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291:. Much of his output reflected an often overlooked function of artists of the time: the ephemeral festive decorations erected to celebrate special occasions in the court circle, for example, the decorations for the
283:(destroyed), following Primaticcio's designs. He also executed private commissions for portable canvases of mythological subjects sited in landscapes. He designed a series of tapestries titles
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in 1547. In
Bologna, most of his painting depicted elaborate landscapes and aristocratic genre scenes of hunting and
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does have a collection of his drawings. Many of his canvasses were burnt in 1643, by the
Austrian regent,
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to France. He may be found indexed under either "Niccolò" or "Abbate", though the former is more correct.
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Niccolò is best known for his mythological landscape subjects, which introduced the
Flemish
303:. His final pieces, in 1571, were 16 murals which were done with the assistance of his son
197:, often paralleled in mythologic narratives. It was during this time that he decorated the
132:. He specialized in long friezes with secular and mythological subjects, including for the
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279:(preparatory drawing at the Louvre). In Paris, he frescoed the chapel ceiling in the
275:. Within two years of his arrival he was drawing a project for a decor commemorating
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among others. One of his early pieces that cemented his reputation was the
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Gilbert, Creighton (1969). Myers, Bernard S.; Myers, Shirley D. (eds.).
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550:. Vol. 1: Aa-Ceylon. New York, NY: McGraw-Hill Book Company.
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An
Outline of the Life and Works of Modenese Painter Ercole Abati
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625:
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227:, and where he was celebrated in a sonnet which compares him to
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Della Vita e Delle Opere di Ercole Abati
Pittore Modenese Cenni
674:(8th ed.). Edinburgh, UK: Chambers Harrap Publishers Ltd.
267:
In 1552, Niccolò moved to France, where he worked at the royal
728:] (in Italian). Modena, Italy: G. Vincenzi E. Compagno.
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composed of a ring of young musicians seen in perspective,
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as a member of the decorating team under the direction of
217:. Bologna is also the location of his illustrations for
620:] (in Italian). Bologna, Italy: Costantino Pisarri.
120:, a local Modenese sculptor; early influences included
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school, and was part of the team of artists called the
743:: Christophe Brouard, review of the 2005 exhibition
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641:. Oxford, UK: Oxford University Press. pp.
260:. His surviving stucco-surface landscape in the
203:, and executed a cycle of frescoes illustrating
370:were influential for the 17th century painters
146:) he created 12 frescoes, one for each book of
394:Whose name was formerly attached to Nicolò's
8:
529:Art and Architecture in France: 1500 to 1700
160:(early 1540s), and the Hercules Room in the
74:(1509 or 1512 – 1571) was a
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174:frescoes removed from Palazzo Casotti at
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181:His style was modified by exposure to
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170:(c. 1540–43), and possibly the
142:owned by the counts Boiardo (whom he
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341:Landscape with the Death of Eurydice
322:(1573–1613), was one of his pupils.
238:Martyrdom of St. Peter and St. Paul
289:painted enamel industry of Limoges
25:
287:, some of which were used by the
252:, where he gained influence from
671:Chambers Biographical Dictionary
241:, in the church of the abbey of
152:, and notably a courtly ceiling
136:(1537); in various rooms of the
105:Niccolò dell'Abbate was born in
718:Valdrighi, Conte Mario (1826).
668:Rockwood, Camilla, ed. (2007).
584:Hoiberg, Dale H., ed. (2010).
248:He spent 1548 through 1552 in
1:
768:16th-century Italian painters
633:Osborne, Harold, ed. (1970).
548:McGraw-Hill Dictionary of Art
533:. London, UK: Penguin Books.
366:. Some of his landscapes for
334:into French art, such as the
307:. That year, Niccolò died in
639:The Oxford Companion to Art
608:Orlandi, Pellegrino Antonio
144:portrayed in the late 1530s
804:
783:Italian Mannerist painters
264:shows his maturing style.
109:, the son of a violinist.
112:He trained together with
346:National Gallery, London
314:Niccolò's great-nephew,
269:Château de Fontainebleau
85:and oils. He was of the
18:Niccolo dell'Abbate
590:Encyclopædia Britannica
586:"Abbate, Niccolò dell'"
396:Portrait of a Young Man
262:Palazzo dell'Università
209:in the ducal palace at
91:School of Fontainebleau
59:Portrait of a young man
613:L'Abecedario Pittorico
295:into Paris staged for
60:
52:
48:Chimney breast at the
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778:Italian male painters
635:"Niccolò Dell'Abbate"
618:The ABC's of Painting
273:Francesco Primaticcio
134:Palazzo dei Beccherie
58:
47:
33:
788:Painters from Modena
301:Elisabeth of Austria
93:that introduced the
758:16th-century births
285:Les Mois Arabesques
277:Anne de Montmorency
189:, when he moved to
95:Italian Renaissance
64:Niccolò dell'Abbate
773:Italian decorators
351:Rape of Proserpine
139:Rocca di Scandiano
122:Ferrarese painters
61:
53:
42:
35:Rape of Proserpine
705:Missing or empty
698:cite encyclopedia
681:978-0-550-18022-3
599:978-1-59339-837-8
571:Missing or empty
564:cite encyclopedia
118:Antonio Begarelli
116:in the studio of
16:(Redirected from
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224:Orlando Furioso
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158:Sotto in Su
130:Dosso Dossi
752:Categories
690:2008425136
516:References
494:Blunt 1953
368:Charles IX
311:, France.
297:Charles IX
245:, Modena.
243:San Pietro
149:The Aeneid
406:Footnotes
254:Correggio
183:Correggio
101:Biography
76:Mannerist
661:71526168
626:49040160
610:(1719).
556:68026314
539:54008892
525:(1953).
348:and the
211:Sassuolo
126:Garofalo
124:such as
643:776–777
354:in the
344:in the
337:Orpheus
250:Bologna
229:Raphael
219:Ariosto
213:, near
191:Bologna
168:Soragna
154:Concert
87:Emilian
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360:Louvre
356:Louvre
320:Modena
233:Titian
215:Modena
172:loggia
107:Modena
83:fresco
68:Nicolò
39:Louvre
724:[
616:[
382:Notes
326:Works
72:Abate
711:help
686:LCCN
676:ISBN
657:LCCN
647:ISBN
622:LCCN
594:ISBN
577:help
552:LCCN
535:LCCN
374:and
364:Anne
339:and
256:and
231:and
185:and
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