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with which to describe how cold and incomplete my own nature is. I can express nothing. There must be a sort of paralysis in my brain which prevents what I feel from ever finding a form through which it can achieve communication...When she appeared upon the stage, with her drooping figure, her listless gait, her sad and penetrating glance...I can say only that it was as though I were looking at an embodied spirit.
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George Sand had no choice but to write for the theater because of financial difficulties. In Nohant, she even exercised the functions of village doctor, having studied anatomy and herbal remedies with a Doctor
Deschartres. But she was not confined to Nohant, and travelled in France, and in particular
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In 1831, at the age of 27, she chose her pseudonym George Sand. "Sand" was derived from the name of her lover and fellow writer Jules
Sandeau, as the pair had previously co-authored a novel under the pseudonym J. Sand. She added George to complete the name and distinguish it from Sandeau's, removing
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in
England in the 1830s and 1840s, and she remained immensely popular as a writer throughout her lifetime and long after her death. Early in her career, her work was in high demand; by 1836, the first of several compendia of her writings was published in 24 volumes. In total, four separate editions
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Only those who know how differently we were made can realize how utterly I was in thrall to her...God had given her the power to express what she felt...She was beautiful, and she was simple. She had never been taught anything, but there was nothing she did not know by instinct. I can find no words
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Sand obtained a permit to wear men's clothing in 1831, justifying it as being less expensive and far sturdier than the typical dress of a noblewoman at the time. In addition to being comfortable, Sand's male attire enabled her to circulate more freely in Paris than most of her female contemporaries
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In this country whose law is to complete the French
Revolution and begin that of the equality of the sexes, being a part of the equality of men, a great woman was needed. It was necessary to prove that a woman could have all the manly gifts without losing any of her angelic qualities, be strong
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Gender appears to be likewise ambiguous in Sand's own perspective. Sometimes when writing first person memoirs or essays (including letters and journals), Sand's language "speaks to modern explorations of gender ambiguity" in the consistent use of a first-person "male persona" used to describe
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Sand's son
Maurice disliked Chopin. Maurice wanted to establish himself as the "man of the estate" and did not wish to have Chopin as a rival. Maurice removed two sentences from a letter Sand wrote to Chopin when he published it because he felt that Sand was too affectionate toward Chopin and
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was one contemporary critic of George Sand: "She is stupid, heavy and garrulous. Her ideas on morals have the same depth of judgment and delicacy of feeling as those of janitresses and kept women ... The fact that there are men who could become enamoured of this slut is indeed a proof of the
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Politically, she became very active after 1841 and the leaders of the day often consulted with her and took her advice. She was a member of the provisional government of 1848, issuing a series of fiery manifestos. While many
Republicans were imprisoned or went to exile after Louis-Napoléon
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and gave her increased access to venues that barred women, even those of her social standing. Also scandalous was Sand's smoking tobacco in public; neither peerage nor gentry had yet sanctioned the free indulgence of women in such a habit, especially in public, although
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While some contemporaries were critical of her comportment, many people accepted her behaviour—until they became shocked with the subversive tone of her novels. Those who found her writing admirable were not bothered by her ambiguous or rebellious public behaviour.
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in public. In 1800, the police chief of Paris issued an order requiring women to apply for a permit in order to wear male clothing. Some women applied for health, occupational, or recreational reasons (e.g., horseback riding), although many women chose to wear
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refers to Sand as being a dear master of their shared art (ie: "Chère Maitre"), using a masculine title to denote the masculine professional role, but a grammatically feminine adjective that acknowledges their legal or grammatical sex.
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Sand's own experiences and identity in masculine terms. However, when writing an autobiography of the author's youth, the person described is a girl/woman whose descriptions aligns with her legal designation as "la demoiselle Aurora."
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Amantine Lucile Aurore Dupin, the future George Sand, was born on 1 July 1804 on Meslay Street in Paris to
Maurice Dupin de Francueil and Sophie-Victoire Delaborde. She was the paternal great-granddaughter of the Marshal of France
73:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG).
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of her "Complete Works" were published during her lifetime. In 1880, her children sold the rights to her literary estate for 125,000 Francs (equivalent to 36 kg worth of gold, or 1.3 million dollars in 2015 USD).
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Alexandre
Manceau to celebrate Christmas in Nohant. George Sand fell passionately in love with Manceau, he became her lover, companion and secretary and they stayed together for fifteen years until his death.
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Victor Hugo commented, "George Sand cannot determine whether she is male or female. I entertain a high regard for all my colleagues, but it is not my place to decide whether she is my sister or my brother."
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Chopin and Sand separated two years before his death for a variety of reasons. Chopin was never asked back to Nohant; in 1848, he returned to Paris from a tour of the United
Kingdom, to die at the
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Sand's friends and peers likewise alternate between using masculine or female adjectives and pronouns depending on the situation. For instance, in reviewing the collected letters of Sand's lover
333:, and fought against the prejudices of a conservative society. She was considered scandalous because of her turbulent love life, her adoption of masculine clothing, and her masculine pseudonym.
632:, Dorval's lover from 1831 to 1838, warned the actress to stay away from Sand, whom he referred to as "that damned lesbian". In 1840, Dorval played the lead in a play written by Sand, titled
3885:'The men that Sand loved,' Reid observes, 'all had a certain physical resemblance... fragile, slight and a bit reserved.' Unthreatening, in short. Above all, they were younger than her.
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Bonaparte's coup d'état of
December 1851, she remained in France, maintained an ambiguous relationship with the new regime, and negotiated pardons and reduced sentences for her friends.
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with incipient tuberculosis at the beginning of their relationship, and spending a cold and wet winter in Mallorca where they could not get proper lodgings exacerbated his symptoms.
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In addition to her influences on English and Russian literature, Sand's writing and political views informed numerous 19th century authors in Spain and Latin America, including
351:(1696–1750), and on her mother's side, her grandfather was Antoine Delaborde, master paulmier and master birder. For much of her childhood, she was raised by her grandmother
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in 1844, only to learn that it had already been published in Russian. In his mature period, he expressed an ambiguous attitude towards her. For instance, in his novella
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Roberts, Michele. (13 March 2020) "La parole humaine: Writing, gender and the shifting reputation of George Sand." TLS. Times Literary Supplement, no. 6102.
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fell out with Sand over money. Sand took Chopin's support of Solange to be extremely disloyal, and confirmation that Chopin had always "loved" Solange.
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Another breach was caused by Chopin's attitude toward Sand's daughter, Solange. Chopin continued to be cordial to Solange after she and her husband
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Sand's writing was immensely popular during her lifetime and she was highly respected by the literary and cultural elite in France.
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318:. She has more than 50 volumes of various works to her credit, including tales, plays and political texts, alongside her 70 novels.
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as "all victims of inner strife as their writings prove, sought ineffectively to veil themselves by using the name of a man."
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Content in this edit is translated from the existing French Knowledge (XXG) article at ]; see its history for attribution.
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Chopin, Frédéric, and Henryk Opieński. (1931) Chopin’s Letters. Translated by E. L. Voynich, A.A. Knopf. Archived at:
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3083:"L'Édition complète des œuvres de George Sand " chaos pour le lecteur " ou essai de poétique éditoriale".
1066:(1806–61) wrote two poems: "To George Sand: A Desire" (1853) and "To George Sand: A Recognition". The American poet
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began, she was an ardent republican. Sand started her own newspaper, published in a workers' co-operative.
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described the period that she and Chopin spent on that island from 1838 to 1839. Her other novels include
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and political texts. In her early life, she sided with the poor and working class as well as championing
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in England in the 1830s and 1840s, Sand is recognised as one of the most notable writers of the European
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from 1839 to 1846, skipping only 1840. There, Chopin wrote many of his most famous works, including the
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3111:"Oeuvres complètes | George Sand | sous la direction de Béatrice Didier | 1836–1837"
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Sand sews while Chopin plays piano, in a hypothetical reconstruction of Delacroix's 1838 painting,
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the final "s" from the usual French spelling of the name to heighten its ambiguity as a pseudonym.
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By the age of 27, Sand was Europe's most popular writer of either gender, more popular than both
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2984:, 3d ed.: 2 (Kindle Location 41516). McFarland & Company, Inc., Publishers. Kindle Edition.
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on 8 June 1876, at the age of 71. She was buried in the private graveyard behind the chapel at
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together with her beloved Manceau for a couple of months, where she tended him in his decline.
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Thomson, Patricia (July 1972). "George Sand and English Reviewers: The First Twenty Years".
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Chopin, Sand and her children are the main characters of the theater play by Polish writer
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3089:. Colloques de Cerisy. Presses universitaires de Caen. 30 March 2017. pp. 381–393.
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2778:"Three Unpublished Letters by George Sand and Their Contribution to Chopin Scholarship"
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European Literature from Romanticism to Postmodernism: A Reader in Aesthetic Practice
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Alexandre Manceau (1817–1865), long time lover of George Sand from 1849 to 1865
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sequence—a young, distraught Marcel is calmed by his mother as she reads from
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2884:"Frédéric Chopin and George Sand: A Collaborative Union | The Romantic Piano"
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at the Château du Petit Coudray, or abroad. In 1864, Sand took residence in
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of 1871, where she took a position for the Versailles assembly against the
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as George Sand, Alain Libolt and Denis Gunsbourg. In the 2002 Polish film
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Drawing from her childhood experiences of the countryside, Sand wrote the
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son of Baron Jean-François Dudevant. She and Dudevant had two children:
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of novellists (ie: "le roi des romanciers modernes") rather than as the
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and other traditional male attire in public without receiving a permit.
405: in this section. Unsourced material may be challenged and removed.
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to the source of your translation. A model attribution edit summary is
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A Woman's Version of the Faust Legend: The Seven Strings of the Lyre
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Resting Places: The Burial Sites of More Than 14,000 Famous Persons
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Sand's first literary efforts were collaborations with the writer
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Doumic, René – George Sand, some aspects of her life and writings
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Revolution and Women's Autobiography in Nineteenth-century France
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Dupin's first Christian name is sometimes rendered as "Amandine".
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reportedly warned Sand to stay away from Dorval. Likewise, Count
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580:(summer 1833 – March 1835), Louis-Chrysostome Michel, the actor
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Not all of her contemporaries admired her or her writing: poet
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3867:, translated by Gretchen van Slyke, Pennsylvania State, 2019,
3855:, translated by Gretchen van Slyke, Pennsylvania State, 2017,
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Germaine de Staël, George Sand, and the Victorian Woman Artist
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George Sand: A Biography of the First Modern, Liberated Woman
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The Journeyman Joiner, or the Companion of the Tour of France
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Sand was one of many notable 19th-century women who chose to
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Chopin in Paris: the Life and Times of the Romantic Composer
2825:"The Chopin Affair: George Sand's Rivalry with her Daughter"
3750:. Paintault, Micheline (Director); Cerf, Claudine (Author).
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George Sand was an idea. She has a unique place in our age.
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Sand was known for her implication and writings during the
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Guillemin, Henri (13 August 2009), "La Commune de Paris",
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Siegfried, Susan L.; Finkelberg, John (3 September 2020).
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in 1849. George Sand was notably absent from his funeral.
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George Sand : Pratiques et imaginaires de l'écriture
2952:. New Haven: Yale University Press. pp. 286f., 298.
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https://archive.org/details/chopinsletters00chop/mode/2up
2182:. Maria Espinosa. Bloomington: Indiana University Press.
3916:. Oscar Wilde dreams of George Sand and is invited to a
809:(1832), the pen name that made her famous – George Sand.
3414:. Translated by Norman Cameron. Haskell House. p.
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Nouvelles Françaises du Dix-Neuviéme Siécle: Anthologie
2238:"It Just Became Legal for Parisian Women to Wear Pants"
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without ceasing to be tender ... George Sand proved it.
3177:"Nohant: Visit the Country Home of Author George Sand"
2995:"Will George Sand Join the Immortals in the Pantheon?"
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La Dame de Nohant: ou La vie passionnée de George Sand
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Frequent literary references to George Sand appear in
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as a personal favorite, and the sequel to this novel,
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George Sand, her work in French free readable version
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Belotti, Gastone; Sand, George; Weiss, Piero (1966).
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The Mysterious Tale of Gentle Jack and Lord Bumblebee
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was a close friend and respected her literary gifts.
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and then, for the nine years between 1838 and 1847,
2316:"Une permission de travestissement pour George Sand"
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3408:Baudelaire, Charles (1975). Quennell, Peter (ed.).
1190:trilogy (2002). George Sand makes an appearance in
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3733:Dictionnaire Encyclopédique de la Langue Française
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1368:(autobiography up to the revolution of 1848; 1855)
989:, in the eulogy he gave at her funeral, said "the
785:. In 2003, plans that her remains be moved to the
565:from Dudevant and took custody of their children.
4015:. Vol. 24 (11th ed.). pp. 131–135.
3881:, vol. 41, no. 10 (23 May 2019), pp. 31–32.
3265:Queerly Phrased: Language, Gender, and Sexuality
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2734:"Nohant, Indre: Frédéric Chopin and George Sand"
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1218:as Chopin), in 1972 (with Halina Mikołajska and
969:Others are great men ... she was a great woman.
691:Sand and Chopin also spent many long summers at
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2637:"George Sand and Gertrudis Gómez de Avellaneda"
1303:), a 1973 French biographical film directed by
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4296:19th-century French dramatists and playwrights
3851:, "Devils v. Dummies" (review of George Sand,
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2289:"Paris women finally allowed to wear trousers"
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541:In 1822, at the age of eighteen, Sand married
325:, whom she admired, George Sand advocated for
91:accompanying your translation by providing an
57:Click for important translation instructions.
49:expand this article with text translated from
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2419:(Kindle ed.). Sapere Books. p. 13.
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1276:in James Lapine's 1991 British-American film
611:Sand was also close friends with the actress
470:affected this as well, smoking large cigars.
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2869:From the correspondence of Sand and Chopin:
660:. The trip to Mallorca was described in her
568:Sand had romantic affairs with the novelist
3442:. Princeton University Press, 2009, p. 71;
3268:. Oxford University Press. pp. 157ff.
2160:(family tree), Paris: CBX41, archived from
2071:. University of Missouri Press. p. 48.
1985:"George Sand (1804–1876) – Auteur du texte"
684:Portrait of Frédéric Chopin and George Sand
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3903:Oh! Père Lachaise: Oscar's Wilde Purgatory
3632:Bédé, Jean-Albert (1986), "Sand, George",
1110:In the first episode of the "Overture" to
1038:abasement of the men of this generation."
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3361:(in French). Rookwood Press. p. 161.
2823:Jensen, Katharine Ann (1 February 2013).
2264:"Rosa Bonheur's Permission to Wear Pants"
1140:. As with many episodes involving art in
421:Learn how and when to remove this message
282:Amantine Lucile Aurore Dupin de Francueil
27:French novelist and memoirist (1804–1876)
3721:Roy, Albert le – George Sand et ses amis
3294:. Saturday Review. 1876. pp. 771ff.
3248:. Saturday Review. 1876. pp. 771ff.
2635:Beyer, Sandra; Kluck, Frederick (1991).
2593:
2591:
716:
644:Sand spent the winter of 1838–1839 with
444:
3357:Pasco, Allan H. (2006). "George Sand".
2035:
4326:French LGBT dramatists and playwrights
3957:George Sand, her work in audio version
3534:O'Connor, John J. (20 November 1975).
2705:Pruszewicz, Marek (22 December 2014).
2444:link.gale.com/apps/doc/A632692903/AONE
2365:– via Taylor and Francis Online.
918:(posthumously published in 1926), and
914:(1859, about her affair with Musset),
743:In December 1849, Maurice invited the
3397:from the original on 12 January 2022.
2941:
2939:
2870:
2771:
2769:
2767:
2758:
2688:, Continuum publishing, 2006, p. 97,
2630:
2628:
2626:
2564:
2541:"'George Sand' Review: Monstre Sacré"
2089:"'George Sand' Review: Monstre Sacré"
1976:(1872, "A Good Deed Is Never Wasted")
1365:Histoire de ma vie (Story of My Life)
301:
288:
7:
3822:. New Haven: Yale University Press.
3067:
2519:, Editions Publibook, pp. 30–,
2331:"Fashion in the Life of George Sand"
1492:(The Uscoque, or The Corsair) (1838)
1226:and Michał Pawlicki), in 1999 (with
403:adding citations to reliable sources
355:, Madame Dupin de Francueil, at her
2911:"Excerpted from 'Chopin's Funeral'"
670:), first published in 1841. Chopin
4371:19th-century French letter writers
3931:Works by George Sand in eBook form
3742:George Sand: The Story of Her Life
2415:Gerson, Noel B. (3 October 2021).
789:in Paris resulted in controversy.
272:Sophie-Victoire Delaborde (mother)
25:
4376:19th-century pseudonymous writers
4306:19th-century French women writers
3628:, Nicole Savy & Martine Reid.
3387:Robb, Graham (21 February 2005).
3233:, edited by Pivot, Sylvain (2003)
2641:Nineteenth-Century French Studies
2382:Nineteenth-Century French Studies
2236:Garber, Megan (4 February 2013).
1769:Laura, or Voyage into the Crystal
238:
4142:
4132:Les Beaux Messieurs de Bois-Doré
3995:
3959:
3650:(see "Writings by George Sand").
3440:Dostoevsky: A Writer in His Time
3306:"George Sand's Garden at Nohant"
3230:
3055:george.sand.pagesperso-orange.fr
3051:"J. Sand : Rose et Blanche"
2909:Eisler, Benita (20 April 2003).
1993:Bibliothèque nationale de France
1653:Histoire du véritable Gribouille
1006:, Les funérailles de George Sand
866:Les Beaux Messieurs de Bois-Doré
600:(1837–1847). Later in her life,
379:
36:
3638:, vol. 24, pp. 218–19
3376:. Famous Affinities of History.
3129:"Historical Currency Converter"
2707:"The mystery of Chopin's death"
2489:"George Sand | French novelist"
2212:"George Sand | French novelist"
1899:Cosima ou La haine dans l'amour
1693:The Fine Gentlemen of Bois-Dore
1685:Les Beaux Messiers de Bois-Dore
1352:(autobiographical sketch, 1827)
453:in her uniform, illustrated by
390:needs additional citations for
290:[amɑ̃tinlysiloʁɔʁdypɛ̃]
234:
3478:, Penguin Books, 1929, p. 52;
3262:Anna Livia; Kira Hall (1997).
3023:"Ashes to ashes, Sand to sand"
2539:Eisler, Benita (8 June 2018).
2378:"The Wholeness of George Sand"
2262:Wills, Matthew (28 May 2022).
2087:Eisler, Benita (8 June 2018).
1974:Un Bienfait n'est jamais perdu
1689:The Gallant Lords of Bois-Dore
1534:Le Compagnon du tour de France
1335:, George Sand is portrayed by
979:Les funérailles de George Sand
891:Le Compagnon du Tour de France
693:Sand's country manor in Nohant
537:, Sand's husband, in the 1860s
101:You may also add the template
1:
4301:19th-century French novelists
4291:19th-century French composers
3979:Works by or about George Sand
3863:, 192 pp.; and Martine Reid,
2347:10.1080/1362704X.2020.1794202
2314:Le Parisien (18 April 2012).
1783:(1866, dedicated to Flaubert)
1765:Laura, Voyage dans le cristal
1142:À la recherche du temps perdu
1085:Gertrudis Gómez de Avellaneda
821:
103:{{Translated|fr|George Sand}}
3809:Resources in other libraries
3785:Resources in other libraries
3585:Les Enfants du siècle (2000)
3522:AFI Catalog of Feature Films
3503:AFI Catalog of Feature Films
3152:Proust and the Sense of Time
2841:10.1080/08905495.2013.770617
2567:, pp. 160, 165, 194–95.
2446:- via Gale Academic OneFile.
1321:George Sand is portrayed by
1242:George Sand is portrayed by
1147:Sand is also referred to in
697:Fantaisie in F minor, Op. 49
652:at the (formerly abandoned)
363:, in the French province of
329:and passion, criticized the
321:Like her great-grandmother,
157:Amantine Lucile Aurore Dupin
3994:(public domain audiobooks)
3837:, London, Constable, 1976,
3605:– Bicentennial Exhibition,
3155:. Columbia UP. p. 35.
2829:Nineteenth-Century Contexts
1960:(1866, "The Japanese Lily")
543:(François) Casimir Dudevant
489:Portrait of George Sand by
114:Knowledge (XXG):Translation
4397:
4361:Pseudonymous women writers
4255:Musée de la Vie romantique
4204:Casimir Dudevant (husband)
3818:Harlan, Elizabeth (2004).
3607:Musée de la Vie romantique
3462:Notes from the Underground
3374:"The Story of George Sand"
2946:Harlan, Elizabeth (2004).
2157:Musée de la Vie Romantique
1948:(1862, "The Paving Stone")
1905:Les Sept cordes de la lyre
1436:Kouroglou / Épopée Persane
1381:(1831, with Jules Sandeau)
1064:Elizabeth Barrett Browning
1018:was an unabashed admirer.
768:Sand died at Nohant, near
701:Piano Sonata No. 3, Op. 58
65:Machine translation, like
4381:Romantic muses and models
4351:Legion of Honour refusals
4140:
3804:Resources in your library
3780:Resources in your library
3597:General and cited sources
3390:"The riddle of Miss Sand"
3202:Paintault & Cerf 2004
1759:Mademoiselle La Quintinie
1552:La Comtesse de Rudolstadt
1478:The Master Mosaic Workers
1078:La Comtesse de Rudolstadt
136:
51:the corresponding article
3835:George Sand: a biography
3706:Caro, Elme – George Sand
3133:Historicalstatistics.org
2598:Pettis, Ruth M. (2005),
2067:Lewis, Linda M. (2003).
1286:in the 1999 French film
1234:and Marek Kossakowski).
1042:Influences on literature
640:Relationship with Chopin
4316:French bisexual writers
4248:Children of the Century
4012:Encyclopædia Britannica
4003:Storr, Francis (1911).
3536:"TV: 'Notorious Woman'"
3000:The Wall Street Journal
2682:Travers, Martin (ed.),
2545:The Wall Street Journal
2513:Leduc, Edouard (2015),
2493:Encyclopedia Britannica
2216:Encyclopedia Britannica
2052:Hart, Kathleen (2004).
1927:Le Mariage de Victorine
1605:The Miller of Angibault
1314:Chopin: Desire for Love
1291:(Les Enfants du siècle)
1289:Children of the Century
331:institution of marriage
112:For more guidance, see
4341:French women novelists
3878:London Review of Books
3665:, New York: Scribner,
3635:Encyclopedia Americana
3589:British Film Institute
3217:Les archives de la RTS
2376:Barry, Joseph (1976).
2121:Modern Language Review
1952:Le Marquis de Villemer
1880:The Tower of Percemont
1601:Le Meunier d'Angibault
1591:Le Péché de M. Antoine
1583:(1845) (translated as
1556:Countess of Rudolstadt
1121:In Search of Lost Time
1107:
1056:Notes from Underground
1009:
971:
901:Le Meunier d'Angibault
828:
759:Charles Robin-Duvernet
757:with her great friend
722:
688:
622:
582:Pierre-François Bocage
538:
509:describes Sand as the
494:
458:
269:Maurice Dupin (father)
4331:French LGBT novelists
4321:French LGBT composers
4311:French bisexual women
2782:The Musical Quarterly
2456:Sand, George (1856).
2176:Sand, George (1982).
2056:. Rodopi. p. 91.
2014:Elizabeth Ann Ashurst
1938:French adaptation of
1809:) (1870, a sequel to
1655:(1851, translated as
1595:The Sin of M. Antoine
1558:) (1843, a sequel to
1474:Les Maîtres mosaïstes
1328:Flashback (2021 film)
1325:. In the French film
1205:Jarosław Iwaszkiewicz
1151:'s book-length essay
1101:
1095:, published in 1841.
815:
720:
680:
617:
533:
526:Notable relationships
488:
449:Aurore Dupin meeting
448:
303:[ʒɔʁʒ(ə)sɑ̃d]
85:copyright attribution
4178:House of George Sand
4006:"Sand, George"
3988:Works by George Sand
3970:Works by George Sand
3905:, Édition d'Amèlie,
3617:, Arlette Sérullaz,
3465:, Project Gutenberg.
2794:10.1093/mq/LII.3.283
1876:La Tour de Percemont
1787:Mademoiselle Merquem
1663:Les Maîtres sonneurs
1647:Château des Désertes
1182:, the first part of
1138:Les Maîtres Sonneurs
1114:—the first novel in
1026:referred to her as "
818:Charles Louis Gratia
752:Last years and death
705:Ballade No. 3 Op. 47
399:improve this article
353:Marie-Aurore de Saxe
237: 1822;
4100:A Winter in Majorca
3901:Yates, Jim (2007),
3476:A Room of One's Own
3459:Fyodor Dostoevsky,
3337:archive.nytimes.com
3031:. 13 September 2003
2740:. 16 September 2010
1853:(1875, a sequel to
1741:Marquis de Villemer
1357:Un hiver à Majorque
1228:Joanna Szczepkowska
1188:The Coast of Utopia
1154:A Room of One's Own
1104:Auguste Charpentier
1070:cited Sand's novel
871:A Winter in Majorca
793:Career and politics
667:A Winter in Majorca
662:Un hiver à Majorque
596:, and the composer
590:Félicien Mallefille
371:Gender presentation
357:grandmother's house
4366:Writers from Paris
4241:Revue indépendante
4219:Maurice Sand (son)
4160:Histoire de ma vie
3540:The New York Times
3497:A Song to Remember
3411:My Heart Laid Bare
3312:on 25 October 2018
3220:, Switzerland: RTS
2915:The New York Times
2655:– via JSTOR.
2459:Histoire de ma vie
2404:– via JSTOR.
1915:François le Champi
1775:Monsieur Sylvestre
1629:François le Champi
1585:Jealousy: Teverino
1350:Voyage en Auvergne
1249:A Song to Remember
1208:A Summer in Nohant
1126:François le Champi
1108:
1051:La dernière Aldini
1035:Charles Baudelaire
932:literary criticism
908:Histoire de ma vie
855:François le Champi
829:
723:
689:
539:
495:
459:
359:in the village of
93:interlanguage link
4356:People from Indre
4346:French socialists
4263:
4262:
4124:La Petite Fadette
4116:La Mare au Diable
3974:Project Gutenberg
3912:978-0-9555836-1-2
3853:La Petite Fadette
3761:Library resources
3726:Project Gutenberg
3711:Project Gutenberg
3689:Project Gutenberg
3672:978-0-684-82458-1
3611:Diane de Margerie
3425:978-0-8383-1870-6
3275:978-0-19-535577-2
3183:. 1 February 2015
3162:978-0-231-08478-9
3003:. 30 January 2003
2959:978-0-300-13056-0
2612:on 7 October 2008
2526:978-2-342-03497-4
2462:. Paris, M. Lévy.
2295:. 4 February 2013
2189:978-0-253-33318-6
2164:on 2 January 2013
2004:
1839:My Sister Jeannie
1823:Cesarine Dietrich
1807:Handsome Lawrence
1640:La Petite Fadette
1623:Lucrezia Floriani
1612:La Mare au Diable
1333:Caroline Vigneaux
1222:), in 1980 (with
1212:Polish Television
1134:La Petite Fadette
1130:La Mare au Diable
1062:The English poet
1047:Fyodor Dostoevsky
993:was within her."
899:(1842–1843), and
860:La Petite Fadette
850:La Mare au Diable
727:Auguste Clésinger
712:Lucrezia Floriani
592:, the politician
563:legally separated
431:
430:
423:
279:
278:
125:
124:
58:
16:(Redirected from
4388:
4214:Alfred de Musset
4209:Gustave Flaubert
4146:
4044:
4037:
4030:
4021:
4016:
4008:
3999:
3998:
3983:Internet Archive
3966:
3963:
3953:
3945:
3915:
3884:
3749:
3748:, France 5, 2004
3747:
3736:
3735:(3ième ed.)
3728:
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3649:
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3627:
3619:Vincent Pomarède
3591:
3582:
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3558:
3556:
3554:
3531:
3525:
3516:Song Without End
3512:
3506:
3493:
3487:
3474:Virginia Woolf,
3472:
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3348:
3347:
3345:
3343:
3328:
3322:
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3319:
3317:
3308:. Archived from
3302:
3296:
3295:
3291:Saturday Review0
3286:
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2608:, archived from
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2073:
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2058:
2057:
2049:
2043:
2040:
2003:
2001:
1999:
1981:
1870:
1811:Pierre Qui Roule
1803:Le Beau Laurence
1793:Pierre Qui Roule
1781:Le Dernier Amour
1721:L'Homme de neige
1715:Jean de la Roche
1633:The Country Waif
1617:The Devil's Pool
1575:
1520:
1505:
1410:
1284:Juliette Binoche
1259:Song Without End
1254:Patricia Morison
1232:Katarzyna Herman
1178:and in the play
1163:Charlotte Brontë
1020:Honoré de Balzac
1012:Eugène Delacroix
1007:
981:
930:Sand also wrote
837:Honoré de Balzac
826:
823:
606:Gustave Flaubert
602:she corresponded
578:Alfred de Musset
576:, the dramatist
559:Aurélien de Sèze
535:Casimir Dudevant
435:wear male attire
426:
419:
415:
412:
406:
383:
375:
312:Honoré de Balzac
305:
300:
292:
287:
257:Solange Dudevant
242:
240:
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223:Casimir Dudevant
182:
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98:
71:Google Translate
56:
40:
39:
32:
21:
4396:
4395:
4391:
4390:
4389:
4387:
4386:
4385:
4336:Frédéric Chopin
4266:
4265:
4264:
4259:
4228:
4194:Frédéric Chopin
4182:
4166:
4147:
4138:
4053:
4048:
4002:
3996:
3964:
3951:
3943:
3935:Standard Ebooks
3927:
3913:
3900:
3882:
3815:
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3790:
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3768:
3764:
3757:
3755:Further reading
3745:
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3331:Jack, Belinda.
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3245:Saturday Review
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3147:Kristeva, Julia
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2600:"Dorval, Marie"
2597:
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2577:Jack, Belinda,
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2046:
2041:
2037:
2033:
2028:
2020:Pauline Viardot
2010:
1997:
1995:
1983:
1979:
1968:Sarah Bernhardt
1958:Le Lis du Japon
1907:(translated as
1889:
1864:
1851:Les Deux Frères
1797:A Rolling Stone
1569:
1514:
1499:
1404:
1379:Rose et Blanche
1375:
1345:
1337:Suzanne Clément
1269:Notorious Woman
1264:Rosemary Harris
1240:
1220:Leszek Herdegen
1216:Gustaw Holoubek
1102:George Sand by
1044:
1024:Alfred de Vigny
1008:
1002:
983:
973:
968:
963:
940:1848 Revolution
928:
926:Political views
824:
816:George Sand by
803:Rose et Blanche
795:
754:
672:was already ill
646:Frédéric Chopin
642:
630:Alfred de Vigny
626:Gustave Planche
624:Theater critic
598:Frédéric Chopin
588:, the novelist
574:Prosper Mérimée
528:
427:
416:
410:
407:
396:
384:
373:
349:Maurice de Saxe
344:
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241: 1835)
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4024:
4018:
4017:
4000:
3985:
3976:
3967:
3954:
3946:
3937:
3926:
3925:External links
3923:
3922:
3921:
3911:
3898:
3873:978-0271081069
3861:978-0271079370
3846:
3833:Jordan, Ruth,
3831:
3812:
3811:
3806:
3801:
3795:
3793:By George Sand
3791:
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3770:
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3758:
3756:
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3752:
3751:
3737:
3729:
3716:
3714:
3701:
3693:
3692:
3679:
3677:
3671:
3651:
3646:Correspondence
3644:Sand, George,
3641:
3629:
3598:
3595:
3593:
3592:
3577:
3560:
3526:
3524:
3507:
3505:
3488:
3484:978-0141183534
3467:
3452:
3438:Joseph Frank,
3431:
3424:
3400:
3379:
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3349:
3323:
3297:
3281:
3274:
3251:
3235:
3223:
3206:
3194:
3168:
3161:
3138:
3120:
3102:
3096:978-2841338023
3095:
3072:
3070:, p. 218.
3060:
3042:
3014:
2986:
2973:
2958:
2935:
2901:
2875:
2862:
2815:
2788:(3): 283–303.
2763:
2761:, p. 326.
2751:
2738:www.google.com
2725:
2697:
2694:978-0826439604
2675:
2658:
2647:(2): 203–209.
2622:
2587:
2583:, Random House
2569:
2557:
2531:
2525:
2505:
2480:
2465:
2448:
2430:
2407:
2388:(4): 469–487.
2368:
2341:(5): 559–593.
2335:Fashion Theory
2321:
2306:
2280:
2254:
2228:
2203:
2188:
2168:
2147:
2128:(3): 501–516.
2105:
2074:
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2029:
2027:
2024:
2023:
2022:
2017:
2009:
2006:
1978:
1977:
1971:
1961:
1955:
1949:
1943:
1940:As You Like It
1936:
1930:
1924:
1918:
1912:
1902:
1896:
1888:
1885:
1884:
1883:
1873:
1858:
1848:
1842:
1835:Ma Sœur Jeanne
1832:
1826:
1820:
1814:
1800:
1790:
1784:
1778:
1772:
1762:
1756:
1750:
1744:
1738:
1735:The Black City
1731:La Ville noire
1728:
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1309:Anne Wiazemsky
1305:Michèle Rosier
1239:
1236:
1192:Isabel Allende
1149:Virginia Woolf
1043:
1040:
1000:
964:
962:
959:
936:women's rights
927:
924:
920:Correspondence
916:Journal Intime
794:
791:
772:, in France's
753:
750:
641:
638:
586:Charles Didier
527:
524:
468:Marie d'Agoult
429:
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343:
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327:women's rights
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183:(aged 71)
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4224:Jules Sandeau
4222:
4220:
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4207:
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4154:
4152:Autobiography
4150:
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4126:
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3840:
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3828:0-300-10417-0
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3615:Claude Samuel
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3449:
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3427:
3421:
3417:
3413:
3412:
3404:
3401:
3396:
3391:
3383:
3380:
3375:
3372:Orr, Lyndon.
3368:
3365:
3360:
3353:
3350:
3338:
3334:
3333:"George Sand"
3327:
3324:
3311:
3307:
3301:
3298:
3293:
3292:
3285:
3282:
3277:
3271:
3267:
3266:
3258:
3256:
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3247:
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3182:
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3172:
3169:
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3124:
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3112:
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3077:
3073:
3069:
3064:
3061:
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3018:
3015:
3002:
3001:
2996:
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2987:
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2969:
2965:
2961:
2955:
2951:
2950:
2942:
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2936:
2924:
2920:
2916:
2912:
2905:
2902:
2889:
2885:
2879:
2876:
2873:, p. 344
2872:
2866:
2863:
2858:
2854:
2850:
2846:
2842:
2838:
2834:
2830:
2826:
2819:
2816:
2811:
2807:
2803:
2799:
2795:
2791:
2787:
2783:
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2772:
2770:
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2760:
2755:
2752:
2739:
2735:
2729:
2726:
2714:
2713:
2708:
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2698:
2695:
2691:
2687:
2686:
2679:
2676:
2671:, Valldemossa
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2638:
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2532:
2528:
2522:
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2255:
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2139:
2135:
2131:
2127:
2123:
2122:
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2055:
2048:
2045:
2039:
2036:
2030:
2025:
2021:
2018:
2015:
2012:
2011:
2007:
2005:
1994:
1990:
1986:
1975:
1972:
1969:
1965:
1962:
1959:
1956:
1953:
1950:
1947:
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1941:
1937:
1934:
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1700:
1697:
1694:
1690:
1686:
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1680:
1677:
1674:
1671:
1668:
1667:The Bagpipers
1664:
1661:
1658:
1654:
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1630:
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1521:
1518:
1513:
1509:
1506:
1503:
1498:
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1437:
1434:
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1426:
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1414:
1411:
1408:
1403:
1399:
1396:
1395:
1391:
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1377:
1376:
1372:
1367:
1366:
1362:
1359:
1358:
1354:
1351:
1348:
1347:
1342:
1340:
1338:
1334:
1330:
1329:
1324:
1323:Danuta Stenka
1320:
1319:Jerzy Antczak
1316:
1315:
1310:
1307:and starring
1306:
1302:
1298:
1297:
1292:
1290:
1285:
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1275:
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1270:
1265:
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1233:
1229:
1225:
1221:
1217:
1213:
1209:
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1201:
1199:
1198:
1193:
1189:
1185:
1181:
1177:
1173:
1172:
1166:
1164:
1160:
1156:
1155:
1150:
1145:
1143:
1139:
1135:
1131:
1127:
1123:
1122:
1117:
1116:Marcel Proust
1113:
1105:
1100:
1096:
1094:
1090:
1086:
1081:
1079:
1075:
1074:
1069:
1065:
1060:
1058:
1057:
1052:
1048:
1041:
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1036:
1031:
1029:
1025:
1021:
1017:
1013:
1005:
999:
994:
992:
988:
982:
980:
976:
970:
960:
958:
956:
952:
951:Paris Commune
947:
943:
941:
937:
933:
925:
923:
921:
917:
913:
909:
904:
902:
898:
897:
892:
888:
887:
882:
878:
877:
872:
868:
867:
862:
861:
857:(1847–1848),
856:
852:
851:
846:
841:
838:
834:
819:
814:
810:
808:
804:
800:
799:Jules Sandeau
792:
790:
788:
784:
780:
779:
775:
771:
766:
764:
760:
751:
749:
746:
741:
739:
738:Place Vendôme
734:
730:
728:
719:
715:
713:
710:In her novel
708:
706:
702:
698:
694:
686:
685:
679:
675:
673:
669:
668:
663:
659:
656:monastery of
655:
651:
647:
639:
637:
635:
631:
627:
621:
616:
614:
609:
607:
603:
599:
595:
591:
587:
584:, the writer
583:
579:
575:
571:
570:Jules Sandeau
566:
564:
560:
556:
552:
548:
544:
536:
532:
525:
523:
520:
516:
512:
508:
504:
499:
492:
487:
483:
479:
475:
471:
469:
465:
456:
452:
451:Joachim Murat
447:
443:
441:
436:
425:
422:
414:
411:February 2023
404:
400:
394:
393:
388:This section
386:
382:
377:
376:
370:
368:
366:
362:
358:
354:
350:
341:
337:Personal life
336:
334:
332:
328:
324:
319:
317:
313:
309:
304:
296:
291:
283:
271:
268:
267:
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254:
251:
247:
224:
219:
215:
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209:
205:
201:
197:
192:
188:
178:
174:
170:Paris, France
155:
151:
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128:
115:
111:
108:
100:
94:
90:
86:
82:
78:
75:
72:
68:
64:
62:
61:
54:
52:
47:You can help
43:
34:
33:
30:
19:
18:Nanon (novel)
4247:
4239:
4199:Marie Dorval
4158:
4130:
4122:
4114:
4106:
4098:
4090:
4082:
4074:
4066:
4050:
4010:
3917:
3902:
3876:
3875:, 280 pp.),
3864:
3852:
3834:
3819:
3799:Online books
3792:
3775:Online books
3765:
3741:
3732:
3719:
3704:
3695:
3694:
3682:
3660:
3645:
3634:
3602:
3580:
3568:
3563:
3551:. Retrieved
3539:
3529:
3515:
3510:
3496:
3491:
3475:
3470:
3460:
3455:
3439:
3434:
3410:
3403:
3382:
3367:
3358:
3352:
3340:. Retrieved
3336:
3326:
3314:. Retrieved
3310:the original
3300:
3290:
3284:
3264:
3244:
3238:
3226:
3216:
3209:
3197:
3185:. Retrieved
3181:France Today
3180:
3171:
3151:
3141:
3132:
3123:
3114:
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491:Thomas Sully
480:
476:
472:
466:'s paramour
460:
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417:
408:
397:Please help
392:verification
389:
345:
323:Louise Dupin
320:
316:Romantic era
294:
281:
280:
253:Maurice Sand
181:(1876-06-08)
143:Portrait by
89:edit summary
80:
48:
29:
4286:1876 deaths
4281:1804 births
4276:George Sand
4250:(1999 film)
4051:George Sand
3965:(in French)
3952:(in French)
3944:(in French)
3940:George Sand
3865:George Sand
3820:George Sand
3766:George Sand
3622: [
3603:George Sand
3342:23 November
3187:30 November
2949:George Sand
2580:George Sand
2299:23 November
2273:23 November
2268:JSTOR Daily
2247:23 November
1989:data.bnf.fr
1933:Le Pressoir
1865: [
1699:Elle et Lui
1679:La Daniella
1570: [
1515: [
1500: [
1454:La Marquise
1442:Leone Leoni
1405: [
1301:George qui?
1296:George Who?
1224:Anna Polony
1176:A. S. Byatt
1157:along with
1112:Swann's Way
1004:Victor Hugo
987:Victor Hugo
975:Victor Hugo
938:. When the
912:Elle et Lui
833:Victor Hugo
825: 1835
778:département
770:Châteauroux
658:Valldemossa
594:Louis Blanc
507:Jules Janin
464:Franz Liszt
308:Victor Hugo
295:George Sand
211:Pastoralism
179:8 June 1876
167:1 July 1804
131:George Sand
4270:Categories
3920:at Nohant.
3849:Parks, Tim
3696:In French:
3655:Szulc, Tad
3448:1400833418
3316:25 October
3035:17 October
3007:17 October
2928:1 December
2871:Szulc 1998
2759:Szulc 1998
2744:29 January
2718:20 January
2616:19 October
2565:Szulc 1998
2550:1 December
2425:B09DYKZQ7F
2098:6 November
2026:References
1855:Flamarande
1845:Flamarande
1817:Malgretout
1703:She and He
1293:. Also in
1274:Judy Davis
1174:(1990) by
1171:Possession
955:communards
783:Nohant-Vic
703:, and the
654:Carthusian
455:H. J. Ford
199:Occupation
187:Nohant-Vic
163:1804-07-01
4076:Valentine
3648:(letters)
3569:Impromptu
3548:0362-4331
3068:Bédé 1986
2968:191935438
2923:0362-4331
2857:193206245
2849:0890-5495
2802:0027-4631
2605:glbtq.com
2394:0146-7891
2363:225330185
2355:1362-704X
2198:694516159
2031:Citations
1497:Spiridion
1490:L'Uscoque
1394:Valentine
1299:(French:
1282:; and by
1279:Impromptu
961:Criticism
763:Palaiseau
733:Solange.
342:Childhood
107:talk page
53:in French
4108:Consuelo
3992:LibriVox
3657:(1998),
3574:AllMovie
3395:Archived
3149:(1993).
2712:BBC News
2653:23532148
2402:44627396
2293:BBC News
2008:See also
1982:Source:
1911:) (1840)
1882:) (1876)
1862:Marianne
1841:) (1874)
1799:) (1870)
1771:) (1864)
1747:Valvedre
1737:) (1860)
1727:) (1859)
1709:Narcisse
1705:) (1859)
1695:) (1857)
1669:) (1853)
1635:) (1847)
1619:) (1846)
1607:) (1845)
1597:) (1845)
1581:Teverino
1560:Consuelo
1545:Consuelo
1540:) (1840)
1480:) (1837)
1073:Consuelo
1016:Flaubert
1001:—
910:(1855),
903:(1845).
896:Consuelo
893:(1840),
889:(1837),
883:(1833),
879:(1832),
869:(1857).
853:(1846),
845:pastoral
787:Panthéon
745:engraver
650:Mallorca
519:Flaubert
440:trousers
249:Children
207:Movement
202:Novelist
193:, France
83:provide
4233:Related
4092:Mauprat
4084:Jacques
4068:Indiana
3981:at the
3887:Sandeau
3587:at the
3553:12 June
3519:at the
3500:at the
2894:2 March
2810:3085958
2668:Museoin
2221:2 March
2142:3726119
1998:12 June
1964:L'Autre
1946:Le Pavé
1921:Claudie
1893:Gabriel
1753:Antonia
1673:Isidora
1512:Pauline
1467:Mauprat
1429:Jacques
1386:Indiana
1238:In film
1089:Indiana
886:Mauprat
876:Indiana
847:novels
807:Indiana
555:Solange
551:Maurice
457:in 1913
299:French:
286:French:
263:Parents
243:
231:
227:
105:to the
87:in the
4187:People
4171:Places
4163:(1855)
4135:(1857)
4127:(1849)
4119:(1846)
4111:(1842)
4103:(1842)
4095:(1837)
4087:(1833)
4079:(1832)
4071:(1832)
4059:Novels
3918:soirée
3909:
3895:Chopin
3891:Musset
3871:
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3763:about
3669:
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2498:1 July
2423:
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2186:
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1954:(1864)
1942:(1856)
1935:(1853)
1929:(1851)
1923:(1851)
1917:(1849)
1901:(1840)
1895:(1839)
1872:(1876)
1847:(1875)
1831:(1872)
1825:(1871)
1819:(1870)
1789:(1868)
1777:(1866)
1761:(1863)
1755:(1863)
1749:(1861)
1743:(1860)
1717:(1859)
1711:(1859)
1681:(1857)
1675:(1853)
1649:(1850)
1643:(1849)
1625:(1846)
1577:(1844)
1567:Jeanne
1548:(1842)
1530:(1840)
1527:Horace
1522:(1839)
1507:(1839)
1486:(1838)
1484:L'Orco
1470:(1837)
1462:(1835)
1456:(1834)
1450:(1834)
1444:(1833)
1438:(1833)
1432:(1833)
1424:(1833)
1422:Mattéa
1418:(1833)
1416:Andréa
1412:(1833)
1397:(1832)
1389:(1832)
1373:Novels
1360:(1842)
1180:Voyage
1136:, and
1106:, 1838
1028:Sappho
977:,
634:Cosima
503:Chopin
493:, 1826
361:Nohant
217:Spouse
147:(1864)
3746:(DVD)
3626:]
2853:S2CID
2806:JSTOR
2649:JSTOR
2398:JSTOR
2359:S2CID
2179:Lelia
2138:JSTOR
1887:Plays
1869:]
1829:Nanon
1574:]
1519:]
1504:]
1460:Simon
1448:André
1409:]
1402:Lélia
1343:Works
1272:, by
1262:, by
1252:, by
1197:Zorro
881:Lélia
774:Indre
604:with
545:, an
515:queen
365:Berry
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145:Nadar
67:DeepL
3907:ISBN
3869:ISBN
3857:ISBN
3839:ISBN
3824:ISBN
3667:ISBN
3555:2019
3544:ISSN
3480:ISBN
3444:ISBN
3420:ISBN
3344:2022
3318:2018
3270:ISBN
3231:Sand
3189:2022
3157:ISBN
3091:ISBN
3037:2014
3009:2014
2964:OCLC
2954:ISBN
2930:2019
2919:ISSN
2896:2019
2888:WQXR
2845:ISSN
2798:ISSN
2746:2022
2720:2015
2690:ISBN
2618:2008
2552:2019
2521:ISBN
2500:2018
2421:ASIN
2390:ISSN
2351:ISSN
2301:2022
2275:2022
2249:2022
2223:2019
2194:OCLC
2184:ISBN
2100:2018
2000:2019
1161:and
991:lyre
835:and
553:and
511:king
239:sep.
176:Died
153:Born
81:must
79:You
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3933:at
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2837:doi
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2130:doi
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1691:or
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