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Notre-Dame-des-Missions-du-cygne d'Enghien

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272: 26: 405: 263:, it was decided to dedicate the structure to Our Lady of the Missions. The rest of the name refers to the northwestern district of Épinay-sur-Seine, the so-called "Swan of Enghien", in which the church was built. The land upon which it sits was donated by Firmin-Dodot. 239:. The success of Verdier's plan was total; in 1933 the sixtieth construction site was inaugurated, and in 1934 alone seventeen more were opened. In total, 102 churches, including Notre-Dame-des-Missions, were built around Paris before 1940, when the program finished. 254:
expressly for the exhibit, and was dismantled at its end. It was then reconstructed using more durable materials in 1933 in Épinay-sur-Seine; funds for the building's construction were raised through a national subscription spearheaded by Marshal
377:. It was important that as a group the artists achieved unity of style, and the results of their collaboration comprise one of the most outstanding examples of French ecclesiastical decoration of the 1930s. 674: 259:. The church received its unusual double name from its origins and from the site of its construction; as the colonial exhibition was designed to glorify the evangelization of French colonies by 278:
The architecture of the church is meant to recall the civilizations that were served by the Christian missions; the building is distinguished from many contemporary works through its use of
204:, decorated by many major artists of the day, and consecrated in 1932, the church is considered one of the most significant examples of modern ecclesiastical design in France. 664: 654: 79: 41: 271: 235:
decided to take the program even further, decreeing that it would be necessary, over the next few years, to construct a hundred churches for the
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Many painters, sculptors and glassworkers participated in the decoration of the inside of the church; most of these artists came from the
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windows, which depict important figures in the history of evangelization. These are grouped around a figure of
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The construction of the church was an outgrowth of an exhibit which had been put together for a 1931
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of the church is designed with three roofs at the entrance, superimposed one upon another in the
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on June 14, 1994. As of 2007, restoration work on the structure was ongoing.
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style and decorated with Chinese ideographs. To these are added recumbent
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The church of Notre-Dame-des-Missions-du-Cygne d’Enghien was listed as a
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was the most famous artist to contribute to this series; he was aided by
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Beginning in 1925, the Catholic Church initiated a program called the
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was created for the interior by Georges Desvallières. A series of
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in his design, placing them against a map showing the great
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20th-century Roman Catholic church buildings in France
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of the church and which depict the Eight Blessings of
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and Pauline Peugniez contributed work inspired by the
334:, using a new type of brickwork developed in 1930 by 435:. A panel showing the Christianization of southern 220:around Paris. Most of these churches were built of 157: 149: 137: 127: 115: 110: 71: 57: 52: 40: 35: 18: 381:and his studio realized the design of some of the 326:. The whole facade is covered in blue and white 459:; these celebrate the evangelical work done in 411:Important painters were engaged to create the 369:, who had designed the windows for the nearby 8: 585: 583: 581: 579: 577: 575: 573: 571: 172:Notre-Dame-des-Missions d'Épinay-sur-Seine 168:Notre-Dame-des-Missions-du-cygne d'Enghien 24: 19:Notre-Dame-des-Missions-du-cygne d'Enghien 15: 655:Roman Catholic churches completed in 1932 610: 608: 606: 330:tile in a pattern created by Lorymi and 567: 665:Monuments historiques of ĂŽle-de-France 415:for the church. Chief among these was 7: 621:, Ministère français de la Culture. 423:. He chose to depict various French 14: 637:Marie-Louise Vinel and others, 39: 619:Eglise Notre-Dame-des-Missions 322:is designed in the shape of a 1: 660:Churches in Seine-Saint-Denis 556:Historic Monument of France 691: 389:as Missionary designed by 170:(sometimes referred to as 365:of sacred art founded by 23: 431:and important cities of 639:Notre-Dame des Missions 397:, Marguerite HurĂ©, and 318:-inspired designs. The 408: 275: 73:Geographic coordinates 549:Anne-Marie Roux-Colas 457:Robert-Albert GĂ©nicot 407: 274: 214:Chantiers du Cardinal 371:Notre-Dame du Raincy 354:; it is the work of 344:Carlos Sarrabezolles 95:48.96083°N 2.29750°E 521:Henri-Justin Marret 477:Alphonsus Navarette 445:Charles de Foucauld 391:Jean HĂ©bert-Stevens 375:George Desvallières 342:, were sculpted by 280:reinforced concrete 244:colonial exhibition 218:red-light districts 91: /  543:, are the work of 409: 276: 545:Raymond Delamarre 529:Paul de Laboulaye 471:and that done in 356:Roger de Villiers 248:Bois de Vincennes 195:Seine-Saint-Denis 165: 164: 100:48.96083; 2.29750 66:Seine-Saint-Denis 682: 625: 624: 612: 601: 600: 598: 597: 587: 481:Charles Plessard 417:Henri de Maistre 399:Pauline Peugniez 187:Épinay-sur-Seine 106: 105: 103: 102: 101: 96: 92: 89: 88: 87: 84: 62:Épinay-sur-Seine 28: 16: 690: 689: 685: 684: 683: 681: 680: 679: 645: 644: 634: 629: 628: 622: 613: 604: 595: 593: 589: 588: 569: 564: 525:Valentine Reyre 348:the Virgin Mary 336:Marguerite HurĂ© 269: 210: 181:located in the 99: 97: 93: 90: 85: 82: 80: 78: 77: 31: 12: 11: 5: 688: 686: 678: 677: 672: 667: 662: 657: 647: 646: 643: 642: 633: 630: 627: 626: 602: 566: 565: 563: 560: 533:Georges Ballot 493:ancient Greece 469:Francis Xavier 379:Louis Barillet 350:standing on a 268: 265: 257:Hubert Lyautey 209: 206: 200:. Designed by 176:Roman Catholic 174:) is a French 163: 162: 159: 155: 154: 151: 150:Groundbreaking 147: 146: 141: 135: 134: 129: 125: 124: 119: 113: 112: 108: 107: 75: 69: 68: 59: 55: 54: 50: 49: 47:Roman Catholic 44: 38: 37: 33: 32: 29: 21: 20: 13: 10: 9: 6: 4: 3: 2: 687: 676: 673: 671: 670:Stained glass 668: 666: 663: 661: 658: 656: 653: 652: 650: 640: 636: 635: 631: 620: 616: 611: 609: 607: 603: 592: 586: 584: 582: 580: 578: 576: 574: 572: 568: 561: 559: 557: 552: 550: 546: 542: 541:Saint Matthew 538: 534: 530: 526: 522: 518: 517:Maurice Denis 514: 510: 506: 502: 498: 494: 490: 486: 482: 478: 474: 470: 466: 462: 458: 454: 450: 446: 442: 441:Sahara Desert 438: 434: 430: 426: 422: 418: 414: 406: 402: 400: 396: 392: 388: 384: 383:stained glass 380: 376: 372: 368: 367:Maurice Denis 364: 359: 357: 353: 349: 345: 341: 337: 333: 332:Raymond Virac 329: 325: 321: 317: 314:objects, and 313: 309: 305: 301: 297: 293: 289: 285: 281: 273: 266: 264: 262: 258: 253: 249: 245: 240: 238: 234: 231: 227: 223: 219: 215: 207: 205: 203: 199: 196: 192: 188: 184: 180: 177: 173: 169: 160: 156: 152: 148: 145: 142: 140: 136: 133: 130: 126: 123: 120: 118: 114: 109: 104: 76: 74: 70: 67: 63: 60: 56: 51: 48: 45: 43: 34: 27: 22: 17: 638: 632:Bibliography 615:Base MĂ©rimĂ©e 594:. Retrieved 553: 513:Slavic world 497:ancient Rome 487:missions of 453:Lucien Simon 410: 360: 277: 261:missionaries 241: 233:Jean Verdier 213: 211: 202:Paul Tournon 171: 167: 166: 122:Paul Tournon 117:Architect(s) 111:Architecture 30:Façade, 2007 623:(in French) 439:and of the 395:AndrĂ© Rinuy 312:fetishistic 288:Villemomble 284:Saint-Louis 228:. In 1930, 193:and in the 98: / 42:Affiliation 649:Categories 596:2008-07-01 562:References 511:, and the 320:bell tower 292:continents 198:department 83:48°57′39″N 461:Indochina 373:, and of 310:figures, 158:Completed 86:2°17′51″E 308:Buddhist 252:missions 230:Cardinal 58:Location 53:Location 36:Religion 509:Germany 505:England 489:Columba 437:Algeria 425:martyrs 421:chapels 413:frescos 363:studios 328:ceramic 324:minaret 316:African 300:Chinese 246:in the 237:diocese 208:History 189:, near 183:commune 537:vaults 531:, and 455:, and 449:murals 433:Canada 387:Christ 304:angels 296:façade 294:. The 267:Design 222:cement 179:church 144:modern 132:church 485:Irish 473:Japan 465:India 429:lakes 352:globe 340:races 226:brick 191:Paris 139:Style 501:Gaul 463:and 224:and 161:1932 153:1932 128:Type 475:by 467:by 443:by 286:in 185:of 651:: 617:: 605:^ 570:^ 527:, 523:, 515:. 507:, 503:, 499:, 495:, 479:. 401:. 358:. 306:, 64:, 599:.

Index


Affiliation
Roman Catholic
Épinay-sur-Seine
Seine-Saint-Denis
Geographic coordinates
48°57′39″N 2°17′51″E / 48.96083°N 2.29750°E / 48.96083; 2.29750
Architect(s)
Paul Tournon
church
Style
modern
Roman Catholic
church
commune
Épinay-sur-Seine
Paris
Seine-Saint-Denis
department
Paul Tournon
red-light districts
cement
brick
Cardinal
Jean Verdier
diocese
colonial exhibition
Bois de Vincennes
missions
Hubert Lyautey

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