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In 1979, Wilson-Pajic moved to Paris and undertook research on the influence of photography on our understanding of the artworks documented, specifically the tendency of the image to transform difficult content into more conventional, pictorial form. She began experimenting with photographic printing
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Wilson-Pajic began her work in new media in the mid-1960s in New York, installing taped texts “In Situ” in everyday environments, and recording her performance works. In 1973, when she was invited to participate in a performance series at
Artists Space in New York, she installed taped texts dealing
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Wilson-Pajic's work is represented in museums and other public collections throughout the world, notably the Musée
National d’Art Moderne in Paris, the Nouveau Musée National de Monaco, the Dailim Museum in
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at 112 Greene Street in 1974, introduced her into the international avant-garde scene where she played an important role throughout the 1970s with her text-sound installations and narrative feminist works
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in New York, the first women's cooperative gallery, Wilson-Pajic was actively implicated in alternative spaces with artworks not yet accepted in more traditional environments. A solo exhibition, at
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processes, exploring the relations between techniques, subjects, sequences and text. Her first exhibition in a photography context was a solo show at the
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in 1941. She studied art, literature and psychology in
Indiana and graduated from Cooper Union, New York in 1972 with a BFA.
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194:(1990), the Musée National (1991) and a double retrospective of photographic works and installations in two museums in
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104:(born 1941) is an artist who uses narrative forms (primarily recorded text installations, but also
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After summing up her experiments with the image in three major museum retrospectives: at the
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Text soon reintegrated her work in a series of large-scale subtitled images (
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Larousse
Dictionnaire mondial de la Photographie des Origins Ă nos Jours
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1985-88) and quickly reassumed its dominant position in her work.
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234:, The Artphilein Foundation, The Kunstmuseum Liechtenstein in
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112 Workshop/112 Greene Street: History, Artists and
Artworks
366:(Marseille, Images en Manoeuvres, 1990), pp. 92–115.
408:(Calais, Musée de Beaux-Arts et de la Dentelle, 1997).
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art, psychology, literature, B.F.A. Cooper Union 1972
352:(New York, Dutton, 1977), pp. 95, 105, 107, 130
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from the
Nouveau Musée National de Monaco) and from
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Catalog (Paris, Centre
Pompidou, 2009) p. 200.
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198:(1992), and after creating, in collaboration with
378:Nancy Wilson-Pajic: Créer des espaces "entre"...
116:) to make narrative, content-oriented artworks.
518:Chevaliers of the Ordre des Arts et des Lettres
350:From the Center: Feminist Essays on Women’s Art
443:Collection Musée national d’Art moderne, Paris
373:(New York University Press, 1981), p. 38.
94:http://pajic-wilson-pajic.pagesperso-orange.fr
69:sound installations, feminist art, photography
422:(Hamburger Kunsthalle, 2015), pp. 32–33.
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279:Chévalier de l'Ordre des Arts et des Lettres
281:by the French Ministry of Culture in 1996.
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343:Individuals: Post-Movement Art in America
136:with such issues as art world celebrity (
458:Paris Centre national d'arts plastiques
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420:Feministische Avant Garde 1970er jahre
369:Robyn BRENTANO with Mark SAVITT, eds.
85:Chevalier des Arts et des Lettres 1996
359:(Köln, Dumont, 1977), pp. 39–46.
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513:21st-century American women artists
503:20th-century American women artists
321:Nancy Kitchel at 112 Greene Street
246:, the French National Collection (
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453:Fonds national d’Art contemporain
248:Fonds National d’Art Contemporain
438:Sackler Center for Feminist Art
406:Etat des choses, Etat des lieux
238:, the Museet for Photokunst in
493:American expatriates in France
391:(Aurillac, La Sellerie, 1992).
389:Nancy Wilson-Pajic: Chronology
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508:21st-century American artists
498:20th-century American artists
448:Réunion des Musées nationaux
413:Elles@centrepompidou/Femmes.
202:, large-scale photograms in
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244:Moscow House of Photography
140:) and women’s daily lives (
41:1941 (age 82–83)
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147:As one of the founders of
483:People from Peru, Indiana
411:Camille MORINEAU, et al.
345:(New York, Dutton, 1977).
306:Chichet, 1997, p. 43
158:My Grandmother's Gestures
124:Wilson-Pajic was born in
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397:(Paris, Larousse, 1994).
336:Identité/Identifications
362:Bernard MILLET, et al.
338:(Bordeaux, CAPC, 1976).
314:Selected bibliography
488:Artists from Indiana
523:Cooper Union alumni
341:Alan SONDHEIM, ed.
402:Nancy Wilson-Pajic
400:Carole GEDRINSKY,
330:Jacques CLAYSSEN.
206:of human figures (
102:Nancy Wilson-Pajic
32:Nancy Wilson-Pajic
20:Nancy Wilson-Pajic
364:D’un art, l’autre
216:Christian Lacroix
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387:Cathy DAY.
224:Les DĂ©esses
114:photography
110:performance
77:Avant-Garde
50:Nationality
467:Categories
274:in Arles.
270:, and the
250:, Paris),
382:Art Press
297:Day, 1992
268:Marseille
256:Ljubljana
212:Les Divas
204:cyanotype
166:Disguises
138:Limelight
120:Biography
58:Education
325:Artforum
260:Slovenia
196:Aurillac
240:Odensee
176:in the
130:Indiana
90:Website
242:, the
82:Awards
285:Notes
236:Vaduz
232:Seoul
162:Roles
106:video
74:Style
222:and
126:Peru
38:Born
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