475:
Nicola Amati or merely considered himself a student and admirer of his work. There are important discrepancies between their work. Some researchers believe early instruments by
Stradivari bear a stronger resemblance to Francesco Rugeri's work than Amati's. Additionally, the utilization of a small dorsal pin or small hole, invariably used not just by Nicolò Amati but all of his confirmed pupils—with the exception of Antonio Stradivari, adds further evidence that Stradivari may have learnt his craft apart from Amati. This pin or hole was fundamental in the graduation of the thickness of the plates and was obviously a technique passed on through generations of pupils of the Amati. This dorsal pin is also not found in any of the instruments of the Rugeri family, suggesting Antonio Stradivari may have actually learnt his craft from Francesco Rugeri, although both being influenced by Amati.
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lived and boarded at his own home while apprenticing. Francesco occasionally inserted his labels in his instruments stating he was a pupil of Nicola Amati. For example, there exists a violin labelled "Francescus
Rugerius Alumnus Nicolai Amati fecit Cremonæ 1663". Nicolò Amati was the godfather to Francesco's son, Giacinto, indicating that the two families at least shared a close relationship and close collaboration would seem likely.
474:
from 1681 shows that it was made from the same tree trunk as an Amati cello made in 1679. The only documentary evidence is one
Antonio Stradivari label dated 1666, which reads, "Alumnus Nicolais Amati" - student of Nicolò Amati. It has always been controversial whether he was an actual apprentice of
459:
may have been a pupil of Nicola Amati, however, like
Antonio Stradivari, census records also fail to mention his name in the census of the Amati household. The lack of census records showing the Rugeri name may be explained by the possibility of Francesco not being an indoor apprentice, but one who
389:
Of all the Amati Family violins, those of Nicola are often considered most suitable for modern playing. As a young man his instruments closely followed the concepts of his father's, with a relatively small model and high arch rising nearly to a ridge in the centre of both the front and back of the
405:
Beginning in 1630, he gradually began to show signs of originality, which by 1640 were expressed in what is now known as the "Grand Amati
Pattern". This Grand Pattern was slightly larger (the backs being up to 35.6 cm (about 14 inches) long, and most notably, up to 20.9 cm (about
444:
virtually wiped out all the luthiers of
Cremona and Brescia, Nicola singlehandedly continued the local tradition of violin making. Demand for musical instruments began to increase in the 1640s, causing him to be one of the first to take apprentices from outside his family into his workshop.
346:. He was one of 12 children of Girolamo. Amati's mother, Laura de Lazzarini, also known as Laura de Medici de Lazzarini, was the daughter of Giovanni Francesco Guazzoni. They were distantly related to the Florentine
502:
Nicola ceased being actively involved in violin manufacturing by the end of 1670. Increasingly the handwork of his son, Hieronymus II, is seen on Amati instruments. Amati died on 12 April 1684, aged 87.
494:, Giacomo Gennaro, Giacomo 'Tedesco' (meaning 'German' and probably a nickname), Giacomo Reilich, Giovanni Segher (or Jaeger), and Amati's son, Hieronymus II (often referred to in English as Girolamo).
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affected northern and central Italy including
Cremona. In 1630, the plague killed Amati's father, mother and two of his sisters. After his parents' death, he lived with his sister until his marriage.
1471:
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concede that they fail to find the hand of
Stradivari in any of Nicolo Amati's work, although the unmistakable hands of Andrea Guarneri and Francesco Rugeri are evident.
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forms of the first names, Andreas, Antonius, Hieronymus, and
Nicolaus, were generally used on the violin labels, and the family name was sometimes Latinized as Amatus.
1288:
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420:, these instruments represent perhaps the height of elegance in violin making, and were characterized by mathematically derived outlines and transparent amber-colored
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Wurlitzer, W. Henry Hill, Arthur F. Hill and Alfred E. Hill; with a new introduction by Sydney Beck and new supplementary indexes by
Rembert (1963).
1027:
Wurlitzer, W. Henry Hill, Arthur F. Hill and Alfred E. Hill; with a new introduction by Sydney Beck and new supplementary indexes by Rembert (1963).
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Amati's instruments are very rare and most of them are on display in museums around the world. Museums with his work on display, include the
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527:, was present at the ceremony and signed the register. Nicolo and Lucrezia had four sons and four daughters. Their son Girolamo Amati (
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Nicola probably apprenticed with his father and uncle. By the 1620s, Nicola was the dominant luthier in the Amati workshop.
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Violin Makers: Nicolò Amati and Antonio Stradivari, Heilbrunn Timeline of Art History, The Metropolitan Museum of Art
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For the later luthier (1662–1752) with no connection to the Amati family, see
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However, there are a few performers who have played with Nicola instruments,
1247:
Carlo Bergonzi: Alla scoperta di un grande Maestro by By Christopher Reuning
923:"Violin Makers: Nicolò Amati (1596–1684) and Antonio Stradivari (1644–1737)"
17:
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was likely a pupil of Nicola, although evidence is scarce. For instance,
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Mauro, Bernabei; Jarno, Bontadi; Luigi, Sisto (1 August 2022).
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Chiesa, Carlo (December 2012). "In the Footsteps of a Master".
294:, Italy. Amati is one of the most well-known luthiers from the
797:"From the Archive: a violin by Nicolo Amati, Cremona, 1660-70"
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1740) (known as Girolamo II) was the family's last luthier.
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the 'King Louis XIV, Youssoupov, Panajeff, Medici' 1656,
541:
Amati died on 12 April 1684, aged 87, in Cremona, Italy.
1139:"Dendrochronological analysis of the Stradivari's harp"
1260:
Antonio Stradivari : his life and work, 1664-1737
1030:
Antonio Stradivari : his life and work, 1664-1737
1229:
Poulain, Yann (May 2018). "Geometrical Progression".
262:
1564:
Amati violin scanned in 3D by Jason Price - Tarisio
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866:Stradivarius: Five Violins, One Cello and a Genius
553:in New York, Museo del Violino in Cremona and the
973:The Universal Dictionary of Violin and Bow Makers
1263:(New Dover ed.). New York: Dover. pp.
1033:(New Dover ed.). New York: Dover. pp.
342:1630) from his second wife, and the grandson of
318:, as their work is heavily influenced by Amati.
1186:Hill, W. H.; Hill, A. F.; Hill, A. E. (1963).
816:
814:
470:of the soundboard on a surviving Stradivarius
947:The A-Z Guide to Tracing Ancestors in Britain
523:26 November 1703) on 23 May 1645. His pupil,
279:[niˈkɔːlaaˈmaːti,nikoˈlɔ-,nikoˈlaːo-]
8:
1287:: CS1 maint: multiple names: authors list (
1057:: CS1 maint: multiple names: authors list (
1424:The Met's Heilbrunn Timeline of Art History
927:The Met's Heilbrunn Timeline of Art History
515:A Nicola Amati violin dating from the 1640s
282:; 3 September 1596 – 12 April 1684) was an
1574:Violins, Violas and Cellos by Nicolo Amati
482:Other documented pupils of Amati include:
49:
38:
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1420:"Work of Art – Violin 1669 Nicolò Amati"
1194:. New York: Dover Publications. p.
545:Performers with Nicolo Amati instruments
1442:"Violin by Nicolo Amati, Cremona, 1662"
910:from the original on 22 September 2017.
761:
1280:
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933:from the original on 20 December 2017.
1464:"Nicolò Amati 1684 "Hammerle" violin"
1326:
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1190:Antonio Stradivari: His Life and Work
868:. London: Pan Macmillan. p. 22.
453:of violin makers, was Amati's pupil.
277:
221:
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1452:from the original on 1 January 2016.
1408:from the original on 1 October 2017.
904:Roger Graham Hargrave – Violin Maker
893:
891:
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791:
789:
770:"Amati Violin, the "King Louis XIV""
701:the 'Professor Florian Zajic' 1672,
1474:from the original on 10 April 2018.
1385:from the original on 6 August 2016.
950:. Genealogical Publishing Company.
775:National Museum of American History
490:, Jacob Railich, Bartolomeo Pasta,
217:
1430:from the original on 2 April 2018.
1355:"The life of Nicolò Amati, part 2"
1343:from the original on 1 April 2018.
1304:"The life of Nicolò Amati, Part 2"
987:"Metropolitan Museum of Art (W3C)"
807:from the original on 1 April 2018.
782:from the original on 1 April 2018.
326:Nicola Amati was the fifth son of
27:Italian master luthier (1596–1684)
25:
1579:Archivio della liuteria cremonese
564:plays a Nicola Amati violin, and
519:Amati married Lucrezia Pagliari (
1073:"Francesco Rugeri, Violin, 1660"
900:"Nicola Amati & the 'Alard'"
246:
1398:"Biography of Hieronymus Amati"
671:the 'Gillott, Woolworth' 1664,
213:
611:the 'Georgie Stoll' c. 1648,
1:
1559:Price History of Nicolò Amati
555:Royal Academy of Music Museum
449:, who eventually founded the
1156:10.1016/j.dendro.2022.125960
725:the 'Professor Wirth' 1663,
535:
531:
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339:
335:
1333:"Biography of Nicolo Amati"
1002:"The History of the Violin"
112:Girolamo 'Hieronymus' Amati
1620:
737:the 'Vatican Stradivari',
590:- played by Frances Magnes
551:Metropolitan Museum of Art
31:
1507:"Staff - Chi-chi Nwanoku"
1486:"Biography: Thomas Bowes"
1468:Google Cultural Institute
665:the 'Count Pergen' 1663,
436:Distinguished apprentices
48:
971:Henley, William (1973).
944:Markwell, F. C. (1989).
719:the 'Spagnoletti' 1683,
713:the 'Spagnoletti' 1682,
683:the 'Baron Knoop' 1666,
581:(From the Cozio Archive)
484:Giovanni Battista Rogeri
442:1629-1631 Italian plague
304:Giovanni Battista Rogeri
117:Antonio 'Antonius' Amati
1217:Alumnus Nicolais Amati.
677:the 'Antoinette' 1666,
1511:Royal Academy of Music
1446:Royal Academy of Music
689:the 'Réthi', c. 1669,
629:the 'Krasner, Voute',
623:the 'Brookings' 1654,
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355:1629–31 Italian plague
1604:Luthiers from Cremona
695:the 'Corcoran' 1671,
653:the 'Hämmerle' 1658,
641:the 'Paganini' 1657,
605:the 'Partello' 1648,
599:the 'Francais' 1647,
593:the 'Ole Bull' 1647,
586:the 'Hambourg' 1641,
568:(OBE) plays an Amati
514:
498:Retirement as luthier
492:Bartolomeo Cristofori
428:and early violins by
373:
1113:"Francesco Ruggieri"
864:Faber, Toby (2011).
851:1 April 2018 at the
803:. 22 February 2016.
743:the 'Willeke' 1642,
731:the 'Berkitz' 1677,
659:the 'Kempner' 1662,
477:W.E. Hill & Sons
220:; died
1373:"Girolamo Amati II"
1117:Ingles & Hayday
1000:Bartruff, William.
647:the 'Kaiser' 1657,
1008:on 8 February 2007
975:. Brighton: Amati.
707:the 'Voigt' 1682,
617:the 'Alard' 1649,
517:
464:Antonio Stradivari
430:Antonio Stradivari
401:Nicola Amati style
379:
374:1670 Nicola Amati
308:Antonio Stradivari
182:Nicola Amati style
1143:Dendrochronologia
957:978-0-8063-1252-1
898:Hargrave, Roger.
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203:Lucrezia Pagliari
99:Cremona Cathedral
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390:instrument.
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344:Andrea Amati
332:Hieronymus I
331:
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238:Nicolò Amati
237:
234:Nicola Amati
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137:Notable work
84:(1684-04-12)
43:Nicola Amati
29:
18:Nicolò Amati
1599:1684 deaths
1594:1596 births
1516:1 September
1491:18 February
1308:Tarisio.com
826:tarisio.com
745:Cozio 43994
739:Cozio 49233
733:Cozio 49362
727:Cozio 42792
721:Cozio 31738
715:Cozio 46565
709:Cozio 49281
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685:Cozio 60433
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655:Cozio 42363
649:Cozio 48782
643:Cozio 43781
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631:Cozio 47111
625:Cozio 40441
619:Cozio 40103
613:Cozio 18796
607:Cozio 40877
601:Cozio 48781
595:Cozio 48649
588:Cozio 46038
570:double-bass
557:in London.
385:Amati style
376:Double bass
179:Amati style
1588:Categories
1211:15 January
1149:: 125960.
1012:2 November
757:References
750:See also:
440:After the
322:Early life
296:Casa Amati
64:1596-09-03
1313:20 August
1283:cite book
1265:27 and 31
1231:The Strad
1173:248648921
1165:1125-7865
1099:The Strad
1053:cite book
831:20 August
801:The Strad
151:Brookings
105:Education
1541:21 April
1472:Archived
1450:Archived
1428:Archived
1406:Archived
1383:Archived
1341:Archived
1237:: 54–58.
931:Archived
908:Archived
849:Archived
805:Archived
780:Archived
275:Italian:
190:Movement
163:Hammerle
1536:Tarisio
1378:Tarisio
1359:Tarisio
1077:Tarisio
422:varnish
418:purfled
411:⁄
292:Cremona
288:luthier
286:master
284:Italian
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1082:4 June
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361:Career
338:1561;
314:, and
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198:Spouse
165:(1658)
159:(1656)
153:(1654)
147:(1649)
1402:Amati
1337:Amati
1169:S2CID
1101:: 52.
395:Latin
290:from
224:)
212:(
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173:Style
145:Alard
1543:2021
1518:2018
1493:2012
1315:2018
1289:link
1269:ISBN
1213:2009
1200:ISBN
1161:ISSN
1124:2018
1084:2018
1059:link
1039:ISBN
1014:2006
952:ISBN
870:ISBN
833:2018
472:harp
393:The
353:The
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222:1684
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58:Born
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