386:, inhabited by eccentric characters. An extreme climatology that evoked her home town, Lleida. The novel was “a tragedy about madness written in crescendo rhythm of delirious verses in prose” that has been labelled as “vertiginous and breathtaking” and as a “hypnotic and radical novel”. As Maria Dasca said, Mistana was “an unbridled fiction, tragic and comic at the same time” with a philosophical fog where “the things lose appearances and a man does not know who he is anymore”.
42:
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who was looking for a flat. In this novel about music, Perpinyà “dares to weave a multi-faceted plot”, and “while the protagonist passes through different kinds of housing – a garret, a duplex, an attic – (…) there is a kind of a musical whirlwind in her head”. The book had also an unusual structure:
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and its substitution for a new degree in criminal calligraphic studies. This modernization of the university provoked tensions between the professors and it revealed jealousy and revenges. The play was opened in Lleida, at
Escorxador Theatre, December 15, 2010, under the direction of Óscar Sánchez
479:
museum, the sceptical attitudes of the guards towards the modern art, and the labour conflicts. The plot passed through vicissitudes of the main character, Mr. Serivà, a genuine, tragic and anti-heroic guard. The irony of the book is addressed to the ignorant audience and the art as a business and
323:, the most romantic and pictorial one, is another important twist in her trajectory. She substituted – at least apparently – her intellectual world for the sport. Her novel and her play on the Internet are an online collective writing experiment. These books are written as a
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appeared, a novel about love between mountaineers. The protagonists were obsessive idealists isolated from the society. The plot revolved around loves of a solitary mountain climber, Irena
Besikova. The novel suggested two important discussions: the one of passion and
382:(National Critics Prize 2005), the realism was abandoned and the author opted for a fantastic style. The book narrated a story about a meteorologist with mental disorders who fell into misfortune when he arrived at a phantasmal town called Mistana with an everlasting
276:. Her style has been labelled as “a magmatic writing style”, and it has been characterized by “a control of the composition, a linguistic precision and originality of the actions”. In each of her books, Perpinyà has challenged herself with different experiments:
188:, May 25, 1961 and lived in this town until she finished her degree in Catalan Studies in 1984. She moved to Cáceres, then to London, Madrid and Barcelona. Despite her changes of residence, she worked as a professor at the University of Lleida. First, she taught
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is a harsh but comical critic to the architectonic dictatorship and suggested a romantic opposition between the artist and the society. The composer Olivia Kesler did not find her creative space in a society that was architectonically hostile to her.
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can also be observed in her novels in which a kaleidoscope of attitudes related to a particular topic often appeared. In 2010, Perpinyà won an international essay prize for 21st-century editorial of Mexico for her work
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appeared. It is a love story through poems in which a couple in crisis dialogue. The variations in love run parallel to atmospheric changes. The work premiered at the Sala
Beckett in Barcelona on 10 May 2023.
413:. The action takes place in a psychiatric clinic. The work raises a debate about the advantages and disadvantages of the network, as well as discussing other behavioral disorders such as
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political platform. As Ponç Puigdevall said, the novel proofed the effort of the author “to discover new literary territories where the accuracy does not contradict the entertainment”.
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of the
Catalan criticism. A polemic book “dedicated to all the sceptical readers who realize that, in the literary criticism, nothing completely innocent is ever said”.
168:. Her novels deal with unusual topics and are characterized by their intellectual irony, formal rigor and experimentalism. In her books, she defends the philosophy of
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581:. Written in “a casual style”, this essay particularly exemplified the theory with examples: twenty different interpretations about the Greek masterpiece.
236:(2007), she opted, once more, for a renovation of literary genres with a dramatic novel. In the year 2010, she launched her first theatre play,
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and fell in love with a black scientist. The protagonist, Joan Xammar, must overcome two obstacles: the one of the gender and the one of race.
398:. The epistolary style developed until it became an adventure novel that, in the last chapters, adopted an unexpected metaliterary dimension.
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208:. This work won the Catalan Essay Prize Josep Vallverdú. In 1989, Perpinyà received the Extraordinary Prize for her PhD thesis from the
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Ruins, Nostalgia and
Ugliness. Five Romantic perceptions of the Middle Ages and a spoonful of Game of Thrones and Avant-garde oddity
288:, it provided the novelty of a chain of stories that they turned over into chapters of a novel. This fusion of genres reappeared in
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appeared. It is a comical dramatic novel in which the author thought about art, adopting a point of view of the guards in a
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218:, where was already shown "the complexity and the elaboration that will characterize the rest of her novels”. In A
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novelist, a playwright and an essayist. Senior
Lecturer in Theory and Comparative Literature at the university of
200:. In 1986, at the age of 25, she published her first book: an essay about a Catalan realist poet from the 1960s,
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González
Vaquerizo, Helena. “Nuria Perpinya, Las criptas de la critica. Veinte interpretaciones de la Odisea”.
284:, she explored a new literary genre: a “fragmented novel” which, even though belonging to a Composite Novel or
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Among
Perpinyà's academic researches, it is worth to mention the studies on a Catalan poet of the sixties,
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and reflects on the fact that the phenomena have multiple interpretations. Her creative work is written in
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for research on
Ferrater. She became one of his main specialists. In 1998, she published her first novel,
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is compared to artistic, political and social chaos, with particular emphasis on the concepts of
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651:. The book analyzes the hundred years of Catalan, Russian, European Avant-garde Theatre and
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Caos, Virus, Calm. The Theory of Chaos applied to
Artistic, Social and Political Disorder
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Caos, virus, calma. La Teoría del Caos aplicada al desórden artístico, social y político
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370:”. The novel is a crossword of genres and worlds: music, architecture and literature.
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in Arts. The plot revolved around the closure of a University Department of Ancient
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to the present days, and it pleaded for a creative learning against a routine one.
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Villanueva, Darío, «Las criptas de la crítica. 20 interpretaciones de la Odisea»,
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of the protagonist, Olivia Kesler, who was “a misanthrope of her art and a female
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and it was performed by Imma Colomer, Pep Planas, Núria Casado and Ferran Farré.
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Regarding her subjects, Perpinyà has dedicated each book to a concrete topic.
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genre. It is an absurdity plot about the sea that warns about the dangers of
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224:(2001), Perpinyà developed a new genre halfway between a story and a novel.
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Ramon Vidal, Abel, Web Associació Escriptors en Llengua Catalana (AELC)
475:. The story narrated a restructuring of an old-fashioned museum into an
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The work of Núria Perpinyà is a mixture of intellectual reflections and
1181:, 4-XII-2013; Nopca, Jordi, “Núria Perpinyà reescriu el Romanticisme”,
358:
328:
324:
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Alonso, H., «Recepció, contradicció i biografia: més sobre Ferrater»,
1136:, 23-VII-2005; Isern, Joan Josep, «Una novel.la hipnòtica i radical»,
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from the beginning of twentieth century to the present. It deals with
230:(2005), much more fantastic, was awarded a National Critics Prize. In
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Castells, Ada, «Núria Perpinyà novel·la l'absurd enmig de la boira»,
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chained stories that ended up merging into a novel. The plot was the
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where the narrative and the dramatic style cohabited side by side.
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Hernández Bustos, Ernesto, “Una casa (no sólo) para componer”,
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624:. Also, one of the theses of the book is considered Romantic,
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essay is about knowledge and education that extended from the
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204:, written in collaboration with Xavier Macià, under the title
347:) related the life of a young man who moved to laboratory in
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Perpinyà reappeared in 2008 with “a demythologizing essay”.
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Jaruchik, Esdres. "Rient-se del mort i del qui et vetlla".
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2010: International Essay Prize Editorial Siglo XXI Mexico.
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Salom, Jeroni. “¿Com hem (mal) llegit Gabriel Ferrater?",
564:(1997), Perpinyà analyzed the myth of Ferrater and did a
1177:, 15-X-2013; Ruiz Guillamon, Julià, “Duelo en la cima”,
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The composite novel. The Short Story Cycle in Transition
577:; this book offered a wide view on different schools of
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Rojo, José Andrés, «Ulises, el primer turista sexual»,
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Jaruchik, Esdres, «Rient de l'art i de qui el vetlla»,
958:
2015: Marguerite Yourcenar Writer's Residence (France).
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Las criptas de la crítica: veinte lecturas de la Odisea
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The Crypts of Criticism: Twenty Readings of The Odyssey
618:, from the eighteenth century to the successful series
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The Crypts of Criticism: Twenty Readings of The Odyssey
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is a thriller based on readers’ false suppositions. In
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Not, Anton. "Per escriure bé no hi ha res prohibit".
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Fernández Bustos, Ernesto, «Nuevo Talento FNAC 2002»
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Galves, Jordi. “Veinte maneras de leer la “Odisea”.
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occurs again in 2018 where the same story about the
1404:Pagès Jordà, Vicenç. “Amor i culpa a les altures”.
614:(2014) which analyzes the Romantic interest in the
405:In 2018, Perpinyà publishes the experimental novel
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1327:Batista, Antoni. “El boom de novelas con música”.
1173:Juanico, Núria, “El vertigen de Irena Besikova”,
1418:Puigdevall, Ponç. “L’estímul de la dificultat”.
1023:"Reader-Response Criticism Terms and Principles"
96:Mixture of genres: novel + short story + theatre
1373:. Universidad de Valladolid. 2008, 21: 235–238.
915:La cadira trencada. Teatre català d'avantguarda
1334:Bou, Enric. “Veintiún lecturas de la Odisea”.
1095:Miquel, Dolors, Entrevista a La Verge Peluda,
933:Oh-Oh. The Exquisite Corpse of Catalan Theater
1084:http://www.clubcultura.com/nuevotalento/nuevo
911:The Broken Chair: Avant-garde Catalan Theatre
869:Gabriel Ferrater: Reception and Contradiction
562:Gabriel Ferrater: Reception and Contradiction
114:International Essay Award S.XXI Mexico (2010)
8:
937:Ai-Ai. El cadàver exquisit del teatre català
853:, Barcelona, Edicions 62; with Xavier Macià)
104:A House to Compose, Mistana, To the vertigo.
1411:Pla, Xavier. “Els criats avantguardistes”,
1348:Dasca, Maria. «Mistana / Guia de Lectura».
1149:Dasca, Maria, «Mistana / Guia de Lectura»,
1376:Guillamon, Julià. «Vértigo en la niebla».
1362:Garzón, Ricard. “El cim des de l'abisme”.
1119:Guillamon, Julià. «Vértigo en la niebla»,
986:http://www.escriptors.cat/autors/perpinyan
949:1984: Catalan Essay Prize Josep Vallverdú.
639:In 2019, appears her essay on the Catalan
40:
29:
1218:Puigdevall, Ponç, «Horrors silenciosos»,
873:Gabriel Ferrater: recepció i contradicció
858:The Theory of Bodies, of Gabriel Ferrater
606:In 2014, Perpinya published her essay on
434:. The novel can be classified within the
299:is a love story in the world of science;
1471:Spanish women dramatists and playwrights
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862:Teoria dels cossos, de Gabriel Ferrater
339:The first book of fiction by Perpinyà,
1009:Pagès, Vicenç, «Temàtica helicoïdal»,
1371:Minerva. Revista de Filología Clásica
952:2005: National Catalan Critics Prize.
256:(2018), an experimental novel on the
147:
7:
1341:Casamajó, Gemma. “Els Cal.lígrafs”.
1320:Abrams, Sam. "Teatre i literatura".
532:Non Fiction: a Humanistic Relativism
112:Catalan Novel Criticism Award (2005)
996:Bou, Enric, «Para supervivientes»,
319:deals with the madness. Her novel,
184:Núria Perpinyà Filella was born in
1486:21st-century Spanish women writers
1481:20th-century Spanish women writers
1456:Spanish dramatists and playwrights
1338:. New York. October–November 2009.
25:
520:appears in a theatrical version (
454:In 2023 her first book of poetry
303:recreates the world of music and
378:In the third novel by Perpinyà,
965:New York / Writers's Residence.
524:) and in a novelistic version (
420:In 2022, the author enters the
149:[ˈnuɾiəpəɾpiˈɲafiˈleʎə]
847:The Poetry of Gabriel Ferrater
792:, Mallorca, Lleonard Muntaner)
628:'s pictures as a precedent of
486:(2010) is a tragicomedy about
206:The poetry of Gabriel Ferrater
1:
1307:Ruins, Nostalgia and Ugliness
851:La poesia de Gabriel Ferrater
612:Ruins, Nostalgia and Ugliness
315:is about the university; and
1491:Women writers from Catalonia
928:, Madrid, Páginas de Espuma)
501:is the staging of her essay
1034:Dunn, Maggie, Morris, Ann,
682:and on the collapse of the
411:Internet Addiction Disorder
357:(2001), is a story about a
252:(2013), Perpinya publishes
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584:The defense of humanistic
424:world, with a novel about
402:was critically acclaimed.
311:is about art and museums;
27:Spanish writer (born 1961)
1038:, New York: Twayne, 1995.
968:2020: Malaga Essay Award.
125:
116:Malaga Essay Award (2020)
39:
1496:Catalan-language writers
1466:Novelists from Catalonia
774:, Barcelona, La Magrana)
1476:Spanish women essayists
1357:La Vanguardia. Culturas
906:(Berlin, Logos Verlag).
763:. Barcelona, Comanegra)
761:I, de sobte, el paradís
757:And, suddenly, Paradise
526:And, suddenly, Paradise
505:. Both books are about
488:Philosophy of Education
407:And, suddenly, Paradise
254:And, suddenly, Paradise
210:University of Barcelona
1440:Nuria Perpinya website
1385:FNAC / Clubcultura.com
1345:, 30. 19–25 June 2011.
875:, Barcelona, Empúries)
864:, Barcelona, Empúries)
824:, Barcelona, Empúries)
813:, Barcelona, Empúries)
752:, Barcelona, Empúries)
741:, Barcelona, Empúries)
719:, Barcelona, Empúries)
717:Una casa per compondre
708:, Barcelona, Empúries)
512:This twinning between
198:comparative literature
145:Catalan pronunciation:
141:Núria Perpinyà Filella
1352:, 210. November 2005.
1283:"International essay"
1153:, 210, novembre 2005.
653:Theatre of the Absurd
1350:Revista de Catalunya
1244:Llengua i Literatura
1151:Revista de Catalunya
897:, Mexico, Siglo XXI)
645:Experimental Theatre
601:Age of Enlightenment
1394:, 20. October 2007.
939:, Tarragona, Arola)
917:, Tarragona, Arola)
895:Más que una máquina
891:More than a Machine
835:, Tarragona, Arola)
592:More than a Machine
503:More Than a Machine
1427:Diario de Mallorca
1072:A House to Compose
730:, Barcelona, Proa)
713:A House to Compose
668:Chaos, Virus, Calm
372:A House to Compose
355:A House to Compose
301:A House to Compose
282:A House to compose
190:Catalan literature
152:; born 1961) is a
1461:Spanish essayists
1232:The Calligraphers
886:, Madrid, Gredos)
818:The Calligraphers
684:COVID-19 pandemic
499:The Calligraphers
484:The Calligraphers
313:The Calligraphers
286:Short story cycle
239:The Calligraphers
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62:Lleida, Catalonia
16:(Redirected from
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1401:. 16-IV-06.
1272:, 17-IV-08.
1259:, 18-II-08.
1246:, 10, 1999.
1185:, 5-X-2013.
1086:talento.htm
1025:goucher.edu
840:Non fiction
750:Al vertigen
657:scenography
641:Avant-garde
630:Avant-garde
616:Middle Ages
608:Romanticism
492:Calligraphy
477:Avant-garde
331:sentences.
1450:Categories
1315:References
1293:2014-04-07
1222:, 6-IX-07.
1140:, 12-X-05.
1123:, 6-07-05.
1058:2014-09-24
680:post-truth
676:Relativism
661:dramaturgy
586:Relativism
558:W.H. Auden
77:playwright
69:Occupation
55:1961-05-25
1399:La Mañana
1011:Presència
666:Her book
507:education
467:In 2007,
258:addiction
192:and then
180:Biography
162:Catalonia
1343:Time Out
1322:El Mundo
1270:El Mundo
829:The Vice
772:Diatomea
672:chaology
663:topics.
634:Ugliness
522:The Vice
518:internet
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440:Populism
428:, named
396:Feminism
389:In 2013
368:Odysseus
262:Internet
244:Alpinist
83:Language
73:Novelist
1420:El País
1392:Benzina
1364:El País
1257:El País
1220:El País
1207:Benzina
1109:Mistana
1099:, 2002.
1097:1 i mig
963:Art Omi
833:El vici
728:Mistana
724:Mistana
595:. This
380:Mistana
359:Pianist
329:Twitter
325:collage
317:Mistana
227:Mistana
174:Catalan
154:Catalan
121:Website
87:Catalan
64:, Spain
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944:Awards
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784:2023:
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768:Diatom
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695:Novels
514:genres
473:Museum
450:Poetry
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431:Diatom
349:London
335:Novels
246:novel
158:Lleida
1175:Núvol
973:Notes
800:Plays
626:Ruins
463:Plays
364:quête
274:irony
268:Style
166:Spain
93:Genre
1413:Avui
1138:Avui
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196:and
132:.com
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1336:PRL
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