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No One Can Ever Know

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466:. The song caused debate among the band, as it was initially intended to be a B-side. Graham elaborated, "Sometimes a song that you don't think will be on the album turns into something completely different when you record it in the studio... It's probably the closest thing we've ever had to a proper single, although this album is meant to be listened to as a whole and 'Another Bed' is a chapter in the overall theme of the record. It's strange how a song that wasn't going to be on the album is now a single, that's just the way things work out sometimes. I'm glad we decided to have it on the record." 1648:). The EP features a new song titled "Idiots" as well as alternate versions of tracks from the album, plus the B-sides "Untitled #67" and "A Million Ignorants". The EP was made available as a digital download included with all orders from the band's webstore, and also as a special handmade CD-R inside a custom-printed cardboard sleeve. The CD-R version was limited to 300 copies and was only available at the band's European shows. 382: 1261: 662: 606: 548: 1256: 1251: 1246: 1241: 657: 652: 647: 642: 601: 596: 591: 586: 543: 538: 533: 528: 469:
Regarding the album's lyrical content, Graham noted, "It's definitely not a happy album, put it that way. I mean, the themes of the record are kind of tied in with the title – so I'm not going to tell anyone what they're about. I kind of wanted the whole thing to be a story." The album's title comes
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appeared online, with Graham providing details for each song on the album. Graham stated that the tracks "Dead City" and "Kill It in the Morning" came from the same demo sessions, which were the last tracks written for the album. "Sick", "Not Sleeping", "Don't Move", and "Don't Look at Me" were among
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is as well balanced as it is eclectic, finding room for tracks that clearly bear the stamp of their remixers, tracks that could fill a dancefloor, and tracks that push the limits of the Twilight Sad's sound even further. That the sequencing gives it a more satisfying flow than many similar sets is a
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gave the album an 8 out of 10 rating, finalising that "Attempting to replace sledgehammer guitar noise with glacial synth is in no way detrimental to this album, it is a new and different approach which, whilst making no obvious attempt to develop on previous styles, adds to their canon an album
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page on 21 September 2011. The first proper single from the album, "Sick", was made available as a 7" vinyl single and digital download on 14 November 2011. The album's second single, "Another Bed", followed the album on 20 February 2012 as a limited edition, hand-stamped and numbered 7" single
31: 412:, also stated that "the band who make the same record over and over don't have a very long career... It's much stronger to make the record you want to make at the time than to try and pander to the people who already listen to your band." The band relocated to 730:, and finalised that "Some people may think that they know what to expect with a new Twilight Sad record, but if you thought you knew this band, you're in for the shock of your life. This is going to turn heads come early February, make no mistake." 738:
magazine wrote in a similarly positive review, "The band that used to build shimmering, gorgeous, barely moving walls of tone is in a hurry to get on now, pushing post-punk style through dystopian, jittery landscapes of romantic disconnection."
426:, Graham stated that Weatherall was initially slated to produce the album, but instead provided the band with assistance throughout the recording process and gave the band reassurance in their direction. The Twilight Sad also borrowed vintage 760:
has opened the door to so many ideas and things we can do musically. ... Our fourth album will be very important in deciding the future of this band." The album was also shortlisted for the
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the first songs written for the album, with the latter two acting as a two-part narrative. "Another Bed" was the very first song the band wrote, following the recording of previous album,
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nice bonus, and one that underscores how fitting it is that a collection like this from a band as searching as the Twilight Sad explores what remixes, and a remix album, can be."
373:, a limited release featuring alternate and demo recordings. In 2020, the original vinyl LP, after long being out of print, was repressed as a burgundy-coloured limited edition. 3027: 1920: 342:(limited to 200 copies) and digital download. Although the song was not released as a single, a music video was produced for "Dead City", directed by frequent collaborator 2924: 187: 2810: 1946: 287:-influenced sound. Guitarist Andy MacFarlane describes the album's sound as "sparser... with a colder, slightly militant feel," influenced by artists such as 706:
was met with highly positive reviews and was featured in many year-end best-of lists of music magazines. In an early preview album review, online website
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awarded the album four stars, and called the album "taut, sparse, ominous and occasionally threatening – in the best and most evocative sense."
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is kinda gone. Andy 's demos involve a lot of keyboards, and it's a lot more considered." The Twilight Sad's supporting musician at the time,
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praised the album as "a third consecutive triumph... one that's best appreciated with uneasy moonlight and sandpaper-on-brain loudness."
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in September 2010. The band released a new song, the album's closing track "Kill It in the Morning", for free on their new website and
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on 6 February 2012 in the UK, and a day later in the US. The album was produced by the band with assistance and advice from producer
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which contrasts well with its predecessors and shows refreshing imagination." London based entertainment website
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voted the album as the #9 best album of 2012. In an accompanying interview, James Graham stated that, "
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to begin recording the new album in January 2011, where they received production help from
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All tracks are written by Andy MacFarlane (music) and James Graham (lyrics)
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in October 2010, vocalist James Graham stated in an interview with blog
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Limited edition of 100, available exclusively from the band's webstore
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that "the next is not going to be anything like the first two. The
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In late January 2012, an exclusive interview with James Graham by
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The album follows over two years since their previous full-length
38: 2837:"The Twilight Sad - No One Can Ever Know Ltd Edition Clear Vinyl" 2618:"No One Can Ever Know: The Remixes - The Twilight Sad - Allmusic" 2249:"BBC - Music - Review of The Twilight Sad - No One Can Ever Know" 2017:"The Twilight Sad - No One Can Ever Know (CD, Album) at Discogs" 1638:, The Twilight Sad announced the release of the limited edition 2861: 2377: 1969:"Twilight Sad to Release New Single "Another Bed" February 20" 671: 568: 2495:"Crackle Feedback: The Twilight Sad - No One Can Ever Know" 2473:"Dusted Reviews: The Twilight Sad - No One Can Ever Know" 2373:"NME Reviews - The Twilight Sad - 'No One Can Ever Know'" 2351:"The Twilight Sad - No One Can Ever Know - album reviews" 1006:
Jim Anderson – engineering, mixing, additional production
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reviewer Heather Phares praised the collection, saying "
2589:"No One Can Ever Know: The Remixes by The Twilight Sad" 2517:"Album review: The Twilight Sad - No One Can Ever Know" 2450:"First Listen: The Twilight Sad - No One Can Ever Know" 2271:"Album Review: The Twilight Sad - No One Can Ever Know" 388:, pictured here in 2009, aided the band with recording 2988: 2668:"The Twilight Sad - No One Can Ever Know: The Remixes" 2293:"The Twilight Sad - No One Can Ever Know Album Review" 351: 2646:"The Twilight Sad: No One Can Ever Know: The Remixes" 2193:"No One Can Ever Know - The Twilight Sad - Allmusic" 1921:"Standing on Our Own The 405 meets The Twilight Sad" 3065: 3028:
That Summer, at Home I Had Become the Invisible Boy
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Lee A. Cohen – management (for Get Some Management)
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Afterwards It Did 2429:"The Twilight Sad: No One Can Ever Know" 2221:"The Twilight Sad: No One Can Ever Know" 1745: 1656: 1329: 926: 893: 775: 3003:It Won/t Be Like This All the Time Live 2137:Gallagher, Marianne (7 February 2012). 1864: 2904:Fourteen Autumns & Fifteen Winters 2311: 2309: 2110: 2108: 2106: 470:from a lyric in the song "Dead City". 392:, and was credited as "anti-producer". 346:, and premiered online in April 2012. 331:in September 2009, and the EP release 2644:Elingburg, Scott (27 November 2012). 2247:Loucaides, Darren (23 January 2012). 1219: 1196: 1012:Joseph Rogers – assistant engineering 506: 483: 7: 2471:Kelly, Jennifer (14 February 2012). 2427:Beasley, Corey (10 February 2012). 2269:De Revere, Paul (7 February 2012). 1923:. Thefourohfive.com. Archived from 1897:Martin, Andrew (14 November 2011). 1240: 1009:Tobin Jones – assistant engineering 585: 527: 438:, which provide the core sounds on 2982:Killed My Parents and Hit the Road 2932:It Won/t Be Like This All the Time 2740:. 18 November 2012. Archived from 2515:Moore, Stephen (6 February 2012). 2371:Crossan, Jamie (6 February 2012). 2066:Brine, Harris (30 November 2011). 1993:. 28 November 2011. Archived from 1919:Wright, Danny (10 February 2012). 1698:"Not Sleeping" (Alternate Version) 283:" approach towards a darker, more 14: 2989:No One Can Ever Know: The Remixes 2088:Abrams, Jonny (3 November 2011). 1841:No One Can Ever Know: The Remixes 1796:Limited 2LP on heavyweight vinyl 1720:"Another Bed" (Alternate Version) 1636:No One Can Ever Know: The Remixes 1610:No One Can Ever Know: The Remixes 1293:No One Can Ever Know: The Remixes 1170:No One Can Ever Know: The Remixes 1045:No One Can Ever Know: The Remixes 1037:No One Can Ever Know: The Remixes 641: 352:No One Can Ever Know: The Remixes 77:The Pool and Sub Bubble Studios, 2493:Taylor, Adam (3 February 2012). 2316:Monroe, Jazz (31 January 2012). 2291:Gourlay, Dom (26 January 2012). 2219:Schild, Matt (7 February 2012). 2044:Peenko, Boab (15 October 2010). 1259: 1254: 1249: 1244: 1239: 1031:DLT and Daninski – illustrations 976:Mark Devine – drums, programming 762:Scottish Album of the Year Award 660: 655: 650: 645: 640: 604: 599: 594: 589: 584: 546: 541: 536: 531: 526: 3035:And She Would Darken the Memory 1446:"Alphabet" (Ambassadeurs Remix) 1420:"Not Sleeping" (Warsnare Remix) 949:"Tell Me When We're Having Fun" 2545:Kerr, Dave (5 December 2012). 2399:Cohen, Ian (2 February 2012). 2349:Young, Martyn (January 2012). 1687:"Alphabet" (Alternate Version) 1660: 1333: 933: 900: 779: 1: 1641:No One Can Ever Know: Tour EP 1618:No One Can Ever Know: Tour EP 1490:No One Can Ever Know: Tour EP 1482:No One Can Ever Know: Tour EP 1178:No One Can Ever Know: Tour EP 997:Andy MacFarlane – composition 991:The Twilight Sad – production 279:marks a shift in the band's " 252:is the third studio album by 2974:Compilations and live albums 1457:"Sick" (Brokenchord Remix 2) 1754: 1751: 1748: 3130: 2764:"NOCEK Tour EP CD-R image" 1511:19 November 2012 1349:"Sick" (Brokenchord Remix) 1066:19 November 2012 233:Released: 20 February 2012 224:Released: 14 November 2011 3078:The Fruit Tree Foundation 2738:"The Twilight Sad - News" 1839: 1830: 1803: 1800: 1774: 1771: 1768: 1727: 1716: 1705: 1694: 1683: 1672: 1664: 1634:Following the release of 1604: 1453: 1442: 1427: 1416: 1401: 1386: 1371: 1356: 1345: 1337: 1325:Remix album track listing 1227: 1224: 1204: 1201: 1156: 973:Andy MacFarlane – guitars 945: 937: 912: 904: 879: 868: 857: 846: 835: 824: 813: 802: 791: 783: 514: 511: 491: 488: 355:, featuring remixes from 289:Siouxsie and the Banshees 241: 215: 200: 163: 54:6 February 2012 28: 16:Album by The Twilight Sad 883:"Kill It in the Morning" 377:Background and recording 3109:The Twilight Sad albums 446:Writing and composition 420:. In an interview with 3049:Seven Years of Letters 2911:Forget the Night Ahead 712:Manic Street Preachers 463:Forget the Night Ahead 393: 328:Forget the Night Ahead 3114:FatCat Records albums 3042:I Became a Prostitute 1731:"A Million Ignorants" 1652:Tour EP track listing 994:James Graham – lyrics 970:James Graham – vocals 916:"A Million Ignorants" 710:noted comparisons to 384: 363:, and Tom Furse from 210:No One Can Ever Know 2918:No One Can Ever Know 1192:Professional ratings 1162:No One Can Ever Know 758:No One Can Ever Know 704:No One Can Ever Know 579:Consequence of Sound 479:Professional ratings 440:No One Can Ever Know 434:and Tape Studios in 390:No One Can Ever Know 277:No One Can Ever Know 249:No One Can Ever Know 179:No One Can Ever Know 69:January – March 2011 24:No One Can Ever Know 2791:on 1 September 2013 2744:on 1 September 2013 2523:on 10 February 2012 1949:. 21 September 2011 1193: 986:Recording personnel 929: 896: 727:The Downward Spiral 480: 428:analog synthesizers 396:While on tour with 273:analog synthesizers 2710:"We have a new EP" 2452:. 20 December 2011 2330:on 2 February 2012 1997:on 6 December 2011 1407:JD Twitch / Optimo 1191: 1141:The Twilight Sad, 928:eMusic Bonus Track 927: 895:iTunes Bonus Track 894: 850:"Don't Look at Me" 478: 474:Critical reception 394: 148:The Twilight Sad, 3091: 3090: 2718:. 12 October 2012 2616:Phares, Heather. 2191:Phares, Heather. 2118:. 30 January 2012 2025:. 7 February 2012 1875:. 6 December 2011 1857: 1856: 1837:FATCD99; FATLP99 1831:19 November 2012 1817:LP (clear vinyl) 1810:FATCD98; FATLP98 1783:FATCD98; FATLP98 1738: 1737: 1646:N/O/C/E/K Tour EP 1632: 1631: 1628: 1627: 1537:Post-punk revival 1464: 1463: 1308:, and labelmates 1304:, Tom Furse from 1288: 1287: 1189: 1188: 1185: 1184: 1143:Andrew Weatherall 1084:Post-punk revival 1003:– "anti-producer" 1001:Andrew Weatherall 956: 955: 923: 922: 890: 889: 701: 700: 573:(very favourable) 418:Andrew Weatherall 386:Andrew Weatherall 370:N/O/C/E/K Tour EP 269:Andrew Weatherall 245: 244: 196: 195: 150:Andrew Weatherall 91:Post-punk revival 3121: 3066:Related articles 2996:Òran Mór Session 2950:The Twilight Sad 2889:The Twilight Sad 2882: 2875: 2868: 2859: 2853: 2852: 2850: 2848: 2843:on 15 April 2012 2839:. 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2155: 2143:clashmusic.com 2129: 2102: 2080: 2068:"Twilight Sad" 2058: 2036: 2008: 1982: 1960: 1938: 1911: 1886: 1863: 1861: 1858: 1855: 1854: 1851: 1848: 1847:United States 1844: 1843: 1838: 1835: 1832: 1829: 1825: 1824: 1821: 1818: 1814: 1813: 1811: 1808: 1805: 1802: 1801:United States 1798: 1797: 1794: 1791: 1787: 1786: 1784: 1781: 1778: 1776:FatCat Records 1773: 1770: 1766: 1765: 1762: 1759: 1756: 1753: 1750: 1743: 1740: 1736: 1735: 1732: 1729: 1725: 1724: 1721: 1718: 1714: 1713: 1710: 1709:"Untitled #67" 1707: 1703: 1702: 1699: 1696: 1692: 1691: 1688: 1685: 1681: 1680: 1677: 1674: 1670: 1669: 1666: 1663: 1655: 1653: 1650: 1630: 1629: 1626: 1625: 1623: 1614: 1602: 1601: 1594: 1593: 1590: 1584: 1583: 1580: 1574: 1573: 1568: 1564: 1563: 1552: 1548: 1547: 1534: 1528: 1527: 1524: 1520: 1519: 1509: 1505: 1504: 1499: 1492: 1491: 1484: 1479: 1478: 1477: 1474: 1469: 1466: 1462: 1461: 1458: 1455: 1451: 1450: 1447: 1444: 1440: 1439: 1436: 1429: 1425: 1424: 1421: 1418: 1414: 1413: 1410: 1403: 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Club 2222: 2215: 2212: 2200: 2199: 2194: 2187: 2184: 2172: 2168: 2162: 2160: 2156: 2144: 2140: 2133: 2130: 2117: 2111: 2109: 2107: 2103: 2091: 2084: 2081: 2069: 2062: 2059: 2047: 2040: 2037: 2024: 2023: 2018: 2012: 2009: 1996: 1992: 1986: 1983: 1970: 1964: 1961: 1948: 1942: 1939: 1926: 1922: 1915: 1912: 1900: 1893: 1891: 1887: 1874: 1868: 1865: 1859: 1852: 1849: 1846: 1845: 1842: 1836: 1833: 1827: 1826: 1822: 1819: 1816: 1815: 1812: 1809: 1806: 1799: 1795: 1792: 1789: 1788: 1785: 1782: 1779: 1777: 1767: 1763: 1760: 1757: 1747: 1741: 1733: 1730: 1726: 1722: 1719: 1715: 1711: 1708: 1704: 1700: 1697: 1693: 1689: 1686: 1682: 1678: 1675: 1671: 1658: 1651: 1649: 1647: 1644:(stylised as 1643: 1642: 1637: 1624: 1620: 1619: 1615: 1611: 1608: 1607: 1603: 1599: 1595: 1591: 1589: 1585: 1582:Self-released 1581: 1579: 1575: 1572: 1569: 1565: 1553: 1549: 1546: 1542: 1538: 1535: 1533: 1529: 1525: 1521: 1510: 1506: 1502: 1497: 1493: 1488: 1483: 1480: 1475: 1472: 1471: 1467: 1459: 1456: 1452: 1448: 1445: 1441: 1437: 1434: 1430: 1426: 1422: 1419: 1415: 1411: 1408: 1404: 1400: 1396: 1393: 1389: 1385: 1381: 1378: 1374: 1370: 1366: 1363: 1359: 1355: 1351: 1348: 1344: 1331: 1324: 1322: 1319: 1315: 1311: 1307: 1303: 1299: 1295: 1294: 1283: 1281: 1278: 1277: 1273: 1271: 1268: 1267: 1237: 1235: 1232: 1231: 1223: 1220:Review scores 1218: 1214: 1212: 1209: 1208: 1200: 1195: 1179: 1176: 1172: 1171: 1167: 1163: 1160: 1159: 1155: 1151: 1147: 1144: 1140: 1138: 1134: 1131: 1128: 1126: 1122: 1119: 1116: 1112: 1100: 1096: 1093: 1089: 1085: 1082: 1080: 1076: 1065: 1061: 1057: 1052: 1048: 1043: 1038: 1035: 1030: 1027: 1026: 1022: 1017: 1014: 1011: 1008: 1005: 1002: 999: 996: 993: 990: 989: 985: 984: 980: 975: 972: 969: 968: 964: 959: 951: 948: 944: 931: 918: 915: 911: 898: 885: 882: 878: 874: 872:"Another Bed" 871: 867: 863: 860: 856: 852: 849: 845: 841: 838: 834: 830: 827: 823: 819: 816: 812: 808: 805: 801: 797: 794: 790: 777: 774: 768:Track listing 767: 765: 763: 759: 755: 754: 749: 747: 742: 737: 733: 729: 728: 723: 719: 718: 713: 709: 705: 696: 694: 691: 690: 686: 684: 681: 680: 676: 674: 673: 669: 668: 638: 636: 633: 632: 628: 626: 623: 622: 618: 616: 613: 612: 582: 580: 577: 576: 572: 570: 567: 566: 562: 560: 559: 558:The A.V. 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Index


Studio album
The Twilight Sad
London
Genre
Post-punk revival
dark wave
industrial
Scottish English
Label
FatCat
Producer
Andrew Weatherall
The Twilight Sad
The Wrong Car
Nobody Wants to Be Here and Nobody Wants to Leave
Singles
Scottish
indie rock
The Twilight Sad
FatCat Records
Andrew Weatherall
analog synthesizers
wall of sound
industrial
Siouxsie and the Banshees
Can
Public Image Ltd
Fad Gadget
Cabaret Voltaire

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