256:, Zangwill argues that the existence of domesticated animals depends on the practice of eating them, and that meat eating has historically benefitted many millions of animals and given them good lives. Consequently, he claims that eating non-human animal meat is not merely permissible but also good for many millions of animals. However, Zangwill clarifies that this argument does not apply to factory farm animals, as they do not have good lives. Thus, when he speaks of meat eating being justified, he means only meat from animals that overall have a good life. Zangwill has commented that "I think a lot of the domesticated animals lives are a lot better than your average animal lives. They're waited on by human beings, they don't have to do much. We get rid of their predators. We provide them food, we provide them even romance."
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of music and our experience of these properties: musical experience is an awareness of an array of sounds and of the aesthetic properties that they determine. Our experience is directed onto the sound structure and its aesthetic properties. This is the content of musical experience."
221:' in art as referring to those properties "that are determined solely by sensory or physical properties—so long as the physical properties in question are not relations to other things and other times." The philosopher and architect
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has defined formalism in art and architecture as "the doctrine that states that the aesthetic qualities of works of visual art derive from the visual and spatial properties."
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and has stated that "vegetarians and vegans are the natural enemies of domesticated animals that are bred to be eaten". In his 2021 paper
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Zangwill defends a particular 'weak' version of the idea that the mental is essentially
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Kreutz, Adrian (2022). "Whatever It Is We Owe to
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In the 21st century, philosophers such as
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602:(2022). "We Have No Moral Duty to Eat Meat: A Reply to Nick Zangwill".
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Music and
Aesthetic Reality: Formalism and the Limits of Description
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Music and
Aesthetic Reality: Formalism and the Limits of Description
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Music and
Aesthetic Reality: Formalism and the Limits of Description
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has authored a reply to
Zangwill, commenting that he is invoking
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In aesthetics, Zangwill has defined his position as 'moderate
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469:(Ithaca, NY: Cornell University Press, 2001), p. 56,
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737:Academics of University College London
561:"Why eating animals is our moral duty"
198:In metaethics, Zangwill has defended
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563:. rnz.co.nz. Retrieved 2 July 2022.
151:. He is known for his expertise on
752:Alumni of the University of London
204:externalism about moral motivation
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722:21st-century British philosophers
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697:20th-century British male writers
502:. aeon.co. Retrieved 2 July 2022.
797:British male non-fiction writers
877:British philosophers of culture
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842:Literacy and society theorists
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727:21st-century British educators
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514:"Our Moral Duty to Eat Meat"
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266:and ignores developments in
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250:which was published in the
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573:Tague, Gregory F. (2023).
248:Our Moral Duty to Eat Meat
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488:Philosophy for architects
467:The Metaphysics of Beauty
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284:and Adrian Kreutz in the
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817:Critics of vegetarianism
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634:Journal of Animal Ethics
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287:Journal of Animal Ethics
281:Public Affairs Quarterly
238:Zangwill has criticized
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512:Zangwill, Nick (2021).
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757:Analytic philosophers
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379:Scruton's Aesthetics
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767:British art critics
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339:Philosophy of logic
300:aesthetics in music
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229:Philosophical views
165:philosophy of music
114:philosophy of logic
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912:Philosophy writers
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677:Prof Nick Zangwill
442:Sztuka I Filozofia
367:Aesthetic Creation
363:(Cornell UP, 2001)
323:Philosophy of mind
272:animal agriculture
184:philosophy of mind
149:Lincoln University
110:philosophy of mind
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68:Western philosophy
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486:Branko Mitrović,
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588:(1): 60–65.
451:17 December
421:17 December
176:metaphysics
137:philosopher
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102:metaphysics
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475:0801438209
396:References
308:Peter Kivy
194:Background
169:visual art
161:aesthetics
157:metaethics
98:Aesthetics
548:236309023
540:2053-4477
333:anomalism
329:normative
219:formalism
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214:theory.
391:, 2021)
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