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These poets did not call themselves "New peasant" and did not form a literary union or direction with a uniform theoretical platform. However, all "new peasant" poets in one way or another were featured by appeals to the theme of rural Russia contrary to
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134:// Revue des études slaves. Vol. 69, No. 1/2, VIEUX-CROYANTS ET SECTES RUSSES du XVIIe siècle à nos jours (1997), pp. 135–150
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are traditionally referred to as "new peasant" poets. The beginning of their creative path was in the 1900s-1910s.
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THE GARDEN IN RUSSIAN MODERNISM: Notes on the problem of mentalité in the New
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at the turn of the 1910s-1920s in articles by Vasily Lvov-Rogachevsky and
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