Knowledge (XXG)

Neutral interval

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716: 395: 1948: 28: 239: 208: 177: 146: 463: 441: 833: 815: 803: 780: 862: 723: 496: 402: 761: 746: 556:
matches both intervals closely and is also the smallest widely used equal temperament that uniquely matches both intervals. Tuning systems that temper out the
1669: 536:
Approximations to the 12:11 and 11:10 neutral seconds can be found in a number of equally tempered tuning systems. 11:10 is very closely matched by
508:
between the two tones, a hair smaller than a ratio of frequencies between the two tones of 12:11, and exactly half of an equal-tempered minor third.
845:
of the two tones, or about 1061 cents. This is the largest neutral seventh, and occurs infrequently in music, as little music utilizes the 13th
874:
between the two tones, a hair larger than the 11:6 ratio, and exactly half of an equal-tempered major thirteenth (octave plus major sixth).
471:, has a ratio of 11:10 between the two tones and is about 165.00 cents wide. The lesser undecimal neutral second may be derived from the 1012: 981: 948: 520:). Because the equal tempered neutral second is essentially a semitone (minor second) plus a quarter-tone, they may be considered 78:
sharp from minor intervals and a quarter tone flat from major intervals. In just intonation, as well as in tunings such as
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These intervals are all within about 12 cents of each other and are difficult for most people to distinguish.
1951: 1689: 1628: 1005: 912: 907: 480: 472: 1975: 1749: 1744: 1555: 1931: 1684: 1591: 1585: 1171: 583: 561: 553: 549: 545: 537: 270: 87: 83: 79: 68: 1714: 1579: 1561: 1827: 1264: 998: 525: 521: 453:
tone to the lower-frequency tone of 12:11 and is about 150.64 cents wide, while the larger one,
1769: 1709: 1270: 1246: 1234: 1215: 1029: 977: 944: 854: 684: 488: 476: 363: 52: 1839: 1664: 1609: 1603: 1597: 1281: 1258: 1240: 1185: 1179: 1021: 917: 889:. Based on its positioning in the harmonic series, the undecimal neutral seventh implies a 517: 44: 1807: 1531: 1319: 1209: 1203: 1191: 1134: 1097: 704: 667: 564:
has a neutral second between 12:11 and 13:12, and a neutral third between 16:13 and 11:9.
383: 346: 275: 238: 207: 176: 145: 48: 1787: 1781: 1775: 1547: 1074: 644: 588: 323: 71:
to a neutral interval. For example, the inverse of a neutral third is a neutral sixth.
1964: 1911: 1760: 1679: 1674: 1620: 1481: 1421: 1307: 1295: 1160: 1123: 1080: 886: 882: 755: 740: 557: 104: 99: 90:, which more closely approximate just intonation, the intervals are closer together. 715: 479:
and twelfth harmonics. The greater undecimal neutral second may be derived from the
1926: 1883: 1878: 1739: 1385: 1142: 1105: 890: 871: 694: 677: 541: 513: 505: 427: 423: 394: 373: 356: 75: 60: 36: 1888: 1719: 1154: 1148: 1117: 1111: 842: 796: 64: 56: 27: 17: 1921: 1815: 1313: 1226: 951:. 3/4-tone, undecimal neutral second and 21/4-tone, undecimal neutral seventh. 1821: 1325: 450: 1853: 1301: 1049: 846: 621: 300: 1859: 1847: 1833: 1252: 1197: 1916: 1893: 1801: 1795: 1086: 1068: 67:
is 300 cents, and a neutral third is 350 cents. A neutral interval
1289: 714: 393: 26: 994: 990: 769:. Four distinct intervals may be termed neutral sevenths: 430:. Three distinct intervals may be termed neutral seconds: 560:
of 121:120 do not distinguish between the two intervals.
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as the interval between the tenth and eleventh harmonics.
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The equal-tempered neutral is found in some traditional
893:
one perfect fifth below the lower of the two notes.
1902: 1869: 1758: 1728: 1698: 1655: 1646: 1619: 1546: 1529: 1371: 1354: 1343: 1280: 1225: 1170: 1133: 1096: 1061: 1043: 1028: 703: 693: 683: 676: 666: 643: 620: 615: 607: 599: 594: 582: 382: 372: 362: 355: 345: 322: 299: 294: 286: 281: 269: 974:Cooking with Csound: Woodwind and Brass Recipes 960:Haluska (2003), p.?. Septimal neutral seventh. 881:A neutral seventh can be formed by stacking a 1006: 8: 577: 434:The intermediate neutral second, called the 264: 1947: 1652: 1543: 1368: 1351: 1058: 1040: 1013: 999: 991: 811:. Alternately, 13:7 or about 1071.7 cents 51:, but instead in between. For example, in 968: 966: 935: 933: 870:is characterized by a difference in 1050 788:has a ratio of 64:35 or about 1045 cents. 504:is characterized by a difference in 150 114: 941:The Mathematical Theory of Tone Systems 929: 799:of the two tones, or about 1049 cents 576: 263: 7: 109: 972:Andrew Horner, Lydia Ayres (2002). 739:is a musical interval wider than a 94: 25: 841:has a ratio of 24:13 between the 449:, has a ratio between the higher- 74:Roughly, neutral intervals are a 1946: 795:has a ratio of 11:6 between the 458:greater undecimal neutral second 237: 206: 175: 144: 436:lesser undecimal neutral second 540:, whereas 12:11 is matched by 1: 903:Major fourth and minor fifth 475:as the interval between the 422:is an interval wider than a 1568:septimal chromatic semitone 1992: 1574:septimal diatonic semitone 1362:(Numbers in brackets refer 828:tridecimal neutral seventh 1944: 1364:to fractional semitones.) 1357:24-tone equal temperament 793:undecimal neutral seventh 695:24-Tone equal temperament 685:12-Tone equal temperament 374:24-Tone equal temperament 364:12-Tone equal temperament 775:septimal neutral seventh 1952:List of pitch intervals 1690:Subminor and supermajor 1629:minor diatonic semitone 1539:refer to pitch ratios.) 913:List of pitch intervals 908:Subminor and supermajor 1750:Undecimal quarter tone 732: 411: 32: 1745:Septimal quarter tone 1556:septimal quarter tone 939:Haluska, Jan (2003). 719:Neutral seventh on C 718: 672:11:6, 64:35, or 24:13 397: 30: 1932:Incomposite interval 1685:Pythagorean interval 1537:(Numbers in brackets 1045:(Numbers in brackets 754:but narrower than a 532:In equal temperament 426:and narrower than a 398:Neutral second on C 1715:Pythagorean apotome 1562:septimal third tone 709:1049, 1045, or 1061 579: 522:three-quarter tones 266: 1828:Septimal semicomma 733: 526:quarter tone scale 412: 47:that is neither a 33: 1971:Neutral intervals 1958: 1957: 1940: 1939: 1770:Pythagorean comma 1710:Pythagorean limma 1642: 1641: 1638: 1637: 1604:supermajor fourth 1580:supermajor second 1525: 1524: 1339: 1338: 1335: 1334: 1047:are the number of 713: 712: 392: 391: 254: 253: 53:equal temperament 16:(Redirected from 1983: 1950: 1949: 1840:Septimal kleisma 1653: 1610:subminor seventh 1592:supermajor third 1544: 1532:Just intonations 1517: 1516: 1512: 1509: 1497: 1496: 1492: 1489: 1477: 1476: 1472: 1469: 1457: 1456: 1452: 1449: 1437: 1436: 1432: 1429: 1417: 1416: 1412: 1409: 1397: 1396: 1392: 1369: 1352: 1059: 1041: 1015: 1008: 1001: 992: 985: 970: 961: 958: 952: 937: 918:Microtonal music 885:together with a 869: 868: 867: 865: 840: 839: 838: 836: 822: 821: 820: 818: 810: 809: 808: 806: 787: 786: 785: 783: 768: 767: 766: 764: 753: 752: 751: 749: 730: 729: 728: 726: 662: 661: 657: 654: 639: 638: 634: 631: 580: 574:Musical interval 518:Arab tone system 503: 502: 501: 499: 470: 469: 468: 466: 448: 447: 446: 444: 409: 408: 407: 405: 341: 340: 336: 333: 318: 317: 313: 310: 267: 261:Musical interval 250: 249: 242: 241: 232: 231: 219: 218: 211: 210: 201: 200: 188: 187: 180: 179: 170: 169: 157: 156: 149: 148: 139: 138: 115: 41:neutral interval 21: 1991: 1990: 1986: 1985: 1984: 1982: 1981: 1980: 1961: 1960: 1959: 1954: 1936: 1898: 1865: 1808:Septimal diesis 1754: 1724: 1694: 1648: 1634: 1615: 1538: 1535: 1521: 1514: 1510: 1507: 1505: 1494: 1490: 1487: 1485: 1474: 1470: 1467: 1465: 1454: 1450: 1447: 1445: 1434: 1430: 1427: 1425: 1414: 1410: 1407: 1405: 1394: 1390: 1389: 1379: 1378: 1377: 1373: 1363: 1360: 1347: 1345: 1331: 1276: 1221: 1166: 1129: 1092: 1053: 1048: 1046: 1036: 1034: 1031: 1024: 1019: 989: 988: 971: 964: 959: 955: 938: 931: 926: 899: 863: 861: 860: 859: 857:neutral seventh 834: 832: 831: 830: 816: 814: 813: 812: 804: 802: 801: 800: 781: 779: 778: 777: 762: 760: 759: 758: 747: 745: 744: 743: 737:neutral seventh 724: 722: 721: 720: 705:Just intonation 659: 655: 652: 650: 636: 632: 629: 627: 578:Neutral seventh 575: 570: 534: 497: 495: 494: 493: 481:harmonic series 473:harmonic series 464: 462: 461: 460: 442: 440: 439: 438: 403: 401: 400: 399: 384:Just intonation 338: 334: 331: 329: 315: 311: 308: 306: 276:neutral seventh 262: 259: 247: 246: 236: 229: 228: 216: 215: 205: 198: 197: 185: 184: 174: 167: 166: 154: 153: 143: 136: 135: 110:Neutral seventh 49:major nor minor 23: 22: 18:Neutral seventh 15: 12: 11: 5: 1989: 1987: 1979: 1978: 1973: 1963: 1962: 1956: 1955: 1945: 1942: 1941: 1938: 1937: 1935: 1934: 1929: 1924: 1919: 1914: 1908: 1906: 1900: 1899: 1897: 1896: 1891: 1886: 1881: 1875: 1873: 1867: 1866: 1864: 1863: 1857: 1851: 1844: 1843: 1837: 1831: 1825: 1819: 1812: 1811: 1805: 1802:Greater diesis 1799: 1792: 1791: 1788:Septimal comma 1785: 1782:Holdrian comma 1779: 1776:Syntonic comma 1773: 1766: 1764: 1756: 1755: 1753: 1752: 1747: 1742: 1736: 1734: 1726: 1725: 1723: 1722: 1717: 1712: 1706: 1704: 1696: 1695: 1693: 1692: 1687: 1682: 1677: 1672: 1667: 1661: 1659: 1650: 1644: 1643: 1640: 1639: 1636: 1635: 1633: 1632: 1625: 1623: 1617: 1616: 1614: 1613: 1607: 1601: 1598:subminor fifth 1595: 1589: 1586:subminor third 1583: 1577: 1571: 1565: 1559: 1552: 1550: 1541: 1527: 1526: 1523: 1522: 1520: 1519: 1499: 1479: 1459: 1439: 1419: 1399: 1382: 1380: 1372: 1366: 1349: 1341: 1340: 1337: 1336: 1333: 1332: 1330: 1329: 1323: 1317: 1311: 1305: 1299: 1293: 1286: 1284: 1278: 1277: 1275: 1274: 1268: 1262: 1256: 1250: 1244: 1238: 1231: 1229: 1223: 1222: 1220: 1219: 1213: 1207: 1201: 1195: 1189: 1183: 1176: 1174: 1168: 1167: 1165: 1164: 1158: 1152: 1146: 1139: 1137: 1131: 1130: 1128: 1127: 1121: 1115: 1109: 1102: 1100: 1094: 1093: 1091: 1090: 1084: 1078: 1072: 1065: 1063: 1056: 1038: 1026: 1025: 1020: 1018: 1017: 1010: 1003: 995: 987: 986: 962: 953: 928: 927: 925: 922: 921: 920: 915: 910: 905: 898: 895: 876: 875: 855:equal-tempered 850: 824: 789: 711: 710: 707: 701: 700: 697: 691: 690: 687: 681: 680: 674: 673: 670: 664: 663: 647: 645:Interval class 641: 640: 624: 618: 617: 613: 612: 609: 605: 604: 601: 597: 596: 592: 591: 589:neutral second 586: 573: 569: 566: 533: 530: 510: 509: 491:neutral second 489:equal-tempered 484: 454: 416:neutral second 390: 389: 386: 380: 379: 376: 370: 369: 366: 360: 359: 353: 352: 351:11:10 or 12:11 349: 343: 342: 326: 324:Interval class 320: 319: 303: 297: 296: 292: 291: 288: 284: 283: 279: 278: 273: 265:Neutral second 260: 258: 255: 252: 251: 243: 233: 225: 221: 220: 212: 202: 194: 190: 189: 181: 171: 163: 159: 158: 150: 140: 132: 128: 127: 124: 121: 118: 113: 112: 107: 102: 97: 95:Neutral second 24: 14: 13: 10: 9: 6: 4: 3: 2: 1988: 1977: 1976:Quarter tones 1974: 1972: 1969: 1968: 1966: 1953: 1943: 1933: 1930: 1928: 1925: 1923: 1920: 1918: 1915: 1913: 1910: 1909: 1907: 1905: 1901: 1895: 1892: 1890: 1887: 1885: 1882: 1880: 1877: 1876: 1874: 1872: 1868: 1861: 1858: 1855: 1852: 1849: 1846: 1845: 1841: 1838: 1835: 1832: 1829: 1826: 1823: 1820: 1817: 1814: 1813: 1809: 1806: 1803: 1800: 1797: 1796:Lesser diesis 1794: 1793: 1789: 1786: 1783: 1780: 1777: 1774: 1771: 1768: 1767: 1765: 1763: 1762: 1757: 1751: 1748: 1746: 1743: 1741: 1738: 1737: 1735: 1733: 1732: 1731:Quarter tones 1727: 1721: 1718: 1716: 1713: 1711: 1708: 1707: 1705: 1703: 1702: 1697: 1691: 1688: 1686: 1683: 1681: 1680:Pseudo-octave 1678: 1676: 1673: 1671: 1668: 1666: 1663: 1662: 1660: 1658: 1654: 1651: 1645: 1630: 1627: 1626: 1624: 1622: 1618: 1611: 1608: 1605: 1602: 1599: 1596: 1593: 1590: 1587: 1584: 1581: 1578: 1575: 1572: 1569: 1566: 1563: 1560: 1557: 1554: 1553: 1551: 1549: 1545: 1542: 1540: 1534: 1533: 1528: 1503: 1500: 1483: 1480: 1463: 1460: 1443: 1440: 1423: 1420: 1403: 1400: 1387: 1384: 1383: 1381: 1376: 1370: 1367: 1365: 1359: 1358: 1353: 1350: 1342: 1327: 1324: 1321: 1318: 1315: 1312: 1309: 1306: 1303: 1300: 1297: 1294: 1291: 1288: 1287: 1285: 1283: 1279: 1272: 1269: 1266: 1263: 1260: 1257: 1254: 1251: 1248: 1245: 1242: 1239: 1236: 1233: 1232: 1230: 1228: 1224: 1217: 1214: 1211: 1208: 1205: 1202: 1199: 1196: 1193: 1190: 1187: 1184: 1181: 1178: 1177: 1175: 1173: 1169: 1162: 1159: 1156: 1153: 1150: 1147: 1144: 1141: 1140: 1138: 1136: 1132: 1125: 1122: 1119: 1116: 1113: 1110: 1107: 1104: 1103: 1101: 1099: 1095: 1088: 1085: 1082: 1079: 1076: 1073: 1070: 1067: 1066: 1064: 1060: 1057: 1055: 1051: 1042: 1039: 1033: 1027: 1023: 1016: 1011: 1009: 1004: 1002: 997: 996: 993: 983: 982:0-89579-507-8 979: 975: 969: 967: 963: 957: 954: 950: 949:0-8247-4714-3 946: 942: 936: 934: 930: 923: 919: 916: 914: 911: 909: 906: 904: 901: 900: 896: 894: 892: 888: 887:perfect fifth 884: 883:neutral third 879: 873: 866: 858: 856: 851: 848: 844: 837: 829: 825: 819: 807: 798: 794: 790: 784: 776: 772: 771: 770: 765: 757: 756:major seventh 750: 742: 741:minor seventh 738: 727: 717: 708: 706: 702: 698: 696: 692: 688: 686: 682: 679: 675: 671: 669: 668:Just interval 665: 648: 646: 642: 625: 623: 619: 614: 610: 606: 602: 598: 593: 590: 587: 585: 581: 572: 567: 565: 563: 559: 555: 551: 547: 543: 539: 531: 529: 527: 523: 519: 515: 507: 500: 492: 490: 485: 482: 478: 474: 467: 459: 455: 452: 445: 437: 433: 432: 431: 429: 425: 421: 420:medium second 417: 406: 396: 387: 385: 381: 377: 375: 371: 367: 365: 361: 358: 354: 350: 348: 347:Just interval 344: 327: 325: 321: 304: 302: 298: 293: 289: 285: 280: 277: 274: 272: 268: 256: 244: 240: 234: 226: 223: 222: 213: 209: 203: 195: 192: 191: 182: 178: 172: 164: 161: 160: 151: 147: 141: 133: 130: 129: 125: 122: 119: 117: 116: 111: 108: 106: 105:Neutral sixth 103: 101: 100:Neutral third 98: 96: 93: 92: 91: 89: 85: 81: 77: 72: 70: 66: 62: 58: 54: 50: 46: 42: 38: 31:Neutral third 29: 19: 1903: 1870: 1856:(0.72 cents) 1850:(1.95 cents) 1830:(13.8 cents) 1824:(10.1 cents) 1818:(19.5 cents) 1810:(35.7 cents) 1804:(62.6 cents) 1798:(41.1 cents) 1790:(27.3 cents) 1784:(22.6 cents) 1778:(21.5 cents) 1772:(23.5 cents) 1759: 1740:Quarter tone 1730: 1729: 1700: 1699: 1656: 1621:Higher-limit 1536: 1530: 1501: 1442:major fourth 1401: 1386:quarter tone 1374: 1361: 1355: 1044: 973: 956: 940: 880: 877: 853: 827: 792: 774: 736: 734: 689:1000 or 1100 608:Abbreviation 571: 535: 514:Arabic music 511: 487: 457: 435: 428:major second 424:minor second 419: 415: 413: 287:Abbreviation 76:quarter tone 73: 40: 37:music theory 34: 1889:Millioctave 1871:Measurement 1862:(0.4 cents) 1842:(7.7 cents) 1836:(8.1 cents) 1720:Major limma 1462:minor fifth 943:, p.xxiii. 843:frequencies 797:frequencies 600:Other names 65:minor third 57:major third 1965:Categories 1922:Semiditone 1816:Diaschisma 1631:(17-limit) 1322:(22 or 23) 1320:fourteenth 1316:(20 or 21) 1314:thirteenth 1310:(18 or 19) 1304:(17 or 18) 1298:(15 or 16) 1292:(13 or 14) 1227:Diminished 1054:interval.) 1035:(post-Bach 924:References 516:(see also 388:165 or 151 368:100 or 200 1884:Centitone 1822:Semicomma 1701:Semitones 1665:Microtone 1649:intervals 1326:fifteenth 1172:Augmented 1050:semitones 1022:Intervals 976:, p.131. 791:The just 622:Semitones 451:frequency 301:Semitones 224:sevenths 1854:Breedsma 1302:eleventh 1282:Compound 1037:Western) 1032:semitone 897:See also 847:harmonic 477:eleventh 248:♮ 230:♭ 217:♮ 199:♭ 186:♮ 168:♭ 155:♮ 137:♭ 131:seconds 123:neutral 45:interval 1860:Ragisma 1848:Schisma 1834:Kleisma 1670:5-limit 1576:(15:14) 1570:(21:20) 1564:(28:27) 1558:(36:35) 1548:7-limit 1513:⁄ 1502:seventh 1493:⁄ 1473:⁄ 1453:⁄ 1433:⁄ 1413:⁄ 1393:⁄ 1375:Neutral 1348:systems 1308:twelfth 1265:seventh 1216:seventh 1161:seventh 1124:seventh 1062:Perfect 1030:Twelve- 658:⁄ 635:⁄ 584:Inverse 568:Seventh 524:in the 337:⁄ 314:⁄ 271:Inverse 257:Second 193:sixths 162:thirds 69:inverts 59:is 400 1917:Ditone 1904:Others 1894:Savart 1761:Commas 1657:Groups 1606:(10:7) 1402:second 1346:tuning 1271:octave 1247:fourth 1235:second 1198:fourth 1186:second 1180:unison 1143:second 1106:second 1087:octave 1075:fourth 1069:unison 1052:in the 980:  947:  126:major 120:minor 43:is an 1927:Secor 1675:Comma 1647:Other 1612:(7:4) 1600:(7:5) 1594:(9:7) 1588:(7:6) 1582:(8:7) 1482:sixth 1422:third 1344:Other 1296:tenth 1290:ninth 1259:sixth 1253:fifth 1241:third 1210:sixth 1204:fifth 1192:third 1155:sixth 1149:third 1135:Minor 1118:sixth 1112:third 1098:Major 1081:fifth 872:cents 678:Cents 562:17-ET 558:comma 554:72-ET 550:41-ET 546:31-ET 542:24-ET 538:22-ET 506:cents 357:Cents 88:72-ET 86:, or 84:41-ET 80:31-ET 61:cents 1912:Wolf 1879:Cent 1328:(24) 1273:(11) 1218:(12) 1212:(10) 1163:(10) 1126:(11) 1089:(12) 978:ISBN 945:ISBN 891:root 864:play 835:play 817:play 805:play 782:play 763:play 748:play 725:Play 699:1050 616:Size 595:Name 548:and 498:play 465:play 456:the 443:play 404:Play 295:Size 282:Name 63:, a 55:, a 39:, a 1267:(9) 1261:(7) 1255:(6) 1249:(4) 1243:(2) 1237:(0) 1206:(8) 1200:(6) 1194:(5) 1188:(3) 1182:(1) 1157:(8) 1151:(3) 1145:(1) 1120:(9) 1114:(4) 1108:(2) 1083:(7) 1077:(5) 1071:(0) 852:An 552:. 486:An 418:or 378:150 235:≊ B 204:≊ A 173:≊ E 142:≊ D 35:In 1967:: 1506:10 965:^ 932:^ 826:A 773:A 735:A 628:10 611:n7 544:, 528:. 414:A 290:n2 82:, 1518:) 1515:2 1511:1 1508:+ 1504:( 1498:) 1495:2 1491:1 1488:+ 1486:8 1484:( 1478:) 1475:2 1471:1 1468:+ 1466:6 1464:( 1458:) 1455:2 1451:1 1448:+ 1446:5 1444:( 1438:) 1435:2 1431:1 1428:+ 1426:3 1424:( 1418:) 1415:2 1411:1 1408:+ 1406:1 1404:( 1398:) 1395:2 1391:1 1388:( 1014:e 1007:t 1000:v 984:. 849:. 823:. 731:. 660:2 656:1 653:+ 651:1 649:~ 637:2 633:1 630:+ 626:~ 603:- 410:. 339:2 335:1 332:+ 330:1 328:~ 316:2 312:1 309:+ 307:1 305:~ 245:B 227:B 214:A 196:A 183:E 165:E 152:D 134:D 20:)

Index

Neutral seventh

music theory
interval
major nor minor
equal temperament
major third
cents
minor third
inverts
quarter tone
31-ET
41-ET
72-ET
Neutral second
Neutral third
Neutral sixth
Neutral seventh
half flat
half flat
half flat
half flat
Inverse
neutral seventh
Semitones
Interval class
Just interval
Cents
12-Tone equal temperament
24-Tone equal temperament

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