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reviewer stated, "For those who were or are part of the scene
Lindquist chronicles, the colorful legal battle and the hordes of monosyllabic hipsters who swarm through this world-weary paean to Seattle may indeed resonate."
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The novel chronicles the misadventures of a former musician who becomes a prosecutor. Stylistic quirks include real characters from the
Seattle scene interacting with fictional characters. "One of the many pleasures of
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stated that "Books that draw on the richness of pop culture can be pure delight, or they can be too taken with their own cleverness to make much of an impression. Mark
Lindquist's third novel,
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stated, "Just the right mix of truth and sentiment, with a happy lack of cool irony ... and dialogue that's absolutely pitch perfect ... it feels as if we will see a movie called
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is in its rightness of local details.... Lindquist's penchant for the truth pays off, for his novel gives us a
Seattle we can recognize." (Claire Dederer,
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Long, Tom (29 July 2000). "In 'Nirvana,' Pete Tyler's an ex-singer with sad notes (book review)".
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Iuliano, Fiorenzo. "Playing (in) Seattle: Grunge as a
Narrative Soundscape in Mark Lindquist's
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in the multiplexes sometime next year. But it won't be as good as the book."
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is the third novel by Mark
Lindquist. The hardcover was published in 2000.
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370:Write in Tune: Contemporary Music in Fiction
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336:Zacharek, Stephanie (May 28, 2000).
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258:falls somewhere in the middle."
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16:2000 novel by Mark Lindquist
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38:, as no other articles
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338:"Never Mind Nirvana"
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366:Never Mind Nirvana
319:"Facing the Music"
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