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other, but Olalla urges the man to leave at once, keeping her always in his memory. He refuses, and during the night, he breaks his window trying distractedly to open it. The shattering glass cuts his wrist and he applies to Olalla's mother for help. At the sight of his wound, she leaps upon him and bites into his arm. Felipe arrives in time to wrestle his mother away from our hero and Olalla tends to his injuries.
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107:. There is a once-proud family of failing nobility, a lonely home in a mountain setting and a preoccupation with death and decay. Stevenson also focuses on the subject of heredity, demonstrated by a family portrait to which Olalla bears an uncanny resemblance. This was a very popular Gothic device, famously employed by
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when he meets Olalla for the last time. She tells him, "We are all such as He," and states that there is a "sparkle of the divine" in all human beings. "Like Him," she says, "we must endure for a little while, until morning returns bringing peace." At this, the narrator departs, looking back but once
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of Olalla and her mother and their deeper voices. However, this interpretation is ambiguous. Many vampires in fiction for example cannot go out in the day, but that's not true of all--Carmilla in the Le Fanu story can go out in the day. This story touches little on these conventions, but then those
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Some time passes without sight of Olalla and when she finally appears, our hero falls desperately in love with her, and she with him. He recognizes an extraordinary intellect in the girl and expresses a desire to take her away from the decaying home of her kinsmen. They profess their love for each
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The story is told in first person by a nameless
Scottish soldier. He is recovering from his wounds in a Spanish hospital, where his doctor suggests he take up temporary residence with a local family, but with their stipulation that he remain a stranger to them. The once-noble family consists of a
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The scene in which the
Scotsman has deeply cut his hand and is attacked in a hysterical blood-drinking fashion by Olalla's mother does indeed ring of vampirism. However, the story makes clear that the narrator regards this as the basest of animal behaviour and does not ascribe any
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mother, a son (Felipe), and a daughter (Olalla). The
Scotsman is welcomed by the son and begins to develop a casual friendliness with the mother. Both are described as "stupid" and "slothful" but the narrator emphasizes the simple pleasure of their company.
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The story is based on a dream that
Stevenson had and in his 1888 essay "A Chapter on Dreams" he describes the difficulties he had in fitting his vision into a narrative framework. Stevenson wrote the story at the same time as he was proofing
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He leaves the residence very shortly thereafter, but lingers in the nearby town. He is sitting on a hill beside an
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Works originally published in The Court and
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224:12 November
34:short story
779:Categories
720:Mount Vaea
671:Underwoods
197:References
430:Kidnapped
115:" and by
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470:Catriona
191:LibriVox
157:causes.
146:red hair
113:Carmilla
30:"Olalla"
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142:vampire
119:in the
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655:Poetry
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169:Olalla
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