296:"damp, mildewed vault of an old church in the outskirts of Rome, ... by reason of the hideous paintings with which its walls are covered. These represent the martyrdoms of saints and early Christians; and such a panorama of horror and butchery no man could imagine in his sleep, though he were to eat a whole pig raw, for supper. Grey-bearded men being boiled, fried, grilled, crimped, singed, eaten by wild beasts, worried by dogs, buried alive, torn asunder by horses, chopped up small with hatchets: women having their breasts torn with iron pinchers, their tongues cut out, their ears screwed off, their jaws broken, their bodies stretched upon the rack, or skinned upon the stake, or crackled up and melted in the fire: these are among the mildest subjects."
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He painted frescoes (starting 1574) on mythologic themes including a
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expressed horror at the spectacle in this church, calling it a:
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Circignani's last documented painting, in Cascia, is from 1596.
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S. Stefano
Rotondo, in Thayer's Guide to Roman Churches
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Freedberg, Sydney J. (1993). Pelican
History of Art (ed.).
206:. He painted frescoes (1568) in the church of the
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136:Learn how and when to remove this message
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385:16th-century Italian painters
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32:Renaissance
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161:Belvedere
150:Pomarance
42:Biography
36:Mannerist
220:Panicale
179:(1572),
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305:Sources
270:Jesuits
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