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1953:
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339:, Medtner lived at home with his parents. During that time, he fell in love with Anna Mikhaylovna Bratenskaya (1877–1965), a respected violinist and the young wife of his older brother Emil. Later, when World War I broke out, Emil was interned in Germany where he had been studying. He generously gave Anna the freedom to marry his brother, and Medtner and Anna were married in 1918.
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sonata-form, the slow movement rondo-like (the similarity to one melody by
Rachmaninoff is coincidental, as the latter was not written until some thirty years later). A minatory final march with variations ends with a Coda that revisits earlier material. This was the only Medtner sonata that Rachmaninoff performed.
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in A minor, thematically related to the opening movement's faster sections, is in Rondo-form. After a reminiscence of the motto, the
Andante is a lament in F minor, extremely Russian in sentiment. The virtuoso Finale has thematic elements related to Russian Orthodox liturgical music (Medtner was born
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in 1924, and his recitals were often all-Medtner evenings, consisting of sonatas interspersed with songs and shorter pieces. He never adapted himself to the commercial aspects of touring and his concerts became infrequent. Esteemed in
England, he and Anna settled in London in 1936, modestly teaching,
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The
Eleventh, "Sonata Tragica" in C minor, Op. 39, No. 5, concludes "Forgotten Melodies (Second Cycle)". There is some repetition of themes in this set as well—the piece which precedes the Sonata, "Canzona Matinata", contains a theme which recurs in the Sonata, and according to Medtner's wishes both
769:. A motto theme in the Introduction juxtaposes chords quietly but insistently, joined by a melody on the violin. The melody becomes the first theme of the – lengthy – sonata-form movement that follows, juxtaposed with other themes including a march in imitation. The folksy and syncopated
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in C minor, Op. 33 (1914–18). Dedicated to the composer's mother, this one-movement work opens with an exposition section setting out the material for the work, the opening pages of which erupt with fireworks from the piano against a surging orchestral statement of the subject. A set of variations
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The Tenth "Sonata-reminiscenza" in A minor, Op. 38, No. 1, commences a set of eight pieces entitled "Forgotten
Melodies (First Cycle)". Two further cycles followed, published as Op. 39 and 40. Both this and the following sonata were completed in 1920, the year before Medtner emigrated. This single
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The Sixth Sonata followed soon after, the first of two that comprise his Op. 25. It bears the title "Sonata-Skazka", usually translated as "Fairy Tale Sonata". This short work in C minor, written in 1910–11, is in three movements; the second and third are connected. The first movement is a compact
587:—without pause. This is also a single movement sonata-allegro form, but Allegro, dramatic and ferocious, with three themes of which one (the reminiscence from "Canzona Matinata") does not return. A violent coda concludes. This sonata is well served by recordings, including one by Medtner in 1947.
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in Berlin to popularize his work and to advance cultural exchange in and around Europe. In
October/November 2018 the society organized the 1st International Nikolai Medtner Music Festival in Berlin, which brings together artists and musicologists to perform and discuss his work (see the festival
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The
Thirteenth Sonata, the "Minacciosa" ("menacing") in F minor, Op. 53, No. 2, is another one-movement work. It is highly chromatic, and contains a fugue. Medtner described it as "my most contemporary composition, for it reflects the threatening atmosphere of contemporary events".
398:. He founded the Medtner Society to record all of Medtner's works. Medtner, already in declining health, recorded his three piano concertos and some sonatas, chamber music, numerous songs and shorter works, before his death in London in 1951. In one of those recordings he partnered
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movement is one of
Medtner's most poetic creations; as the title indicates, its character is nostalgic and wistful. Other pieces in opus 38 contain variants of the Sonata's opening theme, such as the concluding "Alla Reminiscenza". This sonata is nowadays the most often performed.
784:, Op. posth. It was published after the composer's death. He worked on sketches of the work from 1903 until its completion in 1949. Medtner considered it the ultimate summary of his musical life. Due to Medtner's illness, the piano part in the work's premiere was taken by
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sonata-form, followed by a
Fantasy capped by a shadowy but active Coda, the latter entirely and ingeniously based on material presented in the Introduction. Under the title "Sonata" Medtner added a note: "The whole piece is in an epic spirit" (Вся пьеса в эпическом духе).
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24 December 1879] – 13 November 1951) was a
Russian composer and pianist. After a period of comparative obscurity in the 25 years immediately after his death, he is now becoming recognized as one of the most significant Russian composers for the piano.
1066:(1935, reprinted 1957 and 1978) was a statement of his artistic credo and reaction to some of the trends of the time. He believed strongly that there were immutable laws to music, whose essence was in song. An English translation of the book was published in 1951 by
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in E minor "Ballade", Op. 60, 1940–43. The factors which led to the creation of this work are closely connected to the circumstances of his final years. It is dedicated to his generous patron, the Maharajah of Mysore. Three connected movements: the first,
540:), an excerpt of which provides an epigraph, was completed in 1911 and dedicated to Sergei Rachmaninoff, who immediately recognised its greatness. It is a vast one-movement work, lasting almost 35 minutes, in two major parts: an Introduction and
324:'s late piano sonatas and string quartets. His composing career began professionally in 1903, when he started publishing his music, and it began to be performed. With the publication of his First Piano Sonata in F minor, he was noticed by
558:, Op. 27, began as a one-movement work, and was expanded into its present form over the period 1912–14. It comprises a Ballade, Introduction and Finale. The tonality and some of the material make passing reference to Chopin's
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make up the central development before the opening returns two thirds of the way through the piece. Eventually the coda sets out the romantic "big tune" before the final pages lead to an unexpectedly bittersweet ending.
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The Second, Third and Fourth piano sonatas are unrelated one-movement works. They were written during the period 1904–07 and published as the "Sonata-Triad", Op. 11. The first of the trio, in A
696:. The first movement is propulsive with kinetic energy, and there is much dialogue between piano and orchestra (a subsidiary theme resembles the Fairy Tale from the Op. 14 (1906–07) pair, the
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or Rachmaninoff, it is nonetheless original. Medtner's craft gained subtlety and complexity in later years, but this work is already evidence of his mastery of musical structure. An opening
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said: "it has the reputation of being a fearsomely difficult work of extraordinary length, exhausting to play and to hear, but of magnificent quality and marvelous invention."
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The Fifth and formerly the most popular of his sonatas is the G minor, Op. 22, written in 1909–1910. The piece alternates a slow introduction with a three-theme, propulsive
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A History of Russian Music: Being an Account of the Rise and Progress of the Russian School of Composers, with a Survey of Their Lives and a Description of Their Works
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minor, Op. 53, No. 1, was completed at the end of 1930, along with its twin. It was premièred in Glasgow in 1931. Returning to a four-movement form, it consists of a
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Medtner took piano lessons from his mother until the age of ten. He also had lessons from his mother's brother, Fyodor Goedicke (the father of his more famous cousin
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1017:. However, many songs are not available on CD, and some await their first recording. A substantial two-CD set, presenting fifty-four Medtner songs, accompanied by
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564:. The first movement opens with one of Medtner's lovely pastoral melodies. The finale, like the Piano Quintet, has a thematic connection with his Pushkin setting
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The Skazki (Fairy Tales) of Nikolai Medtner: The Evolution and Characteristics of the Genre with Compositional and Performance aspects of Selected Fairy Tales
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The one-movement Ninth Sonata in A minor, Op. 30, was published without a title but was known as the "War Sonata" among Medtner's friends; a footnote "during
507:: this comprises most of the development section and contains some of Medtner's loveliest harmonies. There are historic recordings by Moiseiwitch and Gilels.
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described it as "the most concentrated 15 minutes of music one could ever hope to play or listen to". It was dedicated to the Canadian pianist and pupil of
1163:, 1995, out of print). It includes letters, reviews and other documents in German, Russian, English and French, a bibliography and partial discography.
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Medtner also wrote a memoir titled "With S.V. Rachmaninoff" in 1933, in which he writes admiringly about his friend as a composer and as a pianist.
262:, two works for two pianos, many shorter piano pieces, a few shorter works for violin and piano, and 108 songs including two substantial works for
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The First Piano Sonata in F minor, Op. 5, is a four-movement work written between 1901–3 (completed August 1903); though it suggests the style of
438:
199:
492:. The second, in D minor, is entitled "Sonate-Elegie". It opens slowly with one of Medtner's best-known themes and closes with an animated coda (
1121:, Tatania Makushina and Oda Slobodskaya, and Medtner himself via extracts from Muse and the Fashion. The editor of the volume was Richard Holt.
270:(generally known as "Fairy Tales" in English but more correctly translated as "Tales") for piano solo contain some of his most original music.
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366:, Medtner's income from German publishers disappeared and, during that hardship, ill-health became an increasing problem. His devoted pupil,
328:, who would remain a friend of Medtner's throughout his life, as well as a supporter of his composing. Among his students in that period was
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Unlike Rachmaninoff, Medtner did not leave Russia until well after the Revolution. Rachmaninoff secured him a tour of the United States and
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1089:. It contains photographs and essays from his widow, friends, critics, musicians, composers, and admirers. A few of the contributors were:
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among others. Despite his conservative musical tastes, Medtner's compositions and his pianism were highly regarded by his contemporaries.
1171:) was written under guidance from Flamm and presents in-depth analyses of Medtner's sonatas and their historical and aesthetic contexts.
286:. He was the son of Karl Petrovich Medtner (1846–1921) and Alexandra Karlovna Goedicke (1843–1918), and the fifth of their six children.
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503:, one of whose themes was heard in the Introduction. The emotional center of this compact work (sixteen minutes in duration) is the
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702:). The Romanza and Divertimento are each in their own way varied in character, the Divertimento particularly rich in inspiration.
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788:. Medtner's recording of the work with the Aeolian Quartet, unpublished at the time, has been released on the St Laurent label.
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in C minor, Op. 50 (1920–27). Dedicated to Rachmaninoff, who dedicated his own Fourth Concerto to Medtner. In three movements:
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and Ludmilla Andrew have recorded complete CDs with Geoffrey Tozer, as has Caroline Vitale with Peter Baur. The bass-baritone
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have recorded the three piano concertos. Other pianists who championed Medtner's work and left behind recordings include
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The last of the sonatas, "Sonata-Idyll" in G major, Op. 56, was completed in 1937. It consists of two movements: a short
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setting from 1913. In gratitude to his patron, Medtner dedicated his Third Piano Concerto to the Maharajah of Mysore.
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declared Medtner as his favourite composer during a short interview available on the BBC website in September 2011.
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With the support of Taneyev, Medtner rejected a career as a performer and turned to composition, partly inspired by
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at the University of Cincinnati, published by UMI. It contains theoretical analyses of several of Medtner's works.
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vigorously concludes the work. Medtner recorded all three Concertos with the Philharmonia Orchestra in 1947.
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1944:
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828:"I repeat what I said to you back in Russia: you are, in my opinion, the greatest composer of our time."
1977:
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Op.39 discography @ Medtner.org.uk which notes a recording of Op.39 nos.3-5 performed by the composer.
246:, he wrote a substantial number of compositions, all of which include the piano. His works include 14
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and is notable for the two CDs it contains with original recordings of a variety of Medtner's works.
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496:, in D major) based on the second subject. The third, in C, returns to the lyricism of the first.
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1155:. Originally presented as the author's Ph.D thesis (Heidelberg, 1995), it was published by Kuhn (
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Far fewer singers have tackled the songs. Medtner himself recorded a selection with the sopranos
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recorded almost all of Medtner's works for the piano including all the concertos and sonatas.
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Thematic unity in Nicolas Medtner's works for piano : Skazki, sonatas, and piano quintet
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in his two-piano work entitled "Russian Round-Dance", Op 58 No. 1. In another he accompanied
386:(the princely state in Karnataka, southern India). In 1945, the Maharajah became an honorary
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There have been numerous dissertations on Medtner's music. One of the most influential is
1113:, Russian music critic Leonid Sabeneev, Canadian pianist and close friend of the composer
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713:, sustained and profound, slowly developing motion and energy; the second an Interludium,
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2014:
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in 1925, before his later studio recordings for Capitol Records and other labels.
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1167:'s dissertation "The Sonata as an Ageless Principle" (Vienna, 2019, available in
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in 1891, and graduated nine years later in 1900, at the age of 20, receiving the
1932:
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The Muse and the Fashion, being a defence of the foundations of the Art of Music
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The Muse and the Fashion, being a defence of the foundations of the Art of Music
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Medtner published over 100 songs for voice and piano, with words from texts by
378:, first performed in 1944. In 1949, a Medtner Society was founded in London by
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Its companion in Op. 25 is entirely different. The Seventh Sonata in E minor,
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was an early champion of Medtner, and gave the first complete performance of
488:, is an ecstatic work with attractive, lyrical themes, prefaced by a poem by
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1972:
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After Medtner's death, the Mysore Foundation sponsored the publication of
425:, London on 13 November 1951, and is buried alongside his brother Emil in
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Nikolai Medtner was born in Moscow on 24 December 1879, according to the
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Dominy Clements. 'Medtner in England', SOMM CD 0674 (2023), reviewed at
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Der russische Komponist Nikolaj Metner : Studien und Materialien
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1326:
The Russian Mephisto: A Study in the Life and Work of Emilii Medtner
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An asteroid called 9329 Nikolaimedtner is named after the composer.
749:, among others. A vast work in four movements, a counterpart to his
1885:
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448:
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341:
1087:
Nicolas Medtner (1879–1951): A Tribute to his Art and Personality
522:'s 1832 poem "Of what do you howl, night wind...?" (Russian:
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that reaches a Maestoso climax before plunging into the headlong
1826:
Nicolas Medtner, 1879-1951: A Tribute to his Art and Personality
407:
717:
quotes the first movement and prefigures the finale; a lengthy
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1963:
Nicolas Medtner: Worklist, Discography, Publications and News
902:. In modern times, pianists noted for their advocacy include
1967:
1962:
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minor). The ending quotes his Sonata-Skazka, Op. 25, No. 1.
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has recorded a considerable number of Medtner songs with
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Allegro moderato e cantabile (sempre al rigore di tempo)
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Emigrants from the Russian Empire to the United Kingdom
1024:
Medtner recorded piano rolls of some of his works for
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225:
1973:
Website of the International Nikolai Medtner Society
1221:
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1140:). The book is available in a German translation by
394:, London, and was the first president of the London
2040:
Nicolas Medtner: The complete solo recordings Vol.3
2034:
Nicolas Medtner: The complete solo recordings Vol.2
2028:
Nicolas Medtner: The complete solo recordings Vol.1
1988:
Finding aid to the Nikolai Karlovich Medtner Papers
1927:
1917:
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60:. Unsourced material may be challenged and removed.
1174:In 2003, David J. Skvorak wrote a doctoral thesis
359:playing and composing, to a strict daily routine.
1130:Nikolai Karlovich Medtner: Portrait of a Composer
866:has recorded most of the solo piano works, while
1727:(2nd ed.). New York: Biblio & Tannen.
1507:МУЗА И МОДА защита основ музыкального искусства
2117:Converts to Eastern Orthodoxy from Lutheranism
1237:
2142:White Russian emigrants to the United Kingdom
759:Scherzo – Allegro molto vivace, leggiero
590:The Twelfth Sonata, entitled "Romantica" in B
523:
8:
1776:The Composer-Pianists: Hamelin and The Eight
1933:Nikolay Karlovich Medtner papers, 1826-1954
1858:Medtner's Fairy Tales: Texture and Subtlety
1914:
1905:
1872:; Pring, S. W. (1928). "Nikolai Medtner".
1523:: CS1 maint: location missing publisher (
648:, one of Medtner's most loyal supporters.
575:" appeared in the 1959 Collected Edition.
350:, London, where he lived from 1935 to 1951
149:
131:
1982:International Music Score Library Project
1810:(DMA thesis). University of North Texas.
120:Learn how and when to remove this message
1864:(DMA thesis). Michigan State University.
778:but late in life converted to Orthodox).
670:Medtner composed three piano concertos:
1908:
1292:
1215:
755:Introduzione – Andante meditamente
745:in E minor, Op. 57 (1938). Recorded by
730:Medtner's chamber music includes three
439:List of compositions by Nikolai Medtner
1968:Nikolay Karlovich Medtner (in Russian)
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568:. Medtner himself recorded this work.
1045:International Nikolai Medtner Society
7:
2042:(Appian Publications and Recordings)
2036:(Appian Publications and Recordings)
2030:(Appian Publications and Recordings)
1620:"The Piano Music of Nicolai Medtner"
1364:
1307:
1305:
1280:
715:Allegro, molto sostenuto, misterioso
58:adding citations to reliable sources
2092:20th-century Russian male musicians
1922:Music Division, Library of Congress
1840:. London: C. Palmer & Hayward.
1703:Nicolas Medtner: His Life and Music
1597:"Five Minutes with: Philip Pullman"
1571:(in Hebrew). Israel. Archived from
1430:Op.27 discography at Medtner.org.uk
456:Medtner composed 14 piano sonatas.
335:During the years leading up to the
537:O chem ty voesh', vetr nochnoy...?
25:
1954:Works by or about Nikolai Medtner
1567:[The Maestro Chapter 3].
1428:Medtner recorded it in 1947. See
719:Allegro molto. Svegliando, eroico
380:Jayachamarajendra Wadiyar Bahadur
2107:Russian male classical composers
2082:20th-century classical composers
2072:19th-century classical composers
1998:BBC Radio Composer of the Week:
1193:based on the theme in Medtner's
552:The Eighth "Sonata-Ballade" in F
330:Alexander Vasilyevich Alexandrov
282:, or 5 January 1880 by the
34:
2122:Russian male classical pianists
2087:20th-century classical pianists
2020:Piano Roll c. 1925, New York. (
1801:Chernaya-Oh, Ekaterina (2008).
525:О чем ты воешь, ветр ночной...?
45:needs additional citations for
1978:Free scores by Nikolai Medtner
1837:Contemporary Russian Composers
1742:Newman, E. (1915). "Medtner".
1035:In 2017 the Ukrainian pianist
494:Allegro molto doppio movimento
1:
1653:"Nicolas Medtner (1880-1951)"
1195:Theme with Variations, Op. 55
2017:Danza Festiva, Op. 38, No. 3
1945:How to use archival material
1721:Montagu-Nathan, M. (1969) .
1481:"Small-Body Database Lookup"
505:Interludium: Andante lugubre
421:Medtner died at his home at
396:Philharmonia Concert Society
301:prize, having studied under
27:Russian composer and pianist
2077:19th-century male musicians
1834:Montagu-Nathan, M. (1917).
767:Finale – Allegro molto
536:
230:; 5 January 1880 [
226:
2168:
2147:Moscow Conservatory alumni
2102:Russian classical pianists
2097:Russian Romantic composers
1618:Gerstlé, Henry S. (1924).
1504:Medtner, Nikolai (1978) .
1107:Kaikhosru Shapurji Sorabji
1093:, translator of Medtner's
1083:Medtner: A Memorial Volume
436:
238:A younger contemporary of
1855:Nagahata, Hiroko (2012).
1538:Medtner, Nicolas (1951).
1469:, 11 February 1922, p 182
1378:"Sonata in F minor, Op 5"
1182:Adaptations and citations
524:
374:, where he completed his
215:
208:Nikolai Karlovich Medtner
164:5 January 1880 [
148:
141:
18:Nikolai Karlovich Medtner
2132:Pupils of Sergei Taneyev
1829:. London: Dennis Dobson.
1563:
1095:The Muse and the Fashion
1039:and the Russian pianist
1021:, has appeared in 2018.
782:Piano Quintet in C major
583:pieces are to be played
392:Trinity College of Music
227:Nikolay Karlovich Metner
2004:(MP3 download, UK only)
2000:Rachmaninov and Medtner
1706:. Abingdon: Routledge.
1683:Oxford University Press
1671:Martyn, Barrie (2001).
1128:published, in Russian,
452:Tale from Op. 51, No. 3
337:1917 Russian Revolution
216:Николай Карлович Метнер
2046:The Medtner Collection
1341:MusicWeb International
868:Geoffrey Douglas Madge
453:
370:, gave him shelter in
351:
155:Medtner, 1910 postcard
2152:Musicians from Moscow
2127:Pupils of Pavel Pabst
2022:The Pianola Institute
1773:Rimm, Robert (2003).
1624:The Musical Quarterly
1561:Gabriel, Hod (2009).
1467:Music News and Herald
987:Elisabeth Schwarzkopf
981:, Tatiana Makushina,
960:Gintaras Januševičius
872:Konstantin Scherbakov
753:Piano Sonata, No. 7.
692:from which follows a
451:
404:Elisabeth Schwarzkopf
345:
168:24 December 1879]
1513:(in Russian). Paris.
1197:in 2009. The author
1191:Variations and Fugue
1062:Medtner's one book,
952:Konstantin Lifschitz
904:Ekaterina Derzhavina
858:on 3 February 1922.
706:Piano Concerto No. 3
699:March of the Paladin
682:Piano Concerto No. 2
675:Piano Concerto No. 1
653:Allegretto cantabile
376:Third Piano Concerto
322:Ludwig van Beethoven
307:Wassily Sapellnikoff
200:List of compositions
54:improve this article
2112:Composers for piano
2048:(St-Laurent Studio)
1992:Library of Congress
1700:Martyn, B. (2016).
1576:(article and video)
1238:Montagu-Nathan 1969
1126:Natalia Konsistorum
835:Sergei Rachmaninoff
743:Violin Sonata No. 3
711:Con moto largamente
382:, the Maharajah of
362:At the outbreak of
326:Sergei Rachmaninoff
295:Moscow Conservatory
240:Sergei Rachmaninoff
2015:Medtner plays his
1678:Grove Music Online
1673:"Medtner, Nicolas"
1636:10.1093/mq/X.4.500
989:. In recent times
968:Alessandro Taverna
908:Marc-André Hamelin
884:Sviatoslav Richter
880:Benno Moiseiwitsch
638:Marc-André Hamelin
454:
406:in several of his
400:Benno Moiseiwitsch
352:
346:Medtner's home at
293:). He entered the
291:Alexander Goedicke
284:Gregorian calendar
244:Alexander Scriabin
2002:, 26 October 2012
1950:
1949:
1939:
1938:
1880:(1021): 209–210.
1874:The Musical Times
1823:Holt, R. (1955).
1786:978-1-57467-072-1
1779:. Amadeus Press.
1745:The Musical Times
1692:978-1-56159-263-0
1651:Holt, R. (1951).
1323:Magnus Ljunggren.
1115:Alfred La Liberté
1041:Vasily Gvozdetsky
972:Paulius Andersson
948:Andrey Ponochevny
924:Nikolai Demidenko
896:Yevgeny Svetlanov
854:in the UK at the
841:
840:
807:Mikhail Lermontov
646:Alfred La Liberté
573:the war 1914–1917
534:
224:
205:
204:
130:
129:
122:
104:
69:"Nikolai Medtner"
16:(Redirected from
2159:
1958:Internet Archive
1935:
1915:
1906:
1897:
1870:Sabeneev, Leonid
1865:
1863:
1851:
1830:
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1809:
1790:
1769:
1738:
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1696:
1681:(8th ed.).
1667:
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1605:
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1547:. Translated by
1546:
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1514:
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1491:
1485:ssd.jpl.nasa.gov
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1374:
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1270:Hyperion Records
1267:
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1251:
1245:
1235:
1229:
1223:
1119:Margaret Ritchie
1011:Zara Dolukhanova
1007:Victor Yampolsky
999:Boris Berezovsky
983:Margaret Ritchie
932:Boris Berezovsky
825:
817:, among others.
763:Andante con moto
655:Pastorale and a
631:
630:
617:
616:
605:
604:
595:
594:
557:
556:
539:
529:
527:
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487:
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477:Allegro risoluto
299:Anton Rubinstein
229:
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180:13 November 1951
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2011:
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1797:
1795:Further reading
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1165:Wendelin Bitzan
1153:Christoph Flamm
1142:Christoph Flamm
1079:
1060:
1015:Irina Arkhipova
995:Vassily Savenko
979:Oda Slobodskaya
956:Daniil Trifonov
844:Edward Mitchell
823:
811:Fyodor Tyutchev
795:
728:
668:
666:Piano concertos
628:
627:
622:(B minor), and
614:
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554:
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520:Fyodor Tyutchev
501:sonata movement
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280:Julian calendar
276:
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156:
142:
137:
136:Nikolai Medtner
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1902:External links
1900:
1899:
1898:
1886:10.2307/916075
1866:
1852:
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1820:
1796:
1793:
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1758:10.2307/909070
1739:
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1713:978-1351556361
1712:
1697:
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1668:
1660:The Gramophone
1648:
1630:(4): 500–510.
1613:
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1588:
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1472:
1458:
1456:, p. 145.
1446:
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1367:, p. 149.
1357:
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1345:
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1283:, p. 118.
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1206:
1203:
1199:Philip Pullman
1183:
1180:
1097:into English,
1085:, also titled
1078:
1075:
1059:
1056:
1037:Darya Dadykina
1003:Alexander Blok
964:Dina Parakhina
940:Dmitri Alexeev
928:Anna Zassimova
916:Irina Mejoueva
876:Yevgeny Sudbin
860:Geoffrey Tozer
839:
838:
830:
829:
822:
819:
794:
791:
790:
789:
779:
747:David Oistrakh
732:violin sonatas
727:
724:
723:
722:
703:
679:
667:
664:
657:sonata allegro
547:Geoffrey Tozer
445:
442:
437:Main article:
434:
431:
315:Sergei Taneyev
311:Vasily Safonov
275:
272:
256:piano concerti
252:violin sonatas
203:
202:
197:
193:
192:
186:
184:(aged 71)
178:
174:
173:
171:Moscow, Russia
170:
162:
158:
157:
154:
146:
145:
143:Николай Метнер
139:
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1752:(863): 9–11.
1751:
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1598:
1592:
1589:
1578:on 2009-03-01
1574:
1570:
1566:
1564:המאסטרו פרק 3
1557:
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1419:, p. 11.
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1170:
1166:
1162:
1161:3-928864-24-6
1158:
1154:
1150:
1145:
1143:
1139:
1138:3-89487-500-3
1135:
1131:
1127:
1122:
1120:
1116:
1112:
1108:
1104:
1103:Ernest Newman
1100:
1096:
1092:
1088:
1084:
1077:Print sources
1076:
1074:
1071:
1069:
1065:
1057:
1055:
1052:
1050:
1046:
1042:
1038:
1033:
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1027:
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1020:
1019:Iain Burnside
1016:
1012:
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992:
991:Susan Gritton
988:
984:
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975:
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949:
945:
944:Evgeny Kissin
941:
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912:Malcolm Binns
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787:
786:Colin Horsley
783:
780:
777:
772:
768:
764:
760:
756:
752:
748:
744:
741:
740:
739:
737:
736:piano quintet
733:
726:Chamber music
725:
720:
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707:
704:
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444:Piano sonatas
443:
440:
432:
430:
428:
424:
423:Golders Green
419:
417:
413:
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405:
401:
397:
393:
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349:
348:Golders Green
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260:piano quintet
257:
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248:piano sonatas
245:
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201:
198:
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189:
188:Golders Green
179:
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113:
110:February 2021
102:
99:
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92:
88:
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81:
78:
74:
71: –
70:
66:
65:Find sources:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
19:
2016:
1999:
1877:
1873:
1857:
1836:
1825:
1803:
1775:
1749:
1743:
1723:
1702:
1676:
1663:
1659:
1627:
1623:
1600:
1591:
1580:. Retrieved
1573:the original
1568:
1556:
1540:
1533:
1506:
1499:
1488:. Retrieved
1484:
1475:
1466:
1461:
1449:
1437:
1424:
1412:
1396:
1385:. Retrieved
1381:
1372:
1360:
1348:
1340:
1334:
1325:
1319:
1293:Gerstlé 1924
1288:
1276:
1265:
1249:
1233:
1194:
1190:
1185:
1175:
1173:
1148:
1146:
1129:
1123:
1111:Marcel Dupré
1086:
1082:
1080:
1072:
1063:
1061:
1058:Publications
1053:
1043:founded the
1034:
1028:in 1923 and
1026:Welte-Mignon
1023:
976:
936:Paul Stewart
864:Hamish Milne
856:Aeolian Hall
852:Sonata-Triad
851:
842:
796:
770:
766:
762:
758:
754:
750:
729:
718:
714:
710:
698:
694:Divertimento
693:
689:
685:
669:
659:
652:
650:
634:
623:
619:
607:
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589:
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581:
577:
570:
565:
559:
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541:
515:
513:
509:
504:
498:
493:
481:
476:
473:Largo divoto
472:
468:
464:
458:
455:
420:
411:
410:, including
372:Warwickshire
364:World War II
361:
353:
334:
319:
288:
277:
267:
237:
207:
206:
182:(1951-11-13)
116:
107:
97:
90:
83:
76:
64:
52:Please help
47:verification
44:
2067:1951 deaths
2062:1880 births
1909:Archives at
1454:Martyn 2016
1417:Newman 1915
1401:Martyn 2016
1353:Martyn 2016
1312:Martyn 2001
1254:Martyn 2016
1226:Martyn 2001
1187:Bart Berman
1169:open access
1091:Alfred Swan
1068:Alfred Swan
892:Emil Gilels
815:Afanasy Fet
620:Meditazione
303:Pavel Pabst
2056:Categories
2009:Recordings
1847:1404790411
1734:0819602515
1666:: 149–150.
1582:2011-08-18
1490:2021-10-13
1403:, p.
1387:2016-12-11
1295:, p.
1256:, p.
1240:, p.
1205:References
1117:, singers
1099:Ivan Ilyin
1048:programme
751:Night Wind
561:Barcarolle
516:Night Wind
469:Intermezzo
429:Cemetery.
80:newspapers
1816:429643041
1519:cite book
1365:Holt 1951
1281:Rimm 2003
1210:Citations
1189:composed
1124:In 2004,
900:Earl Wild
888:Edna Iles
531:romanized
368:Edna Iles
274:Biography
266:. His 38
221:romanized
190:, England
1918:Location
1601:BBC News
776:Lutheran
688:, and a
642:Scriabin
629:♭
618:minor),
615:♭
606:minor),
603:♭
593:♭
566:The Muse
555:♯
518:, after
485:♭
479:finale.
461:Scriabin
412:The Muse
264:vocalise
254:, three
250:, three
1990:at the
1984:(IMSLP)
1980:at the
1956:at the
1894:9160753
1612:Sources
1030:Duo-Art
848:Medtner
837:(1921)
799:Pushkin
771:Scherzo
690:Romanza
686:Toccata
609:Scherzo
598:Romance
585:attacca
542:Allegro
471:from a
465:Allegro
416:Pushkin
223::
212:Russian
94:scholar
1928:Source
1892:
1844:
1814:
1783:
1766:909070
1764:
1731:
1710:
1689:
1644:738471
1642:
1329:(1994)
1159:
1136:
821:Legacy
813:, and
803:Goethe
734:and a
624:Finale
490:Goethe
427:Hendon
408:lieder
388:Fellow
384:Mysore
356:Canada
268:Skazki
96:
89:
82:
75:
67:
1994:(PDF)
1890:JSTOR
1862:(PDF)
1808:(PDF)
1762:JSTOR
1656:(PDF)
1640:JSTOR
1545:(PDF)
1511:(PDF)
793:Songs
433:Music
196:Works
101:JSTOR
87:books
1842:ISBN
1812:OCLC
1781:ISBN
1729:ISBN
1708:ISBN
1687:ISBN
1569:no-R
1525:link
1441:See
1157:ISBN
1134:ISBN
1013:and
1005:and
985:and
970:and
898:and
874:and
414:, a
313:and
258:, a
242:and
232:O.S.
177:Died
166:O.S.
161:Born
73:news
1882:doi
1754:doi
1632:doi
1297:501
1258:2-3
1242:308
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91:·
84:·
77:·
50:.
20:)
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