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Gently, Down the Stream

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255:". As Zedek has stated, Daniel Coughlin, the band's "drummer had made this recording of all these songs he had written, one of the songs involved 'row, row, row your boat.' Plus there was the cover we used (of someone watching an enormous wave collapse from shore), and I was thinking, 'gently down the stream' seems like a good theme for a record." Moreover, Zedek has described the title as a "urination analogy". 755: 750: 721: 626: 621: 559: 745: 740: 735: 716: 711: 706: 701: 680: 675: 670: 665: 660: 616: 611: 606: 554: 549: 544: 539: 849:
praised the album in unambiguous terms, suggesting that "as sandpaper-larynxed Zedek shares vocals with co-guitarist Chris Brokaw's softer tones, and Come abandon overdriven effects in the name of economy and songwriting, suddenly they're a great American rock band." The review concluded that "Gently
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Speak magazine commented that "Come's fourth album doesn't meander gently down any stream. If anything, it's more like Whitewater rafting through a thundering maelstrom of guitars that empty occasionally into shallow pools," going on to describe its songs as "12 gorgeous mini-epics are by turns
29: 236:, played bass, whilst Daniel Coughlin was in charge of percussion and drums. Coughlin would also go on to tour and record 4 more records with Zedek's solo project, the Thalia Zedek Band until leaving in 2008. 833:
showcased the band's "new-found delight in melody and volume settings lower than eleven (...) with the introspection overwhelmed by rage and thrashing guitarwork often enough for maximum listener comfort."
1186: 781:: "Have you ever noticed how the music industry regularly champions its disposable waste but can't seem to hold faith in the staying power of its true talent?" 1388: 1003: 850:
Down the Stream renders Come's indie ghettoisation absurd", stating the band's importance in no uncertain terms: "This is a world-class act."
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began its praiseful review of the album with a rhetorical question lamenting the fact that Come was clearly fated to remain in the
964: 1172: 1179: 1048: 1032: 630: 1321: 806: 773:"a king-size record from a colossal band; those who like hard rock and have never heard Come are missing out," whilst 591: 1221: 798: 228:
to fill the void caused by the departure of drummer Arthur Johnson and bassist Sean O'Brien, the band's original
1228: 983: 106: 301: 252: 868:"Stream of Consciousness: Come conquers instability to release another album of darkly shaded guitar-rock" 1344: 814: 766: 584: 1378: 1268: 1195: 802: 638: 305: 217: 150: 137: 41: 276: 774: 576: 295: 205: 130: 126: 122: 1254: 1143: 1108: 1073: 782: 1012: 822: 778: 1349: 930: 840: 692: 233: 201: 118: 70: 232:. Winston Bramen, who would later work with the Thalia Zedek Band and with Chris Brokaw in 1155: 1120: 1085: 872: 810: 790: 113: 102: 216:'s fourth and, as it would eventually transpire, final album. As its predecessor, 1996's 645: 28: 1354: 1334: 684: 229: 213: 189: 1372: 794: 570: 248: 1214: 1207: 826: 282: 270: 264: 240: 225: 221: 97: 65: 1339: 1329: 185: 818: 867: 563: 531: 239:
The name of the album can be seen as either a reference to the title of
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in 1997 during the month of June and released in early February 1998,
888: 182: 74: 36: 1168: 1164: 1008:, Edited by Peter Buckley (Rough Guides, 2003), p. 221 1314: 1285: 1246: 331: 320: 136: 112: 96: 80: 64: 56: 48: 35: 21: 889:"The Misunderstood Dreams of Come's Thalia Zedek" 247:or an allusion to the lyrics to English language 273: – guitar, vocals, percussion, piano, organ 298: – piano on "The Fade-Outs" and "New Coat" 969:, Issues 230–235 (Amordian Press, 1998), p. 85 657: 536: 1180: 8: 732: 698: 603: 1187: 1173: 1165: 511: 27: 18: 729:The Virgin Encyclopedia of Nineties Music 220:, a number of different musicians joined 317: 858: 1151: 1141: 1116: 1106: 1081: 1071: 517: 7: 1389:Albums produced by Paul Q. Kolderie 1136:Rock: COME – Gently Down the Stream 1101:Rock: COME – Gently Down the Stream 1066:Rock: COME – Gently Down the Stream 659: 538: 1050:Speak magazine, Issues 5–9, (1998) 1034:Speak magazine, Issues 5–9, (1998) 924:Fortnam, Ian (March 1998). "Come: 14: 887:Tim McMahan (February 26, 1998). 734: 700: 605: 599:The Encyclopedia of Popular Music 267: – vocals, guitar, clarinets 181:is the fourth and final album by 866:Richard Martin (March 4, 1998). 793:Releases", placing it alongside 753: 748: 743: 738: 733: 719: 714: 709: 704: 699: 678: 673: 668: 663: 658: 624: 619: 614: 609: 604: 557: 552: 547: 542: 537: 1134:Stewart Lee (8 February 1998). 1099:Stewart Lee (8 February 1998). 1064:Stewart Lee (8 February 1998). 321: 1: 1002:(Firm), Rough Guides (2003). 789:as one of the "10 Essential 1384:Come (American band) albums 807:The Boy With the Arab Strap 1405: 934:. No. 10. p. 86. 1202: 799:Turn on the Bright Lights 525: 522: 490: 476: 462: 448: 434: 420: 406: 392: 378: 364: 350: 336: 328: 325: 285: – drums, percussion 144: 26: 16:1998 studio album by Come 1276:Gently, Down the Stream 1006:The Rough Guide to Rock 847:Gently, Down the Stream 831:Gently, Down the Stream 803:The Belle and Sebastian 787:Gently, Down the Stream 771:Gently, Down the Stream 396:"Saints Around My Neck" 253:Row, Row, Row Your Boat 210:Gently, Down the Stream 178:Gently, Down The Stream 160:Gently, Down the Stream 22:Gently, Down the Stream 926:Gently Down the Stream 302:J. Michael Billingsley 245:Gently Down the Stream 200:Recorded and mixed by 1262:Don't Ask, Don't Tell 948:CMJ New Music Monthly 909:CMJ New Music Monthly 815:Slanted and Enchanted 767:CMJ New Music Monthly 585:CMJ New Music Monthly 308:on "The Former Model" 1269:Near-Life Experience 838:spooky and sleazy." 825:, among others. The 639:Entertainment Weekly 513:Professional ratings 218:Near-Life Experience 151:Near-Life Experience 893:The Reader magazine 827:Rough Guide to Rock 514: 424:"Middle of Nowhere" 279: – bass guitar 243:'s 1981 short film 986:Billboard Magazine 783:Billboard magazine 765:Upon its release, 512: 508:Critical reception 480:"The Former Model" 1366: 1365: 1359:Thalia Zedek Band 1295:"Fast Piss Blues" 991:. 2 October 2010. 823:Exile in Guyville 775:Musician Magazine 763: 762: 504: 503: 291: 174: 173: 170: 169: 1396: 1189: 1182: 1175: 1166: 1160: 1159: 1153: 1149: 1147: 1139: 1131: 1125: 1124: 1118: 1114: 1112: 1104: 1096: 1090: 1089: 1083: 1079: 1077: 1069: 1061: 1055: 1054: 1045: 1039: 1038: 1029: 1023: 1022: 1011:. Rough Guides. 999: 993: 992: 988:, 2 October 2010 980: 974: 973: 961: 955: 954: 942: 936: 935: 921: 915: 914: 903: 897: 896: 884: 878: 877: 863: 841:The Sunday Times 758: 757: 756: 752: 751: 747: 746: 742: 741: 737: 736: 724: 723: 722: 718: 717: 713: 712: 708: 707: 703: 702: 683: 682: 681: 677: 676: 672: 671: 667: 666: 662: 661: 629: 628: 627: 623: 622: 618: 617: 613: 612: 608: 607: 562: 561: 560: 556: 555: 551: 550: 546: 545: 541: 540: 515: 382:"Sorry Too Late" 323: 318: 289: 202:Paul Q. Kolderie 146: 145: 119:Paul Q. Kolderie 92: 91: 87: 71:Alternative rock 52:10 February 1998 31: 19: 1404: 1403: 1399: 1398: 1397: 1395: 1394: 1393: 1369: 1368: 1367: 1362: 1326:Dangerous Birds 1310: 1307:"Secret Number" 1281: 1242: 1239:Daniel Coughlin 1198: 1193: 1163: 1150: 1140: 1133: 1132: 1128: 1115: 1105: 1098: 1097: 1093: 1080: 1070: 1063: 1062: 1058: 1047: 1046: 1042: 1031: 1030: 1026: 1019: 1001: 1000: 996: 982: 981: 977: 963: 962: 958: 944: 943: 939: 923: 922: 918: 905: 904: 900: 886: 885: 881: 873:Willamette Week 865: 864: 860: 856: 754: 749: 744: 739: 720: 715: 710: 705: 679: 674: 669: 664: 625: 620: 615: 610: 558: 553: 548: 543: 510: 505: 438:"The Fade-Outs" 315: 306:acoustic basses 283:Daniel Coughlin 261: 198: 163: 154: 129: 125: 121: 105: 103:Matador Records 89: 85: 84: 73: 44: 17: 12: 11: 5: 1402: 1400: 1392: 1391: 1386: 1381: 1371: 1370: 1364: 1363: 1361: 1360: 1357: 1352: 1347: 1342: 1337: 1332: 1327: 1324: 1318: 1316: 1312: 1311: 1309: 1308: 1305: 1302: 1299: 1296: 1293: 1289: 1287: 1283: 1282: 1280: 1279: 1272: 1265: 1258: 1250: 1248: 1244: 1243: 1241: 1240: 1237: 1236:Winston Bramen 1233: 1232: 1229:Arthur Johnson 1225: 1218: 1211: 1203: 1200: 1199: 1194: 1192: 1191: 1184: 1177: 1169: 1162: 1161: 1126: 1091: 1056: 1040: 1024: 1017: 994: 975: 956: 937: 916: 898: 879: 857: 855: 852: 761: 760: 730: 726: 725: 696: 688: 687: 655: 649: 648: 642: 634: 633: 601: 595: 594: 588: 580: 579: 573: 567: 566: 534: 528: 527: 524: 520: 519: 509: 506: 502: 501: 498: 495: 492: 488: 487: 484: 481: 478: 474: 473: 470: 467: 464: 460: 459: 456: 453: 450: 446: 445: 442: 439: 436: 432: 431: 428: 425: 422: 418: 417: 414: 411: 408: 404: 403: 400: 397: 394: 390: 389: 386: 383: 380: 376: 375: 372: 369: 366: 362: 361: 358: 355: 352: 348: 347: 344: 341: 338: 334: 333: 330: 327: 324: 316: 314: 311: 310: 309: 299: 287: 286: 280: 277:Winston Bramen 274: 268: 260: 257: 230:rhythm section 197: 194: 172: 171: 168: 167: 165: 156: 142: 141: 134: 133: 116: 110: 109: 107:Domino Records 100: 94: 93: 82: 78: 77: 68: 62: 61: 58: 54: 53: 50: 46: 45: 40: 33: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1401: 1390: 1387: 1385: 1382: 1380: 1377: 1376: 1374: 1358: 1356: 1353: 1351: 1348: 1346: 1343: 1341: 1338: 1336: 1333: 1331: 1328: 1325: 1323: 1320: 1319: 1317: 1313: 1306: 1303: 1300: 1297: 1294: 1291: 1290: 1288: 1284: 1278: 1277: 1273: 1271: 1270: 1266: 1264: 1263: 1259: 1257: 1256: 1252: 1251: 1249: 1247:Studio albums 1245: 1238: 1235: 1234: 1231: 1230: 1226: 1224: 1223: 1219: 1217: 1216: 1212: 1210: 1209: 1205: 1204: 1201: 1197: 1190: 1185: 1183: 1178: 1176: 1171: 1170: 1167: 1157: 1145: 1137: 1130: 1127: 1122: 1110: 1102: 1095: 1092: 1087: 1075: 1067: 1060: 1057: 1052: 1051: 1044: 1041: 1036: 1035: 1028: 1025: 1020: 1018:9781858284576 1014: 1010: 1009: 1005: 998: 995: 990: 989: 985: 979: 976: 971: 970: 966: 960: 957: 953:. March 1998. 952: 951: 947: 941: 938: 933: 932: 927: 920: 917: 913:. April 1998. 912: 911: 908: 902: 899: 894: 890: 883: 880: 875: 874: 869: 862: 859: 853: 851: 848: 844: 842: 835: 832: 828: 824: 820: 816: 812: 808: 804: 800: 796: 792: 788: 784: 780: 776: 772: 768: 731: 728: 727: 697: 695: 694: 690: 689: 686: 656: 654: 651: 650: 647: 643: 641: 640: 636: 635: 632: 602: 600: 597: 596: 593: 589: 587: 586: 582: 581: 578: 574: 572: 571:The A.V. Club 569: 568: 565: 535: 533: 530: 529: 521: 518:Review scores 516: 507: 499: 496: 493: 489: 485: 482: 479: 475: 471: 468: 465: 461: 457: 454: 452:"A Jam Blues" 451: 447: 443: 440: 437: 433: 429: 426: 423: 419: 415: 412: 409: 405: 401: 398: 395: 391: 387: 384: 381: 377: 373: 370: 367: 363: 359: 356: 353: 349: 345: 342: 339: 335: 319: 313:Track listing 312: 307: 303: 300: 297: 296:Beth Heinberg 294: 293: 292: 284: 281: 278: 275: 272: 269: 266: 263: 262: 258: 256: 254: 250: 249:nursery rhyme 246: 242: 237: 235: 231: 227: 223: 219: 215: 211: 207: 203: 195: 193: 191: 187: 184: 180: 179: 166: 162: 161: 157: 153: 152: 148: 147: 143: 139: 135: 132: 128: 124: 120: 117: 115: 111: 108: 104: 101: 99: 95: 83: 79: 76: 72: 69: 67: 63: 59: 55: 51: 47: 43: 38: 34: 30: 25: 20: 1298:"Wrong Side" 1275: 1274: 1267: 1260: 1253: 1227: 1222:Sean O'Brien 1220: 1215:Chris Brokaw 1213: 1208:Thalia Zedek 1206: 1135: 1129: 1100: 1094: 1065: 1059: 1049: 1043: 1033: 1027: 1007: 1004: 997: 987: 984: 978: 968: 965: 959: 949: 946: 940: 929: 925: 919: 910: 907: 901: 892: 882: 871: 861: 846: 839: 836: 830: 829:states that 786: 770: 764: 691: 653:Sputnikmusic 652: 637: 598: 583: 354:"Recidivist" 288: 271:Chris Brokaw 265:Thalia Zedek 244: 241:Su Friedrich 238: 226:Chris Brokaw 222:Thalia Zedek 209: 199: 177: 176: 175: 159: 158: 149: 131:Roger Seibel 127:Brian Dunton 123:Carl Plaster 37:Studio album 1379:1998 albums 1322:Discography 1152:|work= 1117:|work= 1082:|work= 779:underground 410:"Silk City" 340:"One Piece" 206:Fort Apache 1373:Categories 1345:Steve Wynn 1340:Live Skull 950:, Mar 1998 854:References 845:review of 466:"New Coat" 186:indie rock 140:chronology 1350:Consonant 1154:ignored ( 1144:cite book 1119:ignored ( 1109:cite book 1084:ignored ( 1074:cite book 819:Liz Phair 590:Positive 575:Positive 329:Writer(s) 259:Personnel 234:Consonant 60:July 1997 1304:"String" 1301:"In/Out" 967:Musician 811:Pavement 795:Interpol 532:AllMusic 304: – 114:Producer 57:Recorded 49:Released 39: by 1355:Pullman 1335:Codeine 1315:Related 1286:Singles 1053:. 1997. 1037:. 1997. 972:. 1998. 791:Matador 785:listed 769:called 494:"March" 368:"Stomp" 196:History 164:(1998) 155:(1996) 1015:  526:Rating 523:Source 332:Length 183:Boston 81:Length 1292:"Car" 1255:11:11 931:Uncut 693:Uncut 326:Title 188:band 98:Label 75:Blues 66:Genre 1196:Come 1156:help 1121:help 1086:help 1013:ISBN 817:and 759:link 685:link 646:link 631:link 592:link 577:link 564:link 500:8:15 497:Come 486:3:12 483:Come 472:5:20 469:Come 458:5:07 455:Come 444:5:54 441:Come 430:4:05 427:Come 416:4:52 413:Come 402:8:27 399:Come 388:4:49 385:Come 374:5:43 371:Come 360:3:57 357:Come 346:6:53 343:Come 290:with 224:and 214:Come 190:Come 138:Come 42:Come 1330:Uzi 928:". 821:'s 813:'s 805:'s 797:'s 644:B+ 491:12. 477:11. 463:10. 322:No. 212:is 204:at 1375:: 1148:: 1146:}} 1142:{{ 1113:: 1111:}} 1107:{{ 1078:: 1076:}} 1072:{{ 891:. 870:. 809:, 801:, 449:9. 435:8. 421:7. 407:6. 393:5. 379:4. 365:3. 351:2. 337:1. 192:. 90:34 86:66 1188:e 1181:t 1174:v 1158:) 1138:. 1123:) 1103:. 1088:) 1068:. 1021:. 895:. 876:. 843:' 251:" 88::

Index


Studio album
Come
Genre
Alternative rock
Blues
Label
Matador Records
Domino Records
Producer
Paul Q. Kolderie
Carl Plaster
Brian Dunton
Roger Seibel
Come
Near-Life Experience
Boston
indie rock
Come
Paul Q. Kolderie
Fort Apache
Come
Near-Life Experience
Thalia Zedek
Chris Brokaw
rhythm section
Consonant
Su Friedrich
nursery rhyme
Row, Row, Row Your Boat

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