381:
327:
322:
271:
376:
371:
366:
361:
317:
312:
307:
266:
261:
256:
251:
746:
asserted that the album "came from a totally revitalized band," going on to state that "ighter, more focused songwriting, better overall musicianship and a readiness to trim the flab from the longer pieces resulted in a powerful album, ready to step outside the neo-blues framework towards a gentler,
763:
stated that "Zedek's affinity for narcoleptic waltz-time constructions — like the one that wraps around "Hurricane" — has never been more apropos, given the dazed tone of most of the album's eight songs, particularly the pair that ramble forward led by Brokaw's parched lead vocals." The
29:
759:' druggy, smoldering ambience," adding that "these eight harrowing tracks are as muscular and original as anything promised by Come's first two LPs. This shit is pure." Similarly,
1049:
931:
Robbins, Ira A., The
Trouser Press Guide to '90s Rock: The All-New Fifth Edition of The Trouser Press Record Guide (Simon & Schuster, 1997), p. 163
155:
849:
1007:"Ferguson, Jason, "Them's Not The Breaks: Despite the departure of their rhythm sections, Jason Ferguson discovers the best is yet to Come",
1246:
873:
1124:
821:
793:
769:
939:
883:
298:
1251:
577:
Tara Jane O'Neil – bass on "Weak as the Moon", "Shoot Me First", "Walk On's", and "Sloe-Eyed", and vocals on "Sloe-Eyed"
510:
In April 1996, the song "Secret Number" was released as a single, featuring "Prize" and "Hurricane II", a piano version of
1035:
1042:
400:
1184:
331:
346:
929:
905:
1084:
1091:
429:
115:
81:
1138:
748:
393:
385:
173:
71:
742:
stated: "Near-Life
Experience is heavier, and at the same time prettier, than Come has ever sounded." The
444:
bassist Sean O'Brien and drummer Arthur
Johnson left the band to pursue other careers. Remaining members
1207:
739:
504:
283:
1241:
1058:
507:. Chris was cracking up at the imagery of that." Thus, the phrase was chosen as the album's title.
562:
481:
77:
550:
1117:
556:
574:
Kevin
Coultas – drums on "Weak as the Moon", "Shoot Me First", "Walk On's", and "Sloe-Eyed"
568:
353:
935:
879:
515:
339:
503:," as Zedek states, she "was telling someone had a 'near life experience,' but meant to say
1212:
461:
417:
290:
95:
765:
485:
469:
425:
122:
111:
1217:
1197:
756:
465:
421:
191:
142:
41:
1235:
760:
580:
547:
Bundy K. Brown – bass on "Hurricane", "Secret Number", "Bitten", and "Half Life"
500:
493:
473:
135:
544:
Mac McNeilly – drums on "Hurricane", "Secret Number", "Bitten", and "Half Life"
456:
with two different rhythm sections: one half of the album was recorded with drummer
28:
1077:
1070:
743:
477:
457:
449:
445:
106:
131:
127:
90:
961:
1202:
1192:
489:
772:
magazine states that "ather than sounding like a disjointed all-star jam,
565: – piano on "Hurricane", organ on "Weak as the Moon" and "Sloe-Eyed"
275:
243:
584:
414:
1006:
981:
531:
99:
36:
907:
Option magazine, Vols. 66–71 (Sonic
Options Network, 1996), p. 97
488:. Other contributors to the album included Edward Yazijian from
1031:
776:
emerges as Come’s strongest, most cohesive moment to date."
751:
magazine's review of the album maintained that "much of
571: – percussion on "Weak as the Moon" and "Half Life"
1027:
875:
Buckley, Peter (ed.), The Rough Guide to Rock, p. 221
768:
described the album as "just about perfect," whilst
1177:
1148:
1109:
613:
602:
190:
141:
121:
105:
89:
65:
56:
48:
35:
21:
358:
1043:
8:
304:
248:
496:, both rock bands hailing from Boston, MA.
1050:
1036:
1028:
223:
27:
18:
826:", beermelodies, originally published in
798:", beermelodies, originally published in
599:
785:
499:The title of the album resulted from "
229:
7:
530:Chris Brokaw – guitar, vocals,
360:
527:Thalia Zedek – vocals, guitar
14:
306:
299:The Encyclopedia of Popular Music
250:
982:"Kallberg, Ryan, "Coming Down",
851:CMJ New Music Monthly, July 1996
379:
374:
369:
364:
359:
325:
320:
315:
310:
305:
269:
264:
259:
254:
249:
476:, the other half recorded with
603:
1:
872:(Firm), Rough Guides (2003).
559: – violin on "Hurricane"
413:is the third studio album by
60:November 1995 – December 1995
16:1996 studio album by Come
738:In its review of the album,
1247:Come (American band) albums
553: – trumpet on "Bitten"
1268:
440:After Come's 1994 release
424:, released in May 1996 on
1065:
822:""Come Keeps Dripping on
794:""Come Keeps Dripping on
716:
702:
688:
674:
660:
646:
632:
618:
610:
607:
534:, bass in "Secret Number"
237:
234:
218:
201:
186:
149:
26:
928:Robbins, Ira A. (1997).
82:Cambridge, Massachusetts
1139:Gently, Down the Stream
962:"Trouser Press website"
747:more reflexive sound."
174:Gently, Down the Stream
1252:Matador Records albums
492:and Jeff Goddard from
1125:Don't Ask, Don't Tell
740:CMJ New Music Monthly
512:Near-Life Experience'
505:near death experience
442:Don't Ask Don't Tell,
284:CMJ New Music Monthly
196:Near-Life Experience
156:Don't Ask, Don't Tell
1132:Near-Life Experience
824:Near-Life Experience
796:Near-Life Experience
774:Near Life Experience
753:Near Life Experience
514:s opening track, as
501:a slip of the tongue
454:Near Life Experience
410:Near-Life Experience
225:Professional ratings
210:Released: April 1996
165:Near-Life Experience
22:Near-Life Experience
744:Rough Guide to Rock
226:
74:, Chicago, Illinois
734:Critical reception
636:"Weak as the Moon"
224:
1229:
1228:
1222:Thalia Zedek Band
1158:"Fast Piss Blues"
1009:Alternative Press
770:Alternative Press
730:
729:
540:
428:in the US and on
406:
405:
222:
221:
182:
181:
1259:
1052:
1045:
1038:
1029:
1022:
1021:
1019:
1018:
1003:
997:
996:
994:
993:
978:
972:
971:
969:
968:
958:
952:
951:
949:
948:
925:
919:
918:
916:
915:
902:
896:
895:
893:
892:
869:
863:
862:
860:
859:
846:
840:
839:
837:
836:
818:
812:
811:
809:
808:
790:
678:"Shoot Me First"
605:
600:
538:
482:Tara Jane O'Neil
462:the Jesus Lizard
418:alternative rock
384:
383:
382:
378:
377:
373:
372:
368:
367:
363:
362:
330:
329:
328:
324:
323:
319:
318:
314:
313:
309:
308:
274:
273:
272:
268:
267:
263:
262:
258:
257:
253:
252:
227:
211:
208:
151:
150:
96:Alternative rock
31:
19:
1267:
1266:
1262:
1261:
1260:
1258:
1257:
1256:
1232:
1231:
1230:
1225:
1189:Dangerous Birds
1173:
1170:"Secret Number"
1144:
1105:
1102:Daniel Coughlin
1061:
1056:
1026:
1025:
1016:
1014:
1013:. November 1996
1005:
1004:
1000:
991:
989:
988:. February 1998
984:Minnesota Daily
980:
979:
975:
966:
964:
960:
959:
955:
946:
944:
942:
927:
926:
922:
913:
911:
904:
903:
899:
890:
888:
886:
871:
870:
866:
857:
855:
848:
847:
843:
834:
832:
820:
819:
815:
806:
804:
792:
791:
787:
782:
766:Minnesota Daily
736:
731:
650:"Secret Number"
597:
591:
524:
486:The Sonora Pine
438:
426:Matador Records
380:
375:
370:
365:
326:
321:
316:
311:
270:
265:
260:
255:
214:
209:
207:"Secret Number"
206:
205:
177:
168:
159:
134:
130:
114:
112:Matador Records
98:
61:
44:
17:
12:
11:
5:
1265:
1263:
1255:
1254:
1249:
1244:
1234:
1233:
1227:
1226:
1224:
1223:
1220:
1215:
1210:
1205:
1200:
1195:
1190:
1187:
1181:
1179:
1175:
1174:
1172:
1171:
1168:
1165:
1162:
1159:
1156:
1152:
1150:
1146:
1145:
1143:
1142:
1135:
1128:
1121:
1113:
1111:
1107:
1106:
1104:
1103:
1100:
1099:Winston Bramen
1096:
1095:
1092:Arthur Johnson
1088:
1081:
1074:
1066:
1063:
1062:
1057:
1055:
1054:
1047:
1040:
1032:
1024:
1023:
998:
973:
953:
940:
920:
897:
884:
864:
841:
813:
784:
783:
781:
778:
757:Sticky Fingers
755:seems to echo
735:
732:
728:
727:
724:
721:
718:
714:
713:
710:
707:
704:
700:
699:
696:
693:
690:
686:
685:
682:
679:
676:
672:
671:
668:
665:
662:
658:
657:
654:
651:
648:
644:
643:
640:
637:
634:
630:
629:
626:
623:
620:
616:
615:
612:
609:
606:
598:
596:
593:
589:
588:
587:on "Walk On's"
578:
575:
572:
566:
560:
554:
548:
545:
536:
535:
528:
523:
520:
466:Bundy K. Brown
437:
434:
430:Domino Records
404:
403:
397:
389:
388:
356:
350:
349:
343:
335:
334:
302:
294:
293:
287:
279:
278:
246:
240:
239:
236:
232:
231:
220:
219:
216:
215:
213:
212:
202:
199:
198:
188:
187:
184:
183:
180:
179:
170:
161:
147:
146:
139:
138:
125:
119:
118:
116:Domino Records
109:
103:
102:
93:
87:
86:
85:
84:
75:
67:
63:
62:
58:
54:
53:
50:
46:
45:
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
1264:
1253:
1250:
1248:
1245:
1243:
1240:
1239:
1237:
1221:
1219:
1216:
1214:
1211:
1209:
1206:
1204:
1201:
1199:
1196:
1194:
1191:
1188:
1186:
1183:
1182:
1180:
1176:
1169:
1166:
1163:
1160:
1157:
1154:
1153:
1151:
1147:
1141:
1140:
1136:
1134:
1133:
1129:
1127:
1126:
1122:
1120:
1119:
1115:
1114:
1112:
1110:Studio albums
1108:
1101:
1098:
1097:
1094:
1093:
1089:
1087:
1086:
1082:
1080:
1079:
1075:
1073:
1072:
1068:
1067:
1064:
1060:
1053:
1048:
1046:
1041:
1039:
1034:
1033:
1030:
1012:
1010:
1002:
999:
987:
985:
977:
974:
963:
957:
954:
943:
941:9780684814377
937:
933:
932:
924:
921:
909:
908:
901:
898:
887:
885:9781858284576
881:
877:
876:
868:
865:
853:
852:
845:
842:
831:
829:
825:
817:
814:
803:
801:
797:
789:
786:
779:
777:
775:
771:
767:
762:
761:Trouser Press
758:
754:
750:
745:
741:
733:
725:
722:
719:
715:
711:
708:
705:
701:
697:
694:
691:
687:
683:
680:
677:
673:
669:
666:
663:
659:
655:
652:
649:
645:
641:
638:
635:
631:
627:
624:
621:
617:
601:
595:Track listing
594:
592:
586:
582:
581:John McEntire
579:
576:
573:
570:
567:
564:
563:Beth Heinberg
561:
558:
555:
552:
549:
546:
543:
542:
541:
533:
529:
526:
525:
521:
519:
517:
513:
508:
506:
502:
497:
495:
491:
487:
484:of Rodan and
483:
479:
478:Kevin Coultas
475:
474:Gastr Del Sol
471:
467:
463:
459:
455:
451:
447:
443:
435:
433:
431:
427:
423:
419:
416:
412:
411:
402:
398:
396:
395:
391:
390:
387:
357:
355:
352:
351:
348:
344:
342:
341:
337:
336:
333:
303:
301:
300:
296:
295:
292:
288:
286:
285:
281:
280:
277:
247:
245:
242:
241:
233:
230:Review scores
228:
217:
204:
203:
200:
197:
193:
189:
185:
176:
175:
171:
167:
166:
162:
158:
157:
153:
152:
148:
144:
140:
137:
136:John McEntire
133:
129:
126:
124:
120:
117:
113:
110:
108:
104:
101:
97:
94:
92:
88:
83:
79:
76:
73:
70:
69:
68:
64:
59:
55:
51:
47:
43:
38:
34:
30:
25:
20:
1161:"Wrong Side"
1137:
1131:
1130:
1123:
1116:
1090:
1085:Sean O'Brien
1083:
1078:Chris Brokaw
1076:
1071:Thalia Zedek
1069:
1015:. Retrieved
1008:
1001:
990:. Retrieved
983:
976:
965:. Retrieved
956:
945:. Retrieved
930:
923:
912:. Retrieved
906:
900:
889:. Retrieved
874:
867:
856:. Retrieved
850:
844:
833:. Retrieved
827:
823:
816:
805:. Retrieved
799:
795:
788:
773:
752:
737:
590:
551:Jeff Goddard
537:
511:
509:
498:
458:Mac McNeilly
453:
450:Thalia Zedek
446:Chris Brokaw
441:
439:
409:
408:
407:
392:
338:
297:
282:
195:
172:
164:
163:
154:
52:May 21, 1996
37:Studio album
1242:1996 albums
1185:Discography
854:. July 1996
720:"Sloe-Eyed"
706:"Half Life"
692:"Walk On's"
622:"Hurricane"
557:Ed Yazijian
432:in the UK.
132:Wally Gagel
128:Andy Bryant
78:Fort Apache
1236:Categories
1208:Steve Wynn
1203:Live Skull
1017:2013-03-27
1011:, No. 100"
992:2013-03-27
967:2013-03-24
947:2013-03-24
914:2013-03-24
891:2013-03-24
858:2013-03-24
835:2013-03-31
807:2013-03-31
780:References
569:Nancy Asch
490:Kustomized
354:Musichound
145:chronology
1213:Consonant
830:magazine"
802:magazine"
611:Writer(s)
522:Personnel
452:recorded
399:Positive
345:Positive
289:Positive
1167:"String"
1164:"In/Out"
664:"Bitten"
583: –
470:Tortoise
244:Allmusic
123:Producer
57:Recorded
49:Released
39: by
1218:Pullman
1198:Codeine
1178:Related
1149:Singles
585:marimba
516:b-sides
436:History
192:Singles
178:(1998)
169:(1996)
160:(1994)
938:
910:. 1996
882:
749:Option
614:Length
494:Karate
415:Boston
394:Option
340:Magnet
238:Rating
235:Source
66:Studio
1155:"Car"
1118:11:11
608:Title
532:synth
420:band
194:from
107:Label
100:Blues
91:Genre
72:Idful
1059:Come
936:ISBN
880:ISBN
828:Hits
800:Hits
726:3:34
723:Come
712:3:26
709:Come
698:3:17
695:Come
684:3:44
681:Come
670:4:28
667:Come
656:4:02
653:Come
642:4:11
639:Come
628:5:55
625:Come
539:with
480:and
472:and
464:and
448:and
422:Come
401:link
386:link
347:link
332:link
291:link
276:link
143:Come
42:Come
1193:Uzi
604:No.
468:of
460:of
1238::
934:.
878:.
717:8.
703:7.
689:6.
675:5.
661:4.
647:3.
633:2.
619:1.
518:.
80:,
1051:e
1044:t
1037:v
1020:.
995:.
986:"
970:.
950:.
917:.
894:.
861:.
838:.
810:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
