390:, Graham notes closing track "Sometimes I Wished I Could Fall Asleep" as the song where the album began to come together for him. "That song opened it all up for me. I remember thinking 'we've got that now, that's going on the record no matter what,' and it always felt like the perfect closing statement." Musically, the song is a stripped-down piano track, while lyrically, Graham said that "when 'Fall Asleep' happened I suddenly knew what I wanted to say. I got it out of me. I think it's the most fucking 'out there' I've ever been. I usually use a lot of metaphors, but on that I didn't really do it, I just said it how it is. Once I wrote it and listened to it back I did question if it was OK to do that. I've always put myself out there as a songwriter but it's always been hidden somewhat. I'm glad I chose not to be for once though, because it really kick-started the whole album for me." He also cites "It Never Was the Same" and the title track as two songs that "explain the whole theme of the record", and that those songs especially made the band feel confident in the album's direction.
333:, Graham cited years of constant touring surrounding the album as a cause of strain for the band. "When you're constantly touring it can be really hard coming back because it's only ever for a wee bit and then you're away again. It's a weird frame of mind to be in. I definitely think I lost it a bit too; in that gap between the first and the fourth record", he stated. "The year preceding the writing of was tough ... We weren't working with the right people. It wasn't a good time for us. We were kind of questioning if we were going to do this again." Graham remarked that the recording process was uncomplicated, though, with he and MacFarlane working in unison and being "totally on the same page" with the album's direction. He added, "There's been a lot of faith shown in our band. There's
345:– these people constantly talk about our music. We seem to be a band that bands like, but I genuinely think this record's a statement: not to prove people wrong, but to prove people right. ... I want to prove it to other people as well. I'm proud of all the records, but this one, although it keeps the same ethos, it can reach new people. I can categorically say these won't be the last songs I write. These songs, to me, proved I have a lot more to say. Writing these songs with Andy showed me how much I need this in my life. The thought of not doing it anymore terrifies me."
319:, and The Twilight Sad's touring member Johnny Docherty played bass. Lead singer James Graham stated in the interview that, "We spent a lot of time at home when writing this new record, we got to hang out with old friends and get back to some sort of normality, which I think really helped me clear my mind and focus in on writing these new songs... I had a lot I wanted to get off my chest and I've done that with this new record."
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422:' to me... Unfortunately, when we were deciding on the running order of the new album we couldn't find the right place for it to fit. So we're releasing it now. We wanted to highlight its release by putting it on a picture disc with new artwork by DLT." A music video for "I Could Give You All That You Don't Want", also directed by Nicola Collins, premiered on
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297:, the band aimed to capture all the different forms their music has taken over the years, from "full on noise/feedback, to a sparse, synth led sound, to a stripped back set up with just keys, drum machine and guitar, to playing with an orchestra, and to just an acoustic with vocal." The album was produced at
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interviewer Jazz Monroe, "Since the start I've been an overthinker, but we went through a particularly rubbish year before writing these songs. Things weren't going too well for us, on numerous levels." In the same interview, MacFarlane added, "I loved doing the first two albums, but by the third, we
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as the best
Scottish album of the year, with the band emerging as "the most-lauded act in the survey, which was based on review ratings in newspapers, magazines and online internationally over the past 12 months" with an overall score of 8.23 out of 10. On 11 December 2014, the album was named #1 on
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The album's second single, "I Could Give You All That You Don't Want", was released on 9 February 2015. The single was made available as a limited edition 7" picture disc vinyl with the exclusive double A-side track "The
Airport". In an interview with The Line of Best Fit, Andy MacFarlane said that
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gave the album an 8 out of 10 rating, saying "This fourth album comes across as a consolidation of the edgy noise of their early records and the electronic aspects of its predecessor. They sound as powerful as ever, and their penchant for weaving subtle folk melodies amongst their noise is still
371:
blog on 18 August 2014. On 15 September 2014, the album's official first single "Last
January" was made available as a digital download and was also posted for streaming on their website. The album's second single, "I Could Give You All That You Don't Want", was released on 9 February 2015 on 7"
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gave the album a 10 out of 10 rating and awarded it with the #1 spot on the subsequent best album of the year list, praising "the jaw-dropping brilliance of the album" and hailing it as "a 40-minute body of work with a sense of cohesiveness that isn't designed to be broken down into
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also gave the album 5 stars and tagged it as their "album of the week," hailing the record as "dark, emotionally raw beautiful," furthering that "They've produced a record that will only reiterate the fact that they're one of the most consistent
Scottish bands around."
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On 7 April 2015, the band announced that "It Never Was the Same" would be the album's third single, released on 29 June 2015. The single was released as a double A-side on white-coloured 7" vinyl, with the exclusive track "There's a Girl in the Corner" as covered by
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says the song "captures the album's theme of 'small town weirdness and romance' with a post-punk gusto that hits hard sonically while tugging at the ol' heartstrings." A music video was produced for "Last
January", directed by frequent collaborator
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summarising the album as "some of their most compelling music. By blending the extremes of their previous albums, they give intimate moments an epic scope in ways that sound truly revitalized... Equally desolate and majestic,
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picture disc vinyl through the band's website; and third single "It Never Was the Same" was released on 7" vinyl on 29 June 2015. Additionally, a limited edition CD EP of acoustic versions of songs from the album, entitled
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voted the album at #2 on their list of "The Albums of 2014," declaring that the band have "recovered from 'tough times' and delivered their finest album to date." On their list of "The Best Indie Rock of 2014,"
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describes the song as "chilly cinematic", stating that, "It's a little early in the autumn to start accruing driving-in-the-snow moody jams, but we're not complaining when they're this good", while
401:
blog on 18 August 2014, and the album's first single "Last
January" was made available as a digital download on 15 September 2014. "Last January" has received positive reviews from critics;
788:, the album buries dark treasures in bleak haze, a sequence of gentle revelations that emerge with shyness but linger indefinitely... A miserable success." British independent magazine
361:
pages. The announcement was accompanied by a 1-minute teaser video trailer on the band's website, followed by a posting of the album's opening track "There's a Girl in the Corner" on
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418:"The Airport" was recorded during the album sessions "with full intention of it being on the album." He continued, "It always sounded like a continuation of '
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magazine called the album "an enthralling return" and "a marvelous new set that only develops its makers' already enviable reputation." London-based website
378:, was made available at the band's 2014 and 2015 tour dates. The EP was expanded with additional tracks and given a wide commercial release in October 2015.
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The band began working on tracks for the album in late 2012, and on 12 August 2014, the band announced the new album's release via their official website,
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were so run down and nothing was working out. At that point, we couldn't see beyond our next album." In an interview with independent music site
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1188:"The Twilight Sad Announce New Album 'Nobody Wants To Be Here And Nobody Wants To Leave' Stream First Track 'There's A Girl In The Corner'"
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rating out of 100 based on reviews from mainstream critics, the album has received a score of 80, based on 19 reviews. In an early review,
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1828:"ALBUM OF THE WEEK - Twilight Sad - Nobody Wants To Be Here And Nobody Wants To Leave - Album Reviews"
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Initially, Graham admitted to approaching the record as being the band's last album. He explained to
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is a highpoint for the
Twilight Sad and in many ways it is the best record they've made to date."
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438:. A music video for "It Never Was the Same", directed by Hand Held Cine Club, premiered on
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1903:"Albums of 2014 (#2) The Twilight Sad - Nobody Wants to Be Here and Nobody Wants to Leave"
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s naked emotions and sophisticated music mark a new high point for the
Twilight Sad."
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1735:"The Twilight Sad - Nobody Wants to Be Here and Nobody Wants to Leave - Album Review"
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All tracks are written by James
Alexander Graham (lyrics) and Andy MacFarlane (music)
1801:"Album Review: The Twilight Sad -Nobody Wants To Be Here And Nobody Wants To Leave"
1214:"Breaking Sad: James Graham and Andy MacFarlane on The Twilight Sad's fourth album"
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gave the album a rating of 5 out of 5 stars, concluding that, "Like predecessor
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1510:"The Twilight Sad releasing "I Could Give You All That You Don't Want" single"
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Mike
Truscott – cornet on "Nobody Wants to Be Here and Nobody Wants to Leave"
1369:"Stream The Twilight Sad's Epic and Lonesome "There's A Girl In The Corner""
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Opening track "There's a Girl in the Corner" was posted for streaming on
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1122:"Nobody Wants to Be Here and Nobody Wants to Leave by The Twilight Sad"
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1779:"The Twilight Sad - Nobody Wants to Be Here and Nobody Wants to Leave"
1710:"The Twilight Sad - Nobody Wants to Be Here and Nobody Wants to Leave"
1607:"The Twilight Sad - Nobody Wants to Be Here and Nobody Wants to Leave"
1585:"The Twilight Sad - Nobody Wants To Be Here And Nobody Wants To Leave"
1489:"Listen to "The Airport" by The Twilight Sad, exclusively on Best Fit"
309:, and engineered by live soundman Andrew Bush. The album was mixed by
1757:"The Twilight Sad: Nobody Wants to Be Here and Nobody Wants to Leave"
1679:"The Twilight Sad: Nobody Wants to Be Here and Nobody Wants to Leave"
1651:"The Twilight Sad: Nobody Wants to Be Here and Nobody Wants to Leave"
1629:"The Twilight Sad: Nobody Wants to Be Here and Nobody Wants to Leave"
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on 27 October 2014. The album was released to positive reviews, with
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1316:"Twilight Sad - Nobody Wants to Be Here and Nobody Wants to Leave"
38:
1315:
1263:"Interview with James Graham, Andy MacFarlane & Mark Devine"
1945:
1394:"The Twilight Sad - News - New Single It Never Was The Same"
1555:"Video Premiere - The Twilight Sad 'It Never Was the Same'"
1241:"What do you care for? An interview with The Twilight Sad"
293:, guitarist/producer Andy MacFarlane explained that with
1439:"The Twilight Sad release song "Last January"--listen"
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That Summer, at Home I Had Become the Invisible Boy
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1461:"The Twilight Sad announce new single for February"
939:"Nobody Wants to Be Here and Nobody Wants to Leave"
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776:playlists or end-of-year 'best of 2014' mixtapes."
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1850:"The Twilight Sad win best Scottish album of 2014"
279:Nobody Wants to Be Here and Nobody Wants to Leave'
206:Nobody Wants to Be Here and Nobody Wants to Leave
2009:Nobody Wants to Be Here and Nobody Wants to Leave
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811:Nobody Wants to Be Here and Nobody Wants to Leave
763:Nobody Wants to Be Here and Nobody Wants to Leave
740:Nobody Wants to Be Here and Nobody Wants to Leave
337:, how they've helped us out, and even bands like
295:Nobody Wants to Be Here and Nobody Wants to Leave
254:Nobody Wants to Be Here and Nobody Wants to Leave
175:Nobody Wants to Be Here and Nobody Wants to Leave
24:Nobody Wants to Be Here and Nobody Wants to Leave
1872:"Drowned in Sound's 50 Favourite Albums of 2014"
1026:Andrew Bush – engineering, additional production
838:, following on the heels of the shortlisting of
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1417:"Listen: The Twilight Sad - "Last January""
1023:Peter Katis – mixing, additional production
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895:"I Could Give You All That You Don't Want"
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226:"I Could Give You All That You Don't Want"
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2203:Albums recorded at Castle of Doom Studios
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1020:Andy MacFarlane – production, composition
18:2014 studio album by The Twilight Sad
2041:Here, It Never Snowed. Afterwards It Did
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972:"Sometimes I Wished I Could Fall Asleep"
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313:, who also mixed the band's debut album
2087:It Won/t Be Like This All the Time Live
1437:Geslani, Michelle (16 September 2014).
1415:Oliver, Genevieve (16 September 2014).
1108:
818:'s "50 Favourite Albums of 2014" list.
1988:Fourteen Autumns & Fifteen Winters
316:Fourteen Autumns & Fifteen Winters
1532:"It Never Was The Same - Vinyl Delay"
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742:was released to critical acclaim. At
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7:
1848:Ferguson, Brian (7 December 2014).
1777:Greer, Jonathan (20 October 2014).
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2066:Killed My Parents and Hit the Road
2016:It Won/t Be Like This All the Time
1923:Beasley, Corey (2 December 2014).
1627:Swedlund, Eric (31 October 2014).
1239:Johnson, Tom (29 September 2014).
14:
2073:No One Can Ever Know: The Remixes
1901:Buckle, Chris (4 December 2014).
1826:McCleary, Rob (20 October 2014).
1755:Roylance, Ben (29 October 2014).
1708:Le May, Susan (31 October 2014).
1583:Murray, Robin (14 October 2014).
1487:Day, Laurence (20 January 2015).
1288:Taylor, Adam (19 November 2012).
834:The album was longlisted for the
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1870:Adams, Sean (11 December 2014).
1605:Raymond, Max (27 October 2014).
836:Scottish Album of the Year Award
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426:'s website on 10 February 2015.
2119:And She Would Darken the Memory
1733:Monroe, Jazz (1 October 2014).
1212:Monroe, Jazz (6 October 2014).
1039:James Alexander Graham – lyrics
993:James Alexander Graham – vocals
1799:Lucas, Dan (23 October 2014).
1649:Cohen, Ian (24 October 2014).
1338:"The Twilight Sad - New Album"
1261:Keller, Cat (17 August 2012).
873:"There's a Girl in the Corner"
857:
257:is the fourth studio album by
1:
1925:"The Best Indie Rock of 2014"
1677:King, Ian (27 October 2014).
2058:Compilations and live albums
1290:"The Twilight Sad Interview"
1553:Adams, Sean (12 May 2015).
1459:Lee, Ben (6 January 2015).
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220:Released: 15 September 2014
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1698:December 2014 issue, p.117
1093:LP (clear-coloured vinyl)
2162:The Fruit Tree Foundation
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996:Andy MacFarlane – guitars
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229:Released: 9 February 2015
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54:27 October 2014
28:
1036:DLT – artwork and design
2193:The Twilight Sad albums
906:"It Never Was the Same"
831:voted the album at #3.
235:"It Never Was the Same"
2133:Seven Years of Letters
1995:Forget the Night Ahead
1002:Johnny Docherty – bass
917:"Drown So I Can Watch"
842:two years previously.
420:Seven Years of Letters
386:In the interview with
303:Castle of Doom Studios
238:Released: 29 June 2015
78:Castle of Doom Studios
2198:FatCat Records albums
2126:I Became a Prostitute
289:In an interview with
2002:No One Can Ever Know
1130:. CNET Networks, Inc
840:No One Can Ever Know
803:On 7 December 2014,
785:No One Can Ever Know
451:Professional ratings
407:Consequence of Sound
166:No One Can Ever Know
1882:on 17 December 2014
1082:FATCD132; FATLP132
1015:Recording personnel
999:Mark Devine – drums
452:
403:Pretty Much Amazing
1807:on 24 October 2014
1512:. 10 February 2015
746:, which assigns a
450:
446:Critical reception
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2174:
1269:on 13 August 2014
1152:Phares, Heather.
1100:
1099:
1090:30 November 2018
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978:
961:"Leave the House"
950:"Pills I Swallow"
737:
736:
657:(very favourable)
339:Frightened Rabbit
250:
249:
192:
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94:Post-punk revival
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2150:Related articles
2080:Òran Mór Session
2034:The Twilight Sad
1973:The Twilight Sad
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440:Drowned in Sound
375:Òran Mór Session
291:Contactmusic.com
266:The Twilight Sad
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147:Andy MacFarlane
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2012:
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1561:on 15 May 2015
1545:
1534:. 11 June 2015
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1396:. 7 April 2015
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1075:FatCat Records
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884:"Last January"
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424:Brooklyn Vegan
412:Nicola Collins
388:GoldFlakePaint
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331:GoldFlakePaint
286:
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270:FatCat Records
268:, released by
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2094:Òran Mór 2020
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2049:
2048:The Wrong Car
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2024:
2018:
2017:
2013:
2011:
2010:
2006:
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1989:
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1980:Studio albums
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928:"In Nowheres"
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846:Track listing
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479:Review scores
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36:
32:
27:
22:
16:
2092:
2085:
2078:
2071:
2064:
2046:
2039:
2032:
2014:
2008:
2007:
2000:
1993:
1986:
1928:. Retrieved
1918:
1906:. Retrieved
1896:
1884:. Retrieved
1880:the original
1875:
1865:
1853:. Retrieved
1843:
1831:. Retrieved
1821:
1809:. Retrieved
1805:the original
1794:
1782:. Retrieved
1772:
1760:. Retrieved
1750:
1738:. Retrieved
1713:. Retrieved
1703:
1694:
1682:. Retrieved
1672:
1660:. Retrieved
1654:
1644:
1632:. Retrieved
1622:
1610:. Retrieved
1600:
1588:. Retrieved
1563:. Retrieved
1559:the original
1548:
1536:. Retrieved
1526:
1514:. Retrieved
1504:
1492:. Retrieved
1482:
1470:. Retrieved
1464:
1454:
1442:. Retrieved
1432:
1420:. Retrieved
1410:
1398:. Retrieved
1373:. Retrieved
1348:. Retrieved
1341:
1332:
1322:16 September
1320:. Retrieved
1293:. Retrieved
1283:
1271:. Retrieved
1267:the original
1256:
1244:. Retrieved
1217:. Retrieved
1192:. Retrieved
1165:. Retrieved
1155:
1132:. Retrieved
1125:
1063:Catalogue #
850:
833:
826:
819:
810:
806:The Scotsman
804:
802:
789:
783:
777:
767:
762:
757:
751:
739:
738:
700:
662:
650:
612:
600:
578:
540:
528:
432:Robert Smith
428:
416:
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398:
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387:
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373:
368:
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352:
330:
323:
321:
314:
294:
288:
278:
253:
252:
251:
205:
182:
174:
173:
164:
39:Studio album
15:
2188:2014 albums
2157:Discography
1930:18 December
1908:18 December
1886:11 December
1516:11 February
1466:Digital Spy
1219:13 November
828:Pop Matters
652:The Quietus
602:Pop Matters
397:magazine's
367:magazine's
311:Peter Katis
2182:Categories
1855:7 December
1833:24 October
1811:23 October
1784:21 October
1762:29 October
1740:24 October
1715:31 October
1684:27 October
1662:24 October
1634:31 October
1612:27 October
1590:23 October
1494:21 January
1295:24 October
1273:24 October
1167:27 October
1134:7 December
1127:Metacritic
1103:References
1068:Worldwide
1010:Production
821:The Skinny
779:The Skinny
748:normalised
744:Metacritic
664:The Skinny
470:Metacritic
325:The Skinny
285:Background
262:indie rock
155:chronology
98:indie rock
69:Early 2014
58:2014-10-27
1656:Pitchfork
1472:6 January
1444:3 October
1422:3 October
1375:18 August
1350:12 August
1246:1 October
1194:20 August
1096:FATLP132
988:Musicians
799:Accolades
791:Artrocker
591:Pitchfork
359:Instagram
2167:Chvrches
2140:The Room
1162:Allmusic
1051:Country
595:(5.8/10)
585:(8.4/10)
542:musicOMH
493:Allmusic
474:(80/100)
436:The Cure
355:Facebook
343:Chvrches
274:Allmusic
259:Scottish
143:Producer
120:Language
66:Recorded
51:Released
41: by
2104:Singles
1538:13 June
1400:7 April
1343:YouTube
1079:CD, LP
1060:Format
1031:Artwork
983:Credits
809:hailed
774:Spotify
758:The 405
349:Release
307:Glasgow
202:Singles
188:(2015)
179:(2014)
170:(2012)
82:Glasgow
56: (
1565:12 May
1057:Label
865:Length
607:(8/10)
535:(8/10)
487:Rating
484:Source
464:Rating
461:Source
399:Noisey
369:Noisey
357:, and
335:Mogwai
299:Mogwai
136:FatCat
104:Length
74:Studio
1054:Date
862:Title
753:Clash
530:Clash
382:Songs
264:band
204:from
131:Label
89:Genre
1932:2014
1910:2014
1888:2014
1857:2014
1835:2014
1813:2014
1786:2014
1764:2014
1742:2014
1717:2014
1686:2014
1664:2014
1636:2014
1614:2014
1592:2014
1567:2015
1540:2015
1518:2015
1496:2015
1474:2015
1446:2014
1424:2014
1402:2015
1377:2014
1352:2014
1324:2014
1297:2014
1275:2014
1248:2014
1221:2014
1196:2014
1169:2014
1136:2014
975:3:52
964:4:31
953:4:01
942:4:08
931:5:24
920:3:16
909:5:01
898:4:17
887:5:11
876:3:50
395:Vice
364:Vice
2026:EPs
969:10.
858:No.
434:of
305:in
301:'s
2184::
1874:.
1725:^
1653:.
1575:^
1463:.
1385:^
1360:^
1340:.
1305:^
1229:^
1204:^
1177:^
1160:.
1144:^
1124:.
1111:^
958:9.
947:8.
936:7.
925:6.
914:5.
903:4.
892:3.
881:2.
870:1.
414:.
341:,
113:31
109:43
96:,
80:,
2142:"
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2117:"
2114:"
2110:"
1965:e
1958:t
1951:v
1934:.
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1688:.
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1198:.
1171:.
1158:"
1154:"
1138:.
614:Q
111::
60:)
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