272:
26:
405:
263:, it was decided to dedicate the structure to Our Lady of the Missions. The rest of the name refers to the northwestern district of Épinay-sur-Seine, the so-called "Swan of Enghien", in which the church was built. The land upon which it sits was donated by Firmin-Dodot.
239:. The success of Verdier's plan was total; in 1933 the sixtieth construction site was inaugurated, and in 1934 alone seventeen more were opened. In total, 102 churches, including Notre-Dame-des-Missions, were built around Paris before 1940, when the program finished.
254:
expressly for the exhibit, and was dismantled at its end. It was then reconstructed using more durable materials in 1933 in Épinay-sur-Seine; funds for the building's construction were raised through a national subscription spearheaded by
Marshal
377:. It was important that as a group the artists achieved unity of style, and the results of their collaboration comprise one of the most outstanding examples of French ecclesiastical decoration of the 1930s.
674:
259:. The church received its unusual double name from its origins and from the site of its construction; as the colonial exhibition was designed to glorify the evangelization of French colonies by
278:
The architecture of the church is meant to recall the civilizations that were served by the
Christian missions; the building is distinguished from many contemporary works through its use of
204:, decorated by many major artists of the day, and consecrated in 1932, the church is considered one of the most significant examples of modern ecclesiastical design in France.
664:
654:
79:
41:
271:
235:
decided to take the program even further, decreeing that it would be necessary, over the next few years, to construct a hundred churches for the
659:
339:
361:
Many painters, sculptors and glassworkers participated in the decoration of the inside of the church; most of these artists came from the
419:, who illustrated the Christianization of the world after the Resurrection in a series of paintings crafted for the building's side
72:
590:
346:, who had previously worked with Tournon on the bell tower at Saint-Louis. At the top of the tower is a statue of
25:
385:
windows, which depict important figures in the history of evangelization. These are grouped around a figure of
283:
548:
456:
669:
374:
229:
520:
476:
390:
347:
197:
46:
528:
355:
480:
416:
398:
536:
524:
370:
343:
299:
242:
The construction of the church was an outgrowth of an exhibit which had been put together for a 1931
532:
555:
444:
279:
251:
243:
186:
143:
138:
131:
61:
394:
298:
of the church is designed with three roofs at the entrance, superimposed one upon another in the
217:
182:
614:
404:
335:
544:
247:
194:
178:
65:
618:
282:. Its architect, Paul Tournon, had already designed another church in the vicinity, that of
290:. At Notre-Dame-des-Missions, Tournon took his inspiration from the architecture of five
491:. On the left-hand side of the church may be found depictions of the Christianizatin of
492:
468:
378:
256:
175:
648:
641:, Booklet published by the church of Notre-Dame des Missions d'Épinay-sur-Seine, 2005
540:
516:
440:
382:
366:
331:
496:
452:
386:
232:
201:
121:
393:. Among the other notable artists to work on the stained glass in the church were
216:, through which it would build churches in undesirable areas and Christianize the
535:. Eight colossal stone sculptures, which lean against the partition walls of the
287:
319:
260:
558:
on June 14, 1994. As of 2007, restoration work on the structure was ongoing.
94:
81:
460:
311:
291:
116:
295:
451:, on the right side of the church building, was painted by Raymond Virac,
302:
style and decorated with
Chinese ideographs. To these are added recumbent
554:
The church of Notre-Dame-des-Missions-du-Cygne d’Enghien was listed as a
519:
was the most famous artist to contribute to this series; he was aided by
307:
508:
504:
488:
484:
436:
327:
323:
236:
250:. The vault of the structure was constructed as a chapel for Catholic
212:
Beginning in 1925, the
Catholic Church initiated a program called the
432:
424:
420:
412:
362:
315:
221:
338:. The cement sculptures on the bell tower, depicting the four human
512:
472:
464:
448:
447:
was created for the interior by
Georges Desvallières. A series of
351:
303:
225:
190:
500:
428:
591:"Notre-Dame-des-Missions-du-cygne d'Enghien - Epinay-sur-Seine"
427:
in his design, placing them against a map showing the great
403:
270:
547:, a sculptor known for his work in large forms, and of
675:
20th-century Roman
Catholic church buildings in France
551:, each of whom contributed four to the final product.
539:
of the church and which depict the Eight
Blessings of
483:
and
Pauline Peugniez contributed work inspired by the
334:, using a new type of brickwork developed in 1930 by
435:. A panel showing the Christianization of southern
220:around Paris. Most of these churches were built of
157:
149:
137:
127:
115:
110:
71:
57:
52:
40:
35:
18:
381:and his studio realized the design of some of the
326:. The whole facade is covered in blue and white
459:; these celebrate the evangelical work done in
411:Important painters were engaged to create the
369:, who had designed the windows for the nearby
8:
585:
583:
581:
579:
577:
575:
573:
571:
172:Notre-Dame-des-Missions d'Épinay-sur-Seine
168:Notre-Dame-des-Missions-du-cygne d'Enghien
24:
19:Notre-Dame-des-Missions-du-cygne d'Enghien
15:
655:Roman Catholic churches completed in 1932
610:
608:
606:
330:tile in a pattern created by Lorymi and
567:
665:Monuments historiques of ĂŽle-de-France
415:for the church. Chief among these was
7:
621:, Ministère français de la Culture.
423:. He chose to depict various French
14:
637:Marie-Louise Vinel and others,
39:
619:Eglise Notre-Dame-des-Missions
322:is designed in the shape of a
1:
660:Churches in Seine-Saint-Denis
556:Historic Monument of France
691:
389:as Missionary designed by
170:(sometimes referred to as
365:of sacred art founded by
23:
431:and important cities of
639:Notre-Dame des Missions
397:, Marguerite Huré, and
318:-inspired designs. The
408:
275:
73:Geographic coordinates
549:Anne-Marie Roux-Colas
457:Robert-Albert GĂ©nicot
407:
274:
214:Chantiers du Cardinal
371:Notre-Dame du Raincy
354:; it is the work of
344:Carlos Sarrabezolles
95:48.96083°N 2.29750°E
521:Henri-Justin Marret
477:Alphonsus Navarette
445:Charles de Foucauld
391:Jean HĂ©bert-Stevens
375:George Desvallières
342:, were sculpted by
280:reinforced concrete
244:colonial exhibition
218:red-light districts
91: /
543:, are the work of
409:
276:
545:Raymond Delamarre
529:Paul de Laboulaye
471:and that done in
356:Roger de Villiers
248:Bois de Vincennes
195:Seine-Saint-Denis
165:
164:
100:48.96083; 2.29750
66:Seine-Saint-Denis
682:
625:
624:
612:
601:
600:
598:
597:
587:
481:Charles Plessard
417:Henri de Maistre
399:Pauline Peugniez
187:Épinay-sur-Seine
106:
105:
103:
102:
101:
96:
92:
89:
88:
87:
84:
62:Épinay-sur-Seine
28:
16:
690:
689:
685:
684:
683:
681:
680:
679:
645:
644:
634:
629:
628:
622:
613:
604:
595:
593:
589:
588:
569:
564:
525:Valentine Reyre
348:the Virgin Mary
336:Marguerite Huré
269:
210:
181:located in the
99:
97:
93:
90:
85:
82:
80:
78:
77:
31:
12:
11:
5:
688:
686:
678:
677:
672:
667:
662:
657:
647:
646:
643:
642:
633:
630:
627:
626:
602:
566:
565:
563:
560:
533:Georges Ballot
493:ancient Greece
469:Francis Xavier
379:Louis Barillet
350:standing on a
268:
265:
257:Hubert Lyautey
209:
206:
200:. Designed by
176:Roman Catholic
174:) is a French
163:
162:
159:
155:
154:
151:
150:Groundbreaking
147:
146:
141:
135:
134:
129:
125:
124:
119:
113:
112:
108:
107:
75:
69:
68:
59:
55:
54:
50:
49:
47:Roman Catholic
44:
38:
37:
33:
32:
29:
21:
20:
13:
10:
9:
6:
4:
3:
2:
687:
676:
673:
671:
670:Stained glass
668:
666:
663:
661:
658:
656:
653:
652:
650:
640:
636:
635:
631:
620:
616:
611:
609:
607:
603:
592:
586:
584:
582:
580:
578:
576:
574:
572:
568:
561:
559:
557:
552:
550:
546:
542:
541:Saint Matthew
538:
534:
530:
526:
522:
518:
517:Maurice Denis
514:
510:
506:
502:
498:
494:
490:
486:
482:
478:
474:
470:
466:
462:
458:
454:
450:
446:
442:
441:Sahara Desert
438:
434:
430:
426:
422:
418:
414:
406:
402:
400:
396:
392:
388:
384:
383:stained glass
380:
376:
372:
368:
367:Maurice Denis
364:
359:
357:
353:
349:
345:
341:
337:
333:
332:Raymond Virac
329:
325:
321:
317:
314:objects, and
313:
309:
305:
301:
297:
293:
289:
285:
281:
273:
266:
264:
262:
258:
253:
249:
245:
240:
238:
234:
231:
227:
223:
219:
215:
207:
205:
203:
199:
196:
192:
188:
184:
180:
177:
173:
169:
160:
156:
152:
148:
145:
142:
140:
136:
133:
130:
126:
123:
120:
118:
114:
109:
104:
76:
74:
70:
67:
63:
60:
56:
51:
48:
45:
43:
34:
27:
22:
17:
638:
632:Bibliography
615:Base Mérimée
594:. Retrieved
553:
513:Slavic world
497:ancient Rome
487:missions of
453:Lucien Simon
410:
360:
277:
261:missionaries
241:
233:Jean Verdier
213:
211:
202:Paul Tournon
171:
167:
166:
122:Paul Tournon
117:Architect(s)
111:Architecture
30:Façade, 2007
623:(in French)
439:and of the
395:André Rinuy
312:fetishistic
288:Villemomble
284:Saint-Louis
228:. In 1930,
193:and in the
98: /
42:Affiliation
649:Categories
596:2008-07-01
562:References
511:, and the
320:bell tower
292:continents
198:department
83:48°57′39″N
461:Indochina
373:, and of
310:figures,
158:Completed
86:2°17′51″E
308:Buddhist
252:missions
230:Cardinal
58:Location
53:Location
36:Religion
509:Germany
505:England
489:Columba
437:Algeria
425:martyrs
421:chapels
413:frescos
363:studios
328:ceramic
324:minaret
316:African
300:Chinese
246:in the
237:diocese
208:History
189:, near
183:commune
537:vaults
531:, and
455:, and
449:murals
433:Canada
387:Christ
304:angels
296:façade
294:. The
267:Design
222:cement
179:church
144:modern
132:church
485:Irish
473:Japan
465:India
429:lakes
352:globe
340:races
226:brick
191:Paris
139:Style
501:Gaul
463:and
224:and
161:1932
153:1932
128:Type
475:by
467:by
443:by
286:in
185:of
651::
617::
605:^
570:^
527:,
523:,
515:.
507:,
503:,
499:,
495:,
479:.
401:.
358:.
306:,
64:,
599:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.