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artistic director; it was endorsed by Kwame
Nkrumah in 1962. In 1992, a split occurred, in which part of the group left for the National Theatre and was directed by Francis Nii-Yartey, while some artists remained at the University of Ghana under the direction of E.A. Duodu. Since then, the National Dance company has had other directors such as David Amoo (2006 – 2013), Mr. Nii-Tete Yartey (2013-2018) and Stephany Ursula Yamoah (2018 to present).
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television series, photoplay, and cassettes, the concert party has been cherished for its theatre performances, often held at the national theatre. In fact, the medium was used for 'theatre-for-development' to discuss topics such as family planning, AIDS and environmental protection, an idea originally pioneered by the
Workers Brigades and
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was opened in 1992 to spearhead the
Theatre movement in Ghana by providing a multi-functional venue for concerts, dance, drama and musical performances, screenplays, exhibitions and special events. In Ghana, theatre as an artistic form has existed for centuries in the traditional dramatic expressions
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The theatre has a building area of 11,896 square metres (128,050 square feet) and is sited near the junction of the
Independence Avenue and Liberia Road. The building has complicated construction moulding and novel exterior features. When looked at from a distance, the whole structure looks like a
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of society, however, the
National Theatre Movement (NTM) was conceived around the time of Ghana's independence in 1957 to help remold the new nation's cultural identity. The theatre is governed by the National Theatre Law 1991, PNDC Law 259. The building houses the three resident companies of the
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The concert party, a theatre show which peaked in the early twentieth- century is a crowd-puller at the theatre. The concert party, although has its origins in
Britain, was remodeled by Ghanaian artists and became a popular form of theatre in the 1950s and 1960s. Besides being turned into films,
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The
National Dance Company is also known as "The Ghana Dance Ensemble." The company was first established in the Institute of African Studies at the University of Ghana as the first of its kind in 1962. It was then directed by Emeritus Prof. J.H. Kwabena Nketia, with Prof. Mawere Opoku as the
241:. It was established in August 1983 as a Model Repertory Troupe to facilitate teaching, research, and experimentation at the University of Ghana, Legon. Then, it became the resident theatre for the theatre upon its completion in 1991.
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Tunstall, Samuel; Melfi, Vincent; Craig, Jeffrey; Edwards, Richard; Krause, Andrew; Wassink, Bronlyn; Piercey, Victor (July 2016).
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Donkor, David
Afriyie (2017). "Making Space for Performance: Theatrical-Architectural Nationalism in Postindependence Ghana".
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Lokko, Sophia (September 1980). "Theatre Space: A Historical
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Staging Ghana: Artistry and Nationalism in State Dance Ensembles
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