2029:
2010:
2004:Bloom, Harold
1997:
1976:10.1086/390617
1941:
1928:
1907:
1891:
1871:
1851:
1831:
1815:
1802:
1789:
1776:
1760:
1744:
1731:
1718:
1705:
1692:
1676:
1655:
1642:
1629:
1622:
1579:
1561:
1548:
1527:
1514:10.2307/450251
1508:(4): 609–622.
1492:
1485:
1465:
1452:
1435:
1416:
1397:
1379:
1363:
1342:
1340:
1337:
1245:Helen Fielding
1188:'s fictional '
1162:
1159:
1087:
1084:
1081:
1080:
1077:
1072:
1071:Donovan Darcy
1069:
1064:
1060:
1059:
1052:
1045:
1042:
1040:Thiago Lacerda
1037:
1033:
1032:
1029:
1024:
1023:Donovan Darcy
1021:
1016:
1012:
1011:
1000:
993:
990:
987:
983:
982:
975:
968:
965:
960:
956:
955:
948:
941:
940:William Darcy
938:
935:
931:
930:
913:
910:Lost in Austen
906:
903:
898:
894:
893:
890:
883:
880:
878:Larry Brantley
874:
870:
869:
867:
851:Helen Fielding
832:
825:
822:
817:
813:
812:
810:
803:
800:
795:
791:
790:
788:
781:
778:
773:
769:
768:
765:
758:
755:
753:Patrick Macnee
749:
748:
746:
739:
736:
731:
727:
726:
723:
718:
715:
712:
708:
707:
705:
698:
695:
690:
686:
685:
682:
675:
672:
667:
663:
662:
659:
656:
653:
650:
643:
640:
637:
636:
627:
620:
617:
612:
608:
607:
604:Helen Fielding
588:
581:
578:
573:
569:
568:
557:
550:
547:
542:
538:
537:
535:
528:
525:
520:
516:
515:
506:Helen Fielding
496:
489:
486:
480:
479:
472:adaptation of
466:
459:
456:
451:
447:
446:
439:adaptation of
433:
426:
423:
422:Orlando Seale
420:
416:
415:
400:Helen Fielding
390:
383:
380:
375:
371:
370:
368:
361:
358:
353:
349:
348:
345:
342:
339:
336:
329:
326:
303:
300:
240:
237:
221:'s 1813 novel
199:
198:
189:
185:
184:
182:
181:
175:
169:
163:
157:
151:
145:
142:George Wickham
139:
133:
130:
124:
121:
115:
112:
109:
105:
103:
99:
98:
93:
89:
88:
85:
81:
80:
77:
73:
72:
68:
67:
54:
46:
45:
36:
35:
27:
15:
13:
10:
9:
6:
4:
3:
2:
3256:
3255:
3244:
3241:
3239:
3236:
3234:
3231:
3229:
3226:
3224:
3221:
3220:
3218:
3203:
3195:
3194:
3191:
3184:
3183:
3179:
3176:
3175:
3174:Becoming Jane
3171:
3170:
3168:
3164:
3158:
3157:
3153:
3151:
3148:
3146:
3143:
3141:
3138:
3136:
3133:
3131:
3128:
3126:
3123:
3122:
3120:
3116:
3110:
3107:
3105:
3102:
3100:
3097:
3095:
3092:
3090:
3087:
3085:
3082:
3080:
3077:
3075:
3072:
3070:
3067:
3065:
3062:
3060:
3057:
3055:
3052:
3050:
3047:
3046:
3044:
3040:
3036:
3029:
3025:
3024:Chawton House
3022:
3020:
3017:
3015:
3012:
3011:
3009:
3005:
3000:
2986:
2985:
2981:
2979:
2978:
2974:
2972:
2971:
2967:
2965:
2964:
2960:
2959:
2957:
2953:
2947:
2946:
2942:
2939:
2938:
2934:
2931:
2930:
2926:
2924:
2923:
2919:
2918:
2916:
2912:
2905:
2904:
2900:
2897:
2896:
2892:
2889:
2888:
2884:
2881:
2880:
2876:
2873:
2872:
2868:
2865:
2864:
2860:
2859:
2857:
2853:
2850:
2846:
2840:
2837:
2836:
2833:
2829:
2822:
2817:
2815:
2810:
2808:
2803:
2802:
2799:
2787:
2784:
2782:
2779:
2776:
2775:
2771:
2770:
2768:
2764:
2757:
2756:
2752:
2749:
2748:
2744:
2741:
2740:Beyond a Joke
2737:
2736:
2734:
2730:
2723:
2722:
2718:
2715:
2714:
2710:
2707:
2706:
2702:
2699:
2698:
2694:
2693:
2691:
2687:
2680:
2679:
2675:
2672:
2671:
2667:
2664:
2663:
2659:
2657:(2010 parody)
2656:
2655:
2651:
2649:(2009 parody)
2648:
2647:
2643:
2640:
2639:
2635:
2632:
2631:
2627:
2622:
2621:
2617:
2614:
2613:
2609:
2606:
2605:
2601:
2600:
2599:
2596:
2593:
2592:
2588:
2585:
2584:
2580:
2577:
2576:
2575:Darcy's Story
2572:
2571:
2569:
2565:
2558:
2557:
2553:
2550:
2549:
2545:
2542:
2541:
2537:
2534:
2533:
2529:
2526:
2525:
2521:
2518:
2517:
2513:
2510:
2509:
2505:
2502:
2501:
2497:
2494:
2493:
2489:
2488:
2486:
2482:
2475:
2474:
2470:
2467:
2466:
2462:
2459:
2458:
2454:
2451:
2450:
2446:
2443:
2442:
2438:
2435:
2434:
2430:
2427:
2426:
2422:
2419:
2418:
2414:
2413:
2411:
2407:
2401:
2398:
2396:
2393:
2391:
2388:
2386:
2383:
2379:
2376:
2375:
2374:
2373:Bennet family
2371:
2369:
2366:
2365:
2363:
2359:
2355:
2354:
2349:
2342:
2337:
2335:
2330:
2328:
2323:
2322:
2319:
2312:
2301:
2298:
2297:Novels portal
2292:
2287:
2285:
2283:
2278:
2270:
2255:
2251:
2244:
2241:
2228:
2224:
2217:
2214:
2209:
2205:
2200:
2195:
2190:
2185:
2181:
2177:
2173:
2166:
2163:
2158:
2154:
2149:
2144:
2139:
2134:
2130:
2126:
2122:
2115:
2112:
2108:
2104:
2101:
2096:
2093:
2089:
2084:
2081:
2077:
2073:
2070:
2065:
2062:
2058:
2053:
2050:
2046:
2042:
2036:
2034:
2030:
2026:
2022:
2019:
2014:
2011:
2007:
2001:
1998:
1993:
1989:
1985:
1981:
1977:
1973:
1969:
1965:
1958:
1956:
1954:
1952:
1950:
1948:
1946:
1942:
1938:
1932:
1929:
1925:
1921:
1917:
1911:
1908:
1904:
1898:
1896:
1892:
1888:
1882:
1880:
1878:
1876:
1872:
1868:
1864:
1858:
1856:
1852:
1848:
1842:
1840:
1838:
1836:
1832:
1828:
1822:
1820:
1816:
1812:
1806:
1803:
1799:
1793:
1790:
1786:
1780:
1777:
1773:
1767:
1765:
1761:
1757:
1751:
1749:
1745:
1741:
1735:
1732:
1728:
1722:
1719:
1715:
1709:
1706:
1702:
1696:
1693:
1689:
1683:
1681:
1677:
1673:
1669:
1665:
1659:
1656:
1652:
1646:
1643:
1639:
1633:
1630:
1625:
1619:
1615:
1611:
1607:
1600:
1598:
1596:
1594:
1592:
1590:
1588:
1586:
1584:
1580:
1576:
1570:
1568:
1566:
1562:
1558:
1552:
1549:
1545:
1541:
1537:
1531:
1528:
1523:
1519:
1515:
1511:
1507:
1503:
1496:
1493:
1488:
1482:
1478:
1477:
1469:
1466:
1462:
1456:
1453:
1449:
1448:9780226196022
1445:
1439:
1436:
1431:
1427:
1420:
1417:
1412:
1408:
1401:
1398:
1393:
1389:
1383:
1380:
1376:
1372:
1367:
1364:
1360:
1356:
1352:
1347:
1344:
1338:
1336:
1334:
1330:
1326:
1322:
1318:
1313:
1311:
1310:
1305:
1300:
1298:
1294:
1293:
1288:
1287:
1282:
1278:
1274:
1270:
1269:Bridget Jones
1266:
1265:
1260:
1256:
1252:
1251:
1246:
1242:
1240:
1239:9780061148705
1236:
1232:
1231:9780952821021
1228:
1224:
1223:
1222:Darcy's Story
1218:
1217:
1212:
1207:
1203:
1199:
1195:
1191:
1187:
1183:
1176:
1172:
1167:
1160:
1158:
1155:
1150:
1144:
1142:
1138:
1132:
1128:
1124:
1120:
1116:
1112:
1109:
1108:Adam Nicolson
1104:
1100:
1097:
1093:
1092:social status
1085:
1076:
1073:
1070:
1068:
1065:
1062:
1061:
1057:
1051:
1050:
1046:
1043:
1041:
1038:
1035:
1034:
1028:
1025:
1022:
1020:
1017:
1014:
1013:
1009:
1005:
999:
998:
994:
991:
989:Dallas Sauer
988:
985:
984:
980:
974:
973:
969:
966:
964:
961:
958:
957:
953:
947:
946:
942:
939:
936:
933:
932:
928:
924:
920:
919:
912:
911:
907:
904:
902:
899:
896:
895:
889:
888:
884:
881:
879:
875:
872:
871:
866:
865:
863:
858:
857:
852:
848:
844:
840:
837:In addition,
831:
830:
826:
823:
821:
818:
815:
814:
809:
808:
804:
801:
799:
798:David Rintoul
796:
793:
792:
787:
786:
782:
779:
777:
776:Lewis Fiander
774:
771:
770:
764:
763:
759:
756:
754:
751:
750:
747:
745:
744:
740:
737:
735:
732:
728:
724:
722:
719:
717:Signor Darcy
716:
714:Franco Volpi
713:
710:
709:
706:
704:
703:
699:
696:
694:
693:Peter Cushing
691:
688:
687:
681:
680:
676:
673:
671:
670:John Baragrey
668:
665:
664:
647:
641:
634:
633:
628:
626:
625:
621:
618:
616:
613:
610:
609:
605:
601:
600:
595:
594:
587:
586:
582:
579:
577:
574:
571:
570:
566:
562:
559:Based on the
556:
555:
551:
548:
546:
543:
540:
539:
534:
533:
529:
526:
524:
521:
518:
517:
514:
512:
507:
503:
502:
495:
494:
490:
487:
485:
482:
481:
478:
476:
471:
465:
464:
460:
457:
455:
452:
448:
445:
443:
438:
432:
431:
427:
424:
421:
418:
417:
413:
409:
405:
401:
397:
396:
389:
388:
384:
381:
379:
376:
373:
372:
367:
366:
362:
359:
357:
354:
351:
350:
333:
327:
322:
318:
314:
309:
301:
299:
295:
292:
287:
283:
281:
280:social status
276:
274:
270:
266:
262:
258:
250:
247:Mr. Darcy by
245:
238:
236:
234:
230:
229:romantic hero
226:
225:
220:
216:
212:
208:
205:
197:
193:
190:
186:
179:
176:
173:
170:
167:
164:
161:
158:
155:
152:
149:
146:
143:
140:
137:
134:
131:
128:
125:
122:
119:
116:
113:
110:
107:
106:
104:
100:
97:
94:
90:
86:
82:
78:
74:
69:
64:
58:
52:
47:
43:
42:
37:
32:
26:
22:
3180:
3172:
3154:
3109:Martha Lloyd
3054:James Austen
3019:House Museum
2982:
2975:
2968:
2961:
2943:
2940:(unfinished)
2935:
2932:(unfinished)
2927:
2920:
2901:
2893:
2885:
2877:
2869:
2861:
2773:
2753:
2745:
2719:
2716:(2011 opera)
2711:
2703:
2695:
2676:
2668:
2660:
2652:
2644:
2636:
2628:
2618:
2610:
2602:
2589:
2581:
2573:
2555:
2546:
2538:
2531:
2522:
2515:
2507:
2499:
2490:
2471:
2464:
2455:
2448:
2439:
2431:
2424:
2416:
2384:
2351:
2274:
2257:. Retrieved
2253:
2243:
2231:. Retrieved
2226:
2216:
2179:
2175:
2165:
2128:
2124:
2114:
2095:
2083:
2064:
2052:
2013:
2005:
2000:
1970:(1): 54–68.
1967:
1963:
1936:
1931:
1923:
1919:
1915:
1910:
1902:
1886:
1866:
1862:
1846:
1826:
1810:
1805:
1797:
1792:
1784:
1779:
1771:
1755:
1739:
1734:
1726:
1721:
1713:
1708:
1700:
1695:
1687:
1671:
1667:
1663:
1658:
1650:
1645:
1637:
1632:
1609:
1574:
1556:
1551:
1543:
1539:
1535:
1530:
1505:
1501:
1495:
1475:
1468:
1460:
1455:
1438:
1429:
1419:
1410:
1400:
1391:
1382:
1370:
1366:
1353:. Chapters
1350:
1346:
1332:
1319:of London's
1314:
1307:
1301:
1290:
1284:
1280:
1262:
1258:
1254:
1248:
1243:
1220:
1214:
1211:Pamela Aidan
1204:that struck
1179:
1153:
1148:
1145:
1140:
1133:
1129:
1125:
1121:
1117:
1113:
1105:
1101:
1096:Anglo-Norman
1089:
1074:
1047:
1026:
995:
970:
963:Matthew Rhys
943:
916:
908:
901:Elliot Cowan
885:
860:
854:
836:
827:
805:
783:
760:
741:
720:
700:
677:
630:
623:
597:
591:
583:
561:parody novel
552:
530:
509:
499:
491:
473:
461:
440:
428:
403:
393:
385:
363:
296:
288:
284:
277:
254:
222:
210:
203:
202:
178:Lydia Bennet
62:
39:
25:
3185:(2007 film)
3177:(2007 film)
2929:The Watsons
2828:Jane Austen
2724:(2018 play)
2473:Fire Island
2460:(2013 film)
2348:Jane Austen
2227:FoxNews.com
1937:Jane Austen
1903:Jane Austen
1847:Jane Austen
1827:Jane Austen
1286:Fever Pitch
1277:Colin Firth
1206:Wold Newton
1067:Ryan Paevey
1056:Jane Austen
1019:Ryan Paevey
1004:Who's Alice
921:in which a
847:Colin Firth
839:Colin Firth
820:Colin Firth
624:Fire Island
580:Mark Darcy
576:Colin Firth
488:Mark Darcy
484:Colin Firth
425:Will Darcy
412:Colin Firth
382:Mark Darcy
378:Colin Firth
317:Colin Firth
273:Mr. Wickham
249:C. E. Brock
219:Jane Austen
166:Mary Bennet
160:Jane Bennet
136:Mr. Bingley
57:C. E. Brock
41:Jane Austen
3217:Categories
3166:Portrayals
3042:and people
2922:Lady Susan
2903:Persuasion
2630:Austenland
2484:Television
2457:Austenland
2361:Characters
2045:014303443X
1373:. Chapter
1339:References
1058:'s works.
992:Mr. Darcy
979:P.D. James
952:video blog
934:2012–2013
882:Mr. Darcy
843:Mark Darcy
757:Mr. Darcy
734:Alan Badel
642:Television
261:Derbyshire
215:characters
196:Derbyshire
154:Mrs Bennet
2955:Juvenilia
2781:Pemberley
2670:Longbourn
2282:Mr. Darcy
2182:(1): 75.
2131:(1): 71.
1992:162238146
1984:0026-8232
1329:Lyme Park
1321:Hyde Park
1304:pheromone
1297:Channel 4
1202:meteorite
853:to write
545:Sam Riley
470:Bollywood
257:Pemberley
239:Character
211:Mr. Darcy
192:Pemberley
148:Mr Bennet
102:Relatives
76:Full name
44:character
34:Mr. Darcy
3202:Category
3118:Analysis
2937:Sanditon
2839:Timeline
2766:See also
2742:" (1997)
2678:Eligible
2208:20525243
2176:BMC Biol
2157:20504292
2125:BMC Biol
2103:Archived
2072:Archived
2021:Archived
1086:Analysis
954:format.
887:Wishbone
120:(sister)
3130:Janeite
3028:Library
2689:Theatre
2524:Trishna
2259:13 July
2199:2890510
2148:2880966
1614:157–208
1411:Glamour
1173:in the
876:Soccer/
207:Esquire
3039:Family
3007:Places
2906:(1818)
2898:(1818)
2890:(1816)
2882:(1814)
2874:(1813)
2866:(1811)
2681:(2016)
2673:(2013)
2665:(2011)
2641:(2009)
2633:(2007)
2623:(2005)
2615:(2004)
2607:(2003)
2594:(2003)
2586:(1996)
2578:(1995)
2567:Novels
2559:(2013)
2551:(2008)
2543:(2004)
2535:(1995)
2527:(1985)
2519:(1980)
2511:(1967)
2503:(1958)
2495:(1957)
2476:(2022)
2468:(2016)
2452:(2005)
2444:(2004)
2436:(2003)
2428:(2001)
2420:(1940)
2233:9 June
2206:
2196:
2155:
2145:
2043:
1990:
1982:
1620:
1522:450251
1520:
1483:
1446:
1335:fans.
1309:Darcin
1237:
1229:
1194:Tarzan
923:modern
661:Notes
652:Actor
437:Modern
410:, and
406:, the
347:Notes
338:Actor
251:, 1895
92:Spouse
84:Gender
59:(1895)
2914:Minor
2855:Major
2848:Works
2732:Other
2409:Films
1988:S2CID
1518:JSTOR
1257:. In
1253:from
1063:2018
1036:2018
1015:2016
1008:Alice
986:2013
959:2013
897:2008
873:1995
816:1995
794:1980
772:1967
730:1958
711:1957
689:1952
666:1949
655:Role
649:Year
619:Will
611:2022
572:2016
541:2016
519:2005
450:2004
419:2003
374:2001
352:1940
344:Film
341:Role
335:Year
291:Lydia
267:at a
2887:Emma
2261:2013
2235:2010
2204:PMID
2153:PMID
2041:ISBN
1980:ISSN
1618:ISBN
1481:ISBN
1444:ISBN
1357:and
1325:UKTV
1235:ISBN
1227:ISBN
1196:and
859:and
328:Film
269:ball
188:Home
87:Male
2350:'s
2194:PMC
2184:doi
2143:PMC
2133:doi
1972:doi
1510:doi
1241:).
1213:'s
602:by
563:by
504:by
398:by
217:in
3219::
2252:.
2225:.
2202:.
2192:.
2178:.
2174:.
2151:.
2141:.
2127:.
2123:.
2032:^
1986:.
1978:.
1968:73
1966:.
1944:^
1894:^
1874:^
1854:^
1834:^
1818:^
1763:^
1747:^
1679:^
1616:.
1608:.
1582:^
1564:^
1516:.
1506:19
1504:.
1428:.
1409:.
1390:.
1375:59
1359:35
1355:25
1267:,
1010:.
929:.
606:.
567:.
468:A
435:A
65:."
63:me
3030:)
3026:(
2820:e
2813:t
2806:v
2738:"
2340:e
2333:t
2326:v
2263:.
2237:.
2210:.
2186::
2180:8
2159:.
2135::
2129:8
2047:)
1994:.
1974::
1626:.
1524:.
1512::
1489:.
1432:.
1413:.
1394:.
1377:.
1361:.
864:.
513:.
477:.
444:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
